{"title":"Brand Sony","description":null,"products":[{"product_id":"sony-fe-16-35mm-f-2-8-gm-ii-lens","title":"Sony FE 16-35mm f\/2.8 GM II Lens","description":"\u003cp\u003eWide-Angle Versatility for Stills \u0026amp; Video\u003c\/p\u003e    \u003cp\u003eCombining G Master performance with the lightest and smallest form factor in its class, \u003cstrong\u003eSony\u003c\/strong\u003e rounds out its trinity of f\/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the \u003cstrong\u003eFE 16-35mm f\/2.8 GM II Lens\u003c\/strong\u003e, which boasts a variety of optical, focusing, and handling upgrades.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eG Master Image Quality\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072286.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDesigned to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/li\u003e   \u003cli\u003eOne Super ED (extra-low dispersion) and Two ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.\u003c\/li\u003e   \u003cli\u003eFive aspherical elements, including three extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eFaster AF and Floating Focus Mechanism\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072287.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFaster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour XD (extreme dynamic) linear motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both video and stills.\u003c\/li\u003e   \u003cli\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.\u003c\/li\u003e   \u003cli\u003eFloating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.6\" and a maximum magnification of 0.32x across the entire zoom range.\u003c\/li\u003e   \u003cli\u003eInternal focusing design promotes snappier, more responsive focusing performance and maintains the same center of gravity during lens extension and retraction.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eImproved Control and Video Capabilities\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072288.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eJust as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFocus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.\u003c\/li\u003e   \u003cli\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras.\u003c\/li\u003e   \u003cli\u003eLinear Response MF provides natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eManual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eCompact, Lightweight, and Robust Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072285.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe smallest and lightest f\/2.8 wide-angle zoom in its class, this lens doesn't lose sight of its professional attributes and remains a weather-sealed, durable lens for use in trying working conditions.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eApproximately 20% lighter and 10% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.\u003c\/li\u003e   \u003cli\u003eNow fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/li\u003e   \u003cli\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/li\u003e   \u003cli\u003eHybrid construction uses both metal and plastic components to maximize both durability and a low weight design.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/li\u003e   \u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/li\u003e   \u003cli\u003eIncluded lens hood has been redesigned to complement the lens' sleek design by reducing both its diameter and length.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49146971717949,"sku":"LENSOE1635GM2","price":45219.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1721652114_2733708228.png?v=1721652313"},{"product_id":"sony-fe-70-200mm-f-4-g-oss-ii-lens","title":"Sony FE 70-200mm f\/4 G OSS II Lens","description":"\u003cp\u003eCompact, Stabilized Telephoto Zoom for Full-Frame\u003c\/p\u003e    \u003cp\u003eA workhorse lens for events, sports, and portraiture, the \u003cstrong\u003eSony FE 70-200mm f\/4 G OSS\u003c\/strong\u003e is a compact telephoto zoom featuring a constant f\/4 maximum aperture, sophisticated G series optics, and useful AF and OSS. The smaller size, compared to an f\/2.8 version, makes the lens a more portable option that is well-suited to all-day shoots and other situations where a more nimble, stabilized lens excels.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1756236.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eG Lens Series\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1748469.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo extra-low dispersion glass elements and one Super ED element help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eOne aspherical element and two Advanced Aspherical (AA) elements help suppress astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e   \u003cli\u003eA Nano AR coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1756237.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eConstant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/li\u003e   \u003cli\u003eVersatile zoom range suits working with a variety of subjects, from portraiture and events applications to landscapes and sports shooting.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eImage Stabilization, AF, and Handling\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1756238.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDual linear motors and an internal focus mechanism enable fast, responsive autofocus and object tracking. The lens can also focus as close as 3.3' for close up imaging.\u003c\/li\u003e   \u003cli\u003eFocus range limiter switch allows you constrain the usable focus range between a set limited range or full for improving focus speed\u003c\/li\u003e   \u003cli\u003eThree focus hold buttons and an AF\/MF switch is present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1756235.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/li\u003e   \u003cli\u003eThis stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eRemovable and rotating tripod collar for added stability and reducing strain on the camera's lens mount.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49146971980093,"sku":"LENSOE70200G2","price":36519.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1721653242_3463288450.png?v=1721653518"},{"product_id":"sony-fe-28-70mm-f-2-gm-mirrorless-lens","title":"Sony FE 28-70mm f\/2 GM Lens","description":"\u003cp\u003eA Speedier Standard Zoom\u003c\/p\u003e    \u003cp\u003eA high-performance all-arounder, the \u003cstrong\u003eSony FE 28-70mm f\/2 GM\u003c\/strong\u003e is a faster standard zoom compared to conventional f\/2.8 options. This lens is Sony's first GM zoom with a constant f\/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs.\u003c\/p\u003e    \u003cp\u003eG Master Performance\u003c\/p\u003e    \u003cp\u003eSony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f\/2 checks all of these boxes as it sets out to be a single lens replacement for several primes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374025.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eConstant f\/2 maximum aperture is a full stop faster than an f\/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation.\u003c\/li\u003e   \u003cli\u003eXA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374113.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eNano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions.\u003c\/li\u003e   \u003cli\u003eFloating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance.\u003c\/li\u003e   \u003cli\u003eRounded 11-blade diaphragm results in smooth, circular bokeh quality.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eDesigned for Hybrid Shooters\u003c\/p\u003e    \u003cp\u003eAs a lens equally suited for photography and filmmaking purposes, the 28-70mm f\/2 GM has a number of useful features in its design to benefit its hybrid use:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour XD (extreme dynamic) linear motors generate fast and responsive AF performance that's equally quiet and smooth. The focusing system is compatible with continuous shooting speeds up to 120 fps or high-speed video recording at up to 240 fps.\u003c\/li\u003e   \u003cli\u003eInternal focusing design promotes quicker focusing speeds and maintains the lens length during use.\u003c\/li\u003e   \u003cli\u003eShort-throw zoom design means the lens only extends 0.7\" when changing from 28mm to 70mm positions, meaning, despite the lens not being a true internal zoom, you still do not need to adjust gimbal settings when changing the zoom position.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374116.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFocus breathing has been greatly reduced optically and the lens supports the Breathing Compensation function in select cameras to effectively eliminate angle of view shifts while changing the zoom position.\u003c\/li\u003e   \u003cli\u003eManual aperture ring can be de-clicked for smooth, silent switching and the zoom smoothness can also be adjusted to be smooth or tight for more precise handling.\u003c\/li\u003e   \u003cli\u003eThe lens weighs 2 lb, however much of this weight is placed at the rear of the barrel for a balanced design that promotes comfortable handheld use.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003ePortable and Nimble Design\u003c\/p\u003e    \u003cp\u003eDespite its huge maximum aperture and versatile range, this 28-70mm f\/2 still manages a portable, relatively lightweight design that's suitable for handheld shooting and everyday use.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374024.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eMeasuring 5.5\" long and weighing 2 lb, this lens is 28% larger and 24% heavier than the 24-70mm f\/2.8 GM II while managing to be twice as bright.\u003c\/li\u003e   \u003cli\u003eManual aperture ring offers tactile exposure control and the ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/li\u003e   \u003cli\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374023.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eZoom smoothness switch for changing between Smooth and Tight zoom ring torque.\u003c\/li\u003e   \u003cli\u003eHybrid construction uses both metal and plastic components to maximize both durability and a low weight design.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/li\u003e   \u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/li\u003e   \u003cli\u003eIncluded lens hood features a locking button and a filter window for easier adjustment of rotating filters (e.g. polarizers, variable NDs).\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49625918603581,"sku":"LENSOE2870GM","price":56529.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1732792995_9960185426.png?v=1733312438"},{"product_id":"sony-e-pz-16-50mm-f3-5-5-6-oss-ii-zoom-lens","title":"Sony E PZ 16-50mm F3.5-5.6 OSS II Zoom Lens","description":"\u003cp\u003eDesigned for APS-C mirrorless camera sensors, the black \u003cstrong\u003eE PZ 16-50mm f\/3.5-5.6 OSS II Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e offers a versatile full-frame equivalent zoom angle of 24-75mm within a compact design. A variable aperture of f\/3.5 to 5.6 helps keep the lens's size and weight to a minimum while accommodating most use cases. When the camera is powered off, the lens retracts to just 1.25\".\u003c\/p\u003e    \u003cp\u003eQuick autofocusing and improved Optical SteadyShot image stabilization counteract handheld camera shake for sharper imagery. Four aspherical elements and one Extra-Low Dispersion element ensure high-resolution imagery throughout the zoom range. The lens supports focus pulling while shooting up to 120 fps and autofocus while zooming for intuitive single-person filming with moving subjects.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49646120272189,"sku":"LENSOEP1650M2","price":7829.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1733312479_1062514537.png?v=1733312710"},{"product_id":"sony-fe-35mm-f-1-4-gm-lens-1","title":"Sony FE 35mm f\/1.4 GM Lens","description":"\u003cp\u003eImpressively Bright, Surprisingly Compact\u003c\/p\u003e    \u003cp\u003eA classic wide-angle prime with an updated, sleek form factor, the \u003cstrong\u003eSony FE 35mm f\/1.4 GM\u003c\/strong\u003e is further characterized by its speed and advanced optical design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eG Master Optical Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve a balance of impressive resolution and sharpness along with distinctive and pleasing bokeh.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo XA (extreme aspherical) elements effectively control astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eOne extra-low dispersion element reduces chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eNano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. 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Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design and, as a G series lens, optical quality, focus speed, and attention to handling details are also priorities of this well-rounded super-tele zoom.\u003c\/p\u003e    \u003cp\u003eLong-Reaching, Stabilized Zoom\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDesigned for full-frame E-mount cameras, this super-telephoto can also be used on APS-C models to achieve an equivalent 300-900mm focal length range.\u003c\/li\u003e   \u003cli\u003eMaximum aperture range of f\/5.6-6.3 helps minimize size and weight while providing excellent performance in a variety of applications.\u003c\/li\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/li\u003e   \u003cli\u003eOSS has three dedicated modes, including panning and viewfinder stabilization priority settings, and can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eInternal zoom design limits the overall length of the lens while zooming for more intuitive and comfortable handling.\u003c\/li\u003e   \u003cli\u003eCompatible with optional 1.4x and 2x FE teleconverters for further increasing the lens's reach.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eG Lens Series\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFive extra-low dispersion elements are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.\u003c\/li\u003e   \u003cli\u003eOne aspherical element is placed at the rear of the optical design and reduces distortion and spherical aberrations in order to produce a high degree of sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eA Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eA rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eFast and Precise Autofocus\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDirect Drive Super Sonic wave Motor (DDSSM) AF system provides quick, quiet, and precise autofocus performance that suits both stills and video applications.\u003c\/li\u003e   \u003cli\u003eLinear Response manual focus control offers more natural handling and an AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/li\u003e   \u003cli\u003eThree customizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003eMinimum focusing distance of 7.9', along with a maximum magnification of 0.2x, benefits portraiture and head shots.\u003c\/li\u003e   \u003cli\u003eFocus range limiter and focus hold controls offer more intuitive handling and faster performance when photographing moving subjects.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eProfessional, Durable Design\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDust and weather-sealed construction benefits using the lens in inclement shooting conditions.\u003c\/li\u003e   \u003cli\u003eThe front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.\u003c\/li\u003e   \u003cli\u003eRemovable rotating tripod mount permits quick switching from horizontal to vertical shooting orientations.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499268014397,"sku":"LENSOE200600G","price":37391.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5945b6fbc2af6426798bf7f276863295.png?v=1773556316"},{"product_id":"sony-160gb-cfexpress-type-a-tough-memory-card","title":"Sony 160GB CFexpress Type A TOUGH Memory Card","description":"\u003cp\u003eOffering both strength and speed, the \u003cstrong\u003e160GB CFexpress Type A TOUGH Memory Card\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e provides fast read speeds up to 800 MB\/s along with write speeds up to 700 MB\/s. This quick performance benefits recording a variety of video resolutions, bit-rates, and compressions, as well as high-resolution continuous raw photo shooting. Beyond its speed, this TOUGH memory card also has a reinforced physical design to withstand falls from up to 15' and has been rigidity tested to 70 N of force. It's also resistant to extreme temperatures, X-rays, electrostatic, and UV lighting. 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Also, the LCD can display a red border frame to further serve as an additional recording indicator.\u003c\/li\u003e   \u003cli\u003eLive streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSpecialized Shooting Modes\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eProduct Showcase setting is ideal for vlogging and product review or demonstration videos and allows for quick and smooth focus transitions between a subject's face and an object placed in front of the lens.\u003c\/li\u003e   \u003cli\u003eFace-Priority AE detects the subject's face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.\u003c\/li\u003e   \u003cli\u003eRefined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.\u003c\/li\u003e   \u003cli\u003eSoft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject's face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi. For longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.\u003c\/li\u003e   \u003cli\u003eBackground Defocus lets you immediately switch to the maximum aperture setting of the attached lens, using a custom button function, for isolating your subject using shallow depth of field and bokeh.\u003c\/li\u003e   \u003cli\u003eMovie footage can be tagged with specific metadata to indicate vertical recording orientation for direct playback in smartphone apps or for other instances when vertical video playback is needed.\u003c\/li\u003e   \u003cli\u003eActive SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eImage Quality, Autofocus, and 4K Video\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA revised APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 51200 for working in low-light conditions.\u003c\/li\u003e   \u003cli\u003eThe sensor dimensions are approximately 3x larger than a 1\" sensor, and up to 10x larger than some smartphone sensors, enabling greater sensitivity, reduced noise, and improved control over depth of field.\u003c\/li\u003e   \u003cli\u003eThe sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE and permits 14-bit raw file output for a wide tonal and color scale.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e425-Point Fast Hybrid AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe sensor's design incorporates a 425-point Fast Hybrid AF system, which blends both phase-detection and contrast-detection methods to achieve focusing performance that is fast, natural, and accurate.\u003c\/li\u003e   \u003cli\u003eThe on-chip focusing system covers 84% of the sensor field and is capable of achieving focus in as little as 0.02 sec.\u003c\/li\u003e   \u003cli\u003eReal-time Eye AF can prioritize focusing on human or animal eyes for ensured sharpness when making portraits. When selected, this function is activated by half-pressing the shutter button and you can further choose to prioritize either the right or left eye.\u003c\/li\u003e   \u003cli\u003eReal-time tracking utilizes AI-based algorithms to automatically recognize and track moving subjects. If Face\/Eye Priority AF is on, this tracking method will further track a subject's eye or face in real time with seamless changing depending on the status of the moving subject.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4K Video Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUHD 4K video recording is possible up to 30p and uses full pixel readout with 6K oversampling to yield greater detail with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/li\u003e   \u003cli\u003eNo recording limit for movie recording, allowing for longer takes and uninterrupted shooting of live events.\u003c\/li\u003e   \u003cli\u003eAffording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e   \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e   \u003cli\u003eInterval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003ePhysical Design and Wireless Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCamera Body Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBuilt for portable applications and one-handed use, the camera incorporates a large right-hand grip and intuitive physical control layout.\u003c\/li\u003e   \u003cli\u003eGrip design, along with the vari-angle LCD, also suits working from front-facing angles, such as when vlogging or taking selfies.\u003c\/li\u003e   \u003cli\u003eIntegrated zoom lever surrounds the shutter button and works in conjunction with select Power Zoom lenses.\u003c\/li\u003e   \u003cli\u003eVari-angle screen can be closed against the body, with the screen facing inward, to automatically power off the camera even when the power switch is set to 'On'.\u003c\/li\u003e   \u003cli\u003eDedicated Movie Record, Background Defocus, Product Showcase, and S\u0026amp;Q buttons provide direct access to common features used by vloggers.\u003c\/li\u003e   \u003cli\u003eIncluded NP-FW50 battery is rated for up to 440 shots or approximately 125 minutes of recording per charge. Power can also be supplied to the camera through the USB Type-C port or by using the optional AC-PW20AM AC adapter.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eWireless and Sharing\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBuilt-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release.\u003c\/li\u003e   \u003cli\u003eThe ZV-E10 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app.\u003c\/li\u003e   \u003cli\u003eBluetooth connectivity enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSony E PZ 16-50mm f\/3.5-5.6 OSS Lens (Black)\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSleek and Retractable Standard Zoom\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAn ideal companion for your compact, APS-C mirrorless camera, the black \u003cstrong\u003eE PZ 16-50mm f\/3.5-5.6 OSS Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. The useful focal length range and portable form factor make this a go-to lens when traveling or for everyday general shooting needs.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eForm Factor and Optical Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA variable aperture of f\/3.5-5.6 helps keep the lens' overall size and weight to a minimum.\u003c\/li\u003e   \u003cli\u003eDue to a retractable design, this lens can be made to be extremely compact when not in use.\u003c\/li\u003e   \u003cli\u003eOne extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eFour aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003ePower Zoom, Image Stabilization, and AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePower Zoom mechanism enables making smooth zoom movements, suitable for video recording, via the on-lens switch or via camera-based controls on select camera bodies.\u003c\/li\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eAn internal focus design contributes to fast autofocus speeds and the minimum focus distance is just 9.8\", suiting working with close-up subjects.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327684925,"sku":"CAMSOILZVE10LB","price":13909.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f17ec6bed0265daf74f25943a39c5171.png?v=1773561843"},{"product_id":"sony-alpha-a1-ii-mirrorless-digital-camera-2","title":"Sony Alpha a1 II Mirrorless Digital Camera","description":"\u003cp\u003eUnrivaled: Sony's Upgraded Mirrorless Flagship\u003c\/p\u003e    \u003cp\u003eThe \u003cstrong\u003eSony a1 II\u003c\/strong\u003e is their most versatile camera yet, offering the best overall mixture of speed, video capabilities, high-resolution stills, and a robust, professional-worthy body design. It pulls much of the original a1's well-rounded feature-set into an a9 III body and adds the AF and IBIS technologies introduced with the a7R V. It's a camera meant for working professionals, whether they are sports, editorial, product, fashion, or advertising shooters, and it's equally appealing to landscape, portrait, wedding, and event photographers, too. And, beyond photography, it has the video tools the a1-series is known for, including 8K recording, along with useful stabilization and framing aids borrowed from the ZV class of cameras.\u003cbr\u003e  \u003cbr\u003e  The a1 II brings Sony's best technology from every lineup into one all-encompassing camera body making it the do-anything camera solution for professionals.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eUpgraded Features and Functions\u003c\/p\u003e    \u003cp\u003eThe original a1 was a standout camera within Sony's lineup, meshing high-end photo and high-end video features within a single, powerful camera body. Version two takes this theme and runs with it, improving on a number of key features to further benefit the professional hybrid image-maker.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375655.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e\n\u003cstrong\u003eAI Processing Unit\u003c\/strong\u003e-The addition of this key piece of tech greatly improves autofocus, subject detection, and subject tracking accuracy, speed, and reliability. These new processing capabilities allow the camera to more accurately and intelligently recognize subjects, predict their movements, and generally retain critical focus on them as they move.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003ePre-Capture and Speed Boost Functions\u003c\/strong\u003e-These two features are dedicated to continuous burst-style shooting and make the a1 II an even better option for action photographers looking to use this camera in high-end sports, wildlife, and birding situations.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003e8.5-Stop IBIS\u003c\/strong\u003e-It's typical for cameras to have better IBIS figures with each new generation, but the a1 II adds a whopping 3 extra stops to its predecessor's performance, meaning it's possible to use the camera handheld in noticeably dimmer lighting conditions and with slower shutter speeds, opening even more shooting versatility.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375657.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e\n\u003cstrong\u003eVideo Improvements\u003c\/strong\u003e-The core video specs remain the same between the generations, but the a1 II gains some asked-for features to make it even more of a video powerhouse: Dynamic Active Mode Stabilizer, Framing Stabilizer, and Breathing Compensation are all welcomed additions for content creators.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003eOverhauled Body Design\u003c\/strong\u003e-The a1 II inherits the a9 III's body design, making it more comfortable to use, more robust in terms of weather-sealing, compatibility with the latest VG-C5 Vertical Grip, and an improved LCD and EVF.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eSensor and Processing Improvements\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Portrait Example\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374112.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Blue Jay\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374111.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUp to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.\u003c\/li\u003e   \u003cli\u003ePre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.\u003c\/li\u003e   \u003cli\u003eSpeed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.\u003c\/li\u003e   \u003cli\u003eRefined 5-axis in-body image stabilization compensates for up to 8.5 stops of camera shake at the center of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.\u003c\/li\u003e   \u003cli\u003eSame full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eSmarter, Faster Autofocus and Subject Tracking\u003c\/p\u003e    \u003cp\u003eThe a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f\/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375611.gif\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFirst seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/li\u003e   \u003cli\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.\u003c\/li\u003e   \u003cli\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375610.gif\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/li\u003e   \u003cli\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/li\u003e   \u003cli\u003eXS and XL focus area spot sizes have been added for more versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.\u003c\/li\u003e   \u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eAlpha's Alpha in Video Capabilities\u003c\/p\u003e    \u003cp\u003eThe core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilization and timecode input with an optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375652.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFamiliar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.\u003c\/li\u003e   \u003cli\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375654.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDynamic Active Mode Stabilization also helps retain accurate framing while filming, especially when recording while walking or moving.\u003c\/li\u003e   \u003cli\u003eIncluded S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of color control the a1 II offers.\u003c\/li\u003e   \u003cli\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003ePre-Capture \u0026amp; Speed Boost-Never Miss a Moment\u003c\/p\u003e    \u003cp\u003eAlong with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375619.gif\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e\n\u003cstrong\u003ePre-Capture\u003c\/strong\u003e: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003eSpeed Boost\u003c\/strong\u003e: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eProfessional Body Design and Connectivity\u003c\/p\u003e    \u003cp\u003eThe a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375697.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2374085.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eVersatile and Durable Design\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.\u003c\/li\u003e   \u003cli\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375651.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUSB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/li\u003e   \u003cli\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/li\u003e   \u003cli\u003eDual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375612.gif\"\u003e\u003c\/p\u003e    \u003cp\u003eTru-Finder EVF and Tilting Touchscreen LCD\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.\u003c\/li\u003e   \u003cli\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.\u003c\/li\u003e   \u003cli\u003eIntuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eEnhanced Functionality and Usability\u003c\/p\u003e    \u003cp\u003eSony has continued to improve the workflows of their professional cameras with upgraded and additional features:\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375653.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003c\/li\u003e   \u003cli\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003c\/li\u003e   \u003cli\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eComposite Shooting Modes\u003c\/p\u003e    \u003cp\u003eBy capturing multiple images and combining them in post-production, users can achieve image quality and resolutions not possible with just the core sensor technology. The a1 II offers two different options for composite shooting:\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2375650.gif\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e\n\u003cstrong\u003ePixel Shift Multi Shooting\u003c\/strong\u003e: This unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003eNoise Reduction\u003c\/strong\u003e: This method uses multiple images to reduce the noise in an image without sacrificing sharpness and detail. By leveraging the information of several frames, users will be able to improve the legibility of details and minimize the impact of noise without the smoothing effect common with more conventional noise reduction techniques.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327750461,"sku":"CAMSOILA1M2","price":126089.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/55f91d52a90fdbf2925fb9842a1bca14_44d1ac1d-68ba-4ebd-9a58-0083b697a833.png?v=1774876717"},{"product_id":"sony-alpha-a6400-mirrorless-digital-camera-1","title":"Sony Alpha a6400 Mirrorless Digital Camera","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eGrab the Best of Life\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eFeaturing a reliable design and apt performance to bolster creativity, the \u003cstrong\u003eSony a6400\u003c\/strong\u003e is a sleek APS-C-format mirrorless camera featuring well-rounded photo and video capabilities. Using a proven sensor design, quick and precise AF performance, and smart operability, this camera is an ideal partner for capturing your everyday moments and once-in-a-lifetime experiences.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1772287.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003eThe APS-C-format 24.2MP Exmor CMOS sensor realizes smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 102400 for working in low-light conditions. The sensor features a unique design that utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE, or up to 8 fps with a silent shutter, and permits 14-bit raw file output for a wide tonal and color scale.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eUHD 4K Video Recording in XAVC S Format\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eInternal recording of UHD 4K video is possible in multiple frame rates up to 30 fps using the full width of the sensor with 8-bit 4:2:0 color sampling using the 100Mbps XAVC S codec.\u003c\/li\u003e   \u003cli\u003eOversampled 4K recording is also possible, which uses a 6K capture area within the Super 35 area, for greater detail. This full pixel readout is void of pixel binning for higher quality imagery with reduced moiré and aliasing.\u003c\/li\u003e   \u003cli\u003eAffording extensive customizable color and gamma controls, the ZV-E10 allows users to adjust the gamma, black level, knee, color level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e   \u003cli\u003eIn addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eInterval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential frames.\u003c\/li\u003e   \u003cli\u003e4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.\u003c\/li\u003e   \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e4D FOCUS\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eCovering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 425 contrast-detection areas for precise focusing in as little as 0.02 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions.  \u003cul\u003e   \u003cli\u003eReal-time Eye AF can be used to base focus on recognized human subjects' eyes for portraits and is available in both AF-S and AF-C modes and for both stills and video.\u003c\/li\u003e   \u003cli\u003eEye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eLock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject\u003c\/li\u003e   \u003cli\u003eExpand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus\u003c\/li\u003e   \u003cli\u003eThe Focus Magnifier function can be used for critical focus when homing in on minute subject details\u003c\/li\u003e   \u003cli\u003eRear touchscreen can be used for Touch Focus and Touch Tracking control and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder\u003c\/li\u003e   \u003cli\u003eIn addition to autofocus, the a6400 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBody Design and Connectivity\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution means for eye-level monitoring.\u003c\/li\u003e   \u003cli\u003eA 3.0\" 921.6k-dot LCD touchscreen can be tilted 180° upward or 74° downward to suit working from high and low angles. The screen also incorporates White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.\u003c\/li\u003e   \u003cli\u003eThe touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function which lets you smoothly and intuitively select a focus point on the screen while you're looking into the viewfinder.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eIntegrated 3.5mm microphone ports afford greater control over audio during video recording.\u003c\/li\u003e   \u003cli\u003eThe included NP-FW50 rechargeable lithium-ion is rated for approximately 410 shots per charge when working with the LCD screen or 360 shots when using the viewfinder.\u003c\/li\u003e   \u003cli\u003eIn addition to the battery, the a6400 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e   \u003cli\u003eBuilt-in Wi-Fi enables the a6400 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e   \u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327783229,"sku":"CAMSOILA6400","price":20869.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/9723a20a4a157efa8bae8eb0a429dd27_78d486d2-7b60-4add-af36-c6b787ea5522.jpg?v=1774877274"},{"product_id":"sony-alpha-a6700-mirrorless-digital-camera-e-18-135mm-f3-5-5-6-oss-2","title":"Sony Alpha a6700 Mirrorless Digital Camera + E 18-135mm F3.5-5.6 OSS","description":"\u003cp\u003eSony a6700 Mirrorless Camera\u003c\/p\u003e\u003cp\u003eThe Multi-Tool for the Multi-Hyphenate\u003c\/p\u003e\u003cp\u003eA compact synthesis of \u003cb\u003eSony\u003c\/b\u003e's Cinema Line innovations, α-series still-image rendering quality, and advancements in AI-based recognition technology, the \u003cb\u003ea6700 Mirrorless Camera\u003c\/b\u003e puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative.\u003c\/p\u003e\u003cp\u003e26.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/p\u003e\u003cp\u003eThe Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range.\u003c\/p\u003e\u003cp\u003eCinematic Video in UHD 4K\u003c\/p\u003e\u003cp\u003eAlong with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039114.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing.\u003c\/li\u003e\n\u003cli\u003eUHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e\n\u003cli\u003eRecord for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039115.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e\n\u003cli\u003eThe camera supports instant time-lapse settings with framerate, recording, light, and interval customization.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039112.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAI-Powered Autofocus and Image Stabilization\u003c\/p\u003e\u003cp\u003eThe Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e\u003cp\u003eVlog-Friendly AI-Enhanced Framing\u003c\/p\u003e\u003cp\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039113.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eImage Stabilization\u003c\/p\u003e\u003cp\u003eThe camera's pixel-level 5-axis optical image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e\u003cp\u003eAdvanced Rendering\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039117.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFor stills-shooters, the a6700 offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format, available here in 4:2:0 and 4:2:2 options. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode, achieving a 20% increase in reliability over the a6600 according to manufacturer testing, with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a6700 now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\u003c\/p\u003e\u003cp\u003eBody Design and Connectivity\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2039116.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e\n\u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts with 4K video at 15 or 30 fps or full HD at 30 or 60 fps.\u003c\/li\u003e\n\u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e\n\u003cli\u003eThe camera can connect to the Creators' Cloud central cloud platform using the Creators app for sharing and storing media, editing in the cloud, and collaboration tools. The phone can also be used as a camera remote and to monitor battery power and storage levels.\u003c\/li\u003e\n\u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording. The Multi-Interface Shoe also functions as a digital audio interface.\u003c\/li\u003e\n\u003cli\u003eThe XGA Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, 1.07x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e\n\u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e\n\u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery, which provides approximately 570 stills\/120 minutes of video recording per charge when using the LCD screen.\u003c\/li\u003e\n\u003cli\u003eIn addition to the battery, the a6700 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e\n\u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e\n\u003cli\u003eA new grip design enhances handling and stability for long shooting sessions and facilitates access to the main control buttons and dials.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"data:image\/png;base64,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\"\u003e\u003c\/p\u003e\u003cp\u003eUPC: 027242926202\u003c\/p\u003e\u003cp\u003eSony E 18-135mm f\/3.5-5.6 OSS Lens\u003c\/p\u003e\u003cp\u003eLightweight and Stabilized Versatility\u003c\/p\u003e\u003cp\u003eSpanning a useful wide-angle to medium telephoto range, the \u003cb\u003eE 18-135mm f\/3.5-5.6 OSS\u003c\/b\u003e from \u003cb\u003eSony\u003c\/b\u003e is a versatile 27-202.5mm equivalent zoom for APS-C-format E-mount mirrorless cameras. This well-rounded lens suits working in a variety of situations, making it an ideal zoom for travel applications, and the image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld.\u003c\/p\u003e\u003cp\u003eOptical Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762381.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo extra-low dispersion elements help to reduce color fringing and chromatic aberrations in order to produce greater clarity and color accuracy.\u003c\/li\u003e\n\u003cli\u003eOne aspherical element helps to control distortion and reduce spherical aberrations for greater sharpness and accurate rendering.\u003c\/li\u003e\n\u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImage Stabilization and Autofocus\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762380.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e\n\u003cli\u003eLinear autofocus motor provides quick and precise autofocus performance and enables accurate and silent focusing while recording videos.\u003c\/li\u003e\n\u003cli\u003eDedicated AF\/MF switch allows for quick changing between focusing methods.\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance of 1.5', along with a maximum magnification of 0.29x, suits working with close-up subjects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327815997,"sku":"CAMSOILA6700M","price":36519.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/54ff55e07e2ac17518c0a427ac7b5af1_21e35029-79af-4257-9de2-73eeed700f9c.png?v=1773561923"},{"product_id":"sony-alpha-a7-iii-mirrorless-digital-camera-fe-28-70mm-f3-5-5-6-oss-1","title":"Sony Alpha a7 III Mirrorless Digital Camera + FE 28-70mm F3.5-5.6 OSS","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cp\u003e\u003cstrong\u003eWell-Rounded Perfection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eDistinguished by its updated sensor design, the \u003cstrong\u003eSony a7 III\u003c\/strong\u003e is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, a new 24.2MP Exmor R BSI CMOS sensor and BIONZ X processor benefit image quality, video capabilities, and AF performance. The a7 III also sports a revised body design, with a new touchscreen LCD, improved EVF, larger battery, and dual memory card slots.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFull-Frame BSI Sensor and BIONZ X Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762813.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. The BSI design also dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003cbr\u003e  \u003cbr\u003e  The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF\/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible.\u003c\/p\u003e    \u003cp\u003eUHD 4K Video Recording in XAVC S Format\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eInternal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and uses 2.4x oversampling, which renders greater detail, and full pixel readout is possible, too, for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both 4K and FHD resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling.\u003cbr\u003e  \u003cbr\u003e  The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eS-Log3, HLG, and Other Color and Gamma Controls\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAffording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Shooters can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.\u003cbr\u003e  \u003cbr\u003e  HLG (Hybrid Log-Gamma) support is available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAutofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast Hybrid AF System\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAn evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLock-on AF maintains focus on moving subjects through the use of a configurable frame that is set over the desired moving subject\u003c\/li\u003e   \u003cli\u003eExpand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus\u003c\/li\u003e   \u003cli\u003eEye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes\u003c\/li\u003e   \u003cli\u003eFocus Magnifier function can be used for critical focus when homing in on minute subject details\u003c\/li\u003e   \u003cli\u003eRear touchscreen can also be used for Touch Focus control and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762814.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ePacked into the robust a7 III is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003cbr\u003e  \u003cbr\u003e  For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBody Design and Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762816.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe XGA OLED Tru-Finder EVF features a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail.\u003c\/li\u003e   \u003cli\u003eIn addition to the EVF, a 3.0\" 922k-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762810.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eMagnesium-alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e   \u003cli\u003eWeather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e   \u003cli\u003eUsing the NP-FZ100 battery, the a7 III has improved battery life and is now rated for approximately 710 shots per charge.\u003c\/li\u003e   \u003cli\u003eDual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards.\u003c\/li\u003e   \u003cli\u003eA USB 3.0 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.\u003c\/li\u003e   \u003cli\u003eBuilt-in Wi-Fi enables the a7 III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e   \u003cli\u003eNFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e   \u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eSony FE 28-70mm f\/3.5-5.6 OSS Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eA Versatile Standard\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA top pick for users looking for a lightweight all-around zoom, the \u003cstrong\u003eFE 28-70mm f\/3.5-5.6 OSS Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is a great go-to for full-frame E-mount shooters. The lens has a compact, portable design that is ideal for everyday, walkaround use and its versatile wide-angle to portrait-length range suits working with a variety of subject types.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOptical Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753774.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOne extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eThree aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAutofocus, Image Stabilization, and Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753778.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAn internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling.\u003c\/li\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327848765,"sku":"CAMSOILA7M3K","price":35649.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ab4ac71ed4aeab9604ea1ddad3abb447_fb133447-4e76-4ee9-a153-d4a070528c76.jpg?v=1774876658"},{"product_id":"sony-alpha-a7-iv-mirrorless-digital-camera-1","title":"Sony Alpha a7 IV Mirrorless Digital Camera","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSony a7 IV: Beyond Basic\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eAn all-arounder that pushes beyond basic, the \u003cstrong\u003eSony a7 IV\u003c\/strong\u003e does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSensor and Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Sample Image | Motorcycle\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636033.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e33MP Exmor R BSI CMOS Sensor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eNewly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | BIONZ XR\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635994.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBIONZ XR Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eUsing the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.\u003cbr\u003e  \u003cbr\u003e  In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF\/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eVideo Recording\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | 7K to 4K\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635954.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e4K 60p Video Recording in 10-Bit\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eMaking full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.\u003c\/li\u003e   \u003cli\u003eThere is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.\u003c\/li\u003e   \u003cli\u003eNo recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.\u003c\/li\u003e   \u003cli\u003eThe a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eS-Cinetone, S-Log3, and Other Color and Gamma Controls\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e   \u003cli\u003eHLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.\u003c\/li\u003e   \u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eFast Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | AF Points\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635993.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAI-Based Autofocus\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eCovering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eReal-time Tracking and Real-time Eye AF\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eBorrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:  \u003cul\u003e   \u003cli\u003eReal-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.\u003c\/li\u003e   \u003cli\u003eBeyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAF During Video Recording and Additional Focusing Modes\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/li\u003e   \u003cli\u003eFor more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.\u003c\/li\u003e   \u003cli\u003eFocus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/li\u003e   \u003cli\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eA unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check \u003ca href=\"https:\/\/support.d-imaging.sony.co.jp\/support\/ilc\/breathing\/en\/index.html\" target=\"new\"\u003eBreathing Compensation lens compatibility here\u003c\/a\u003e.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBody Design, Connectivity, and Streaming\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Vari-Angle LCD\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635997.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eViewfinder and LCD Screen\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAn improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.\u003c\/li\u003e   \u003cli\u003ePerfect for vlogging or other self-recording needs, the side-opening 3.0\" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Ports\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636021.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003ePorts and Interface\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e   \u003cli\u003eA USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/li\u003e   \u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e   \u003cli\u003eUSB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eEnhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.\u003c\/li\u003e   \u003cli\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/li\u003e   \u003cli\u003eAdditionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | HVL-F60RM2 | External Flash Control\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636020.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAdvanced External Flash Control\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eSuiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Wireless Connectivity\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635955.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eWireless Connectivity and Streaming\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eBuilt-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.\u003c\/li\u003e   \u003cli\u003eUse of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.\u003c\/li\u003e   \u003cli\u003eSupports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | USB Webcam and Streaming\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635998.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eLive streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.\u003c\/li\u003e   \u003cli\u003e4K 15p, FHD 60p\/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.\u003c\/li\u003e   \u003cli\u003eInternal recording is supported to a memory card while live streaming.\u003c\/li\u003e   \u003cli\u003eUVC and UAC standards are supported for improved picture and sound quality during streaming.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e  \u003c\/div\u003e    \u003cul\u003e   \u003cli\u003e33MP Full-Frame Exmor R CMOS BSI Sensor\u003c\/li\u003e   \u003cli\u003eUp to 10 fps Shooting, ISO 100-51200\u003c\/li\u003e   \u003cli\u003e4K 60p Video in 10-Bit, S-Cinetone\u003c\/li\u003e   \u003cli\u003e3.68m-Dot EVF with 120 fps Refresh Rate\u003c\/li\u003e   \u003cli\u003e3\" 1.03m-Dot Vari-Angle Touchscreen LCD\u003c\/li\u003e   \u003cli\u003e759-Pt. Fast Hybrid AF, Real-time Eye AF\u003c\/li\u003e   \u003cli\u003eFocus Breathing Compensation\u003c\/li\u003e   \u003cli\u003e5-Axis SteadyShot Image Stabilization\u003c\/li\u003e   \u003cli\u003eCreative Looks and Soft Skin Effect\u003c\/li\u003e   \u003cli\u003e4K 15p UVC\/UAC Streaming via USB Type-C\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327881533,"sku":"CAMSOILA7M4","price":45219.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/28c200b19fa52e11913dc2a25c7629d5.png?v=1773561950"},{"product_id":"sony-alpha-a7c-ii-mirrorless-camera-black","title":"Sony Alpha a7C II Mirrorless Camera (Black)","description":"\u003cp\u003eBuilding off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black \u003cstrong\u003eSony a7C II\u003c\/strong\u003e offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e33.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAlong with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072051.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRecord in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e   \u003cli\u003eFull-frame 4K recording is possible with frame rates up to 30p, up to 60p in 4K with a Super35 crop, and full HD recording up to 120p, using full 1:1 pixel readout without binning.\u003c\/li\u003e   \u003cli\u003eThe high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.\u003c\/li\u003e   \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-60 fps and Full HD between 1-120 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e   \u003cli\u003eThe S-Log3 and S-Gamut3.Cine gamma curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e   \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e   \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e   \u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAI-Powered Autofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072049.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVlog-Friendly AI-Enhanced Framing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072055.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Rendering\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072050.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBody Design and Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e   \u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts with full-frame 4K video at 30 fps.\u003c\/li\u003e   \u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e   \u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.\u003c\/li\u003e   \u003cli\u003eThe 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e   \u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e   \u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e   \u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327914301,"sku":"CAMSOILA7CM2","price":45219.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e987f329813f2b7f3608744d9950f59e.png?v=1773561974"},{"product_id":"sony-alpha-a7c-ii-mirrorless-camera-black-with-28-60mm-lens-1","title":"Sony Alpha a7C II Mirrorless Camera (Black) with 28-60mm lens","description":"\u003cp\u003eBuilding off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black \u003cstrong\u003eSony a7C II\u003c\/strong\u003e offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e33.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAlong with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072051.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRecord in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e   \u003cli\u003eFull-frame 4K recording is possible with frame rates up to 30p, up to 60p in 4K with a Super35 crop, and full HD recording up to 120p, using full 1:1 pixel readout without binning.\u003c\/li\u003e   \u003cli\u003eThe high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.\u003c\/li\u003e   \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-60 fps and Full HD between 1-120 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e   \u003cli\u003eThe S-Log3 and S-Gamut3.Cine gamma curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e   \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e   \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e   \u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAI-Powered Autofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072049.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVlog-Friendly AI-Enhanced Framing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072055.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Rendering\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072050.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBody Design and Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e   \u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts with full-frame 4K video at 30 fps.\u003c\/li\u003e   \u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e   \u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.\u003c\/li\u003e   \u003cli\u003eThe 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e   \u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e   \u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e   \u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSony FE 28-60mm f\/4-5.6 Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eThe Portable Powerhouse Standard Zoom\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eImpressively compact and versatile, the \u003cstrong\u003eSony FE 28-60mm f\/4-5.6\u003c\/strong\u003e is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmall and Light\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753770.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSmall size and lightweight design is what this lens is all about, meaning it's the perfect companion for casual shooting days when a single, versatile, and portable lens is most desirable.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRetractable design maintains an especially compact profile when not in use, measuring just 1.8\" long.\u003c\/li\u003e   \u003cli\u003eWeighing 5.9 oz, its featherweight stature pairs well with compact full-frame or APS-C bodies.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-resistant design suits working in inclement weather conditions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eOptics and AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753768.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThree aspherical elements help to reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eThe use of specialized elements also contributes to a smaller, lighter physical design.\u003c\/li\u003e   \u003cli\u003eLinear motor, along with an internal focusing mechanism, promotes fast, precise, and quiet focusing performance to suit both stills and video applications.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753769.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eIn addition to the variety afforded by the 28-60mm focal length range, this lens also has a versatile 11.8\" minimum focusing distance that enables working with close-up subjects.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328012605,"sku":"CAMSOILA7CM2K","price":52169.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/609193318d339c4f3a5cf58d7a712fe6.png?v=1773561998"},{"product_id":"sony-alpha-a9-iii-mirrorless-digital-camera-body-only-1","title":"Sony Alpha a9 III Mirrorless Digital Camera (body only)","description":"\u003cp\u003eA New Dimension of Image Performance\u003c\/p\u003e    \u003cp\u003eLaying claim to the title of world's first global shutter mirrorless camera, the \u003cstrong\u003eSony a9 III\u003c\/strong\u003e is a speedy and incredibly capable system for sports, wildlife, photojournalism, and much, much more. This revolutionary sensor technology raises the bar for full-frame imaging, including the ability to shoot raw continuously at up to 120 fps and enjoy flash sync up to the maximum shutter speed of 1\/80,000 second. Blending the functionality of this 24.6MP sensor with Sony's powerful BIONZ XR processor and AI Processing Unit results in a system that will provide unmatched performance for those looking for an incredibly responsive and reliable camera system.\u003c\/p\u003e    \u003cp\u003eGlobal Shutter—A First for Mirrorless\u003c\/p\u003e    \u003cp\u003eSony has delivered the world's first full-frame global shutter mirrorless camera with the a9 III. The use of a global shutter provides a leap in performance over the rolling shutter technology used for decades. A global shutter provides a near instantaneous and simultaneous readout of all 24.6MP, eliminating skew and other artifacts that plagued rolling shutters. It also far surpasses mechanical shutter technology is every way, making the physical shutter unnecessary in the a9 III.\u003cbr\u003e  \u003cbr\u003e  Global shutters help ensure consistent and uniform exposure across the entire frame in all lighting conditions. Flash sync is possible at any shutter speed-even the maximum of 1\/80,000 second. The simultaneous readout also prevents banding from certain light sources, such as fluorescent lighting. In a gym, outside, or with mixed artificial lighting the a9 III will handle it with ease.\u003c\/p\u003e    \u003cp\u003eFlash photography and mixed lighting conditions will see major usability enhancements with the use of a global shutter. This includes the ability to sync at up to 1\/80,000 second with any flash. Sony flashes will benefit from communication that ensures optimal results and third-party flashes can be synced with the shutter by using a menu setting to adjust the delay.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2116459.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePre-Capture \u0026amp; Speed Boost—Never Miss a Moment\u003c\/p\u003e    \u003cp\u003eAlong with the key technology delivered by the sensor, the a9 III offers features new features to unlock the camera's full potential.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e\n\u003cstrong\u003ePre-Capture:\u003c\/strong\u003e The a9 III can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.05-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e   \u003cli\u003e\n\u003cstrong\u003eSpeed Boost:\u003c\/strong\u003e Not every shoot calls for the a9 III's impressive max speed of 120 fps. With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 120 fps.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003ePro-Quality 4K Video\u003c\/p\u003e    \u003cp\u003eWhile video benefits greatly from the use of global shutter technology-rolling shutter and banding artifacts are completely eliminated-the a9 III boasts plenty of other video improvements over its predecessor worth talking about.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2116458.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe a9 III captures and downsamples the full 6K image area to produce high-quality UHD 4K video up to 60 fps. It can also record 4K up to 120 fps with no crop.\u003c\/li\u003e   \u003cli\u003eRecord 10-bit 4:2:2 internally using All-I encoding for maximum quality.\u003c\/li\u003e   \u003cli\u003eOutput 16-bit raw via the full-size HDMI port to a compatible external recorder.\u003c\/li\u003e   \u003cli\u003eS-Log3, S-Cinetone, and other Picture Profiles are available for optimizing the image for your workflow and production environment.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eRefined Body Design\u003c\/p\u003e    \u003cp\u003eWith a new generation of Alpha-series cameras comes some slight tweaks and modifications designed to make the operation of the system more ergonomic. The a9 III features a handful of updates:\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2116465.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAddition of C5 custom button to front of camera body.\u003c\/li\u003e   \u003cli\u003eContinuous shooting mode dial can now be disabled and shooting speed can be adjusted in the menu.\u003c\/li\u003e   \u003cli\u003eEnhanced grip and the shutter button has been slightly moved to provide a more ergonomic experience.\u003c\/li\u003e   \u003cli\u003eDual CFexpress Type A\/SD card slots provide versatility, allowing users to use existing media or pick up the faster CFexpress options to take full advantage of the a9 III's increased speed.\u003c\/li\u003e   \u003cli\u003eUSB-C port now offers faster USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2116460.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.\u003c\/li\u003e   \u003cli\u003e9.44m-dot 0.90x OLED electronic viewfinder with maximum refresh rate of 240 fps. The a9 III benefits from maximum quality viewing at up to 120 fps.\u003c\/li\u003e   \u003cli\u003eEthernet port for advanced networking and data transfer workflows.\u003c\/li\u003e   \u003cli\u003eThe optional VG-C5 Vertical Grip is designed to match the updated ergonomics of the a9 III, including the new C5 button.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eEnhanced Functionality and Usability\u003c\/p\u003e    \u003cp\u003eSony has continued to improve the workflows of their professional cameras with upgraded and additional features:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003c\/li\u003e   \u003cli\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003c\/li\u003e   \u003cli\u003eImage bursts can now be set to display as a group during playback to make it easier to navigate through a shoot, especially when using the a9 III's fastest continuous shooting rates.\u003c\/li\u003e   \u003cli\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg alt=\"Sony a9 III Weather Sealing\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2118902.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe a9 III is designed to be used in a wide ranging of shooting conditions and is weather sealed to protect it from the elements.\u003c\/li\u003e   \u003cli\u003eA shading curtain activates when the camera is powered off, protecting the camera's sensor from dust and the elements.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2116462.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFuture Firmware Updates\u003c\/p\u003e    \u003cp\u003eThe Sony a9 III is going to get better with time and there are some details on what to expect in future firmware updates:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ability to shooting continuously at up to 120 fps when using the maximum shutter speed of 1\/80,000 second.\u003c\/li\u003e   \u003cli\u003eWorkflow enhancements for IPTC metadata and FTP functions.\u003c\/li\u003e   \u003cli\u003eAddition of C2PA technology from the Content Authenticity Initiative.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328078141,"sku":"CAMSOILA9M3","price":124349.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/329fd8b0b0e972b0540d2e0b3c72fee9.png?v=1773562029"},{"product_id":"sony-bc-qz1-battery-charger-1","title":"Sony BC-QZ1 Battery Charger","description":"\u003cp\u003eCharge up your NP-FZ100 batteries with this \u003cstrong\u003eBC-QZ1 Battery Charger\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e. Able to work worldwide with its 100-240 VAC compatible power adapter, this charger will be able to charge a battery completely in 150 minutes. It also features an LED indicator for checking charge status and has a slim design with a detachable AC cable.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328110909,"sku":"ACCSOBC-QZ1","price":2399.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/dc115e8328dc892d3f4bd0542a13bfd0.png?v=1773562056"},{"product_id":"sony-e-15mm-f-1-4-g-lens-1","title":"Sony E 15mm f\/1.4 G Lens","description":"\u003cp\u003eUltra-Fast, Ultra-Compact\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSony\u003c\/strong\u003e's fastest APS-C lens, the \u003cstrong\u003eE 15mm f\/1.4 G\u003c\/strong\u003e is a bright, wide-angle 22.5mm-equivalent prime featuring advanced G Series optics and a sleek design that's ideal for travel, landscapes, and walkaround shooting. In addition to prioritizing image quality and speed, this lens also features an intuitive-to-handle design and smooth focusing performance that suits vlogging and video recording applications.\u003c\/p\u003e    \u003cp\u003eG Series Lens\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eWide-angle prime offers a 22.5mm equivalent focal length, making it a versatile option for anything from street to landscape to travel, as well as for selfie-style vlogging needs.\u003c\/li\u003e   \u003cli\u003eFast f\/1.4 maximum aperture is ideal for shallow depth of field and selective focusing techniques, and also excels in low-light conditions.\u003c\/li\u003e   \u003cli\u003eThree aspherical elements help achieve high sharpness and suppress distortion and spherical aberrations.\u003c\/li\u003e   \u003cli\u003eOne Super ED and two ED elements promote greater clarity and color accuracy by reducing chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eRounded 7-blade diaphragm contributes a smooth and natural bokeh quality.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eRefined Focusing Performance\u003c\/p\u003e    \u003cp\u003eLinear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF\/MF switch is located on the lens barrel for quick focus mode switching.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eInternal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.\u003c\/li\u003e   \u003cli\u003eSuitable for close-up shooting, the minimum focusing distance is 6.7\" with a 0.15x maximum magnification when using manual focus, or 7.9\" with a 0.12x magnification when using autofocus.\u003c\/li\u003e   \u003cli\u003eSmooth Motion Optics (SMO) suppresses focus breathing to help maintain compositional accuracy when changing focus. This lens is also compatible with the Breathing Compensation function in select Alpha cameras.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eRobust Design and Intuitive Handling\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDust- and moisture-resistant design suits working in inclement conditions.\u003c\/li\u003e   \u003cli\u003ePhysical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.\u003c\/li\u003e   \u003cli\u003eCustomizable focus hold button on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003eLens measures 2.7\" long and weighs 7.7 oz, making it a great portable choice that's well-suited to the sleeker size of APS-C bodies.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328209213,"sku":"LENSOE15F14G","price":15219.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e6dde2bba55d824d6252c96ab4ab5087.png?v=1773562069"},{"product_id":"sony-e-16-55mm-f-2-8-g-lens-1","title":"Sony E 16-55mm f\/2.8 G Lens","description":"\u003cp\u003e\u003cstrong\u003eCompact and Fast Zoom for APS-C\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ePositioned as the workhorse lens for APS-C, the \u003cstrong\u003eSony E 16-55mm f\/2.8 G\u003c\/strong\u003e is a flexible wide-angle to portrait-length zoom featuring a bright constant f\/2.8 maximum aperture. Covering a versatile range, this sleek lens is well-positioned for a wide variety of subjects, from landscapes to portraiture, and its portable size makes it a go-to lens for everyday shooting.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eG Lens Series\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour aspherical elements, including two AA (Advanced Aspherical) elements, help to greatly reduce distortion and spherical aberrations in order to accurately render scenes with a high degree of sharpness.\u003c\/li\u003e   \u003cli\u003eThree extra-low dispersion elements reduce color fringing and chromatic aberrations for improved clarity and color accuracy.\u003c\/li\u003e   \u003cli\u003eA Nano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eWide-to-portrait-length 16-55mm zoom is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 24-82.5mm equivalent focal length range.\u003c\/li\u003e   \u003cli\u003eBright f\/2.8 constant maximum aperture enables greater control over depth of field and also suits working in difficult lighting conditions.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAutofocus and Handling\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eXD Linear Motor system provides quick, quiet, and precise autofocus performance that suits both photo and video applications.\u003c\/li\u003e   \u003cli\u003eLinear Response manual focus control offers more natural handling and an AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/li\u003e   \u003cli\u003eCustomizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eCompact and Durable Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/li\u003e   \u003cli\u003ePortable design measures 4\" long and weighs just over 1 lb, making it an ideal companion for the smaller size of APS-C camera bodies.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e16 to 55mm (35mm Equivalent: 24 to 82.5mm)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/2.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAPS-C\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e67 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/2.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/22\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAPS-C\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e83° to 29°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e1.08' \/ 33 cm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e0.2x\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e17 Elements in 12 Groups\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e9, Rounded\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e67 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e2.87 x 3.94\" \/ 73 x 100 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e5.3\" \/ 133.8 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e1.09 lb \/ 494 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328340285,"sku":"LENSOE1655G","price":24779.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/092914c2ed30955323156d5afe5351f3.png?v=1773562097"},{"product_id":"sony-e-16mm-f-2-8-lens-silver-1","title":"Sony E 16mm f\/2.8 Lens (Silver)","description":"\u003cp\u003eUltra-Wide Pancake Lens\u003c\/p\u003e    \u003cp\u003eLightweight and exceptionally compact, the \u003cstrong\u003eE 16mm f\/2.8 Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is a suitable travel companion. Providing a 24mm equivalent focal length when mounted to your APS-C-format E-mount camera, this lens will allow photographers to capture wide landscapes and work in tight spaces with ease.\u003c\/p\u003e    \u003cp\u003eCompact Design, Broad Field of View\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1772549.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eWith its pancake design, the lens only extends 0.9\" from the mount, resulting in a compact and lightweight camera system.\u003c\/li\u003e   \u003cli\u003eDesigned for use on APS-C format cameras, this 16mm lens will provide a wide-angle perspective with a 35mm equivalent focal length of 24mm.\u003c\/li\u003e   \u003cli\u003eBright f\/2.8 maximum aperture suits working in available lighting and also contributes to the sleek size and lightweight design.\u003c\/li\u003e   \u003cli\u003eThis lens is compatible with optical wide-angle and fisheye conversion lenses, which, when used, will convert this lens into an 18mm or 15mm lens, respectively.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eOptics and Focusing\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1757885.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOne aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e   \u003cli\u003eThe lens uses an internal focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 9.4\".\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e16mm (35mm Equivalent: 24mm)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/2.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAPS-C\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e49 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/2.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/22\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAPS-C\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e83°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e9.45\" \/ 24 cm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e0.08x\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e5 Elements in 5 Groups\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e7, Rounded\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e49 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e2.4 x 0.9\" \/ 62 x 22.5 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e2.4 oz \/ 68 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328438589,"sku":"LENSOE16F28","price":5039.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/3fe7769692da730b59f922e259aaa754_2a038355-d9ad-4cbc-b7be-c6092c96b405.png?v=1774876636"},{"product_id":"sony-e-18-200mm-f-3-5-6-3-oss-le-lens-1","title":"Sony E 18-200mm f\/3.5-6.3 OSS LE Lens","description":"\u003cp\u003eCover all your bases with the extremely versatile \u003cstrong\u003eE 18-200mm f\/3.5-6.3 OSS LE Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e for your APS-C-format E-mount camera. By providing a 27-300mm equivalent zoom range, users can capture subjects both near and far without needing to swap out their lenses, making it ideal for travel. It also benefits from the use of two extra-low dispersion and four aspherical elements to minimize aberrations. Furthermore, it is equipped with Optical SteadyShot image stabilization that will reduce the impact of camera shake, especially at longer focal lengths.\u003c\/p\u003e    \u003cp\u003eFor fast focusing, the 18-200mm uses a linear autofocus motor with an internal focus design that permits focusing as close as 1.6'. It also has a zoom lock switch on the lens barrel to prevent zoom creep when the lens is not in use. Additionally, it has a seven-blade circular diaphragm to produce smooth, rounded bokeh.\u003c\/p\u003e    \u003cp\u003eDesigned for APS-C-format E-mount cameras, this 18-200mm offers users a vast wide-angle to super telephoto range equivalent to 27-300mm.\u003c\/p\u003e    \u003cp\u003eA variable f\/3.5-6.3 maximum aperture helps keep the lens' overall size and weight to a minimum.\u003c\/p\u003e    \u003cp\u003eTwo extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/p\u003e    \u003cp\u003eFour aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/p\u003e    \u003cp\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/p\u003e    \u003cp\u003eA linear autofocus motor and internal focus mechanism contribute to faster, more responsive focusing in both stills and video. 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the \u003cstrong\u003eE 20mm f\/2.8 Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e, a super compact \"pancake\" lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length.\u003c\/p\u003e    \u003cp\u003eCompact Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1762408.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eWith its pancake design, the lens only extends 0.8\" from the mount, resulting in a compact and lightweight camera system.\u003c\/li\u003e   \u003cli\u003ePortable design makes this a go-to lens for everyday carry and street shooting needs and the wide-angle field of view presents a natural perspective for a variety of shooting applications.\u003c\/li\u003e   \u003cli\u003eBright f\/2.8 maximum aperture suits working in available lighting and also contributes to the sleek size and lightweight design.\u003c\/li\u003e  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\u003cp\u003e20mm (35mm Equivalent: 30mm)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/2.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/16\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAPS-C\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e70°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus 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This portrait-length to mid-tele reach is ideal for a range of subjects, from portraits to distant sports and landscapes, and its sleek size also makes it a great travel companion.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOptics and Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDesigned for APS-C-format cameras, this 55-210mm lens perfectly complements many kit zooms by providing an 82.5-315mm equivalent focal length range for telephoto applications.\u003c\/li\u003e   \u003cli\u003eA variable f\/4.5-6.3 maximum aperture helps keep overall lens size and weight to a minimum.\u003c\/li\u003e   \u003cli\u003eTwo extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eTwo aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAutofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAn internal focus mechanism contributes to faster, more responsive autofocus, the minimum focus distance of 3.3', and easier handling as the lens does not change in length during use.\u003c\/li\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. 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The microphone is designed to help isolate the sound you want originating from the subject while rejecting unwanted ambient noise. 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Internal digital signal processing and advanced beamforming render clear recordings with the ability to toggle noise-cut and low-cut filters. Superdirectional pickup pattern with both front and rear pickup has eight selectable modes for the ultimate recording flexibility.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eEight Selectable Pickup Patterns and Recording Modes\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038976.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eUsing an onboard dial control, choose between eight different recording modes, including stereo, to suit different recording scenarios. Because the embedded condensers are laid out in a diamond orientation, the ECM-M1 can isolate the left, right, rear, or front audio sources and record separate channels simultaneously. Selectable modes include superdirectional, unidirectional, omnidirectional, superdirectional (rear), superdirectional (front and rear), super directional (front and rear separate), stereo, and ultra-directional.\u003c\/p\u003e    \u003cp\u003eSuperdirectional and Ultra-Directional: Focused Front Area\u003c\/p\u003e    \u003cp\u003eIdeal for vlogs or interviews where your subject in front of the camera is the main focus, the superdirectional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera. Choose between front and rear superdirectional orientations. Ultra-directional compresses this area even further for a more limited pickup range.\u003c\/p\u003e    \u003cp\u003eUnidirectional: Wide Frontal Range\u003c\/p\u003e    \u003cp\u003ePerfect for multi-person conversations, the unidirectional pattern captures sound from a wide field in front of the microphone, while minimizing pickup from behind.\u003c\/p\u003e    \u003cp\u003eOmnidirectional: Sound from Any Direction\u003c\/p\u003e    \u003cp\u003eThe omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator.\u003c\/p\u003e    \u003cp\u003eFront and Rear Recording\u003c\/p\u003e    \u003cp\u003eRecord from both the front and rear of the camera, a mode especially useful during interviews where you wish to capture the interviewer's voice or reactions. You can also pick up the front and rear audio in two separate channels for more intuitive adjustment during postproduction. This same technology allows you to record a stereo safety track automatically.\u003c\/p\u003e    \u003cp\u003eNoise Filters, Onboard Switch Control\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038978.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eControls for pickup pattern, gain, and audio level are easy to reach on the rear and side panels and visible at a glance for quick adjustments during shooting. The ECM-M1's noise-cut filter and low-cut filter are very effective at reducing extraneous ambient noises and cutting out low-frequency noise through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post-processing.\u003c\/p\u003e    \u003cp\u003eCompact and Portable Mic\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038980.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe microphone's 2.8\" total length allows you to use it while wide-angle lenses, viewfinders, and gimbals where rig space is precious.\u003c\/p\u003e    \u003cp\u003eCable-Free Connection, Vibration Suppressing Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038979.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eNo cables are required for connection to a wide range of Sony cameras equipped with an MI shoe. The absence of connecting cables means that no noise can be transmitted to the microphone mechanically via cables and connectors. The ECM-M1 features an advanced shock- and vibration-suppressing design to effectively minimize low-frequency or handling noise, which can degrade audio quality.\u003c\/p\u003e    \u003cp\u003eSupplied Windscreen, Dust and Moisture Resistant\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038916.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe ECM-M1 comes with a furry windshield that's easily detachable and effective with reducing wind noise for capturing crisp audio on outdoor shoots. 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Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e3.43 x 4.62\" \/ 87 x 117.4 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e4.61\" \/ 117 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e1.24 lb \/ 565 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499330240829,"sku":"LENSOE1224G","price":35299.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/12cbd47f1470ca8eca840af5de5d55dd.png?v=1773562305"},{"product_id":"sony-fe-16-35mm-f-2-8-gm-lens-1","title":"Sony FE 16-35mm f\/2.8 GM Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eUltimate Wide-Angle Versatility\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eOffering G Master performance in a compact, fast, and versatile form, the \u003cstrong\u003eSony FE 16-35mm f\/2.8 GM\u003c\/strong\u003e is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens's advanced optics and bright f\/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eG Master Design\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718751.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eBright f\/2.8 constant maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.\u003c\/li\u003e   \u003cli\u003eNano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eRounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing shallow depth of field techniques.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660108.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTwo XA (extreme aspherical) elements and three standard aspherical elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for a high degree of sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eTwo ED elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003ePractical and Intuitive Handling\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660109.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTwo Direct Drive SSM (DDSSM) autofocus groups offer quick, quiet, and precise focusing performance that is ideal for both stills and video applications.\u003c\/li\u003e   \u003cli\u003eFloating focusing system divides the focus group into two separately controlled groups and helps to maintain consistently clear optical performance throughout the zoom and focus ranges.\u003c\/li\u003e   \u003cli\u003eDedicated focus hold button and AF\/MF switch for direct tactile control over focus settings.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFront element features a fluorine coating to guard against fingerprints and dust from adhering to it.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499330437437,"sku":"LENSOE1635GM","price":37391.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cdca342727722c09a847f110f74a6c8a_f37b794f-0390-4d82-9465-1080694431e3.png?v=1774877198"},{"product_id":"sony-fe-16-35mm-f-4-vario-tessar-t-za-oss-lens-1","title":"Sony FE 16-35mm f\/4 Vario-Tessar T  ZA OSS Lens","description":"\u003cp\u003e\u003cstrong\u003eSleek Wide-Angle Versatility\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA compact and weather-resistant option, the \u003cstrong\u003eVario-Tessar T* FE 16-35mm f\/4 ZA OSS Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e will satisfy nearly all the wide-angle needs of full-frame E-mount shooters. The flexible wide zoom is characterized by a constant f\/4 maximum aperture, making this an ideal lens for street, landscapes, cityscapes, and other subjects requiring a broad field of view and the inherent versatility of a zoom.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eZEISS Optical Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBased on the ZEISS Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eConstant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e   \u003cli\u003eZEISS T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity.\u003c\/li\u003e   \u003cli\u003eThree extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eFive aspherical elements, including one large-diameter Advanced Aspherical (AA) element, are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eImage Stabilization, AF, and Handling\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eA linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e16 to 35mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/4\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/22\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eFull-Frame\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e107° to 63°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e11.02\" \/ 28 cm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e0.19x\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e12 Elements in 10 Groups\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e7, Rounded\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eYes\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e72 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e3.07 x 3.88\" \/ 78 x 98.5 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e4.47\" \/ 113.65 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e18.27 oz \/ 518 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499330797885,"sku":"LENSOE1635Z","price":24349.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/56ee102e359c1c6584c87b92c62dab5e.png?v=1773562345"},{"product_id":"sony-fe-20mm-f-1-8-g-lens-1","title":"Sony FE 20mm f\/1.8 G Lens","description":"\u003cp\u003eUltra-Wide Portable Prime\u003c\/p\u003e    \u003cp\u003ePresenting an ultra-wide field of view, the \u003cstrong\u003eSony FE 20mm f\/1.8 G\u003c\/strong\u003e is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling. It's an ideal companion for a range of subjects, from architecture and interiors to landscape to vlogging, and the sleek size makes it a go-to wide-angle option for everyday and travel shooting.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eG Lens Series\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1744471.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo AA (Advanced Aspherical) elements help to greatly reduce distortion and spherical aberrations in order to accurately render scenes with a high degree of sharpness.\u003c\/li\u003e   \u003cli\u003eThree extra-low dispersion elements reduce color fringing and chromatic aberrations for improved clarity and color accuracy.\u003c\/li\u003e   \u003cli\u003eNano AR Coating has been applied to minimize surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1744473.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBright f\/1.8 maximum aperture suits working in difficult lighting conditions and helps to maintain a relatively compact form factor.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eAutofocus and Handling\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1744475.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDual XD Linear Motor system, along with an internal focusing design, provides quick, quiet, and precise autofocus performance that suits both photo and video applications.\u003c\/li\u003e   \u003cli\u003eLinear Response manual focus control offers more natural handling and an AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/li\u003e   \u003cli\u003eCustomizable focus hold buttons are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003ePhysical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.\u003c\/li\u003e   \u003cli\u003eDespite being an ultra-wide prime, the sleek design still accepts front 67mm threaded filters for easier creative control.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eCompact, Portable Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1744476.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eWeighing just 12.3 oz, this sleek lens is an ideal choice for vlogging and walk-around shooting applications, and makes a great companion to APS-C-format cameras and working with gimbals or accessory grips.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e20mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/1.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eFull-Frame\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e67 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/1.8\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003ef\/22\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eSony E\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eFull-Frame\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e94°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e7.09\" \/ 18 cm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e0.2x\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e14 Elements in 12 Groups\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e9, Rounded\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAutofocus\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eNo\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e67 mm (Front)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e2.89 x 3.33\" \/ 73.5 x 84.7 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e13.16 oz \/ 373 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499330994493,"sku":"LENSOE20F18G","price":18259.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b38b17e53e8cbc371816ce6456bd7647_490f5067-e94b-4c1a-bd47-10089e5414b5.png?v=1774876558"},{"product_id":"sony-fe-24-105mm-f-4-g-oss-lens-1","title":"Sony FE 24-105mm f\/4 G OSS Lens","description":"\u003cp\u003eFull-Frame Stabilized Standard Zoom\u003c\/p\u003e    \u003cp\u003eDesigned for versatility, the \u003cstrong\u003eFE 24-105mm f\/4 G OSS Lens\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is a wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for everyday shooting. The flexible focal length range pairs with a bright constant maximum aperture, impressive optics, and intuitive handling to make it a suitable option for walk-around shooting, street subjects, travel, and event photography.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eG Lens Series\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour aspherical elements are featured in the optical design, including two Advanced Aspherical elements, and noticeably reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and clarity.\u003c\/li\u003e   \u003cli\u003eThree extra-low dispersion elements are also used to minimize color fringing and chromatic aberrations for greater color accuracy.\u003c\/li\u003e   \u003cli\u003eA Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eConstant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e   \u003cli\u003ePortable design weighs around 1.5 lb, making this a versatile choice for everyday shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eImage Stabilization, AF, and Handling\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/li\u003e   \u003cli\u003eThis stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eThe front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.\u003c\/li\u003e   \u003cli\u003eDirect Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eMinimum focusing distance of 1.25' results in a maximum magnification of 0.31x, making this lens a suitable choice for close-up subjects.\u003c\/li\u003e   \u003cli\u003eA focus hold button and AF\/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499331223869,"sku":"LENSOE24105G","price":22608.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/82ec273863399a47d02b1f64799ac863_1a9c48a2-0382-45a7-97c8-a902e444b86e.png?v=1774876906"},{"product_id":"sony-fe-24-70mm-f-2-8-gm-lens-1","title":"Sony FE 24-70mm f\/2.8 GM Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eThe Standard Zoom Refined\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eA fast, standard zoom favored for its versatility, the \u003cstrong\u003eSony FE 24-70mm f\/2.8 GM\u003c\/strong\u003e is a wide-angle to short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f\/2.8 constant maximum aperture. A go-to lens for a variety of shooting situations, the 24-70mm f\/2.8 is a perfect choice for anything from landscape to sports to portraiture subjects.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eUncompromising Optical Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718767.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eOf the three aspherical elements incorporated in the lens design, one is an XA element with superior surface precision to effectively reduce astigmatism, field curvature, coma, and other monochromatic aberrations from imagery.\u003c\/li\u003e   \u003cli\u003eOne extra-low dispersion element and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718763.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eBright constant f\/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.\u003c\/li\u003e   \u003cli\u003eA Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eFast Focusing and Reliable Performance\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718765.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eDirect Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eA focus hold button and AF\/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003eA dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499331486013,"sku":"LENSOE2470GM","price":31304.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/74a9390b236e17a6ddf51adc92e7e1a4.png?v=1773562398"},{"product_id":"sony-fe-24mm-f-1-4-gm-lens-1","title":"Sony FE 24mm f\/1.4 GM Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eFast and Portable Wide-Angle\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eCombining a favored wide-angle focal length with an especially bright design, the \u003cstrong\u003eFE 24mm f\/1.4 GM\u003c\/strong\u003e from \u003cstrong\u003eSony\u003c\/strong\u003e is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f\/1.4 maximum aperture and the lens is also distinguished by a sleek, portable profile for all-day shooting.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eG Master Optical Performance\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sample Photo\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1657655.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eNotably fast f\/1.4 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.\u003c\/li\u003e   \u003cli\u003eRounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1657648.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTwo XA elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, and other spherical aberrations.\u003c\/li\u003e   \u003cli\u003eThree extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e   \u003cli\u003eNano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast in strong lighting conditions.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eResponsive AF and Intuitive Handling\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1657647.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eDirect Drive Super Sonic wave Motor AF system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eA focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1657659.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003ePhysical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499331748157,"sku":"LENSOE24F14GM","price":27389.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cd690b20068a69287081dea448bf46eb_2f20507d-ef16-410b-9b4e-e1ea11a8cee3.png?v=1774876831"},{"product_id":"sony-fe-50mm-f-1-2-gm-lens-1","title":"Sony FE 50mm f\/1.2 GM Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eImpressive Speed and Sharpness\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eCombining speed, versatility, and quality, the \u003cstrong\u003eSony FE 50mm f\/1.2 GM\u003c\/strong\u003e is a normal-length prime that flexes a bright f\/1.2 design and advanced optics while remaining portable and lightweight for everyday shooting. As a G Master lens, resolution and bokeh are top priorities, and this 50mm f\/1.2 goes on to also include a sophisticated focusing system to suit both stills and video needs and a reliable physical design that's intuitive to use and durable enough for working in harsh environments.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660888.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eG Master Resolution and Bokeh\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eG Master lenses prioritize sharpness and bokeh quality by featuring advanced optical designs and specialized elements.  \u003cul\u003e   \u003cli\u003eThree XA (extreme aspherical) elements effectively control astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eNano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.\u003c\/li\u003e   \u003cli\u003eFloating focus mechanism helps to ensure optimum and consistent sharpness throughout the focusing range.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660894.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eExceptional Speed and Versatility\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eNormal 50mm focal length suits a variety of subjects and shooting applications, ranging from portraiture and street shooting to landscapes, lifestyle, and architectural subjects.\u003c\/li\u003e   \u003cli\u003eTruly impressive f\/1.2 maximum aperture yields extremely shallow depth of field results for separating subjects from busy backgrounds using selective focus.\u003c\/li\u003e   \u003cli\u003eBeyond depth of field control, the f\/1.2 design also benefits shooting handheld and working with faster shutter speeds in low-light conditions.\u003c\/li\u003e   \u003cli\u003eRounded 11-blade diaphragm helps produce a smooth and circular bokeh quality.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"XD Linear Motors\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1655678.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eFast and Precise AF\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eFour XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF\/MF switch is located on the lens barrel for tactile control over this setting.  \u003cul\u003e   \u003cli\u003eXD (extreme dynamic) linear motors deliver high thrust to efficiently move larger, heavier elements and focus groups, such as those needed to produce an f\/1.2 lens. This focusing system also achieves accurate focus when working with extremely shallow depth fo field effects.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"AF MF Switch\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1655680.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eInternal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.\u003c\/li\u003e   \u003cli\u003eMinimum focusing distance of 1.3' suits making dynamic close-up images.\u003c\/li\u003e   \u003cli\u003eA close minimum focusing distance, maximum magnification of 0.17x, and bright f\/1.2 aperture help create shallow depth of field imagery with a strong close-up subject and a soft background.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1655671.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCompact and Durable Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eDespite the wide f\/1.2 maximum aperture, complex optical design, and inclusion of a high-performance AF system, this lens manages to still be relatively compact and lightweight for everyday handheld use, measuring 3.4 x 4.4\" and weighing 1.7 lb.\u003c\/li\u003e   \u003cli\u003eTwo focus hold buttons are featured on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003ePhysical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e  \u003c\/div\u003e    \u003cul\u003e   \u003cli\u003eFull-Frame | f\/1.2 to f\/16\u003c\/li\u003e   \u003cli\u003eExtremely Fast Design, Advanced Optics\u003c\/li\u003e   \u003cli\u003eFour XD Linear AF Motors, Internal Focus\u003c\/li\u003e   \u003cli\u003eFocus Hold Button, AF\/MF Switch\u003c\/li\u003e   \u003cli\u003ePhysical Aperture Ring; De-Click Switch\u003c\/li\u003e   \u003cli\u003eNano AR II and Fluorine Coatings\u003c\/li\u003e   \u003cli\u003eDust and Moisture-Resistant Construction\u003c\/li\u003e   \u003cli\u003eRounded 11-Blade Diaphragm\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499332108605,"sku":"LENSOE50F12GM","price":39129.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/76edbb61cbec8f392b1c3d9da24c635e.png?v=1773562435"},{"product_id":"sony-fe-50mm-f-2-5-g-lens-1","title":"Sony FE 50mm f\/2.5 G Lens","description":"\u003cp\u003eNormal-Length Portable Prime\u003c\/p\u003e    \u003cp\u003eA classic focal length with an especially compact profile, the \u003cstrong\u003eSony FE 50mm f\/2.5 G\u003c\/strong\u003e is an inherently versatile prime lens capable of handling subjects ranging from portraiture to street to landscapes. 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It can also fold out into a mini tripod for hands-free use. The GP-VPT1 features a pan handle with wired remote control, adjustable grip angle, and zoom, photo, and start\/stop record buttons. A hand strap, cable clamper, and carrying pouch come included.\u003cbr\u003e  \u003cbr\u003e  Your camera mounts to the shooting grip via a 1\/4\"-20 screw. The wired AV cable uses Sony's Multi Terminal connector, which plugs in to the corresponding port on compatible camcorders\/cameras and lets you control zoom, take photos, and start\/stop recording using the buttons found on the grip. Using the cable clamper keeps the cable out of the way while recording. The grip angle is adjustable in increments of approximately 10 degrees by pressing the angle adjust button on the side of the grip. 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Compatible with select Sony cameras featuring Bluetooth connectivity, this grip offers wireless control over select shooting controls, via built-in shutter release and video record buttons, a zoom rocker switch, and a customizable C1 button. Beyond serving as just an accessory grip, the grip itself can be splayed into three legs and function as a tripod for hands-free shooting. The integrated head can tilt upward 80° (40° when setup as a tripod), downward 90°, and rotate 360° for easier positioning. 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Designed for select cameras from Sony's RX100, RX0, HX, and WX-series, this grip attaches to cameras via the 1\/4\"-20 tripod mount and then connects to the camera using the Multi terminal for on-grip control. Integrated shutter release and video record buttons are featured, as well as a zoom rocker switch, and the grip's head can tilt upward 70° and downward 100° for easier positioning.\u003c\/p\u003e    \u003cp\u003eCamera Compatibility\u003c\/p\u003e    \u003cp\u003eCyber-shot DSC-RX100 VII RX100 VI, RX100 VA, RX100 V, RX100 IV, RX100 III, RX100 II, RX0, RX0II, HX90V, HX80, HX60V, HX50V, and WX500.\u003cbr\u003e  This grip is not compatible with the RX100.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eLoad Capacity\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e2.2 lb \/ 1 kg\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTilting Angle Adjustment\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e+70°, -100°\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003eAs Grip: 1.4 x 4.3 x 1.2\" \/ 36.1 x 108.3 x 30.0 mm\u003cbr\u003e     As Tripod: 4.2 x 3.2 x 3.6\" \/ 105.7 x 82.5 x 92.2 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e3.3 oz \/ 93 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499334598973,"sku":"ACCSOVCTSGR1","price":1699.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f72c7d2a07bc51e53f0090d23555b164.png?v=1773562606"},{"product_id":"sony-vg-c5-vertical-grip-1","title":"Sony VG - C5 Vertical Grip","description":"\u003cp\u003eDedicated to the \u003cstrong\u003eSony\u003c\/strong\u003e a9 III mirrorless camera, the \u003cstrong\u003eVG-C5 Vertical Grip\u003c\/strong\u003e offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts either one or two NP-FZ100 batteries to increase the effective battery life for longer shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body's USB port. Compared to previous-generation vertical grips, the VG-C5 also has refined circuitry that supports parallel power supply to provide even longer effective operation times and and the remaining battery life for both batteries can be indicated on the camera display.\u003c\/p\u003e    \u003cp\u003eThe grip's design maintains the same layout as the camera body itself, and includes a secondary shutter button and Multi-Selector for intuitive use, as well as a secondary C5 front custom button. The grip is built from magnesium alloy and is dust and moisture resistant to match the weather-sealing of the camera itself.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499334730045,"sku":"ACCSOVG-C5","price":8999.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d03a27fa1ad0535ce475613c911b5615.jpg?v=1773562622"},{"product_id":"sony-vg-c3em-vertical-grip-1","title":"Sony VG-C3EM Vertical Grip","description":"\u003cp\u003eDedicated to the \u003cstrong\u003eSony\u003c\/strong\u003e Alpha a9, a7 III, and a7R III mirrorless cameras, this \u003cstrong\u003eVG-C3EM Vertical Grip\u003c\/strong\u003e offers both extended shooting time and a more comfortable grip when shooting in the vertical orientation. The grip accepts two NP-FZ100 batteries to effectively double the battery life for longer shooting sessions. The batteries can be charged in the grip while attached to the camera via the body's USB port. The grip's design maintains the same layout as the camera body itself, and includes a secondary shutter button and a multi selector for intuitive use. The grip is built from magnesium alloy and is dust and moisture resistant to match the weather sealing of the camera itself.\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCompatible Cameras\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAlpha a9\u003cbr\u003e  Alpha a7 III\u003cbr\u003e  Alpha a7R III\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e\u003cstrong\u003e2 x \u003c\/strong\u003eBattery Pack (Sony NPFZ100)\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e1\/4\"-20 Female\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (L x W x H)\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e5.0 x 2.4 x 4.2\" \/ 127.0 x 61.0 x 106.7 mm\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e     \u003cp\u003e9.6 oz \/ 272 g\u003c\/p\u003e     \u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499334893885,"sku":"ACCSOVG-C3EM","price":7999.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5493b87633ad119d2702f97ef4b1d1aa.png?v=1773562640"},{"product_id":"sony-zv-1-digital-camera-black-1","title":"Sony ZV-1 Digital Camera (Black)","description":"\u003cp\u003eVloggers and influencers rejoice, the \u003cstrong\u003eSony ZV-1\u003c\/strong\u003e is a purpose-built compact camera blending the proven imaging capabilities of the RX100-series platform with an updated physical design for more efficient content creation.\u003c\/p\u003e    \u003cp\u003eFeaturing a side flip-out 3.0\" touchscreen and a directional 3-capsule microphone that are perfect for front-facing recording, the ZV-1 also caters to this crowd with the Product Showcase Setting, Background Defocus function, Soft Skin Effect, and Face Priority Auto-Exposure.\u003c\/p\u003e    \u003cp\u003eDespite its sleek and lightweight design, the ZV-1 is also characterized by its large right-hand grip that is ideal for one-handed recording in conjunction with a front tally lamp, larger REC button on the top plate, and a Multi Interface Shoe for attaching accessories. An impressive ZEISS 24-70mm-equivalent standard zoom lens, with a bright f\/1.8-2.8 maximum aperture range, is also featured and, suiting recording while walking, Active SteadyShot image stabilization helps to steady footage and reduce the appearance of camera shake for smoother takes.\u003c\/p\u003e    \u003cp\u003eInside, the ZV-1 has some familiar imaging attributes in the form of a 20.1MP 1\"-type Exmor RS stacked CMOS sensor and BIONZ X image processor, with front-end LSI, which contributes to impressively fast performance along with wide-ranging sensitivity to suit working in a variety of conditions. The processing capabilities avail Real-Time Eye AF and Real-Time Tracking for quick and precise focusing and subject tracking. In terms of video specs, UHD 4K recording at 30p is supported for extended takes and a micro-HDMI port can be used to conjunction with an external recorder or monitor if desired. Footage is also benefitted by Sony's S-Log3\/2 and HLG picture profiles that match up with their professional cine cameras for refined color, dynamic range, and detail when recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eContent Creator and Vlogging Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRear 3.0\" 921.6k-dot LCD touchscreen features a side flip-out design that is ideal for filming yourself or taking selfies in a natural and intuitive manner.\u003c\/li\u003e   \u003cli\u003eSince the screen flips out to the side, the top plate has been redesigned to incorporate a directional 3-capsule microphone that is specifically designed for forward-directional audio recording. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors.\u003c\/li\u003e   \u003cli\u003eFirmware version 2.00 enables camera livestreaming by simply connecting the camera to a computer via USB, allowing the ZV-1's video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming. In addition, this firmware update provides compatibility between the ZV-1 and Sony's Xperia smartphones for livestreaming on the go, by using the smartphone as a hot spot and as a secondary display for monitoring the live feed and reading comments.\u003c\/li\u003e   \u003cli\u003eBoth a 3.5mm microphone port and a Multi Interface Shoe are also featured for greater accessory compatibility.\u003c\/li\u003e   \u003cli\u003eCompact and lightweight body design is complemented by an easy-to-hold right-hand grip that makes one-handed operation more comfortable and efficient. There is also a large REC button for quick recognition.\u003c\/li\u003e   \u003cli\u003eFront tally lamp serves as a visual indicator for when recording is occurring.\u003c\/li\u003e   \u003cli\u003eProduct Showcase setting is ideal for vlogging and product showcases and allows for quick and smooth focus transitions between a subject's face and an object placed in front of the lens.\u003c\/li\u003e   \u003cli\u003eBackground Defocus lets you immediately switch to the maximum aperture setting (f\/1.8-2.8), using a custom button function, for isolating your subject using shallow depth of field and bokeh. A built-in ND filter benefits using this mode in bright lighting conditions by controlling overexposure.\u003c\/li\u003e   \u003cli\u003eFace-Priority AE detects the subject's face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.\u003c\/li\u003e   \u003cli\u003eRefined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.\u003c\/li\u003e   \u003cli\u003eSoft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject's face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi.\u003c\/li\u003e   \u003cli\u003eFor longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.\u003c\/li\u003e   \u003cli\u003eActive SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking. This mode combines optical and electronic stabilization methods for more effective results—when recording HD video with Active mode, camera shake is reduced by up to 11 times more than with standard SteadyShot; when recording 4K video with Active mode, camera shake is reduced by up to 8 times more than with standard SteadyShot.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003e20.1MP 1\" Exmor RS CMOS Sensor \u0026amp; BIONZ X Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUtilizing an advanced stacked structure with an integrated DRAM chip, the 20.1MP 1\" Exmor RS CMOS sensor is able to deliver outstanding image quality from ISO 100-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Single Burst Shooting, an Anti-Distortion shutter, UHD 4K video, and more. This 1\" sensor also has 315 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing.\u003cbr\u003e  \u003cbr\u003e  This sensor is paired with a revised BIONZ X image processor and front-end LSI, which dramatically improve the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 24 fps with continuous AF\/AE calculations being performed at 60 times per second. The front-end LSI and enhanced sensor performance also improve overall image quality, especially at higher sensitivities, by reducing noise and offering higher perceived resolution and color definition.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eZEISS Vario-Sonnar T* 24-70mm Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eSpanning a useful 24-70mm equivalent range, the integrated ZEISS Vario-Sonnar T* lens suits working in a wide range of situations. Despite its compact, retractable form factor, the lens still retains a bright f\/1.8-2.8 maximum aperture range that benefits working in low-light conditions as well as isolating subject matter using shallow depth of field techniques. The optical design incorporates a series of specialized elements to reduce aberrations and distortions, in order to achieve high sharpness and accurate rendering, and a ZEISS T* anti-reflective coating has also been applied to suppress reflections and glare for improved contrast and color fidelity.\u003cbr\u003e  \u003cbr\u003e  The flexible reach is complemented by Optical SteadyShot image stabilization, which minimizes the appearance of camera shake to suit handheld shooting in low-light conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eUHD 4K Video Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAble to record UHD 4K video at 30\/24 fps, the ZV-1, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Benefitting sharper recording, an Active SteadyShot mode can be used for recording that prioritizes smoothness when reducing the appearance of camera shake. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mb\/s. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003cbr\u003e  \u003cbr\u003e  Affording extensive customizable color and gamma controls, the ZV-1 allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003cbr\u003e  \u003cbr\u003e  Speed is also a huge advantage of the ZV-1, and, in video, users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode that boosts the camera's frame rate to up to 960 fps.\u003cbr\u003e  \u003cbr\u003e  A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC\/PAL switchable, making it usable around the world, vertical videos can be recorded with embedded metadata to correct for the vertical orientation during playback.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast Hybrid AF System with 315 Phase-Detection Points\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe ZV-1 is equipped with an on-sensor phase-detection AF system that dramatically improves autofocus speed for both stills and video. The camera uses a hybrid system with 315 phase-detection points that cover approximately 65% of the frame along with a 425-area contrast-detection system to provide fast, accurate focusing in a range of situations. It is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release. Additionally, connection to a smartphone using a QR code is also possible and the ZV-1 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app. Bluetooth connectivity also enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOther Camera Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eInterval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.\u003c\/li\u003e   \u003cli\u003eAnti-Distortion electronic shutter can enable completely silent shooting as well as the ability to work at shutter speeds as fast as 1\/32000 second. This shutter also keeps rolling shutter effects to an absolute minimum and enables photographers to work in bright light with wider apertures.\u003c\/li\u003e   \u003cli\u003eThe Fn menu can be accessed and edited immediately after continuous shooting, while data writing is still in progress.\u003c\/li\u003e   \u003cli\u003eFile name setting allows users to change the first three characters of the file name from DSC to three characters of their choice. 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An impressive ZEISS 24-70mm-equivalent standard zoom lens, with a bright f\/1.8-2.8 maximum aperture range, is also featured and, suiting recording while walking, Active SteadyShot image stabilization helps to steady footage and reduce the appearance of camera shake for smoother takes.\u003c\/p\u003e    \u003cp\u003eInside, the ZV-1 has some familiar imaging attributes in the form of a 20.1MP 1\"-type Exmor RS stacked CMOS sensor and BIONZ X image processor, with front-end LSI, which contributes to impressively fast performance along with wide-ranging sensitivity to suit working in a variety of conditions. The processing capabilities avail Real-Time Eye AF and Real-Time Tracking for quick and precise focusing and subject tracking. In terms of video specs, UHD 4K recording at 30p is supported for extended takes and a micro-HDMI port can be used to conjunction with an external recorder or monitor if desired. Footage is also benefitted by Sony's S-Log3\/2 and HLG picture profiles that match up with their professional cine cameras for refined color, dynamic range, and detail when recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eContent Creator and Vlogging Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRear 3.0\" 921.6k-dot LCD touchscreen features a side flip-out design that is ideal for filming yourself or taking selfies in a natural and intuitive manner.\u003c\/li\u003e   \u003cli\u003eSince the screen flips out to the side, the top plate has been redesigned to incorporate a directional 3-capsule microphone that is specifically designed for forward-directional audio recording. Also, a dedicated wind screen for the built-in mic is included to help achieve cleaner audio when working outdoors.\u003c\/li\u003e   \u003cli\u003eFirmware version 2.00 enables camera livestreaming by simply connecting the camera to a computer via USB, allowing the ZV-1's video and audio capabilities to be used for live social media and video conferencing. UVC and UAC standards are supported for improved picture and sound quality during streaming. In addition, this firmware update provides compatibility between the ZV-1 and Sony's Xperia smartphones for livestreaming on the go, by using the smartphone as a hot spot and as a secondary display for monitoring the live feed and reading comments.\u003c\/li\u003e   \u003cli\u003eBoth a 3.5mm microphone port and a Multi Interface Shoe are also featured for greater accessory compatibility.\u003c\/li\u003e   \u003cli\u003eCompact and lightweight body design is complemented by an easy-to-hold right-hand grip that makes one-handed operation more comfortable and efficient. There is also a large REC button for quick recognition.\u003c\/li\u003e   \u003cli\u003eFront tally lamp serves as a visual indicator for when recording is occurring.\u003c\/li\u003e   \u003cli\u003eProduct Showcase setting is ideal for vlogging and product showcases and allows for quick and smooth focus transitions between a subject's face and an object placed in front of the lens.\u003c\/li\u003e   \u003cli\u003eBackground Defocus lets you immediately switch to the maximum aperture setting (f\/1.8-2.8), using a custom button function, for isolating your subject using shallow depth of field and bokeh. A built-in ND filter benefits using this mode in bright lighting conditions by controlling overexposure.\u003c\/li\u003e   \u003cli\u003eFace-Priority AE detects the subject's face and adjusts the exposure to ensure the face is depicted in an ideal brightness, even if walking from a bright place into shade. The AE technology also suppresses abrupt changes in exposure if the subject quickly turns away from the frame to eliminate unexpected blown-out or extremely dark shots.\u003c\/li\u003e   \u003cli\u003eRefined color science helps to optimize skin tones for any subject, in both still and video modes, in order to achieve a healthy and natural look that is inclusive of different ages, genders, and ethnicity.\u003c\/li\u003e   \u003cli\u003eSoft Skin Effect can be used to soften and smooth wrinkles or blemishes on a subject's face to create a natural, smooth complexion. The default setting is Mid and can be adjusted to Off, Low, or Hi.\u003c\/li\u003e   \u003cli\u003eFor longer takes, extended continuous video recording is available when setting the Auto Power OFF Temp. function to High.\u003c\/li\u003e   \u003cli\u003eActive SteadyShot is an advanced image stabilization mode that ensures steady video while moving, even when handheld shooting while walking. This mode combines optical and electronic stabilization methods for more effective results—when recording HD video with Active mode, camera shake is reduced by up to 11 times more than with standard SteadyShot; when recording 4K video with Active mode, camera shake is reduced by up to 8 times more than with standard SteadyShot.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003e20.1MP 1\" Exmor RS CMOS Sensor \u0026amp; BIONZ X Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUtilizing an advanced stacked structure with an integrated DRAM chip, the 20.1MP 1\" Exmor RS CMOS sensor is able to deliver outstanding image quality from ISO 100-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Single Burst Shooting, an Anti-Distortion shutter, UHD 4K video, and more. This 1\" sensor also has 315 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing.\u003cbr\u003e  \u003cbr\u003e  This sensor is paired with a revised BIONZ X image processor and front-end LSI, which dramatically improve the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 24 fps with continuous AF\/AE calculations being performed at 60 times per second. The front-end LSI and enhanced sensor performance also improve overall image quality, especially at higher sensitivities, by reducing noise and offering higher perceived resolution and color definition.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eZEISS Vario-Sonnar T* 24-70mm Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eSpanning a useful 24-70mm equivalent range, the integrated ZEISS Vario-Sonnar T* lens suits working in a wide range of situations. Despite its compact, retractable form factor, the lens still retains a bright f\/1.8-2.8 maximum aperture range that benefits working in low-light conditions as well as isolating subject matter using shallow depth of field techniques. The optical design incorporates a series of specialized elements to reduce aberrations and distortions, in order to achieve high sharpness and accurate rendering, and a ZEISS T* anti-reflective coating has also been applied to suppress reflections and glare for improved contrast and color fidelity.\u003cbr\u003e  \u003cbr\u003e  The flexible reach is complemented by Optical SteadyShot image stabilization, which minimizes the appearance of camera shake to suit handheld shooting in low-light conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eUHD 4K Video Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAble to record UHD 4K video at 30\/24 fps, the ZV-1, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Benefitting sharper recording, an Active SteadyShot mode can be used for recording that prioritizes smoothness when reducing the appearance of camera shake. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mb\/s. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.\u003cbr\u003e  \u003cbr\u003e  Affording extensive customizable color and gamma controls, the ZV-1 allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003cbr\u003e  \u003cbr\u003e  Speed is also a huge advantage of the ZV-1, and, in video, users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode that boosts the camera's frame rate to up to 960 fps.\u003cbr\u003e  \u003cbr\u003e  A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC\/PAL switchable, making it usable around the world, vertical videos can be recorded with embedded metadata to correct for the vertical orientation during playback.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast Hybrid AF System with 315 Phase-Detection Points\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe ZV-1 is equipped with an on-sensor phase-detection AF system that dramatically improves autofocus speed for both stills and video. The camera uses a hybrid system with 315 phase-detection points that cover approximately 65% of the frame along with a 425-area contrast-detection system to provide fast, accurate focusing in a range of situations. It is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-in Bluetooth and Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release. Additionally, connection to a smartphone using a QR code is also possible and the ZV-1 is also compatible with the Movie Edit add-on from the Imaging Edge mobile app. Bluetooth connectivity also enables connecting to the optional GP-VPT2BT Wireless Shooting Grip for efficient camera control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOther Camera Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eInterval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential free. Also, in-camera battery charging is possible via the USB port using a portable battery to benefit long interval shooting sessions.\u003c\/li\u003e   \u003cli\u003eAnti-Distortion electronic shutter can enable completely silent shooting as well as the ability to work at shutter speeds as fast as 1\/32000 second. This shutter also keeps rolling shutter effects to an absolute minimum and enables photographers to work in bright light with wider apertures.\u003c\/li\u003e   \u003cli\u003eThe Fn menu can be accessed and edited immediately after continuous shooting, while data writing is still in progress.\u003c\/li\u003e   \u003cli\u003eFile name setting allows users to change the first three characters of the file name from DSC to three characters of their choice. Additionally, images shot in continuous mode can also be displayed, reviewed, and deleted in the groups they were shot for faster operation.\u003c\/li\u003e   \u003cli\u003eStep Zoom lets you quickly change between five common focal lengths (24, 28, 35, 50, or 70mm) by rotating the control ring.\u003c\/li\u003e   \u003cli\u003eUsers can set a minimum shutter speed when using ISO AUTO to help minimize shutter blur.\u003c\/li\u003e   \u003cli\u003eCreative Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black \u0026amp; White, Sepia, and Style Box.\u003c\/li\u003e   \u003cli\u003ePicture Effect modes: Toy Camera, Pop Color, Posterization, Retro Photo, Soft High-Key, Partial Color, High Contrast Mono, Soft Focus, HDR Painting, Richtone Monochrome, Miniature, Watercolor, and Illustration.\u003c\/li\u003e   \u003cli\u003ePicture Profile parameters: Black Level, Gamma (Movie, Still, Cine1-2, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1, HLG2, HLG3), Black Gamma, Knee, Color Mode, Saturation, Color Depth, Color Phase, Detail, Copy and Reset.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499335188797,"sku":"CAMSODCZV1W","price":13909.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/de74441a290d48b327ff8eea6e44b9d5.png?v=1773562680"}],"url":"https:\/\/www.icilylive.co.za\/collections\/brand-sony.oembed?page=4","provider":"Icily Live","version":"1.0","type":"link"}