{"title":"Blackmagic Promoted","description":"","products":[{"product_id":"blackmagic-atem-1-m-e-advanced-panel-11","title":"Blackmagic ATEM 1 M\/E Advanced Panel 10","description":"\u003ch2\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel Overview\u003c\/h2\u003e    \u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel\u003c\/strong\u003e is a full-featured hardware control panel for BMD ATEM switchers. It connects via Ethernet and provides hands-on tactile control, essential for broadcast studios. An LCD information display surrounded by soft-touch menu buttons and rotary encoders allows for intuitive programming of control functions. Aside from the main display, each programmable button has an LCD scribble strip to illustrate its function. Since buttons can perform different functions, up to 20 inputs can be accessed by shifting the 10 input buttons. The buttons themselves have curved indentations to help avoid incorrect keystrokes. Real-time dynamic controls are available in the form of a single 3-axis joystick and large weighted T-bar fader. Use the joystick to remotely control PTZ cameras or effects, and the T-bar to adjust transitions, wipes, fades, and more.\u003c\/p\u003e    \u003cp\u003eAt the rear of the unit are dual Ethernet connections, a USB port for firmware updates, and power inputs. Use the IEC input for connecting to mains power, and the 4-pin XLR 12V input for DC power supplies. The panel's chassis is sized small enough to fit in a standard equipment rack, allowing it to be implemented in broadcast trucks and fly-away kits.\u003c\/p\u003e    \u003cp\u003eSwitching Features\u003c\/p\u003e    \u003cul\u003e\n\u003cli\u003e10 direct crosspoints\u003c\/li\u003e\n\u003cli\u003e20 shifted crosspoints\u003c\/li\u003e\n\u003cli\u003eTri-color LED crosspoint buttons with 3-row, 24-character LCD scribble strips\u003c\/li\u003e\n\u003cli\u003e4 on-air indicators\u003c\/li\u003e\n\u003cli\u003eAuto, cut, tie\/preview DSK transition selectors\u003c\/li\u003e\n\u003cli\u003e3 LCD menu displays\u003c\/li\u003e\n\u003cli\u003e20-button menu control\u003c\/li\u003e\n\u003cli\u003e1 destination bus\u003c\/li\u003e\n\u003cli\u003e1 source select bus\u003c\/li\u003e\n\u003cli\u003eWeighted T-bar fader\u003c\/li\u003e\n\u003cli\u003e3-axis joystick\u003c\/li\u003e\n\u003cli\u003eNumeric keypad\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270832445,"sku":"BLA-SWPANELADV1ME10","price":56913.21,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d861c6f95eebf57c629415b6a67eda94.png?v=1773556712"},{"product_id":"blackmagic-atem-1-m-e-constellation-4k","title":"Blackmagic ATEM 1 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 1 M\/E Constellation UHD 4K Live Production Switcher\u003c\/strong\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 10 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to six 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232157.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232165.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232161.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 1 M\/E model can hold 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232167.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232159.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 10 multi-rate 12G-SDI connections, the ATEM 1 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232166.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232158.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232162.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270865213,"sku":"BLA-SWATEMSCN2\/2ME1\/4K","price":31478.64,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e1e5a5ca3dd8f52fe2db29214ad4c8d7.png?v=1773556720"},{"product_id":"blackmagic-atem-2-m-e-constellation-4k","title":"Blackmagic ATEM 2 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Constellation UHD 4K Live Production Switcher\u003c\/strong\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 20 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to 12 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232169.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232177.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232172.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSuperSource\u003c\/p\u003e    \u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation UHD 4K as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232173.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232179.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232171.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 20 multi-rate 12G-SDI connections, the ATEM 2 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232178.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232170.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232174.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499271979325,"sku":"BLA-SWATEMSCN2\/2ME2\/4K","price":66481.98,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cae9071de3e2194aef2bb1f84486b643.png?v=1773556728"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-20","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 20","description":"\u003cp\u003eControl your BMD ATEM switcher with the \u003cstrong\u003eATEM 1 M\/E Advanced Panel 20\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and two independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003c\/p\u003e    \u003cp\u003eThe unit features a wide array of color backlit buttons, including 20 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003c\/p\u003e    \u003cp\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. The compact panel design allows the unit to fit in standard equipment racks, so that it may be easily integrated in fly-away kits or broadcast trucks.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSwitching Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e20 direct crosspoints\u003c\/li\u003e   \u003cli\u003e40 shifted crosspoints\u003c\/li\u003e   \u003cli\u003eTri-color LED crosspoint buttons\u003c\/li\u003e   \u003cli\u003e2 LCD menu displays\u003c\/li\u003e   \u003cli\u003e1 destination bus\u003c\/li\u003e   \u003cli\u003e1 source select bus\u003c\/li\u003e   \u003cli\u003eNumeric keypad\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272831293,"sku":"BLA-SWPANELADV1ME20","price":72066.63,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/add58cf03812a881530eb2338536eb0d.png?v=1773556845"},{"product_id":"blackmagic-design-atem-mini-extreme-1","title":"Blackmagic Design ATEM Mini Extreme","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Mini Extreme\u003c\/strong\u003e is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e    \u003ch4\u003eStream Live\u003c\/h4\u003e    \u003cp\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003c\/p\u003e    \u003ch4\u003eControl Interface\u003c\/h4\u003e    \u003cp\u003eThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI \"AUX\" output for program video.\u003c\/p\u003e    \u003ch4\u003eOutput\u003c\/h4\u003e    \u003cp\u003eYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e    \u003ch4\u003e4G and 5G Phone Support\u003c\/h4\u003e    \u003cp\u003eIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.\u003c\/p\u003e    \u003ch4\u003eMultiview Monitoring\u003c\/h4\u003e    \u003cp\u003eYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003c\/p\u003e    \u003ch4\u003eCamera Control\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.\u003c\/p\u003e    \u003ch4\u003eMedia Pool\u003c\/h4\u003e    \u003cp\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003c\/p\u003e    \u003ch4\u003eCompatibility\u003c\/h4\u003e    \u003cp\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/p\u003e    \u003ch4\u003eRecording\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e    \u003ch4\u003eVideo Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.\u003c\/p\u003e    \u003ch4\u003eBroadcast Features\u003c\/h4\u003e    \u003cp\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e    \u003ch3\u003ekey features\u003c\/h3\u003e    \u003ch4\u003eFeatures\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e8-Channel HDMI Live Streaming Switcher\u003c\/li\u003e   \u003cli\u003eSupports up to 1080p60\u003c\/li\u003e   \u003cli\u003eRTMP Streaming via Ethernet or USB-C\u003c\/li\u003e   \u003cli\u003eRecord Program Out\u003c\/li\u003e   \u003cli\u003e11-Input, 2-Channel Audio Mixer\u003c\/li\u003e   \u003cli\u003eInput Frame Rate and Format Converter\u003c\/li\u003e   \u003cli\u003eRe-Sync on All HDMI Inputs\u003c\/li\u003e   \u003cli\u003eHD Multiview Output with up to 16 Views\u003c\/li\u003e   \u003cli\u003eLocal and Software Switching\u003c\/li\u003e   \u003cli\u003e4 x Upstream, 2 x Downstream Keyers\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273257277,"sku":"BLA-SWATEMMINICEXT","price":17452.38,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7c5f686e0ff964f7bfa0971c56c93666.png?v=1773556923"},{"product_id":"blackmagic-design-atem-mini-pro-1","title":"Blackmagic Design ATEM Mini Pro","description":"\u003cp\u003eSimilar to its predecessor, the ATEM Mini, the \u003cstrong\u003eATEM Mini Pro\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003cbr\u003e  \u003cbr\u003e  The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB Type-C or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003cbr\u003e  \u003cbr\u003e  The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273322813,"sku":"BLA-SWATEMMINIBPR","price":5213.58,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cecdbe639492dfdd68a2701207ed3fe5.png?v=1773556937"},{"product_id":"blackmagic-design-atem-sdi-extreme-iso-1","title":"Blackmagic Design ATEM SDI Extreme ISO","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM SDI Extreme ISO Switcher\u003c\/strong\u003e is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent 3G-SDI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has four 3G-SDI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273355581,"sku":"BLA-SWATEMMXEPCEXTISO","price":26228.79,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f5dfcad0c982ddd89d7e091dc1841b58.png?v=1773556948"},{"product_id":"blackmagic-design-atem-television-studio-4k8-1","title":"Blackmagic Design ATEM Television Studio 4K8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio 4K8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 12G-SDI inputs that support up to UHD 4K60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003ch4\u003eLive Production\u003c\/h4\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 sources. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch4\u003eDistribution\u003c\/h4\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch4\u003eProduction Switcher Control\u003c\/h4\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003ch4\u003eEasy Setup and Usage\u003c\/h4\u003e    \u003ch4\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/h4\u003e    \u003ch4\u003eRedesigned Front Panel\u003c\/h4\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control and a three-axis joystick. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch4\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch4\u003eAdd Exciting Video Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch4\u003eCreative Transitions\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch4\u003eBuilt-In DVE\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch4\u003eSupports Internal Media\u003c\/h4\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD, and 90 frames in UHD 4K. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch4\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch4\u003eSuperSource Processing\u003c\/h4\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch4\u003e8 Standards-Converted 12G-SDI Inputs\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 12G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any input source to the HD or UHD video standard of the switcher. You could have each switcher's SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch4\u003e12G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio includes twelve 12G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an onscreen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 12G-SDI and HDMI 2.0 output for the multiview.\u003c\/p\u003e    \u003ch4\u003e16-Source Multiview on a Single Monitor\u003c\/h4\u003e    \u003ch4\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/h4\u003e    \u003ch4\u003eAdd Audio Expansion for More Microphones\u003c\/h4\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch4\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003ch4\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h4\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003ch4\u003eIncludes Free ATEM Software Control Panel\u003c\/h4\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch4\u003eLocalized for 13 Popular Languages\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch4\u003eFlexible and Redundant Power\u003c\/h4\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003ch4\u003eDesigned to Be Easy to Repair\u003c\/h4\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 12 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003ch4\u003eApplications\u003c\/h4\u003e    \u003ch5\u003eCompact Broadcast Vans\u003c\/h5\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003ch5\u003eMusic Venues and Clubs\u003c\/h5\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003ch5\u003eOnline Education\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for creating educational content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003ch5\u003eLive Sports\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e    \u003cul\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273617725,"sku":"BLA-SWATEMTVSTC\/K4K8","price":108567.27,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5eb36807fae9d17456a3453b52425778.png?v=1773556975"},{"product_id":"blackmagic-design-atem-television-studio-hd8-1","title":"Blackmagic Design ATEM Television Studio HD8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio HD8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eLive Production\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946956.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946953.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDistribution\u003c\/p\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003cp\u003eProduction Switcher Control\u003c\/p\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003cp\u003eEasy Setup and Usage\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946959.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/p\u003e    \u003cp\u003eRedesigned Front Panel\u003c\/p\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003cp\u003eBroadcast-Style Mix\/Effects Switching\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946961.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003cp\u003eAdd Exciting Video Effects\u003c\/p\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003cp\u003eCreative Transitions\u003c\/p\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946958.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003cp\u003eSupports Internal Media\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946960.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003cp\u003eSuperSource Processing\u003c\/p\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003cp\u003e8 Standards Converted 3G-SDI Inputs\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003cp\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003cp\u003e16-Source Multiview on a Single Monitor\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946954.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003cp\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946957.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003cp\u003eOutputs to Any Software that Supports USB Webcams\u003c\/p\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003cp\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946963.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003cp\u003eFlexible and Redundant Power\u003c\/p\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003cp\u003eDesigned to Be Easy to Repair\u003c\/p\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003cp\u003eApplications\u003c\/p\u003e    \u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003cp\u003eOnline Education\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003cp\u003eLive Sports\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273716029,"sku":"BLA-SWATEMTVSTA\/HD08","price":58657.89,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6faf0dc3c326e0ef393503f17630d16d.jpg?v=1773556985"},{"product_id":"blackmagic-design-atem-television-studio-hd8-iso-1","title":"Blackmagic Design ATEM Television Studio HD8 ISO","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. It includes all the features you'd need for studio operation, including talkback compatibility, GPI and tally interfaces, timecode, MADI input that support up to 32 input channels and 64 output channels for use with external switchers; input audio can be mapped to any of the eight SDI outputs as well as analog audio input and output.\u003c\/p\u003e    \u003cp\u003eThe HD8 features built-in live streaming, and it can connect to the Blackmagic Cloud to share your program for a smooth remote workflow. It also features redundant Ethernet and power to keep your production going if one connection is lost. Two USB-C connectors are available for use as either a webcam, when connected to a computer, or you can utilize an external disk for recording your program.\u003c\/p\u003e    \u003ch5\u003eLive Production\u003c\/h5\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch5\u003ePostproduction\u003c\/h5\u003e    \u003cp\u003eThe ISO model records all inputs into separate files, so you can edit using any NLE that supports multicam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate.\u003c\/p\u003e    \u003ch5\u003eDistribution\u003c\/h5\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch5\u003eProduction Switcher Control\u003c\/h5\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features\u003c\/p\u003e    \u003ch5\u003eEasy Setup and Usage\u003c\/h5\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results.\u003c\/p\u003e    \u003ch5\u003eRedesigned Front Panel\u003c\/h5\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch5\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch5\u003eAdd Exciting Video Effects\u003c\/h5\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch5\u003eCreative Transitions\u003c\/h5\u003e    \u003cp\u003eTEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch5\u003eBuilt in DVE\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch5\u003eSupports Internal Media\u003c\/h5\u003e    \u003cp\u003eThe built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch5\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch5\u003eSuperSource Processing\u003c\/h5\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch5\u003e8 Standards Converted 3G-SDI Inputs\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch5\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live switched using dedicated buttons on the control panel. Aux 1 even includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003ch5\u003e16-Source Multiview on a Single Monitor\u003c\/h5\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003ch5\u003eAdd Audio Expansion for More Microphones\u003c\/h5\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch5\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, color correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview.\u003c\/p\u003e    \u003ch5\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h5\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.\u003c\/p\u003e    \u003ch5\u003eIncludes Free ATEM Software Control Panel\u003c\/h5\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, color correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch5\u003eLocalized for 13 Popular Languages\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch5\u003eFlexible and Redundant Power\u003c\/h5\u003e    \u003cp\u003eThe all in one design of ATEM Television Studio includes a built in power supply so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12 VDC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. 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Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via six 3G-SDI BNC outputs or a webcam output via USB Type-C. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. 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Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eATEM Constellation HD is the world's first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. 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