{"title":"BMD Upgrade to Ultra HD Promotion","description":"\u003cp\u003eFor a limited time, save 20% on selected Ultra HD switchers, cameras, recorders and converters at Icily Live. Whether you’re upgrading your entire workflow or just taking the first step into 4K, this is a great opportunity to make the move to Ultra HD.\u003c\/p\u003e","products":[{"product_id":"promo-blackmagic-atem-television-studio-4k8","title":"[Promo] Blackmagic ATEM Television Studio 4K8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cb\u003eATEM Television Studio 4K8\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 12G-SDI inputs that support up to UHD 4K60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e\u003cp\u003eLive Production\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946956.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and 10 aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 sources. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946953.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDistribution\u003c\/p\u003e\u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e\u003cp\u003eProduction Switcher Control\u003c\/p\u003e\u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e\u003cp\u003eEasy Setup and Usage\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946959.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/p\u003e\u003cp\u003eRedesigned Front Panel\u003c\/p\u003e\u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control and a three-axis joystick. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e\u003cp\u003eBroadcast-Style Mix\/Effects Switching\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946961.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e\u003cp\u003eAdd Exciting Video Effects\u003c\/p\u003e\u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e\u003cp\u003eCreative Transitions\u003c\/p\u003e\u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946958.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e\u003cp\u003eSupports Internal Media\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD, and 90 frames in UHD 4K. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946960.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e\u003cp\u003eSuperSource Processing\u003c\/p\u003e\u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e\u003cp\u003e8 Standards-Converted 12G-SDI Inputs\u003c\/p\u003e\u003cp\u003eThe ATEM Television Studio HD features 8 independent 12G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any input source to the HD or UHD video standard of the switcher. You could have each switcher's SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e\u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\u003cp\u003e12G-SDI Outputs with 16-Channel Embedded Audio\u003c\/p\u003e\u003cp\u003eThe ATEM Television Studio includes twelve 12G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e\u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an onscreen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 12G-SDI and HDMI 2.0 output for the multiview.\u003c\/p\u003e\u003cp\u003e16-Source Multiview on a Single Monitor\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946954.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/p\u003e\u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e\u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e\u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e\u003cp\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946957.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e\u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e\u003cp\u003eOutputs to Any Software that Supports USB Webcams\u003c\/p\u003e\u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e\u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1733417247_IMG_1946963.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e\u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e\u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e\u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e\u003cp\u003eFlexible and Redundant Power\u003c\/p\u003e\u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e\u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e\u003cp\u003eDesigned to Be Easy to Repair\u003c\/p\u003e\u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 12 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e\u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e\u003cp\u003eApplications\u003c\/p\u003e\u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e\u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e\u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e\u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e\u003cp\u003eOnline Education\u003c\/p\u003e\u003cp\u003eATEM Television Studio is perfect for creating educational content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e\u003cp\u003eLive Sports\u003c\/p\u003e\u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991114772797,"sku":"P-BLA-SWATEMTVSTC\/K4K8\/0","price":75942.4,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/110c5531f627caaa17909239b4549163.png?v=1788963595"},{"product_id":"promo-blackmagic-hyperdeck-extreme-4k-hdr","title":"[Promo] Blackmagic HyperDeck Extreme 4K HDR","description":"\u003cp\u003eAdd a playback and recording deck to your broadcast studio, live production, or digital signage environment with the \u003cb\u003eHyperDeck Extreme 4K HDR\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. The HyperDeck Extreme 4K supports up to UHD 4K video and allows you to save H.265 files and utilize 3D LUTs, internal cache, and HDR support for video playback.\u003c\/p\u003e\u003cp\u003eThe HyperDeck features a 7\" capacitive touchscreen LCD screen that provides a clean image and controls, scopes, and monitoring tools that you can control and configure with a swipe or a button press. It features 12G-SDI and HDMI inputs and outputs, two CFast media slots for recording, and allows you to record your video stream to an optional disk via USB Type-C.\u003c\/p\u003e\u003cp\u003eIf you want to fit streaming into your legacy production rack, the HyperDeck can be controlled via RS-422 as traditional broadcast decks. The unit also features a 3G-SDI monitor output, component analog audio and video inputs, 3-pin XLR inputs and outputs, timecode I\/O, and reference I\/O. The unit also supports built-in media caching that can be upgraded to avoid cards and disks from filling up and losing data.\u003c\/p\u003e\u003cp\u003eUpdated HyperDeck\u003c\/p\u003e\u003cp\u003eHyperDeck Extreme 4K features the trusted reliability of HyperDeck combined with new innovations such as space-saving H.265 files, optional internal cache, 3D LUTs, and HDR support. With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality. The large touchscreen ensures a perfect view of your recording as well as control over all deck settings.\u003c\/p\u003e\u003cp\u003eFile and I\/O Formats\u003c\/p\u003e\u003cp\u003ePowerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD, and Ultra HD standards up to 2160p60. It includes scopes and an upgradable cache, plus SDI, HDMI, and analog video.\u003c\/p\u003e\u003cp\u003eInterfaces and Inputs\u003c\/p\u003e\u003cp\u003eHyperDeck Extreme has an innovative 7\" capacitive LCD touchscreen user interface with deck controls as well as a large screen to view your recording. It features two media slots, 12G-SDI I\/O, HDMI I\/O analog connections for archiving, USB Type-C external disk recording, plus a front panel speaker and headphone jack.\u003c\/p\u003e\u003cp\u003eLive Production, Signage, and Archiving\u003c\/p\u003e\u003cp\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player, and for recording ISO cameras. The analog inputs allow you to record from old videotapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI, and analog inputs with built-in scopes and 3D LUTs.\u003c\/p\u003e\u003cp\u003eConvert Legacy Programming for Streaming\u003c\/p\u003e\u003cp\u003eHyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It's even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1\" C format, and Betacam SP.\u003c\/p\u003e\u003cp\u003eDual CFast Media\u003c\/p\u003e\u003cp\u003eCFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus, there are two CFast card slots, so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high-speed, and affordable.\u003c\/p\u003e\u003cp\u003e12G-SDI, HDMI, and Legacy Analog\u003c\/p\u003e\u003cp\u003eHyperDeck Extreme features a wide range of video and audio connections, such as multi-rate 12G-SDI for SD, HD, and Ultra HD 4K devices. The latest 10G Ethernet is included for high-speed upload using FTP protocols. HyperDeck even includes both AC and XLR power connections.\u003c\/p\u003e\u003cp\u003eHDR Support and Bright Wide Gamut LCD\u003c\/p\u003e\u003cp\u003eBe ready for the latest HDR workflows with support for the latest HDR standards, with an extremely bright screen and a wide color gamut. The built-in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information, and SDI and HDMI inputs will also automatically detect HDR video standards.\u003c\/p\u003e\u003cp\u003eLocalized for Popular Languages\u003c\/p\u003e\u003cp\u003eMultiple languages are fully supported, so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, and Turkish.\u003c\/p\u003e\u003cp\u003eTraditional RS-422 Broadcast Deck Control\u003c\/p\u003e\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders.\u003c\/p\u003e\u003cp\u003eCompatible with Controllers, Switchers, Converters\u003c\/p\u003e\u003cp\u003eA wide range of Blackmagic Design products is available to use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus, since it uses the industry-standard RS-422 deck control protocol, it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television, and it also has monitor calibration, 3D LUTs, and on-screen scopes.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991114969405,"sku":"P-BLA-HYPERD\/RSTEX4KHDR","price":53480.8,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ccce18020248742098993a3cad4a4c55.png?v=1788963602"},{"product_id":"promo-blackmagic-studio-camera-4k-pro-g2-body-only-tripod-mount-incl","title":"[Promo] Blackmagic Studio Camera 4K Pro G2 (Body Only, Tripod Mount Incl)","description":"\u003cp\u003eMade to work seamlessly with powerful SDI video switchers, the \u003cb\u003eBlackmagic Design Studio Camera 4K Pro G2\u003c\/b\u003e now offers live streaming plus pro connections like 12G-SDI and 10GbE Ethernet. The Ethernet connection enables you to set up a SMPTE-style workflow using a more affordable single-cable setup with PoE (power over ethernet) and the 12G-SDI output and program return provides camera control, talkback, and tally functions. This latest 4K Pro model retains features like a 7\" touchscreen monitor, HDMI output, Blackmagic Raw recording, HDR support, XLR audio, and Micro Four Thirds lens mount from its predecessor.\u003c\/p\u003e\u003cp\u003eCompact and Lightweight Design\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\u003cp\u003ePowerful Broadcast Connections\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1961981.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 4K Pro G2 model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\u003cp\u003eGlobal Live Streaming\u003c\/p\u003e\u003cp\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 4K Pro G2 as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\u003cp\u003eCinematic Images in Live Production\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1943878.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 4K Pro G2 camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/p\u003e\u003cp\u003eExceptional Low-Light Performance\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\u003cp\u003eAffordable Photographic Lenses\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1961974.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWith the popular MFT lens mount, Studio Camera 4K Pro G2 is compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\u003cp\u003ePhysical and Touchscreen Controls\u003c\/p\u003e\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\u003cp\u003eFrame Shots with Large 7\" Viewfinder\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1961985.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\u003cp\u003eCommunicate with the Director via Talkback\u003c\/p\u003e\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\u003cp\u003eFour Ways to Connect\u003c\/p\u003e\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 4K Pro G2 has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera output video, and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\u003cp\u003eBuilt-In Tally for On-Air Status\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1961983.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\u003cp\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro G2 model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\u003cp\u003eUSB Expansion Port for Accessories\u003c\/p\u003e\u003cp\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\u003cp\u003eBlackmagic RAW Quality\u003c\/p\u003e\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats such as H.264, Blackmagic RAW eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\u003cp\u003eXLR Inputs and Built-In Microphones\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1706809985_IMG_1961978.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 4K Pro G2 model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\u003cp\u003eMonitor Program Video\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\u003cp\u003eSupports 3D LUTs for Film Looks\u003c\/p\u003e\u003cp\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\u003cp\u003eLocalized in 13 Popular Languages\u003c\/p\u003e\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, and Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\u003cp\u003ePowers from DC or 10G Ethernet\u003c\/p\u003e\u003cp\u003eBlackmagic Studio Camera 4K Pro G2 has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\u003cp\u003eOptional Accessories\u003c\/p\u003e\u003cp\u003eYou can utilize the Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991115002173,"sku":"P-BLA-CINSTUDMFT\/G24PDFG2","price":31137.6,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/8ea346c013b64307fd665812a58f4d37.png?v=1788963611"},{"product_id":"promo-blackmagic-pyxis-12k-body-only","title":"[Promo] Blackmagic Pyxis 12K (Body Only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a native, active Leica L lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003ePost-14221337 Serial Number\u003c\/p\u003e\u003cp\u003eNOTE: This camera is from the post-14221337 serial number batch. It is not affected by the Blackmagic Design recall regarding image artifacts on select PYXIS 12K cameras with earlier serial numbers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFirmware Update 10.0\u003c\/p\u003e\u003cp\u003eBlackmagic Camera firmware update 10.0 adds multiple functions to help improve your content capture. New features include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA pre-record function.\u003c\/li\u003e\n\u003cli\u003eA 0% option in frame guide opacity settings.\u003c\/li\u003e\n\u003cli\u003eNew Camera Control REST API commands.\u003c\/li\u003e\n\u003cli\u003eSupport for inhibiting proxy recording.\u003c\/li\u003e\n\u003cli\u003eSupport for 4-channel audio recording.\u003c\/li\u003e\n\u003cli\u003eSupport for mono headphone monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K, with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads, and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041421_IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036339_IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041422_IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036339_IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041422_IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBASE-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements\u003c\/p\u003e\u003cp\u003emacOS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003emacOS 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003emacOS 15.0 Sequoia or later.\u003c\/li\u003e\n\u003cli\u003eMac with Apple Silicon or Intel-based CPU.\u003c\/li\u003e\n\u003cli\u003e8GB of system memory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWindows OS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWindows 10 64-bit or later.\u003c\/li\u003e\n\u003cli\u003eWindows 11 64-bit or later.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991115034941,"sku":"P-BLA-CINECAMCPYXM12LFL","price":84990.4,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/baf1e8024e4939effa1d4a0316881720.png?v=1788963619"},{"product_id":"promo-blackmagic-streaming-decoder-4k","title":"[Promo] Blackmagic Streaming Decoder 4K","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Streaming Decoder 4K\u003c\/strong\u003e is designed to convert H.264 or H.265 streams from the Streaming Encoder into SDI and HDMI video. A wide range of Blackmagic Design cameras, such as the Blackmagic Studio Camera Pro, PYXIS, URSA Cine, and URSA Broadcast G2, are equipped with built-in streaming capabilities, allowing users to stream directly from these cameras without the need for additional hardware, thus enabling point-to-point video transmission between remote locations. A 12G-SDI reference input enables users to connect SDI tally, camera control, and talkback and send these back to the encoder.\u003c\/p\u003e\u003cp\u003eBoth the front and rear panels of the decoder include USB-C connectivity for tethering high-speed 5G and 4G phones. In the event of an internet failure, the device automatically switches to the connected phone's data connection, although users can prioritize either the Ethernet or phone connection, as per their specific applications. For cameras without built-in streaming, the Blackmagic Streaming Encoder can be used, with control embedded in the encoder's SDI monitoring output, connecting to the SDI input of the Blackmagic camera. The ultraportable device is only 5.5\" wide, allowing users to align it with up to two other optional devices on a rackmount unit, using only 1 RU of space. The decoder comes with the Blackmagic Streaming Utility software.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991115985213,"sku":"P-BLA-BDLKWEB\/J\/DES4K","price":10216.8,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5bf86e93f7002794ce50121fa231c61d_682c3dc0-c766-4162-9dee-92a2667ca145.png?v=1788963626"},{"product_id":"promo-blackmagic-ultimatte-12-4k","title":"[Promo] Blackmagic Ultimatte 12 4K","description":"\u003cp\u003eUpgrade your real-time compositing for keying live action video with the \u003cb\u003eUltimatte 12 Keyer Advanced Compositing Processor\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. This latest version of the Ultimatte 12 adds 12G-SDI connectivity to advanced algorithms, improved spill suppression, color science and separation, and excellent color fidelity to help create truly photorealistic composites.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1683224118_IMG_1989357.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe Ultimatte 12 works in Ultra HD \u0026amp; HD with sub-pixel processing for an improved image. Designed for news, sports, and other types of production, this versatile unit offers realistic augmented reality layers and one-touch auto-keying. This 1 rack unit processor does not include the required Ultimatte Smart Remote 4.\u003c\/p\u003e\u003cp\u003eAdvanced Real-Time Compositing\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1683224118_IMG_1989354.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUses new algorithms and color science, improved edge handling, color separation, color fidelity, and spill suppression to create photorealistic composites in UHD 4K and HD, all in real time. Designed for news, sports, narrative film and television, and entertainment productions using fixed cameras, static backgrounds, or virtual set systems. The ability to layer augmented reality objects enables talent to pre-visualize virtual sets when using a green screen.\u003c\/p\u003e\u003cp\u003eMulticamera Use\u003c\/p\u003e\u003cp\u003eNew technology enables the Ultimatte 12 to add accurate keying parameters to multiple cameras, accounting for slight variations between the camera positions\u003c\/p\u003e\u003cp\u003eRealistic Augmented Reality Layer\u003c\/p\u003e\u003cp\u003eA new \"realistic\" layer compositing mode enables you to add translucent or tinted objects on top of the foreground.\u003c\/p\u003e\u003cp\u003eOne-Touch Keying and Advanced Image Processing\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1683224118_IMG_1989355.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOne-touch keying dramatically lessens the time it takes to pull a key, using the auto key to set over 100 parameters once your set is well lit and white balanced. Advanced image processing algorithms and an immense color space are used to generate internal mattes, so different parts of the image can be processed separately based on the colors in each area. This processing produces fine detail on hair and smooths color and object transitions with both HD and UHD 4K video.\u003c\/p\u003e\u003cp\u003eHighest Color Fidelity\u003c\/p\u003e\u003cp\u003eRefined flare, edge, and transition processing enables you to remove the background without affecting the colors you want to retain, faithfully reproducing colors that are impossible on other keyers, such as a bright yellow dress in front of a green screen.\u003c\/p\u003e\u003cp\u003eShadows and Transparencies\u003c\/p\u003e\u003cp\u003eImproved flare algorithms can remove green tinting and spill from almost anything, creating true, realistic looking virtual environments, even when using shadows or transparent objects with reflections.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1683224118_IMG_1989356.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHigh-Quality Interfaces\u003c\/p\u003e\u003cp\u003eHigh-quality connections include an Ethernet port, a GPI tally trigger, 12G-SDI BNC ports that support up to UHD 4K video, and Program video outputs.\u003c\/p\u003e\u003cp\u003eDedicated Compositing Inputs\u003c\/p\u003e\u003cp\u003eDedicated connectors with loop outputs that are used for compositing include:\u003c\/p\u003e\u003cp\u003eInputs:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBackground\u003c\/li\u003e\n\u003cli\u003eBackground matte\u003c\/li\u003e\n\u003cli\u003eGarbage matte\u003c\/li\u003e\n\u003cli\u003eForeground\u003c\/li\u003e\n\u003cli\u003eHoldout matte\u003c\/li\u003e\n\u003cli\u003eLayer\u003c\/li\u003e\n\u003cli\u003eLayer matte\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eOutput:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eProgram out\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1683224118_IMG_1989358.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991116149053,"sku":"P-BLA-ULTMKEY12\/C\/4K","price":39765.6,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2778b9493b9f2a686dcc09ef02e39fe5.png?v=1788963632"},{"product_id":"promo-blackmagic-pyxis-12k-pl-body-only","title":"[Promo] Blackmagic Pyxis 12K Pl (Body Only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003ePost-14221337 Serial Number\u003c\/p\u003e\u003cp\u003eNOTE: This camera is from the post-14221337 serial number batch. It is not affected by the Blackmagic Design recall regarding image artifacts on select PYXIS 12K cameras with earlier serial numbers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFirmware Update 10.0\u003c\/p\u003e\u003cp\u003eBlackmagic Camera firmware update 10.0 adds multiple functions to help improve your content capture. New features include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA pre-record function.\u003c\/li\u003e\n\u003cli\u003eA 0% option in frame guide opacity settings.\u003c\/li\u003e\n\u003cli\u003eNew Camera Control REST API commands.\u003c\/li\u003e\n\u003cli\u003eSupport for inhibiting proxy recording.\u003c\/li\u003e\n\u003cli\u003eSupport for 4-channel audio recording.\u003c\/li\u003e\n\u003cli\u003eSupport for mono headphone monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K, with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036501_IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads, and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036501_IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036501_IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036501_IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBASE-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements\u003c\/p\u003e\u003cp\u003emacOS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003emacOS 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003emacOS 15.0 Sequoia or later.\u003c\/li\u003e\n\u003cli\u003eMac with Apple Silicon or Intel-based CPU.\u003c\/li\u003e\n\u003cli\u003e8GB of system memory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWindows OS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWindows 10 64-bit or later.\u003c\/li\u003e\n\u003cli\u003eWindows 11 64-bit or later.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991117459773,"sku":"P-BLA-CINECAMCPYXO12LFPL","price":84908.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/88e9859d756ff2541c02d464df1b42c5.png?v=1788963639"},{"product_id":"promo-blackmagic-pyxis-12k-ef-body-only","title":"[Promo] Blackmagic Pyxis 12K Ef (Body Only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a Canon EF lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003ePost-14221337 Serial Number\u003c\/p\u003e\u003cp\u003eNOTE: This camera is from the post-14221337 serial number batch. It is not affected by the Blackmagic Design recall regarding image artifacts on select PYXIS 12K cameras with earlier serial numbers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036455_IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFirmware Update 10.0\u003c\/p\u003e\u003cp\u003eBlackmagic Camera firmware update 10.0 adds multiple functions to help improve your content capture. New features include:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA pre-record function.\u003c\/li\u003e\n\u003cli\u003eA 0% option in frame guide opacity settings.\u003c\/li\u003e\n\u003cli\u003eNew Camera Control REST API commands.\u003c\/li\u003e\n\u003cli\u003eSupport for inhibiting proxy recording.\u003c\/li\u003e\n\u003cli\u003eSupport for 4-channel audio recording.\u003c\/li\u003e\n\u003cli\u003eSupport for mono headphone monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036455_IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036455_IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K, with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041422_IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744036455_IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads, and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041422_IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041422_IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1744041423_IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBASE-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements\u003c\/p\u003e\u003cp\u003emacOS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003emacOS 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003emacOS 15.0 Sequoia or later.\u003c\/li\u003e\n\u003cli\u003eMac with Apple Silicon or Intel-based CPU.\u003c\/li\u003e\n\u003cli\u003e8GB of system memory.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eWindows OS:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWindows 10 64-bit or later.\u003c\/li\u003e\n\u003cli\u003eWindows 11 64-bit or later.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991117689149,"sku":"P-BLA-CINECAMCPYXN12LFEF","price":84908.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f0713b97e1fd2f79194a2076272498f6_ee2f1502-a27c-4561-93c0-ac2d395c0ed5.png?v=1788963647"},{"product_id":"promo-blackmagic-atem-4-m-e-constellation-4k","title":"[Promo] Blackmagic ATEM 4 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 4 M\/E Constellation 4K Switcher\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features 40 12G-SDI inputs and 24 12G-SDI outputs, and it connects to a wide range of cameras and sources, delivering video at resolutions of up to 10-bit UHD 4K60 via the 12G-SDI program outputs or 1080p and 720p webcam outputs via USB-C. The switcher features four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689678908_IMG_1975505.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe switcher also boasts a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter, allowing you to mix and match cameras that do not have genlock capabilities. Upstream and downstream keyers and effects are supported in real time. The switcher can be controlled using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038627.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Broadcast Power\u003c\/p\u003e\u003cp\u003eThe switcher features a compact rack mount design with a built-in control panel and a large LCD so you can see program output and change switcher settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 12G-SDI inputs, aux outputs, balanced audio, and Ethernet for control. The 4 M\/E models include RS-422 for serial control and MADI digital audio connections. Even with all this power, the switcher is extremely quiet with its innovative high-efficiency thermal system.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038635.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe switcher features four independent DVEs that let you reposition graphics and up to 4 independent DVEs that let you reposition graphics and create picture-in-picture compositions with impressive results. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions.\u003c\/p\u003e\u003cp\u003eSuperSource Processing\u003c\/p\u003e\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038628.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038632.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038634.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cp\u003eFor news or virtual set work, this switcher features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for the automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038636.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUpstream Chroma Keyers\u003c\/p\u003e\u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment with trying out different studio setups.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038633.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on macOS or Windows.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038625.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSupports Optional Control Panels\u003c\/p\u003e\u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689113787_IMG_2038631.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118147901,"sku":"P-BLA-SWATEMSCN2\/2ME4\/4K","price":145126.4,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/8d17464dc247087cf5dc3200212dd574.png?v=1788963654"},{"product_id":"promo-blackmagic-atem-2-m-e-constellation-4k","title":"[Promo] Blackmagic ATEM 2 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cb\u003eATEM 2 M\/E Constellation UHD 4K Live Production Switcher\u003c\/b\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 20 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to 12 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232169.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232177.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232172.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSuperSource\u003c\/p\u003e\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation UHD 4K as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232173.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003eInternal Media Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232179.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e\n\u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232171.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e\u003cp\u003eWith up to 20 multi-rate 12G-SDI connections, the ATEM 2 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232178.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e\u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232170.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232174.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOptional Control Panels\u003c\/p\u003e\u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118180669,"sku":"P-BLA-SWATEMSCN2\/2ME2\/4K","price":64690.4,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5d0e545f58e454766745d3699a864626.png?v=1788963661"},{"product_id":"promo-blackmagic-hyperdeck-studio-4k-pro","title":"[Promo] Blackmagic HyperDeck Studio 4K Pro","description":"\u003cp\u003eThe \u003cb\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/b\u003e is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039181.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe Studio 4K Pro records video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e\u003cp\u003eThe Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Deck\u003c\/p\u003e\u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e\u003cp\u003eMastering Recorder\u003c\/p\u003e\u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e\u003cp\u003eISO Recording\u003c\/p\u003e\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039183.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDigital Signage\u003c\/p\u003e\u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e\u003cp\u003eBroadcast Archive\u003c\/p\u003e\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e\u003cp\u003eBright Color LCD Status Display\u003c\/p\u003e\u003cp\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e\u003cp\u003eTraditional Broadcast Deck Controls\u003c\/p\u003e\u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e\u003cp\u003eSupports SD Cards, UHS-II Cards or SSDs\u003c\/p\u003e\u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039185.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDual Media Slots for Non-Stop Recording\u003c\/p\u003e\u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e\u003cp\u003eRecord to External USB-C Media Disks\u003c\/p\u003e\u003cp\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has four separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e\u003cp\u003ePopular ProRes, DNx, H.264, and H.265 Files\u003c\/p\u003e\u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e\u003cp\u003eAdvanced Broadcast Connections\u003c\/p\u003e\u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039192.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/p\u003e\u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039184.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFill and Key Outputs for Broadcast Animations\u003c\/p\u003e\u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\u003cp\u003eUSB Webcam Output for Video Software\u003c\/p\u003e\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/p\u003e\u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039178.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/p\u003e\u003cp\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e\u003cp\u003eIncredibly Fast Network File Transfers\u003c\/p\u003e\u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e\u003cp\u003eTraditional RS-422 Broadcast Deck Control\u003c\/p\u003e\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e\u003cp\u003eBuilt-In Timecode and Sync Generators\u003c\/p\u003e\u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e\u003cp\u003eBlackmagic OS\u003c\/p\u003e\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039188.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e\u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e\u003cp\u003eUse All Video Software and Streaming Sites\u003c\/p\u003e\u003cp\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e\u003cp\u003eBuilt-In Redundancy Keeps You on Air\u003c\/p\u003e\u003cp\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having four media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get three totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows two independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039189.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDesigned for Both Portable or Rack Mount Use\u003c\/p\u003e\u003cp\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5\" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.\u003c\/p\u003e\u003cp\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/p\u003e\u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1689165042_IMG_2039187.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118410045,"sku":"P-BLA-HYPERD\/ST\/DG4P","price":26255.2,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ae2adadba5fd2c7601811409bae7939b.png?v=1788963666"},{"product_id":"promo-blackmagic-streaming-encoder-4k","title":"[Promo] Blackmagic Streaming Encoder 4K","description":"\u003cp\u003eThe powerful, self-contained \u003cstrong\u003eBlackmagic Design Streaming Encoder 4K\u003c\/strong\u003e streams H.264 or H.265 via SRT or RTMP with direct streaming support for a wide range of compatible services and software, including Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, AfreecaTV, Bilibili, DouYu, Weibo, Zoom, Skype, Microsoft Teams, QuickTime Player, FaceTime, OBS Studio, Open Broadcaster, VLC, Wirecast Play, and Wowza Streaming Engine. Users may stream via the built-in RJ45 Ethernet port with support for 10\/100\/1000BASE-T or connect via USB-C to tether to high-speed 5G and 4G phones.\u003c\/p\u003e\u003cp\u003eThe encoder is equipped with 12G-SDI connectivity, supporting resolutions up to DCI 4K60 via an SDI input and an SDI loop output. The unit also features SDI and HDMI monitor outputs. Video, audio, status, and menu settings may be monitored via the integrated 2.2\" LCD screen. There is also an option to connect the device as a webcam to a computer via its rear-panel USB-C port. The front panel features six buttons and a spin knob for tactile control, and the unit may be powered via its rear 100-240 VAC and 12 VDC 4-pin XLR ports.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118672189,"sku":"P-BLA-BDLKWEB\/D\/SED4K","price":10216.8,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/77e190c7eb9f442e73a113f2190aed60_b8d8e542-c29d-4362-819e-54394a54567e.png?v=1788963673"},{"product_id":"promo-blackmagic-hyperdeck-shuttle-4k-pro-2tb","title":"[Promo] Blackmagic HyperDeck Shuttle 4K Pro 2TB","description":"\u003cp\u003eAdd a desktop shuttle with a comprehensive video playback interface to your live production with this \u003cb\u003eHyperDeck Shuttle 4K Pro\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. The HyperDeck Shuttle 4K Pro features a compact design that allows you to run multiple I\/O and connect to a computer or ATEM switch to control media playback using its 7\" touchscreen display, large search dial, and buttons. It also features a built-in teleprompter for using text files without requiring third-party software. This version of the device includes a 2TB M.2 card for cache recording up to 16 Gb\/s.\u003c\/p\u003e\u003cp\u003eThe Shuttle 4K Pro runs Blackmagic OS, supports ProRes and DNx file formats, and is compatible with a wide range of editing software such as Premiere Pro, Avid, and DaVinci Resolve. It can also be used to stream H.264\/265 video to streaming services such as YouTube or Vimeo. Record video using its SD card slot, the M.2 PCIe card slot and the included 2TB card, or use the USB-C output to an optional drive or connect to the Blackmagic MultiDock to record on multiple SSDs. The Ethernet port provides external control and file transfers over a network.\u003c\/p\u003e\u003cp\u003eMastering Recorder\u003c\/p\u003e\u003cp\u003eWith support for H.264\/265, ProRes, and DNx files, you can record true broadcast masters. You can even select between PCM or AAC audio. That's great for higher-quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to streaming services like YouTube.\u003c\/p\u003e\u003cp\u003eMedia Player\u003c\/p\u003e\u003cp\u003eThe large search dial lets you visually browse your clip library; you can then use the previous clip button to cue the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet.\u003c\/p\u003e\u003cp\u003eBuilt-In 7\" Touchscreen\u003c\/p\u003e\u003cp\u003eA 7\" touch interface allows for interactive control, built-in monitoring, and menu adjustment. Buttons for playback, pause, and recording functions, as well as a mini playback timeline for clip scrubbing, make for an intuitive control experience. A heads-up display (HUD) overlays timecode, media status, and audio meter information. Enable full broadcast scopes like focus assist and RGB exposure histogram. Settings can be changed via the on-screen menus, and you can save and load 3D LUTs.\u003c\/p\u003e\u003cp\u003eTraditional Broadcast Deck Controls\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use, and the buttons are similar to a traditional broadcast deck. Simply press the record button, and you will instantly start recording the video input to a file. The large machined metal search dial supports shuttle, jog, and scroll, so you can find clips fast. Plus, all deck control functions can be triggered remotely using the Ethernet network. Use the intuitive touchscreen interface to toggle different visual overlays and scrub media files to find what you need.\u003c\/p\u003e\u003cp\u003eRecord to Internal or External Network Storage\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle has been designed to record directly to network storage, keeping all your media in a central place. Plus, the HyperDeck Shuttle 4K Pro model has space for M.2 flash storage cards, so the network storage is built in. This means any editing system can just log into the HyperDeck Shuttle 4K Pro and access all the media in one location. DaVinci Resolve can also edit media while it's being recorded.\u003c\/p\u003e\u003cp\u003eSupports SD Cards and USB-C Disks\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle supports recording to standard SD Cards and UHS-II Cards. You can also record on external USB disks, which can be instantly unplugged and transported. When using H.264, the files are so incredibly small you get very long recordings even on smaller, low-cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card for over 6 days of recorded content. The USB-C expansion port lets you plug in an external flash disk for recording. You can even add a Blackmagic MultiDock 10G that has four separate SSD media slots, so you can add compatibility with SSD media. There are also options for managing external disks in the settings menu.\u003c\/p\u003e\u003cp\u003ePopular ProRes, DNx, and H.264\/265 Files\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports the most popular codecs in use today, including broadcast-quality DNx and ProRes file formats. You also get space-saving H.264\/265 when recording in NTSC, PAL, 720p, 1080p, or 1080i formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus, you can choose uncompressed PCM or even AAC audio when uploading files to YouTube. HyperDeck Shuttle supports both ExFAT on Windows and HFS+ on Mac disk formats, allowing disks to be mounted and read on both platforms. You also get support for recording long events into a single video file.\u003c\/p\u003e\u003cp\u003eVideo and Control Connections\u003c\/p\u003e\u003cp\u003eThe HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long-form media player. Additional connectivity includes an SDI monitor output, reference I\/O ports, 4K HDMI I\/O ports, an SDI input, two SDI outputs, an SDI loop output, a remote I\/O interface, and a headphone jack for monitoring. The rear panel also includes a 12 VDC power input, and a power supply is included. The 10 Gigabit Ethernet connection allows control and remote file uploads.\u003c\/p\u003e\u003cp\u003eMulti-Rate SDI Connections\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model includes the latest 12G-SDI video connections. 12G-SDI is multi-rate, so a single connection can connect to SD, HD, and UHD equipment using up to DCI 4K resolutions. There is also support for both level A and level B when working in 3G-SDI rates.\u003c\/p\u003e\u003cp\u003eHDMI Compatibility with ATEM Mini Switchers\u003c\/p\u003e\u003cp\u003eWith built-in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors, and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and UHD 4K equipment.\u003c\/p\u003e\u003cp\u003e10G Ethernet Network\u003c\/p\u003e\u003cp\u003eWith its 10G Ethernet connectivity, the HyperDeck Shuttle 4K Pro can access built-in HyperDeck M.2 storage over your network. You can also transfer files via an easy-to-use HTTP\/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which you can test with a simple telnet client. A REST protocol is also supported for custom automation, and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management, and play-out.\u003c\/p\u003e\u003cp\u003eUSB Webcam Output\u003c\/p\u003e\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Shuttle features webcam support via the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. This guarantees full compatibility with any video software and in full-resolution 1080 HD quality. HyperDeck Shuttle's USB webcam feature works with any video software, including Zoom and Microsoft Teams, or streams live with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003eAdvanced HDR Support\u003c\/p\u003e\u003cp\u003eWork with the latest HDR workflows thanks to the HyperDeck Shuttle's HDR screen and wide color gamut. The built-in scopes automatically transition to HDR scopes when working with HDR formats. HDR sources input into the SDI and HDMI ports will automatically be detected. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut and can handle both Rec. 2020 and Rec. 709 color spaces. The built-in HyperDeck Shuttle 4K Pro LCD color gamut can even handle 100% of the DCI-P3 format.\u003c\/p\u003e\u003cp\u003eBuilt-In Teleprompter\u003c\/p\u003e\u003cp\u003eWith such a large search dial, HyperDeck Shuttle 4K Pro can be used as a teleprompter. Simply change to teleprompter in the record menu, and it will read standard RTF text files like scripts without the need for custom software. Scripts can be written using simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both the jog and scroll buttons, you can live scroll the script like a traditional teleprompter, as well as adjust the size and font displayed.\u003c\/p\u003e\u003cp\u003eSupports Blackmagic Cloud\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports adding a built-in M.2 flash memory storage card, transforming it into network storage. That means multiple users can access recordings over the local network, plus it can sync to Blackmagic Cloud. DaVinci Resolve will also sync the media so you can work with editors, colorists, VFX artists, and audio engineers anywhere in the world. HyperDeck Shuttle 4K Pro also records H.265 HD proxy files, which upload in seconds. The proxy even syncs during recording, so remote DaVinci Resolve editors get the media before the HyperDeck has stopped recording.\u003c\/p\u003e\u003cp\u003eDirect Metadata Entry\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model has an advanced digital slate and metadata features that make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot. Set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post-production with software such as DaVinci Resolve!. DaVinci Resolve can then source and organize all your shots based on metadata. Simply scroll and select the shots.\u003c\/p\u003e\u003cp\u003ePowered by Blackmagic OS\u003c\/p\u003e\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products, and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power-on while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management, and even localization. The menus are overlaid on the video output and include settings to customize your HyperDeck Shuttle 4K Pro, and the menus can be changed to display in either light or dark mode.\u003c\/p\u003e\u003cp\u003eCompatible with Software and Streaming Sites\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro records files compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Shuttle directly to streaming services such as YouTube, Facebook, Vimeo, and Twitter. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to copy files.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118836029,"sku":"P-BLA-HYPERD\/PTSKD\/2TB","price":47420.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cca468a6ce1119d11c908e025b46cb7e.png?v=1788963680"},{"product_id":"promo-blackmagic-atem-1-m-e-constellation-4k","title":"[Promo] Blackmagic ATEM 1 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cb\u003eATEM 1 M\/E Constellation UHD 4K Live Production Switcher\u003c\/b\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 10 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to six 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232157.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232165.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232161.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003eInternal Media Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 1 M\/E model can hold 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232167.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e\n\u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232159.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e\u003cp\u003eWith up to 10 multi-rate 12G-SDI connections, the ATEM 1 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232166.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e\u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232158.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1713185120_IMG_2232162.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOptional Control Panels\u003c\/p\u003e\u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991118999869,"sku":"P-BLA-SWATEMSCN2\/2ME1\/4K","price":27798.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ea583fd6cdea5b6285ffb59a141fd894.png?v=1788963687"},{"product_id":"promo-blackmagic-atem-television-studio-hd8-2tb","title":"[Promo] Blackmagic ATEM Television Studio HD8 2TB","description":"\u003cp\u003eThe \u003cb\u003eATEM Television Studio HD8 2TB\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e is a compact, redesigned all-in-one live streaming switcher that is ideal for television studios, remote production, or live venues. It provides eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording with an integrated 2TB M.2 NVMe drive, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere in the world.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946962.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946956.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Production\u003c\/p\u003e\u003cp\u003eYou get an incredibly powerful eight-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to eight cameras. Plus, you get professional camera control, talkback, and audio mixing.\u003c\/p\u003e\u003cp\u003eDistribution\u003c\/p\u003e\u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio ensures you get the correct format for uploading to YouTube. Plus, you can share live broadcasts with your audience using the aux outputs and large screens and projectors.\u003c\/p\u003e\u003cp\u003eProduction Switcher Control\u003c\/p\u003e\u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946959.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eEasy Setup and Usage\u003c\/p\u003e\u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players that let you store graphics with alpha channels for titles and graphics, which you can load as live video inputs. Then, you can live stream the results.\u003c\/p\u003e\u003cp\u003eRedesigned Front Panel\u003c\/p\u003e\u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs among all eight cameras, program, preview, or the multiview.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946961.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBroadcast-Style Mix\/Effects Switching\u003c\/p\u003e\u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it on air, so you get fewer mistakes.\u003c\/p\u003e\u003cp\u003eAdd Exciting Video Effects\u003c\/p\u003e\u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip, which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image offscreen when transitioning between video sources.\u003c\/p\u003e\u003cp\u003eCreative Transitions\u003c\/p\u003e\u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe, and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946958.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with four extra DVEs.\u003c\/p\u003e\u003cp\u003eSupports Internal Media\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For the highest quality, all media supports RGB colorspace with an alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720p and 200 frames in 1080p. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download them to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946960.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIncludes Four ATEM Advanced Chroma Keyers\u003c\/p\u003e\u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features four ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With four ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed-camera virtual sets.\u003c\/p\u003e\u003cp\u003eSuperSource Processing\u003c\/p\u003e\u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you four extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as a source for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e\u003cp\u003eEight Standards Converted 3G-SDI Inputs\u003c\/p\u003e\u003cp\u003eThe ATEM Television Studio HD features eight independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080p or 720p input source to the video standard of the switcher, so you can have each switcher SDI input running a different television standard, and all the inputs would just work.\u003c\/p\u003e\u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even route out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946954.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e16-Source Multiview on a Single Monitor\u003c\/p\u003e\u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/p\u003e\u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e\u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup, and you can daisy-chain units to add more inputs. Each converter has four analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e\u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses eight separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946957.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks or to the integrated 2TB M.2 flash drive, which allows you to record directly to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e\u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see the record status in the multiview.\u003c\/p\u003e\u003cp\u003eOutputs to Any Software that Supports USB Webcams\u003c\/p\u003e\u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full-resolution 1080p quality.\u003c\/p\u003e\u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946963.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e\u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control external HyperDeck recorders.\u003c\/p\u003e\u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e\u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e\u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946955.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFlexible and Redundant Power\u003c\/p\u003e\u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e\u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e\u003cp\u003eDesigned to Be Easy to Repair\u003c\/p\u003e\u003cp\u003eWith so many features built in, it's vital that the ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with four Ethernet connections, nine program SDI outputs, two USB ports, and two power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e\u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e\u003cp\u003eApplications\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778684143_IMG_1946953.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e\u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778606356_IMG_2738248.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e\u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778606356_IMG_2738247.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Sports\u003c\/p\u003e\u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed in sports clubs or taken on the road with the team. With up to eight cameras, you'll catch all the exciting angles.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":52991119065405,"sku":"P-BLA-SWATEMTVSTA\/HD08\/2","price":60760.8,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/110c5531f627caaa17909239b4549163_500a5d5f-3acc-416e-b749-478890171dc2.png?v=1788963694"},{"product_id":"promo-blackmagic-hyperdeck-shuttle-4k-pro","title":"[Promo] Blackmagic HyperDeck Shuttle 4K Pro","description":"\u003cp\u003eAdd a desktop shuttle with a comprehensive video playback interface to your live production with this \u003cb\u003eHyperDeck Shuttle 4K Pro\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. The HyperDeck Shuttle 4K Pro features a compact design that allows you to run multiple I\/O and connect to a computer or ATEM switch to control media playback using its 7\" touchscreen display, large search dial, and buttons. It also features a built-in teleprompter for using text files without requiring third-party software.\u003c\/p\u003e\u003cp\u003eThe Shuttle 4K Pro runs Blackmagic OS, supports ProRes and DNx file formats, and is compatible with a wide range of editing software such as Premiere Pro, Avid, and DaVinci Resolve. It can also be used to stream H.264\/265 video to streaming services such as YouTube or Vimeo. Record video using its SD card slot, M.2 PCIe card slot, or USB-C output to an optional drive or connect to the Blackmagic MultiDock to record to multiple SSDs. The Ethernet port provides external control and file transfers over a network.\u003c\/p\u003e\u003cp\u003eMastering Recorder\u003c\/p\u003e\u003cp\u003eWith support for H.264\/265, ProRes, and DNx files, you can record true broadcast masters. You can even select between PCM or AAC audio. That's great for higher-quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to streaming services like YouTube.\u003c\/p\u003e\u003cp\u003eMedia Player\u003c\/p\u003e\u003cp\u003eThe large search dial lets you visually browse your clip library; you can then use the previous clip button to cue the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet.\u003c\/p\u003e\u003cp\u003eBuilt-In 7\" Touchscreen\u003c\/p\u003e\u003cp\u003eA 7\" touch interface allows for interactive control, built-in monitoring, and menu adjustment. Buttons for playback, pause, and recording functions, as well as a mini playback timeline for clip scrubbing, make for an intuitive control experience. A heads-up display (HUD) overlays timecode, media status, and audio meter information. Enable full broadcast scopes like focus assist and RGB exposure histogram. Settings can be changed via the on-screen menus, and you can save and load 3D LUTs.\u003c\/p\u003e\u003cp\u003eTraditional Broadcast Deck Controls\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use, and the buttons are similar to a traditional broadcast deck. Simply press the record button, and you will instantly start recording the video input to a file. The large machined metal search dial supports shuttle, jog, and scroll so you can find clips fast. Plus, all deck control functions can be triggered remotely using the Ethernet network. Use the intuitive touchscreen interface to toggle different visual overlays and scrub media files to find what you need.\u003c\/p\u003e\u003cp\u003eRecord to Internal or External Network Storage\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle has been designed to record directly to network storage, keeping all your media in a central place. Plus, the HyperDeck Shuttle 4K Pro model has space for M.2 flash storage cards, so the network storage is built in. This means any editing system can just log into the HyperDeck Shuttle 4K Pro and access all the media in one location. DaVinci Resolve can also edit media while it's being recorded.\u003c\/p\u003e\u003cp\u003eSupports SD Cards and USB-C Disks\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle supports recording to standard SD Cards and UHS-II Cards. You can also record on external USB disks, which can be instantly unplugged and transported. When using H.264, the files are so incredibly small you get very long recordings even on smaller, low-cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card for over 6 days of recorded content. The USB-C expansion port lets you plug in an external flash disk for recording. You can even add a Blackmagic MultiDock 10G that has four separate SSD media slots, so you can add compatibility with SSD media. There are also options for managing external disks in the settings menu.\u003c\/p\u003e\u003cp\u003ePopular ProRes, DNx, and H.264\/265 Files\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports the most popular codecs in use today, including broadcast-quality DNx and ProRes file formats. You also get space-saving H.264\/265 when recording in NTSC, PAL, 720p, 1080p, or 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus, you can choose uncompressed PCM or even AAC audio when uploading files to YouTube. HyperDeck Shuttle supports both ExFAT on Windows and HFS+ on Mac disk formats, allowing disks to be mounted and read on both platforms. You also get support for recording long events into a single video file.\u003c\/p\u003e\u003cp\u003eVideo and Control Connections\u003c\/p\u003e\u003cp\u003eThe HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long-form media player. Additional connectivity includes an SDI monitor output, reference I\/O ports, 4K HDMI I\/O ports, an SDI input, two SDI outputs, an SDI loop output, a remote I\/O interface, and a headphone jack for monitoring. The rear panel also includes a 12 VDC power input, and a power supply is included. The 10 Gigabit Ethernet connection allows control and remote file uploads.\u003c\/p\u003e\u003cp\u003eMulti-Rate SDI Connections\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model includes the latest 12G-SDI video connections. 12G-SDI is multi-rate, so a single connection can connect to SD, HD, and UHD equipment using up to DCI 4K resolutions. There is also support for both level A and level B when working in 3G-SDI rates.\u003c\/p\u003e\u003cp\u003eHDMI Compatibility with ATEM Mini Switchers\u003c\/p\u003e\u003cp\u003eWith built-in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors, and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and UHD 4K equipment.\u003c\/p\u003e\u003cp\u003e10G Ethernet Network\u003c\/p\u003e\u003cp\u003eWith its 10G Ethernet connectivity, the HyperDeck Shuttle 4K Pro can access built-in HyperDeck M.2 storage over your network. You can also transfer files via an easy-to-use HTTP\/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which you can test with a simple telnet client. A REST protocol is also supported for custom automation, and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management, and play-out.\u003c\/p\u003e\u003cp\u003eUSB Webcam Output\u003c\/p\u003e\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Shuttle features webcam support via the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. This guarantees full compatibility with any video software and in full-resolution 1080 HD quality. HyperDeck Shuttle's USB webcam feature works with any video software, including Zoom and Microsoft Teams, or streams live with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003eAdvanced HDR Support\u003c\/p\u003e\u003cp\u003eWork with the latest HDR workflows thanks to the HyperDeck Shuttle's HDR screen and wide color gamut. The built-in scopes automatically transition to HDR scopes when working with HDR formats. HDR sources input into the SDI and HDMI ports will automatically be detected. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut and can handle both Rec. 2020 and Rec. 709 color spaces. The built-in HyperDeck Shuttle 4K Pro LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e\u003cp\u003eBuilt-In Teleprompter\u003c\/p\u003e\u003cp\u003eWith such a large search dial, HyperDeck Shuttle 4K Pro can be used as a teleprompter. Simply change to teleprompter in the record menu, and it will read standard RTF text files like scripts without the need for custom software. Scripts can be written using simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both the jog and scroll buttons, you can live scroll the script like a traditional teleprompter, as well as adjust the size and font displayed.\u003c\/p\u003e\u003cp\u003eSupports Blackmagic Cloud\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports adding a built-in M.2 flash memory storage card, transforming it into network storage. That means multiple users can access recordings over the local network, plus it can sync to Blackmagic Cloud. DaVinci Resolve will also sync the media so you can work with editors, colorists, VFX artists, and audio engineers anywhere in the world. HyperDeck Shuttle 4K Pro also records H.265 HD proxy files, which upload in seconds. The proxy even syncs during recording, so remote DaVinci Resolve editors get the media before the HyperDeck has stopped recording.\u003c\/p\u003e\u003cp\u003eDirect Metadata Entry\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model has an advanced digital slate and metadata features that make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot. Set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post-production with software such as DaVinci Resolve!. DaVinci Resolve can then source and organize all your shots based on metadata. Simply scroll and select the shots.\u003c\/p\u003e\u003cp\u003ePowered by Blackmagic OS\u003c\/p\u003e\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products, and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power-on while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management, and even localization. The menus are overlaid on the video output and include settings to customize your HyperDeck Shuttle 4K Pro, and the menus can be changed to display in either light or dark mode.\u003c\/p\u003e\u003cp\u003eCompatible with Software and Streaming Sites\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro records files compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Shuttle directly to streaming services such as YouTube, Facebook, Vimeo, and Twitter. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. 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