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An LCD information display surrounded by soft-touch menu buttons and rotary encoders allows for intuitive programming of control functions. Aside from the main display, each programmable button has an LCD scribble strip to illustrate its function. Since buttons can perform different functions, up to 20 inputs can be accessed by shifting the 10 input buttons. The buttons themselves have curved indentations to help avoid incorrect keystrokes. Real-time dynamic controls are available in the form of a single 3-axis joystick and large weighted T-bar fader. Use the joystick to remotely control PTZ cameras or effects, and the T-bar to adjust transitions, wipes, fades, and more.\u003c\/p\u003e    \u003cp\u003eAt the rear of the unit are dual Ethernet connections, a USB port for firmware updates, and power inputs. Use the IEC input for connecting to mains power, and the 4-pin XLR 12V input for DC power supplies. 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All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232165.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232161.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 1 M\/E model can hold 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232167.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232159.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 10 multi-rate 12G-SDI connections, the ATEM 1 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232166.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232158.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232162.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270865213,"sku":"BLA-SWATEMSCN2\/2ME1\/4K","price":31478.64,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/17085711160881190c713ea2cbc64182.png?v=1773556716"},{"product_id":"blackmagic-atem-2-m-e-constellation-4k","title":"Blackmagic ATEM 2 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Constellation UHD 4K Live Production Switcher\u003c\/strong\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 20 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to 12 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232169.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232177.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232172.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSuperSource\u003c\/p\u003e    \u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation UHD 4K as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232173.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232179.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232171.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 20 multi-rate 12G-SDI connections, the ATEM 2 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232178.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232170.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232174.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499271979325,"sku":"BLA-SWATEMSCN2\/2ME2\/4K","price":66481.98,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5b5e936dc041707cb821a675cc3cddbd.png?v=1773556723"},{"product_id":"blackmagic-atem-2-m-e-constellation-hd-1","title":"Blackmagic ATEM 2 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 20 individual 3G\/HD-SDI inputs built into a 1 RU chassis, is at hand with the \u003cb\u003eBlackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher\u003c\/b\u003e. Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 12 3G-SDI BNC outputs or a webcam output via USB-C. In addition, the switcher has two multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 48 channels of audio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038671.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038663.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e\u003cp\u003eSuperSource\u003c\/p\u003e\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038664.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038668.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038670.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cp\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get eight ATEM Advanced Keyers on the 2 M\/E model.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038672.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUpstream Chroma Keyers\u003c\/p\u003e\u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 2 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/p\u003e\u003cp\u003eMulti-Rate 3G-SDI Input\u003c\/p\u003e\u003cp\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\u003cp\u003eAudio\u003c\/p\u003e\u003cp\u003eATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038669.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038661.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSupports Optional Control Panels\u003c\/p\u003e\u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. 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The Cloud Backup 8 also syncs to the Blackmagic Cloud for backing up collaborative projects in DaVinci Resolve. When the drives are full, they may be removed and replaced with new ones for increased storage. The Cloud Backup 8 is equipped with four 10Gb Ethernet ports, a 5 Gb\/s USB-C 3.2 Gen 1 port that also supports Ethernet, and an HDMI output for real time monitoring. Compatible with Windows and Mac, this unit features a rackmount form factor and has no associated subscription costs.\u003c\/p\u003e\u003cp\u003eBack Up and Share Your Media to Hard Disks\u003c\/p\u003e\u003cp\u003eThe Blackmagic Cloud Backup 8 lets you use inexpensive computer hard drives to back up your media files. It even syncs to Blackmagic Cloud for backing up collaborative projects in DaVinci Resolve. Each hard disk slot is totally independent, so you can mount up to 8 backup disks simultaneously. Then, when full, you can unplug the disks and you can replace them with new, blank ones to increase your archive storage capacity. You also get 4 x 10Gb Ethernet ports to keep up with fast, high-capacity hard disks. Hard disks offer the lowest cost per TB of storage and are fast, making them ideal for archiving older projects. Plus, there's an HDMI monitor output that shows storage status.\u003c\/p\u003e\u003cp\u003eDesigned for Film and Television\u003c\/p\u003e\u003cp\u003eBlackmagic Cloud Backup 8 is an ideal solution for post-production workflows where you have completed projects that require fast archiving to low cost storage. It's great for creating replay archives, as media files can become large when recording multiple ISO channels. You can even use it for education to manage numerous student media projects. Plus there's a security bar included so you can lock the disks and prevent their removal. Modern hard disks are so fast they can also be used as primary storage, not just for archiving purposes! Additionally, you can archive projects from Blackmagic Cloud, ensuring a live backup that continuously syncs to your project while you edit!\u003c\/p\u003e\u003cp\u003eRackmount Design\u003c\/p\u003e\u003cp\u003eBlackmagic Cloud Backup 8 features a rackmount design, making it an ideal choice for installation in a studio alongside other network equipment or even for camera backups in a DIT cart on set. This ensures you always have a second backup to keep your camera files safe. You get 8 independent hard disk slots, with all disks available simultaneously over the network. Plus, there's a built-in 4-port 10Gb Ethernet switch for high performance. There's also an HDMI output to watch a live graphic view of storage operations on a TV or monitor. 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It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronized in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e    \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e    \u003cp\u003eUnlike IT industry storage products that are rack mounted and have loud cooling fans, the Blackmagic Cloud Store has an elegant vertical design that's portable. It's also whisper quiet so it can be used on location. Internally, it has an array of flash memory cards working in parallel for speed and data protection. There are also two redundant power supplies. The four 10G Ethernet ports operate as a switch so you can connect four separate computers, or they work together using \"link aggregation\" for a massive 40G Ethernet speed. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. It can even be maintained and repaired!\u003c\/p\u003e    \u003ch5\u003eUSB Type-C Ingest\u003c\/h5\u003e    \u003cp\u003eThe USB Type-C ingest port will automatically load from any disk plugged in. It's fully automatic and you simply plug in a USB media dock or a USB disk. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e    \u003ch5\u003eUSB Type-C Backup\u003c\/h5\u003e    \u003cp\u003eThis USB Type-C port will automatically backup cloud store files to any USB disk plugged into the port. It's a low cost way to protect your critical files. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e    \u003ch5\u003eHDMI Monitor Output\u003c\/h5\u003e    \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Store in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e    \u003ch5\u003e1G Ethernet\u003c\/h5\u003e    \u003cp\u003eThe two 1G Ethernet connections are provided for slower connections, such as the internet or slower computers. They are part of the built- in Ethernet switch and help keep the faster 10G ports free.\u003c\/p\u003e    \u003ch5\u003e10G Ethernet\u003c\/h5\u003e    \u003cp\u003eThe 10G Ethernet ports allow four separate computers to be connected. That's great for mobile use, as the 10G Ethernet switch is built in. Plus, all four connections can work together as a 40G Ethernet link.\u003c\/p\u003e    \u003ch5\u003eAC Power\u003c\/h5\u003e    \u003cp\u003eA standard IEC power socket is used for connecting AC power. All international AC voltages are supported, so you can use it globally. Plus, there are two internal power supplies allowing full redundancy.\u003c\/p\u003e    \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store is available with 20TB of flash memory, so you have lots of space for your business files and video media. With video as the standard for information delivery in business, that's enough capacity to store all your media in a single location on your network. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the M.2 cards are arranged in parallel RAID 5 groups so they can operate much faster than a single card. That ensures massive speed combined with fault tolerance. If a faulty M.2 card is detected, the Cloud Store will automatically enter read only, so you can still access your files.\u003c\/p\u003e    \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e    \u003cp\u003eWith four separate very high speed 10G Ethernet connections, the Blackmagic Cloud Store is extremely fast. The internal memory core has been designed to saturate all four 10G Ethernet ports to their theoretical maximum speed, all at the same time. Plus, file access has very low latency times, so responsiveness is fast, thanks to the massive parallel processing used by the memory core. At maximum speed, the Blackmagic Cloud Store is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also incredibly smooth, even if it's used with massive digital film camera files.\u003c\/p\u003e    \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e    \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e    \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e    \u003cp\u003eMake sure your Blackmagic Cloud Store is connected to the internet. Enter in your Dropbox account details, so the Cloud Store can gain access to allow sync.\u003c\/p\u003e    \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e    \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e    \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e    \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e    \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e    \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store will constantly sync files, even if your computer is turned off.\u003c\/p\u003e    \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e    \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store . Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e    \u003ch5\u003eUsage Indicator\u003c\/h5\u003e    \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store.\u003c\/p\u003e    \u003ch5\u003eCloud Store Name\u003c\/h5\u003e    \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e    \u003ch5\u003eStorage Map\u003c\/h5\u003e    \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e    \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e    \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e    \u003ch5\u003eUser Connections\u003c\/h5\u003e    \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e    \u003ch5\u003eCloud Store Status\u003c\/h5\u003e    \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e    \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e    \u003cp\u003eThe lower part of the display has the data-transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e    \u003ch4\u003eRedundant Design for Mission Critical Use\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store saves files in a RAID 5 array of M.2 flash memory cards, ensuring your data is protected. Although the flash memory used in the Blackmagic Cloud Store is extremely reliable, using RAID 5 adds extra protection. RAID 5 means every 6th M.2 card is used for parity. The parity card holds error correction data that can then be used to rebuild the files after replacing an M.2 card. Plus, the Blackmagic Cloud Store's memory will automatically wear level, avoiding excessive data writes to the same location. It even has dual power supplies so it will keep operating if a power supply fails. All parts are common, allowing the Blackmagic Cloud Store to be repaired.\u003c\/p\u003e    \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in the future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has a larger capacity.\u003c\/p\u003e    \u003ch4\u003eHigh Performance 10G Ethernet Switch\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store has four high-speed 10G Ethernet ports, which are generally found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. With a built in Ethernet switch, each port can be plugged into a separate computer, or they can be used together for 40G Ethernet. The 10G Ethernet ports also features very low latency for fast access times, while two extra 1G Ethernet ports let you keep the 10G Ethernet ports free for faster computers.\u003c\/p\u003e    \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e    \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e    \u003ch4\u003eSupports Local Backup and Ingest via USB Type-C Disks\u003c\/h4\u003e    \u003cp\u003eThe two USB Type-C ports on the Blackmagic Cloud Store can be used for the loading and backup of files. If you connect a media card reader or a USB Type-C disk to the ingest port, then all files on that disk will be loaded into the cloud store. This means you don't need to tie up computers just to load files. Backup is also important and while Dropbox is a good backup solution, by connecting a USB disk to the backup port, you can do local backups without any ongoing costs and with total privacy. It works with a USB Type-C disk, or even large USB Type-C disk arrays. The latest files will be loaded first, and the Blackmagic Cloud Store will keep backing up for as long as the disk is connected.\u003c\/p\u003e    \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e    \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you can customize your network storage solution with total freedom.\u003c\/p\u003e    \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e    \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. If you ever replace M.2 memory cards, then the utility also lets you run a rebuild on the memory core.\u003c\/p\u003e    \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e    \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The Blackmagic Cloud Store Mini has a rackmount design that's affordable and portable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. The Blackmagic Cloud Pod allows virtually any USB disk to be shared on your network. That means you can use just the USB disks you already have. The Blackmagic Cloud Pod is the lowest cost option for network storage and features a 10G Ethernet connection so it's extremely fast. All models support Dropbox sync and the HDMI monitoring output.\u003c\/p\u003e    \u003ch4\u003ePerfect Multi-Camera Video Production\u003c\/h4\u003e    \u003cp\u003eNow you can revolutionize multi camera production by recording studio cameras into the Cloud Store via HyperDeck Extremes. Each HyperDeck Extreme will record each ISO camera direct into the Cloud Store, making for a good DaVinci Resolve multi-cam editing solution! DaVinci Resolve is a free download, so you can add as many users as you need. HyperDeck Extreme can record ProRes, H.265, or DNx video formats into the Cloud Store using its high-speed 10G Ethernet connection. 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Working in conjunction with a separately available Arduino controller, the Shield embeds an SDI control signal in the Program return feed that will operate compatible cameras, such as the Blackmagic Studio Camera or URSA Mini with the Studio Camera firmware update. These are the same controls output via an ATEM series switcher.\u003c\/p\u003e    \u003ch4\u003eBlackmagic Video Device Embedded Control Protocol\u003c\/h4\u003e    \u003cp\u003eThis open communication protocol takes advantage of blanking space in the SDI data stream to add talkback, tally, and other camera control information directly to the camera via the program return feed. Because of its open nature, you can create custom solutions that are compatible with switchers, cameras, and other supporting hardware\u003c\/p\u003e    \u003ch4\u003eAvailable Controls\u003c\/h4\u003e    \u003cp\u003eThe following controls are supported via SDI (\u003cstrong\u003eNote:\u003c\/strong\u003e Availability may depend on camera and lens configuration):\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTally\u003c\/li\u003e   \u003cli\u003eGain\u003c\/li\u003e   \u003cli\u003eDetail\u003c\/li\u003e   \u003cli\u003eShutter\u003c\/li\u003e   \u003cli\u003eZoom\u003c\/li\u003e   \u003cli\u003eFocus\u003c\/li\u003e   \u003cli\u003eIris\u003c\/li\u003e   \u003cli\u003ePedestal\u003c\/li\u003e   \u003cli\u003eColor Balance\u003c\/li\u003e   \u003cli\u003eContrast\u003c\/li\u003e   \u003cli\u003eHue\u003c\/li\u003e   \u003cli\u003eSaturation\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eAbout Arduino\u003c\/h4\u003e    \u003cp\u003eAn Arduino is a controller - basically a simple computer - that can be embedded in other devices to create custom solutions. In this case, installing on the Shield. Once you have the Arduino, you can download the IDE (developer software) from the Arduino website, then load the Shield's \"sample code\". This will give you a feel for how the Arduino interoperates with the camera and help you get started programming\u003c\/p\u003e    \u003ch4\u003eProgram Using Arduino IDE\u003c\/h4\u003e    \u003cp\u003eArduino programs are called Sketches and are designed to be easy to write. You can install \"sample code\" via the Arduino IDE (available from Arduino's website) to get a feel for how the system works. 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It has a capacity of 80TB, which is made up of multiple NVMe M.2 SSDs, which are preconfigured as RAID 5 and able to handle 12K Blackmagic raw digital cinema files. The Cloud Store is also equipped with four 10GbE ports, which can also function as a network switch, plus two Gigabit Ethernet ports. There are also two 5 Gb\/s USB Type-C ports, one of which ingests content from an external drive, while the other backs up cloud data to a USB drive. Both USB Type-C ports also support Ethernet connectivity and an HDMI output that lets you keep track of your Cloud Store's status, including a storage map, speed graphics, sync, active users, and power status.\u003c\/p\u003e    \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio, post, and VFX work. It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronised in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e    \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e    \u003cp\u003eUnlike IT industry storage products that are rack mounted and have loud cooling fans, the Blackmagic Cloud Store has an elegant vertical design that's portable. It's also whisper quiet so it can be used on location. Internally, it has an array of flash memory cards working in parallel for speed and data protection. There are also two redundant power supplies. The four 10G Ethernet ports operate as a switch so you can connect four separate computers, or they work together using \"link aggregation\" for a massive 40G Ethernet speed. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. It can even be maintained and repaired!\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUSB Type-C Ingest\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe USB Type-C ingest port will automatically load from any disk plugged in. It's fully automatic and you simply plug in a USB media dock or a USB disk. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUSB Type-C Backup\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThis USB Type-C port will automatically backup cloud store files to any USB disk plugged into the port. It's a low cost way to protect your critical files. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eHDMI Monitor Output\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Store in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003e1G Ethernet\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe two 1G Ethernet connections are provided for slower connections, such as the internet or slower computers. They are part of the built- in Ethernet switch and help keep the faster 10G ports free.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003e10G Ethernet\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe 10G Ethernet ports allow four separate computers to be connected. That's great for mobile use, as the 10G Ethernet switch is built in. Plus, all four connections can work together as a 40G Ethernet link.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eAC Power\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eA standard IEC power socket is used for connecting AC power. All international AC voltages are supported, so you can use it globally. Plus, there are two internal power supplies allowing full redundancy.\u003c\/p\u003e    \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store is available with 80TB of flash memory, so you have lots of space for your business files and video media. With video as the standard for information delivery in business, that's enough capacity to store all your media in a single location on your network. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the M.2 cards are arranged in parallel RAID 5 groups so they can operate much faster than a single card. That ensures massive speed combined with fault tolerance. If a faulty M.2 card is detected, the Cloud Store will automatically enter read only, so you can still access your files.\u003c\/p\u003e    \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e    \u003cp\u003eWith four separate very high speed 10G Ethernet connections, the Blackmagic Cloud Store is extremely fast. The internal memory core has been designed to saturate all four 10G Ethernet ports to their theoretical maximum speed, all at the same time. Plus, file access has very low latency times, so responsiveness is fast, thanks to the massive parallel processing used by the memory core. At maximum speed, the Blackmagic Cloud Store is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also incredibly smooth, even if it's used with massive digital film camera files.\u003c\/p\u003e    \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e    \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e    \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e    \u003cp\u003eMake sure your Blackmagic Cloud Store is connected to the internet. Enter in your Dropbox account details, so the Cloud Store can gain access to allow sync.\u003c\/p\u003e    \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e    \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e    \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e    \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e    \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e    \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store will constantly sync files, even if your computer is turned off.\u003c\/p\u003e    \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e    \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store . Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUsage Indicator\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCloud Store Name\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eStorage Map\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCloud Sync Status\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUser Connections\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCloud Store Status\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eSpeed Graphs\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe lower part of the display has the data-transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e    \u003ch4\u003eRedundant Design for Mission Critical Use\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store saves files in a RAID 5 array of M.2 flash memory cards, ensuring your data is protected. Although the flash memory used in the Blackmagic Cloud Store is extremely reliable, using RAID 5 adds extra protection. RAID 5 means every 6th M.2 card is used for parity. The parity card holds error correction data that can then be used to rebuild the files after replacing an M.2 card. Plus, the Blackmagic Cloud Store's memory will automatically wear level, avoiding excessive data writes to the same location. It even has dual power supplies so it will keep operating if a power supply fails. All parts are common, allowing the Blackmagic Cloud Store to be repaired.\u003c\/p\u003e    \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in the future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has a larger capacity.\u003c\/p\u003e    \u003ch4\u003eHigh Performance 10G Ethernet Switch\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store has four high-speed 10G Ethernet ports, which are generally found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. With a built in Ethernet switch, each port can be plugged into a separate computer, or they can be used together for 40G Ethernet. The 10G Ethernet ports also features very low latency for fast access times, while two extra 1G Ethernet ports let you keep the 10G Ethernet ports free for faster computers.\u003c\/p\u003e    \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e    \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e    \u003ch4\u003eSupports Local Backup and Ingest via USB Type-C Disks\u003c\/h4\u003e    \u003cp\u003eThe two USB Type-C ports on the Blackmagic Cloud Store can be used for the loading and backup of files. If you connect a media card reader or a USB Type-C disk to the ingest port, then all files on that disk will be loaded into the cloud store. This means you don't need to tie up computers just to load files. Backup is also important and while Dropbox is a good backup solution, by connecting a USB disk to the backup port, you can do local backups without any ongoing costs and with total privacy. It works with a USB Type-C disk, or even large USB Type-C disk arrays. The latest files will be loaded first, and the Blackmagic Cloud Store will keep backing up for as long as the disk is connected.\u003c\/p\u003e    \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e    \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you can customize your network storage solution with total freedom.\u003c\/p\u003e    \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e    \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. If you ever replace M.2 memory cards, then the utility also lets you run a rebuild on the memory core.\u003c\/p\u003e    \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e    \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The Blackmagic Cloud Store Mini has a rackmount design that's affordable and portable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. The Blackmagic Cloud Pod allows virtually any USB disk to be shared on your network. That means you can use just the USB disks you already have. The Blackmagic Cloud Pod is the lowest cost option for network storage and features a 10G Ethernet connection so it's extremely fast. All models support Dropbox sync and the HDMI monitoring output.\u003c\/p\u003e    \u003ch4\u003ePerfect Multi-Camera Video Production\u003c\/h4\u003e    \u003cp\u003eNow you can revolutionize multi camera production by recording studio cameras into the Cloud Store via HyperDeck Extremes. Each HyperDeck Extreme will record each ISO camera direct into the Cloud Store, making for a good DaVinci Resolve multi-cam editing solution! DaVinci Resolve is a free download, so you can add as many users as you need. HyperDeck Extreme can record ProRes, H.265, or DNx video formats into the Cloud Store using its high-speed 10G Ethernet connection. You can even install an M.2 cache into HyperDeck Extreme to handle the network chaos of multiple users simultaneously editing while you record a large number of cameras into the Cloud Store, all at the same time.\u003c\/p\u003e    \u003cul\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272667453,"sku":"BLA-DWCLDI\/CLD080","price":896992.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a90b63186b3326d9376d59667a0ff34e_759b2116-e185-4003-9c39-840611001332.png?v=1773556816"},{"product_id":"blackmagic-design-8tb-cloud-store-mini-1","title":"Blackmagic Design 8TB Cloud Store Mini","description":"\u003cp\u003eDesigned for film and television productions, where large media files need to be shared between multiple users, the 8TB Cloud Store Mini from Blackmagic Design is well suited for editing, color correction, audio, post, and VFX work. It has a capacity of 8TB, which is made up of 4 x 2TB NVMe M.2 SSDs, which are preconfigured as RAID 0 and able to handle 12K Blackmagic raw digital cinema files. The Cloud Store Mini is also equipped with a 10GbE port and 1GbE port for network access, as well as a USB Type-C port that features a built-in network adapter for systems that don't have an RJ45 port. There is also a 5 Gb\/s USB Type-C port for standard data transfers, plus an HDMI output that lets you keep track of your Cloud Store Mini's status, including a storage map, speed graphics, sync, active users, and power status.\u003c\/p\u003e    \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store Mini is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio, post, and VFX work. It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronized in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e    \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store Mini features a compact rack mount design that's very portable and whisper quiet. Internally it has an array of 4 flash memory cards working in parallel for higher speeds. The 10G Ethernet port and the 1G Ethernet port operate as a 2-port network switch, which is great if you don't have a 10G Ethernet network, as you can connect the 10G port directly into your computer and the 1G port to your existing network. If you need to access files quickly, then the USB Type-C port also operates as a network port - just plug it into your computer. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor.\u003c\/p\u003e    \u003ch5\u003eFlexible Power\u003c\/h5\u003e    \u003cp\u003eAn IEC power socket is included for connecting AC power. All international AC voltages are supported so you can use it globally. Plus, there is a separate DC power input for redundancy or battery use.\u003c\/p\u003e    \u003ch5\u003e10G Ethernet\u003c\/h5\u003e    \u003cp\u003e10G Ethernet allows high-speed computers to be connected. It's fast, even when lots of users are connected, all at the same time. It's perfect for connecting to the latest 10G Ethernet switches.\u003c\/p\u003e    \u003ch5\u003e1G Ethernet\u003c\/h5\u003e    \u003cp\u003eThe 1G Ethernet connection is provided for slower connections, such as the Internet or slower computers. It is part of the built-in Ethernet switch and helps keep the faster 10G port free.\u003c\/p\u003e    \u003ch5\u003eUSB Type-C Connection\u003c\/h5\u003e    \u003cp\u003eThe USB Type-C port supports Ethernet for connecting it to your computer to access files. That's possible because there is a USB Type-C to Ethernet adapter built in. This USB Type-C port is also used for settings and updates.\u003c\/p\u003e    \u003ch5\u003eHDMI Monitor Output\u003c\/h5\u003e    \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Store Mini in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e    \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store Mini is available with 8TB of flash memory, so you have lots of space for your files. That's fantastic for television production, as it's small enough to be portable, but it has enough storage space for lots of video media. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the four M.2 cards are arranged in a parallel RAID 0 group so they can operate much faster than a single card. That ensures enough speed to keep up with the 10G Ethernet connection. Plus, in the future, as new larger M.2 cards are released, the flash memory cards can be replaced with new ones. That helps ensure a very long life.\u003c\/p\u003e    \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e    \u003cp\u003eWith a separate high-speed 10G Ethernet connection, the Blackmagic Cloud Store Mini is very fast. The internal memory core has been designed to saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. Plus, files can be accessed with low latency, so responsiveness is fast. That's possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store Mini is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also very smooth, even if it's used with large digital film camera files.\u003c\/p\u003e    \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e    \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store Mini will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store Mini so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Store Minis via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e    \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e    \u003cp\u003eMake sure your Blackmagic Cloud Store Mini is connected to the internet. Enter in your Dropbox account details, so the Cloud Store Mini can gain access to allow sync.\u003c\/p\u003e    \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e    \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store Mini where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e    \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e    \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e    \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e    \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store Mini units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store Mini will constantly sync files, even if your computer is turned off.\u003c\/p\u003e    \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e    \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store Mini. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store Mini. Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e    \u003ch5\u003eUsage Indicator\u003c\/h5\u003e    \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store Mini.\u003c\/p\u003e    \u003ch5\u003eCustomizable Name\u003c\/h5\u003e    \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store Mini so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e    \u003ch5\u003eStorage Map\u003c\/h5\u003e    \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e    \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e    \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e    \u003ch5\u003eUser Connections\u003c\/h5\u003e    \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e    \u003ch5\u003eCloud Store Mini Status\u003c\/h5\u003e    \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e    \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e    \u003cp\u003eThe lower part of the display has the data transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e    \u003ch4\u003eHigh Performance 10G Ethernet\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store Mini has a high speed 10G Ethernet port, which is usually only found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet, and most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Store Mini is fast, so it will run the 10G Ethernet port to its maximum capacity, even when connected to an Ethernet switch with dozens of users accessing files at the same time. The 10G Ethernet port also features very low latency for fast access times. There is also a separate 1G Ethernet port, plus Ethernet on the USB Type-C port, so you can keep the fast 10G Ethernet port free for a faster computer.\u003c\/p\u003e    \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e    \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store Mini has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store Mini's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e    \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Store Mini is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the 4 memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store Mini runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store Mini can be upgraded so it has a larger capacity.\u003c\/p\u003e    \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e    \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store Mini is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses free to download software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store Mini, you can customize your network storage solution with total freedom.\u003c\/p\u003e    \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e    \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store Mini is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the Cloud Pod. The utility also lets you add Dropbox sync folders.\u003c\/p\u003e    \u003ch4\u003ePerfect Multi-Camera Video Workflow\u003c\/h4\u003e    \u003cp\u003eGet broadcast-quality video workflows by recording from a HyperDeck Studio directly into the Blackmagic Cloud Store Mini. Just connect the HyperDeck Studio to the 1G Ethernet port, while the 10G Ethernet port can be connected to a high-speed network so multiple DaVinci Resolve workstations can edit the media recorded by the HyperDeck. DaVinci Resolve is a free download and allows you to edit and color the camera files. There is a wide range of HyperDeck Studio recorders and they interface between the broadcast video world and the file-based world used by editing software. Once the files are recorded, DaVinci Resolve will let you start editing.\u003c\/p\u003e    \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e    \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The Blackmagic Cloud Store is the highest performance model, which features an elegant vertical design that's also portable. It includes four 10G Ethernet connections with an Ethernet switch, RAID 5 data protection, and redundant power supplies. The Blackmagic Cloud Pod allows almost any USB Type-C disk to be shared on your network, meaning you can use the USB Type-C disks you already have. The Blackmagic Cloud Pod is the lowest cost option for network storage. It also features a 10G Ethernet connection so it's extremely fast. 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Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003c\/p\u003e    \u003cp\u003eThe unit features a wide array of color backlit buttons, including 20 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003c\/p\u003e    \u003cp\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. 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The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and three independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003c\/p\u003e    \u003cp\u003eThe unit features a wide array of color backlit buttons, including 30 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003c\/p\u003e    \u003cp\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. 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Use the numerous buttons, knobs, two fader bars, and a 3-axis joystick to customize your panel's program\/preview operation.\u003c\/p\u003e    \u003ch4\u003eApplications\u003c\/h4\u003e    \u003cp\u003eDesigned for complex live productions, the ATEM 2 M\/E Advanced Panel 40 enables you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and 12 on-air indicators. The ATEM 2 M\/E Advanced Panel 40 connects to your switcher via 10\/100\/1000 BaseT Ethernet and incorporates four Ethernet loop outputs for connecting to another panel or to a media-management computer.\u003c\/p\u003e    \u003ch4\u003eCompatibility\u003c\/h4\u003e    \u003cp\u003eProvides pro switching controls for the ATEM Constellation HD line of switchers\u003c\/p\u003e    \u003ch4\u003eInterface\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eFour 10\/100\/1000 BASE-T Ethernet ports with loop output for linking to additional control panels or computers\u003c\/li\u003e   \u003cli\u003eUSB Type-C for firmware updates\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eCross-Points\u003c\/h4\u003e    \u003cp\u003eTricolor LED cross-point buttons; 40 direct cross points, and 80 shifted cross-points\u003c\/p\u003e    \u003ch4\u003eMix Effect Rows\u003c\/h4\u003e    \u003cp\u003eTwo M\/E rows, 40 input buttons per row\u003c\/p\u003e    \u003ch4\u003eLCD Menu Displays\u003c\/h4\u003e    \u003cp\u003eFour system control LCDs for each row with custom labeling for all rows and input buttons\u003c\/p\u003e    \u003ch4\u003eControls\u003c\/h4\u003e    \u003cp\u003eOne 3-axis joystick, one numeric keypad, and two fader bars\u003c\/p\u003e    \u003ch4\u003eOn-Air Indicators\u003c\/h4\u003e    \u003cp\u003e12 indicators let you easily see which feeds are on air\u003c\/p\u003e    \u003ch4\u003eDSK Selectors\u003c\/h4\u003e    \u003cp\u003eFour transition previews with auto, cut, and tie\/preview options\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272896829,"sku":"BLA-SWPANELADV2ME40","price":199698.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6474ac1b561e792a6ae34ec6b0557a92.png?v=1773556859"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-4k-switcher","title":"Blackmagic Design ATEM 4 M\/E Constellation 4K Switcher","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cp\u003eThe \u003cstrong\u003eATEM 4 M\/E Constellation 4K Switcher\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features 40 12G-SDI inputs and 24 12G-SDI outputs, and it connects to a wide range of cameras and sources, delivering video at resolutions of up to 10-bit UHD 4K60 via the 12G-SDI program outputs or 1080p and 720p webcam outputs via USB-C. The switcher features four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e    \u003cp\u003eThe switcher also boasts a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter, allowing you to mix and match cameras that do not have genlock capabilities. Upstream and downstream keyers and effects are supported in real time. The switcher can be controlled using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAdvanced Broadcast Power\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe switcher features a compact rack mount design with a built-in control panel and a large LCD so you can see program output and change switcher settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 12G-SDI inputs, aux outputs, balanced audio, and Ethernet for control. The 4 M\/E models include RS-422 for serial control and MADI digital audio connections. Even with all this power, the switcher is extremely quiet with its innovative high-efficiency thermal system.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe switcher features four independent DVEs that let you reposition graphics and up to 4 independent DVEs that let you reposition graphics and create picture-in-picture compositions with impressive results. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSuperSource Processing\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eChroma Keyers\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eFor news or virtual set work, this switcher features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for the automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eUpstream Chroma Keyers\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment with trying out different studio setups.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on macOS or Windows.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSupports Optional Control Panels\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273027901,"sku":"BLA-SWATEMSCN2\/2ME4\/4K","price":186548.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/eac1e6d14c4824275afe889a05f43ffb.jpg?v=1773556870"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-hd","title":"Blackmagic Design ATEM 4 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 40 individual 3G-\/HD-SDI inputs built into a 2 RU chassis, is at hand with the \u003cstrong\u003eBlackmagic Design ATEM 4 M\/E Constellation HD Live Production Switcher\u003c\/strong\u003e. Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 24 3G-SDI BNC outputs or a webcam output via USB Type-C. In addition, the switcher has four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003ch4\u003eBroadcast-Quality Transitions\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003ch4\u003eBuilt-In DVE\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation features four independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 4 M\/E model includes SuperSource processors for eight DVEs, creating a total of 12 DVEs.\u003c\/p\u003e    \u003ch4\u003eSuperSource\u003c\/h4\u003e    \u003cp\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e    \u003ch4\u003eMultiview\u003c\/h4\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003c\/p\u003e    \u003ch4\u003eProfessional Broadcast Talkback\u003c\/h4\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003ch4\u003eMedia Pool\u003c\/h4\u003e    \u003cp\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch4\u003eChroma Keyers\u003c\/h4\u003e    \u003cp\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/p\u003e    \u003ch4\u003eUpstream Chroma Keyers\u003c\/h4\u003e    \u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/p\u003e    \u003ch4\u003eMulti-Rate 3G-SDI Input\u003c\/h4\u003e    \u003cp\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. On the ATEM 4 M\/E Constellation HD model, there are two MADI outputs for breaking out channels 1, 2, 3, and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels into the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice-over, and more.\u003c\/p\u003e    \u003ch4\u003eATEM Software Control Panel\u003c\/h4\u003e    \u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/p\u003e    \u003ch4\u003eSupports Optional Control Panels\u003c\/h4\u003e    \u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273060669,"sku":"BLA-SWATEMSCN2\/1ME4\/HD","price":79007.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ad33b58410ce2f9e12d12707ea3f3317.png?v=1773556880"},{"product_id":"blackmagic-design-atem-camera-converter-1","title":"Blackmagic Design ATEM Camera Converter","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Camera Converter\u003c\/strong\u003e enables extension of SDI (serial digital interface) \/ HDMI cameras to distances up to 28 miles (45km) via an optical fiber link. You can connect your camera to the SDI\/HDMI inputs to convert videos to optical signals. This optical fiber input can be connected to the switcher program feed to convert to SDI\/HDMI outputs for monitoring. In addition, the SDI\/HDMI outputs can be switched between return program and camera input for monitoring.\u003c\/p\u003e    \u003cp\u003eWith an internal battery, the converter can be used at remote locations when the cameras are placed at far-off locations. Featured Talkback function allows the switcher operator to co-ordinate with camera operator via PC headsets or iPhone-compatible headphones. By embedding microphone audio into channels 15 and 16 of the camera optical fiber video output, the Talkback function listens to channels 15 and 16 of the optical fiber input on the headphones.\u003c\/p\u003e    \u003cp\u003eUsing the 12V power connection, the converter can be connected to any power source or a car battery. By connecting the switcher’s program output to the ATEM Camera Converter via optical outputs, the camera converter illuminates the 2 tally LEDs using open standard tally packet in the SDI output. You can select the camera number using the USB software or by camera number button on the keypad. In addition, you can also view red color tally on the monitor by connecting external monitoring to the HDMI\/SDI outputs.\u003c\/p\u003e    \u003cp\u003eFeaturing an integrated belt clip, the camera converter can be attached to the belt for portability. With the help of a camera mount, the converter can be mounted onto a tripod. In addition, the camera converter features microphone inputs for audio capability.\u003c\/p\u003e    \u003cp\u003eMade of aircraft-grade aluminum, the camera converter can withstand bumps and shocks without breaking. Built-in button pad allows you to control power, microphone level, talkback and video, and battery indicators. You can update converters firmware via a USB port. The camera converter can be used for applications such as concerts, sporting events, lecture theaters, houses of worship, surveillance, or any remote camera location.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEnables extension of SDI (serial digital interface) \/ HDMI cameras to distances up to 28 miles (45km) via optical fiber link\u003c\/li\u003e   \u003cli\u003eYou can connect your camera to the SDI\/HDMI inputs to convert videos to optical signals\u003c\/li\u003e   \u003cli\u003eOptical fiber input can be connected to the switcher program feed to convert to SDI\/HDMI outputs for monitoring\u003c\/li\u003e   \u003cli\u003eSDI\/HDMI outputs can be switched between return program and camera input for monitoring\u003c\/li\u003e   \u003cli\u003eIncludes an internal battery\u003c\/li\u003e   \u003cli\u003eCan be used at remote locations when the cameras are placed at far-off locations\u003c\/li\u003e   \u003cli\u003eFeatured Talkback function allows the switcher operator to co-ordinate with camera operator via PC headsets or iPhone-compatible headphones\u003c\/li\u003e   \u003cli\u003eTalkback function listens to channels 15 and 16 of the optical fiber input on the headphones by embedding microphone audio into channels 15 and 16 of the camera optical fiber video output\u003c\/li\u003e   \u003cli\u003eCan be connected to any power source or a car battery using the 12V power connection\u003c\/li\u003e   \u003cli\u003eIlluminates the 2 tally LEDs using open standard tally packet in the SDI output by connecting the switcher's program output to the ATEM Camera Converter via optical outputs\u003c\/li\u003e   \u003cli\u003eYou can select the camera number using the USB software or by camera number button on the keypad\u003c\/li\u003e   \u003cli\u003eYou can view red color tally on the monitor by connecting external monitoring to the HDMI\/SDI outputs\u003c\/li\u003e   \u003cli\u003eFeatures an integrated belt clip\u003c\/li\u003e   \u003cli\u003eCan be attached to the belt for portability\u003c\/li\u003e   \u003cli\u003eCan be mounted onto a tripod with the help of a camera mount\u003c\/li\u003e   \u003cli\u003eFeatures microphone inputs for audio capability\u003c\/li\u003e   \u003cli\u003eMade of aircraft-grade aluminum\u003c\/li\u003e   \u003cli\u003eCan withstand bumps and shocks without breaking\u003c\/li\u003e   \u003cli\u003eBuilt-in button pad allows you to control power, microphone level, talkback and video, and battery indicators\u003c\/li\u003e   \u003cli\u003eYou can update converters firmware via a USB port\u003c\/li\u003e   \u003cli\u003eCan be used for applications such as concerts, sporting events, lecture theaters, houses of worship, surveillance, or any remote camera location\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273093437,"sku":"BLA-SWRCONV","price":12113.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2a8b42d16755a04809c7e074be1e26fa.png?v=1773556891"},{"product_id":"blackmagic-design-atem-microphone-converter-1","title":"Blackmagic Design ATEM Microphone Converter","description":"\u003cp\u003eWhether you're building a podcasting studio or you just need more microphones, the Blackmagic Design ATEM Microphone Converter allows audio-input expansion for your ATEM Television Studio by converting four analog XLR inputs to MADI. Equipped with two BNC MADI I\/O ports, the Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required—and additional units can even be daisy chained for more sources. The four XLR-1\/4\" combo analog inputs are mic-\/line-selectable and provide 48V phantom power.\u003c\/p\u003e    \u003cp\u003eThe ATEM Microphone Converter utilizes 32-bit float digital preamps and eight ADCs per input to capture clip-free, 24-bit \/ 48 kHz recordings with an extremely low noise floor, a wide dynamic range, and very low distortion—no matter how loud or quiet a performance gets. A convenient HDMI output with scrolling audio waveforms enables you to connect a display to monitor the status of your audio. USB and Ethernet ports allow for remote admin and software updates via the ATEM Software Control app.\u003c\/p\u003e    \u003ch4\u003eDigital Preamplifier Design\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eWith the four, wide-dynamic-range inputs that eliminate the need for analog preamplifiers, microphone levels are adjusted by a digital preamplifier gain stage that is extremely stable.\u003c\/p\u003e   \u003c\/li\u003e   \u003cli\u003eThe analog audio levels of different microphone types and brands can vary widely, so this digital gain stage allows compensation for the specific brand of microphone you use. Best of all, the digital preamplifier is processed in the full internal 32-bit float RAW audio bit depth, so you're adjusting with much greater precision than the MADI audio standard can support. This results in an extremely clean and noise-free gain stage. Then, the final levels can be finessed on the ATEM audio mixer as you work.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eHigh-End Analog-to-Digital Conversion\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eThe ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analog-to-digital conversion using eight high-dynamic-range audio ADCs that function collectively as one ultrahigh-dynamic-range audio ADC. This means each input channel delivers an impressive 131 dBA of dynamic range. Plus you get a remarkably low distortion of only 0.002%.\u003c\/p\u003e   \u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eExtremely Low -129 dBV Noise Floor\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eA common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design. The input is converted directly using its ultrahigh-dynamic-range conversion, so you pass RAW audio to the switcher, and then let the switcher apply as much gain as required for the correct audio level.\u003c\/p\u003e   \u003c\/li\u003e   \u003cli\u003eThis means you don't get an injection of noise caused by an analog gain stage, so you get an extremely low, fixed noise floor of -129 dBV, regardless of digital gain applied.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003ePrecisely Matched Analog Inputs\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eThe ATEM Microphone Converter features extremely precise matching between the four audio-input channels. The multi-ADC-per-input design technique means that each analog audio input has very similar specifications and tolerances, so all input channels are statistically more uniform. This means you get similar performance no matter what input you connect the microphone to—and even between multiple ATEM Microphone Converters.\u003c\/p\u003e   \u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eConnects via MADI for Multichannel Audio\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eThe ATEM Microphone Converter’s MADI output embeds the four analog inputs as MADI channels 1, 2, 3, and 4. The converter also includes a MADI input, which is used to loop multiple converters when you need more than four channels of audio on a single MADI link.\u003c\/p\u003e   \u003c\/li\u003e   \u003cli\u003eThis means if a second converter is connected to the input of another, the upstream converter will stack its four channels above the four channels on the downstream converter.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eHDMI Monitoring with Scrolling Audio Waveforms\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e   \u003cp\u003eThe ATEM Microphone Converter also includes an HDMI video monitoring output, so you can connect a simple TV or computer monitor for a full status display. It enables you to display four scrolling waveforms over the last 60 seconds of recording time, which is informative to watch. There are also audio meters to show the levels at the input connectors. 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Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e    \u003ch4\u003eStream Live\u003c\/h4\u003e    \u003cp\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003c\/p\u003e    \u003ch4\u003eControl Interface\u003c\/h4\u003e    \u003cp\u003eThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI \"AUX\" output for program video.\u003c\/p\u003e    \u003ch4\u003eOutput\u003c\/h4\u003e    \u003cp\u003eYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e    \u003ch4\u003e4G and 5G Phone Support\u003c\/h4\u003e    \u003cp\u003eIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.\u003c\/p\u003e    \u003ch4\u003eMultiview Monitoring\u003c\/h4\u003e    \u003cp\u003eYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003c\/p\u003e    \u003ch4\u003eCamera Control\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.\u003c\/p\u003e    \u003ch4\u003eMedia Pool\u003c\/h4\u003e    \u003cp\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003c\/p\u003e    \u003ch4\u003eCompatibility\u003c\/h4\u003e    \u003cp\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/p\u003e    \u003ch4\u003eRecording\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e    \u003ch4\u003eVideo Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. 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In addition to live streaming using RTMP protocols, you can also output your program as if it were a webcam over USB. New features include a totally redesigned keyboard with multiple knob controls, large NKK red\/green source select buttons, a hardware fader, a CFexpress slot and Thunderbolt port for recording, and a more functional button layout.\u003c\/p\u003e\u003cp\u003eUpdated Control Interface\u003c\/p\u003e\u003cp\u003eIncluded on the ATEM Extreme ISO G2 are large source select buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. A new hardware fader allows additional tactile control. On the rear panel, there are HDMI connections for cameras or computers, XLR and MADI audio inputs, USB for webcam out, Thunderbolt for record\/playback, and four HDMI outputs for program\/preview video.\u003c\/p\u003e\u003cp\u003eYou can output using the Ethernet connection to your network or use the USB-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e\u003cp\u003eM\/E Switcher\u003c\/p\u003e\u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons or the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO G2 supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO G2 has four HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e\u003cp\u003eISO Output\u003c\/p\u003e\u003cp\u003eThe switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB-C ports. The switcher automatically generates a DaVinci Resolve project file so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e\u003cp\u003eThunderbolt for Live Replay\u003c\/p\u003e\u003cp\u003eWith Thunderbolt on the ATEM Mini Extreme ISO G2 model, you get fill and key playback, capture, Ethernet access to the CFexpress card, and trickle power, all with a single computer connection. This means you can use DaVinci Resolve as a full live-action replay system.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve can show a live video input of the switcher, and when you press the Point of Interest (POI) button, DaVinci will switch to playing all 8 ISO files so you can select cameras and run replays. You can then preroll and sequence multiple cameras in the same replay.\u003c\/p\u003e\u003cp\u003eStream Live\u003c\/p\u003e\u003cp\u003eThe switcher is ideal for interviews as you can connect multiple cameras for close-ups of the host or interviewee, as well as wide shots of the space. Plus, ATEM Mini is so small the operator can even switch in small studios.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini ISO G2 has a built-in hardware streaming engine for live streaming via the Ethernet connection without the need for a computer. That means you can live stream to YouTube, Facebook, and Twitch with high quality without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key.\u003c\/p\u003e\u003cp\u003e4G and 5G Phone Support\u003c\/p\u003e\u003cp\u003eIf you're doing live production on location, ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone so the battery won't drain.\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe Extreme ISO G2 allows you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects, and graphics. Even the audio sources are all recorded, so you can professionally remix your audio.\u003c\/p\u003e\u003cp\u003eCompatibility\u003c\/p\u003e\u003cp\u003eIt is also compatible with the ATEM 1 M\/E Advanced Panel, as well as the ATEM Streaming Bridge and the ATEM Camera Control Panel. The ATEM Mini Extreme ISO G2 can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/p\u003e\u003cp\u003eRecording\u003c\/p\u003e\u003cp\u003eThe switcher also supports direct recording of your streaming data to USB flash disks or CFexpress cards. That means you get very long recording times in the same H.264 video files with AAC audio that you streamed, so you can directly upload to online video sites such as YouTube or Vimeo.\u003c\/p\u003e\u003cp\u003eRecording to multiple disks is also supported via a USB hub or Blackmagic MultiDock, so when a disk fills, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even remotely trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e\u003cp\u003eSoftware Integration\u003c\/p\u003e\u003cp\u003eThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.\u003c\/p\u003e\u003cp\u003eThe switcher is also compatible with the ATEM Software Control app to access full audio mixing with effects, load still frames, save the switcher state as an XML file, and even do advanced macro programming. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.\u003c\/p\u003e\u003cp\u003eVideo Effects\u003c\/p\u003e\u003cp\u003eOne of the benefits of ATEM Mini is the professional production value that is possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want, including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/p\u003e\u003cp\u003eAudio Features\u003c\/p\u003e\u003cp\u003eWith two independent XLR audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel to adjust the audio level and enable inputs into the audio mixer.\u003c\/p\u003e\u003cp\u003eIt integrates a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can mix live from all audio sources. It also adds a headphone output.\u003c\/p\u003e\u003cp\u003eFormat Conversion\u003c\/p\u003e\u003cp\u003eEach of the HDMI inputs features its own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i, and 720p sources to the switcher video standard. By default, the switcher will set its video format automatically; however, you can also set the switcher to any video standard.\u003c\/p\u003e\u003cp\u003eThe HDMI outputs are a true \"aux\" output, so you can clean-switch each HDMI input to the output. You can even \"direct\" switch input 1 to the HDMI output for low-latency eSport productions. Plus, ATEM Mini Extreme models support two low-latency direct loops. The HDMI output can display a full multiview that lets you see all inputs, program, preview, and streaming status on a single monitor.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273290045,"sku":"BLA-SWATEMMINICEXTISOG2","price":37612.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/21aff768ed53caf33b245c9514743d66.png?v=1775647940"},{"product_id":"blackmagic-design-atem-mini-pro-1","title":"Blackmagic Design ATEM Mini Pro","description":"\u003cp\u003eSimilar to its predecessor, the ATEM Mini, the \u003cstrong\u003eATEM Mini Pro\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003cbr\u003e  \u003cbr\u003e  The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB Type-C or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003cbr\u003e  \u003cbr\u003e  The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. 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The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent 3G-SDI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has four 3G-SDI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273355581,"sku":"BLA-SWATEMMXEPCEXTISO","price":26228.79,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/517bdc97e24e84a6b58293ca3eea124e.png?v=1773556941"},{"product_id":"blackmagic-design-atem-studio-converter-3","title":"Blackmagic Design ATEM Studio Converter 2","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Studio Converter 2\u003c\/strong\u003e inputs video signals transmitted over optical fiber and converts the signals to SDI for use with video switchers. When used in conjunction with the Blackmagic Design ATEM Camera Converter, you can send video signals up to 28 miles between camera and switcher using available optical fiber cables. By comparison, sending an HD-SDI signal over traditional copper cable is usually limited to about 300 feet, depending on the quality of the cable.\u003cbr\u003e  \u003cbr\u003e  A typical set up using the Studio Converter 2 is to connect it between the switcher and up to four ATEM Camera Converter units. This setup allows the Converter 2 to receive the signals from the fiber cable, convert the signals to SDI using 10-bit processing, and send the signals to the switcher. The Converter 2 supports SD\/HD signals, and when using the available ATEM Camera Converter you can use any camera with an SDI\/HDMI output.\u003cbr\u003e  \u003cbr\u003e  The Converter 2 can also be used as 4 independent simultaneous bidirectional SD\/HD-SDI to optical converters. The Converter 2 features a built-in mic input, speaker and headphone jack that provides talkback audio for communicating with camera operators. The Converter 2 passes tally signals embedded in the SDI program stream. You can cascade multiple ATEM Studio Converter 2 units together when using more than 4 cameras. The Studio Converter 2 features a 1 RU design with built in rackmount ears for easy integration into existing studio configurations or production cases.\u003c\/p\u003e    \u003ch4\u003eOptical Fiber Connectors\u003c\/h4\u003e    \u003cp\u003eThe ATEM Studio Converter 2 uses standard single mode optical fiber cable with standard LC connectors to allow you to transmit SD and HD video signals up to 28 miles away. Standard copper wire SDI cables have a limit of several hundred feet before the signal breaks up, converting the SDI signal to optical, and sending it along optical cable greatly increases the distance of your cable runs.\u003c\/p\u003e    \u003ch4\u003eTalkback and Tally\u003c\/h4\u003e    \u003cp\u003eThe unit features a built-in speaker and mic inputs, as well as a headphone jack for when you need privacy, or if the area is too loud. When connected to the ATEM Camera Converter, you can talk to your camera operators no matter how far away they are, without needing to worry about walkie talkies. Using the talkback feature, the unit uses audio channels 15 and 16 of the SDI stream for talkback communication.\u003cbr\u003e  Camera operators can be selected individually if desired, and communication can be controlled by a push button, or locked open. Mute and un-mute buttons on the front of the unit allows you to control who hears what.\u003cbr\u003e  The unit passes SDI Tally signal information back to the cameras along with any SDI Program signal from available switchers.\u003c\/p\u003e    \u003ch4\u003eMultiple Units\u003c\/h4\u003e    \u003cp\u003eEach ATEM Studio Converter 2 connects to up to four ATEM Camera Converter units, allowing you to communicate with up to four camera operators at a time. Multiple Studio Converter 2 units can be cascaded together when more than 4 cameras are needed.\u003c\/p\u003e    \u003ch4\u003ePrecision Signal Processing\u003c\/h4\u003e    \u003cp\u003eThe unit features chips that use 10-bit processing, and are switchable between SD and HD, for a clean signal.\u003cbr\u003e  The unit features four independent simultaneous SDI to optical and optical to SDI converters\u003cbr\u003e  When used in conjunction with the ATEM Camera Converter the unit can also be used as four independent SDI or Fiber to HDMI converters\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273421117,"sku":"BLA-SWRCONVRCK2","price":39212.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/35aed179f197f8367d937e086ec43396.png?v=1773556952"},{"product_id":"blackmagic-design-atem-television-studio-4k8-1","title":"Blackmagic Design ATEM Television Studio 4K8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio 4K8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 12G-SDI inputs that support up to UHD 4K60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003ch4\u003eLive Production\u003c\/h4\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 sources. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch4\u003eDistribution\u003c\/h4\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch4\u003eProduction Switcher Control\u003c\/h4\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003ch4\u003eEasy Setup and Usage\u003c\/h4\u003e    \u003ch4\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/h4\u003e    \u003ch4\u003eRedesigned Front Panel\u003c\/h4\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control and a three-axis joystick. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch4\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch4\u003eAdd Exciting Video Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch4\u003eCreative Transitions\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch4\u003eBuilt-In DVE\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch4\u003eSupports Internal Media\u003c\/h4\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD, and 90 frames in UHD 4K. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch4\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch4\u003eSuperSource Processing\u003c\/h4\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch4\u003e8 Standards-Converted 12G-SDI Inputs\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 12G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any input source to the HD or UHD video standard of the switcher. You could have each switcher's SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch4\u003e12G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio includes twelve 12G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an onscreen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 12G-SDI and HDMI 2.0 output for the multiview.\u003c\/p\u003e    \u003ch4\u003e16-Source Multiview on a Single Monitor\u003c\/h4\u003e    \u003ch4\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/h4\u003e    \u003ch4\u003eAdd Audio Expansion for More Microphones\u003c\/h4\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch4\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003ch4\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h4\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003ch4\u003eIncludes Free ATEM Software Control Panel\u003c\/h4\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch4\u003eLocalized for 13 Popular Languages\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch4\u003eFlexible and Redundant Power\u003c\/h4\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003ch4\u003eDesigned to Be Easy to Repair\u003c\/h4\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 12 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003ch4\u003eApplications\u003c\/h4\u003e    \u003ch5\u003eCompact Broadcast Vans\u003c\/h5\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003ch5\u003eMusic Venues and Clubs\u003c\/h5\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003ch5\u003eOnline Education\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for creating educational content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003ch5\u003eLive Sports\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e    \u003cul\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273617725,"sku":"BLA-SWATEMTVSTC\/K4K8","price":108567.27,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5bd728ade05e3bf1ef420bdf916eb2b6.png?v=1773556964"},{"product_id":"blackmagic-design-atem-television-studio-hd8-1","title":"Blackmagic Design ATEM Television Studio HD8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio HD8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eLive Production\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946956.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946953.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDistribution\u003c\/p\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003cp\u003eProduction Switcher Control\u003c\/p\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003cp\u003eEasy Setup and Usage\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946959.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/p\u003e    \u003cp\u003eRedesigned Front Panel\u003c\/p\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003cp\u003eBroadcast-Style Mix\/Effects Switching\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946961.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003cp\u003eAdd Exciting Video Effects\u003c\/p\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003cp\u003eCreative Transitions\u003c\/p\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946958.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003cp\u003eSupports Internal Media\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946960.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003cp\u003eSuperSource Processing\u003c\/p\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003cp\u003e8 Standards Converted 3G-SDI Inputs\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003cp\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003cp\u003e16-Source Multiview on a Single Monitor\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946954.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003cp\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946957.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003cp\u003eOutputs to Any Software that Supports USB Webcams\u003c\/p\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003cp\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946963.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003cp\u003eFlexible and Redundant Power\u003c\/p\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003cp\u003eDesigned to Be Easy to Repair\u003c\/p\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003cp\u003eApplications\u003c\/p\u003e    \u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003cp\u003eOnline Education\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003cp\u003eLive Sports\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273716029,"sku":"BLA-SWATEMTVSTA\/HD08","price":58657.89,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/98f20aefefecb6d2402f243056e5cc3c.jpg?v=1773556978"},{"product_id":"blackmagic-design-atem-television-studio-hd8-iso-1","title":"Blackmagic Design ATEM Television Studio HD8 ISO","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. It includes all the features you'd need for studio operation, including talkback compatibility, GPI and tally interfaces, timecode, MADI input that support up to 32 input channels and 64 output channels for use with external switchers; input audio can be mapped to any of the eight SDI outputs as well as analog audio input and output.\u003c\/p\u003e    \u003cp\u003eThe HD8 features built-in live streaming, and it can connect to the Blackmagic Cloud to share your program for a smooth remote workflow. It also features redundant Ethernet and power to keep your production going if one connection is lost. Two USB-C connectors are available for use as either a webcam, when connected to a computer, or you can utilize an external disk for recording your program.\u003c\/p\u003e    \u003ch5\u003eLive Production\u003c\/h5\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch5\u003ePostproduction\u003c\/h5\u003e    \u003cp\u003eThe ISO model records all inputs into separate files, so you can edit using any NLE that supports multicam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate.\u003c\/p\u003e    \u003ch5\u003eDistribution\u003c\/h5\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch5\u003eProduction Switcher Control\u003c\/h5\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features\u003c\/p\u003e    \u003ch5\u003eEasy Setup and Usage\u003c\/h5\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results.\u003c\/p\u003e    \u003ch5\u003eRedesigned Front Panel\u003c\/h5\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch5\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch5\u003eAdd Exciting Video Effects\u003c\/h5\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch5\u003eCreative Transitions\u003c\/h5\u003e    \u003cp\u003eTEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch5\u003eBuilt in DVE\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch5\u003eSupports Internal Media\u003c\/h5\u003e    \u003cp\u003eThe built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch5\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch5\u003eSuperSource Processing\u003c\/h5\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch5\u003e8 Standards Converted 3G-SDI Inputs\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch5\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live switched using dedicated buttons on the control panel. Aux 1 even includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003ch5\u003e16-Source Multiview on a Single Monitor\u003c\/h5\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003ch5\u003eAdd Audio Expansion for More Microphones\u003c\/h5\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch5\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, color correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview.\u003c\/p\u003e    \u003ch5\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h5\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.\u003c\/p\u003e    \u003ch5\u003eIncludes Free ATEM Software Control Panel\u003c\/h5\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, color correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch5\u003eLocalized for 13 Popular Languages\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch5\u003eFlexible and Redundant Power\u003c\/h5\u003e    \u003cp\u003eThe all in one design of ATEM Television Studio includes a built in power supply so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12 VDC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003ch5\u003eDesigned to Be Easy to Repair\u003c\/h5\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003ch5\u003eApplications\u003c\/h5\u003e    \u003ch6\u003eCompact Broadcast Vans\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eWith the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch6\u003eMusic Venues and Clubs\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. 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Furthermore, Dropbox Live Sync lets you distribute files globally and syncs to your Cloud Pod automatically, while an HDMI monitoring output lets you keep track of your Cloud Pod's status, including a storage map, speed graphics, sync, active users, and power status. Compatible with Windows and Mac, the Cloud Pod lets you work with broadcast-quality video in DaVinci Resolve. When paired with the proper storage media, 12K raw workflows are supported. Included is a universal power supply with international adapters.\u003c\/p\u003e    \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Pod will transform customer's work. It's perfect for film and television because you can record onto USB Type-C flash disks and then use the Blackmagic Cloud Pod to make the disk available on the network for multiple editors and colorists to use. Depending on the brand of USB Type-C flash disk used, it even handles massive 12K Blackmagic raw digital cinema files. USB Type-C flash disks are handy because they are affordable, have low seek times, and can be bought almost anywhere. Dropbox sync allows you to place pods in different locations so everyone can have a fast, local copy of their files. Then each location gets the fastest editing experience possible.\u003c\/p\u003e    \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Pod features an extremely small and thin design because it doesn't have any internal storage. It's also very quiet and very portable. It features two USB Type-C ports so it can host two separate USB disks on your network at the same time. The 10G Ethernet port means you get extremely high performance. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. Along the front there is a status light that shows disk activity, so you know when the USB Type-C disk is being accessed. There's also a DC power connection so you can use the included power supply, or run it from a battery when it's used on location.\u003c\/p\u003e    \u003ch5\u003eDC Power\u003c\/h5\u003e    \u003cp\u003eA 12 VDC power supply is included with Blackmagic Cloud Pod. All international AC voltages are supported so you can use it globally. Adapters for international power sockets are also included.\u003c\/p\u003e    \u003ch5\u003e10G Ethernet\u003c\/h5\u003e    \u003cp\u003e10G Ethernet allows high-speed computers to be connected. It's fast, even when lots of users are connected, all at the same time. It's perfect for connecting to the latest 10G Ethernet switches.\u003c\/p\u003e    \u003ch5\u003eUSB Type-C Connections\u003c\/h5\u003e    \u003cp\u003eThere are two USB Type-C ports so you can host two disks on each Blackmagic Cloud Pod. 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You can even sync multiple Blackmagic Cloud Pods or Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e    \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e    \u003cp\u003eMake sure your Blackmagic Cloud Pod is connected to the internet. Enter in your Dropbox account details, so the Cloud Pod can gain access to allow sync.\u003c\/p\u003e    \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e    \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Pod where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e    \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e    \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. 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Blackmagic Cloud Pod will constantly sync files, even if your computer is turned off.\u003c\/p\u003e    \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e    \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Pod. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the pod. Also, the status for each Dropbox connection is shown and it's even possible to see connected users and the power status.\u003c\/p\u003e    \u003ch5\u003eUsage Indicator\u003c\/h5\u003e    \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Pod.\u003c\/p\u003e    \u003ch5\u003eCustomizable Name\u003c\/h5\u003e    \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Pod so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e    \u003ch5\u003eStorage Map\u003c\/h5\u003e    \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e    \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e    \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e    \u003ch5\u003eUser Connections\u003c\/h5\u003e    \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e    \u003ch5\u003eCloud Pod Status\u003c\/h5\u003e    \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e    \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e    \u003cp\u003eThe lower part of the display has the data transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e    \u003ch4\u003eHigh Performance 10G Ethernet\u003c\/h4\u003e    \u003cp\u003eThe Blackmagic Cloud Pod has a high-speed 10G Ethernet port, which is typically found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet, plus most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Pod is so fast that it will run the 10G Ethernet port to its maximum capacity, even when connected to an Ethernet switch with dozens of users accessing files at the same time. The Ethernet port also features very low latency for fast access times. That's similar performance to expensive business SANs but in a low-cost design that you can install yourself.\u003c\/p\u003e    \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e    \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Pod is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Pod, you can customize your network storage solution with total freedom.\u003c\/p\u003e    \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e    \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Pod utility that's available for Mac and Windows. By default, the Blackmagic Cloud Pod is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the Cloud Pod. The utility also lets you add Dropbox sync folders.\u003c\/p\u003e    \u003ch4\u003ePerfect Multi-Camera Video Workflow\u003c\/h4\u003e    \u003cp\u003eGet broadcast-quality video workflows by connecting USB Type-C disks recorded on camera to the USB Type-C port on the Blackmagic Cloud Pod. This lets multiple DaVinci Resolve workstations access the recorded files instantly, without any file copying. DaVinci Resolve is a free download and allows you to edit and color the camera files. That's a fantastic workflow solution when using Blackmagic Pocket Cinema Cameras, which can record direct to USB Type-C disks. The camera's sensor features dual ISO up to 25,600 so you can create cinematic images, even in moonlight. So, you get a workflow solution for independent film production, plus Blackmagic Cloud Pod is fast, so it's good for multi-cam editing.\u003c\/p\u003e    \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e    \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The high-speed Blackmagic Cloud Store is the highest performance model with extreme speeds. This model features an elegant design that's high capacity and portable. It includes four 10G Ethernet connections, a built in 10G Ethernet switch, internal RAID 5 protection, and redundant power supplies. The Blackmagic Cloud Store Mini is a smaller compact rack mount design that's more affordable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. Both models have Dropbox sync and HDMI monitoring output.\u003c\/p\u003e    \u003ch3\u003eFeatures\u003c\/h3\u003e    \u003cul\u003e   \u003cli\u003eUse USB Type-C Disks as Network Storage\u003c\/li\u003e   \u003cli\u003eConnects Two USB Type-C Disks\u003c\/li\u003e   \u003cli\u003e2 x 5 Gb\/s USB Type-C Ports\u003c\/li\u003e   \u003cli\u003e1 x 10Gb\/s Ethernet Port\u003c\/li\u003e   \u003cli\u003e1 x HDMI Monitoring Output for Status\u003c\/li\u003e   \u003cli\u003eSupports up to 50 Simultaneous Users\u003c\/li\u003e   \u003cli\u003eAutomatic Dropbox Sync Support\u003c\/li\u003e   \u003cli\u003eSoftware Utility for Windows and Mac\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch3\u003eSpecs\u003c\/h3\u003e    \u003ch4\u003eConnections\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003e10Gb Ethernet Ports\u003c\/td\u003e     \u003ctd\u003e1 x RJ45 Port Supports 100\/1000\/10G BASE-T\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eUSB Type-C\u003c\/td\u003e     \u003ctd\u003e2 x 5 Gb\/s USB 3.0 Type-C Ports for External Storage\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eHDMI Monitor Outputs\u003c\/td\u003e     \u003ctd\u003e1\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eComputer Interface\u003c\/td\u003e     \u003ctd\u003eEthernet for Shared File Access, Configuration, and Software Updates\u003cbr\u003e     USB Type-C for Configuration and Software Updates\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eFile Sharing Protocol\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eProtocol\u003c\/td\u003e     \u003ctd\u003eSMB\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eComputer Connections\u003c\/td\u003e     \u003ctd\u003e50 Max\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eCloud Synchronization\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eCompatible Services\u003c\/td\u003e     \u003ctd\u003eDropbox\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eStorage\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Type\u003c\/td\u003e     \u003ctd\u003eBring Your Own Drive\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Storage\u003c\/td\u003e     \u003ctd\u003eUSB Disks\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Storage Format\u003c\/td\u003e     \u003ctd\u003eExFAT (Windows\/Mac) or HFS+ (Mac) File Systems\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eDisplays\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eHDMI Monitor Outputs\u003c\/td\u003e     \u003ctd\u003e1080p50, 1080p59.94, and 1080p60\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMonitor Out Displays\u003c\/td\u003e     \u003ctd\u003eDevice Name, Storage Capacity and Use, Cloud Sync Status, User Activity, Hardware Status, Storage Map, and Network Data Rate Graphs\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStatus Indicator\u003c\/td\u003e     \u003ctd\u003eGlow Strip Illuminates Red During Read or Write Operations\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eDevice Control\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Control\u003c\/td\u003e     \u003ctd\u003eUSB Type-C or Ethernet for Configuration and Software Updates\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eSoftware\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSoftware Included\u003c\/td\u003e     \u003ctd\u003eBlackmagic Cloud Setup Utility\u003cbr\u003e     Blackmagic Proxy Generator Lite\u003cbr\u003e     Internal Software Upgrade via Blackmagic Cloud Setup Using the USB Type-C Port\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eOperating Systems\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMac\u003c\/td\u003e     \u003ctd\u003emacOS 11.1 Big Sur, 12.0 Monterey, and later\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWindows\u003c\/td\u003e     \u003ctd\u003eWindows 10 and 11\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003ePower Requirements\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePower Supply\u003c\/td\u003e     \u003ctd\u003e1 x External 12 VDC 60 W Power Supply\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Input\u003c\/td\u003e     \u003ctd\u003e1 x 12 VDC Locking 5.5 mm Barrel Connector\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Usage\u003c\/td\u003e     \u003ctd\u003e25 W without External USB Disks\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003eEnvironmental Specifications\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u0026gt;\/td\u0026gt;\u003c\/td\u003e     \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e-4 to 140°F \/ -20 to 60°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eRelative Humidity\u003c\/td\u003e     \u003ctd\u003e0 to 90% Non-Condensing\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003ePhysical Specifications\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions\u003c\/td\u003e     \u003ctd\u003e6.35 x 5.00 x 1.00\" \/ 16.1 x 12.7 x 2.54 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.0 lb \/ 0.5 kg\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ch4\u003ePackaging Info\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e2.11 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e11.3 x 7 x 2.1\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default 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