{"title":"Cameras","description":"\u003cp\u003eShop all Cameras\u003c\/p\u003e","products":[{"product_id":"blackmagic-pyxis-12k-pl-body-only-1","title":"Blackmagic PYXIS 12K PL (body only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51503959376189,"sku":"BLA-CINECAMCPYXO12LFPL","price":108054.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/11fe01638fd60f22be5bf46ce760d6bc_ebfb60fe-c258-4930-bdae-99ead7228d6c.png?v=1773727256"},{"product_id":"blackmagic-design-micro-studio-camera-4k-g2","title":"Blackmagic Design Micro Studio Camera 4K G2","description":"\u003cp\u003eInstall a camera anywhere in your studio or on location with the ultracompact \u003cstrong\u003eBlackmagic Design Micro Studio Camera 4K G2\u003c\/strong\u003e. This tiny UHD 4K studio camera is designed for live productions and has been updated to feature the same image sensor found in Blackmagic's Studio Camera 4K Plus G2, which supports 3840 x 2160p60. The camera is equipped with an active MFT mount that can accept native MFT lenses or be adapted to a wide range of other modern and vintage lenses. It outputs 10-bit 4:2:2 video via 12G-SDI and can be remotely controlled from an ATEM switcher using SDI control protocol. The camera packs many professional studio features into a compact form factor, including a built-in color corrector, program return, talkback, and tally indicator.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCompact Size for Live Productions\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera 4K G2 is the perfect solution for placing cameras on the set when you don't have space for regular-sized cameras. It includes the popular MFT lens mount, a very low-light 4K image sensor, and cinematic color science. So it's small, but has the features of a full-sized studio camera! You also get 12G-SDI for HD and UHD 4K operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks. Plus Blackmagic Micro Studio Camera 4K G2 goes well beyond broadcast quality with log gamma, allowing you to create cinematic color-corrected looks, all in camera.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on the set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers, and churches. It's now easy to hide lots of cameras on stage for the most incredible shorts. While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software because it can record Blackmagic RAW to USB disks for later editing and color correction.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLow-Light Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added so it's possible to shoot in natural light, or even at night. The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCinematic Images in Live Production\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera 4K G2 supports from 23.98 fps up to 60 fps.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAffordable Photographic Lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma, and more. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. It lets you adjust cameras mounted high up in hard-to-reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera. This means you can set important lens settings such as focus, zoom, and iris just like you can with an expensive B4 broadcast lens.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In Tally\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on-air, green for preview, and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air. You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation, and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever is live on the air. Because the tally is sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBroadcast Connections\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera 4K G2 has 12G-SDI that supports video, tally, and camera return which makes setup fast. It includes a full-size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs. Plus, there's a 3.5mm port for connecting a microphone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eTwo Ways to Connect\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Cameras feature HDMI output so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In Microphones\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera includes built-in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you're using the built-in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera 4K features a high-speed USB-C expansion port that lets you record to external disks, control the camera via a network, or connect a wide range of accessories. Plug in an external USB disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy-to-use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBlackmagic RAW Quality\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, adding noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBlackmagic OS\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. The menus are overlaid on the HDMI video output. The interface uses the row of buttons on the front of the camera to access menus and adjust settings so it's always accessible, even when rigged into tight locations. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBattery Backup Power\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Blackmagic Micro Studio Camera G2 has lots of different power options. It includes a common 12 VDC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with five different AC socket adapters for different countries. The camera also supports a standard LP-E6 compatible battery so you can add a battery for local power backup during critical live broadcasts. These batteries are readily available around the world and will be kept charged by the camera. You can even use an adapter to connect the camera to V-mount batteries for true all-day power.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide, so it supports 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51503967207741,"sku":"BLA-CINSTUDMFT\/UHD\/MRG2","price":22396.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/49b012d64d5addac515bbea9d0499f6d.png?v=1773727815"},{"product_id":"sony-fx2-digital-cinema-camera-with-handle-1","title":"Sony FX2 Digital Cinema Camera with Handle","description":"\u003cp\u003eSony FX2 Digital Cinema Camera\u003c\/p\u003e\u003cp\u003eCinematic Video Meets Advanced Photo Capture\u003c\/p\u003e\u003cp\u003eEquipped with a 33MP full-frame sensor, the AI-powered \u003cb\u003eSony FX2\u003c\/b\u003e combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e33MP Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\u003cp\u003eDCI 4K Video Recording\u003c\/p\u003e\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\u003cp\u003eHybrid Still Image Capture\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503763.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAI Subject Recognition\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503779.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\u003cp\u003eComprehensive Stabilization\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503766.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eImproved Accessibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503776.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\u003cp\u003eConnectivity \u0026amp; Compatibility\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503765.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eErgonomic Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503778.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\u003cp\u003eImproved FX2 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eCommon FX2\/FX3 Attributes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51504165781821,"sku":"CAMSOILMEFX2","price":47826.04,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a5a456809115c05e1fd4d68710e88874.png?v=1773739403"},{"product_id":"sony-fx2-digital-cinema-camera-body-only-1","title":"Sony FX2 Digital Cinema Camera Body Only","description":"\u003cp\u003e\u003cstrong\u003eCinematic Video Meets Advanced Photo Capture\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEquipped with a 33MP full-frame sensor, the AI-powered \u003cb\u003eSony FX2\u003c\/b\u003e combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e33MP Exmor R BSI CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDCI 4K Video Recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHybrid Still Image Capture\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503763.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e\n\u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e\n\u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e\n\u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e\n\u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eAI Subject Recognition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503779.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eComprehensive Stabilization\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503766.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e\n\u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e\n\u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e\n\u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eImproved Accessibility\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503776.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eConnectivity \u0026amp; Compatibility\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503765.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e\n\u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e\n\u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e\n\u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eErgonomic Design\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2503778.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eImproved FX2 Attributes\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e\n\u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e\n\u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e\n\u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e\n\u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e\n\u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e\n\u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eCommon FX2\/FX3 Attributes\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e\n\u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e\n\u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e\n\u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e\n\u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Sony Professional","offers":[{"title":"Default Title","offer_id":51504165814589,"sku":"CAMSOILMEFX2B","price":39130.39,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2560c5cec94fadf9fe8243341f698b18_d20ecaae-71d2-4ab4-a72d-eec3dff0acd5.png?v=1773739411"},{"product_id":"blackmagic-ursa-cine-17k-65","title":"Blackmagic URSA Cine 17K 65","description":"\u003cp\u003eGet ready for big and bold cinema with the \u003cb\u003eBlackmagic Design URSA Cine 17K 65\u003c\/b\u003e digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB of built-in storage, built-in live streaming, Generation 5 color science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456455.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eQuick Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCinematic ultra-large format 2.2:1 aspect sensor with a massive 16 stops of dynamic range\u003c\/li\u003e\n\u003cli\u003eLightweight camera body with industry-standard connections\u003c\/li\u003e\n\u003cli\u003eBlackmagic RAW for real-time 17K editing\u003c\/li\u003e\n\u003cli\u003eGeneration 5 Color Science with new film curve\u003c\/li\u003e\n\u003cli\u003eInterchangeable lens mount with PL, LPL, EF, and Hasselblad options\u003c\/li\u003e\n\u003cli\u003eBuilt-in OLPF for reduced moire and aliasing\u003c\/li\u003e\n\u003cli\u003eIncludes Blackmagic Media Module 8TB for recording \u003c\/li\u003e\n\u003cli\u003eCompatible with the Blackmagic Media Dock\u003c\/li\u003e\n\u003cli\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/li\u003e\n\u003cli\u003eBuilt-in RTMP and SRT live streaming\u003c\/li\u003e\n\u003cli\u003eOptional Blackmagic URSA Cine EVF\u003c\/li\u003e\n\u003cli\u003eIncludes DaVinci Resolve Studio for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eNew 17K Sensor\u003c\/p\u003e\u003cp\u003eThe new URSA Cine 17K 65 camera features a new 65mm sensor designed for high-quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture provides equal amounts of red, green, and blue pixels to deliver rich colors at all resolutions.\u003c\/p\u003e\u003cp\u003eStorage Options\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456454.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBlackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and color correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras, all at the same time.\u003c\/p\u003e\u003cp\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or up to 20 hours in 4K. Customers can also use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003c\/p\u003e\u003cp\u003eBuilt-In Cloud Storage\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456463.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe URSA Cine 17K features built-in ultra-fast Cloud Store technology, allowing customers to record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. It supports creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is available back at the studio in real time.\u003c\/p\u003e\u003cp\u003eLens Options\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456456.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body, and an LPL mount is included. Each mount has contact pins to read lens metadata for monitoring and post-production.\u003c\/p\u003e\u003cp\u003eBuilt-In OLPF\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456459.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe camera includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response, which, when combined with Blackmagic RAW processing for the URSA Cine 17K, preserves color and critical image detail for new levels of image fidelity.\u003c\/p\u003e\u003cp\u003eBlackmagic Raw Capture\u003c\/p\u003e\u003cp\u003eBlackmagic RAW is a format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.\u003c\/p\u003e\u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456458.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe URSA Cine features high-quality built-in ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4, and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer.\u003c\/p\u003e\u003cp\u003eMonitoring Options\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456453.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an external color status LCD on the other. There is also a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There's even a dedicated focus puller mode to help customers get perfect focus. The URSA Cine 17K supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003c\/p\u003e\u003cp\u003eAccessory and Control Ports\u003c\/p\u003e\u003cp\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera provide record start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003c\/p\u003e\u003cp\u003eWireless Bluetooth Control\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456452.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30' away using Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is also available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions.\u003c\/p\u003e\u003cp\u003ePost-Production Workflows\u003c\/p\u003e\u003cp\u003eThere are three main post-production workflows that the URSA Cine 17K supports:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eYou can record to the internal Blackmagic Media Module\u003c\/li\u003e\n\u003cli\u003eIf you're offline, you can browse media and manually select which clips you want to upload later\u003c\/li\u003e\n\u003cli\u003eLive Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eStreaming Options\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456460.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eYou can live stream directly from the camera using its hardware streaming engine, which supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G connection for mobile data.\u003c\/p\u003e\u003cp\u003eAmple Power\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456461.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. The camera includes a 250W power supply and a B-mount battery plate, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's also an additional 12V 2-pin LEMO output on the rear of the camera to power lower-voltage accessories.\u003c\/p\u003e\u003cp\u003eVersatile Body Design\u003c\/p\u003e\u003cp\u003eThe evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003c\/p\u003e\u003cp\u003eComplete Base Package\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456462.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eEvery camera comes in a rugged Pelican case with custom-cut foam to fit the camera and its accessories. It also includes a top handle, antennas for high-speed Wi-Fi, a baseplate, and a 24V power supply.\u003c\/p\u003e\u003cp\u003eLocalized in 13 Languages\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2456457.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eWhen setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and monitoring information in the selected language.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51626069852477,"sku":"BLA-CINEURSAAD17K65B","price":0.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a8ea2720abd457f645d7f7f4912b578a.png?v=1776937095"},{"product_id":"pre-order-sony-fx5-cinema-camera","title":"Pre Order - Sony FX5 Cinema Camera","description":"\u003ch3 style=\"margin-bottom: 0px;\"\u003eCinema Line Full Frame Camera\u003c\/h3\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cem\u003eHigh frame rate capture 5K 120fps \/ 4K 240fps\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cem\u003ePrecise AF and tracking\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003ch4 style=\"margin-bottom: 0px;\"\u003eCinema-class Image Quality\u003c\/h4\u003e\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"margin-bottom: 0px;\"\u003eLighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. 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