{"title":"Canon Cine Cameras","description":"","products":[{"product_id":"canon-eos-c70-cinema-video-camera","title":"Canon EOS C70 Cinema Video Camera","description":"\u003ch2\u003e\u003cstrong\u003eCinema Capture in an RF-Mount, Mirrorless Form\u003c\/strong\u003e\u003c\/h2\u003e    \u003cp\u003eIncorporating key Cinema EOS video tools in a mirrorless-style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The EOS C70 is the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eVideo resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K. Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eExceptional Image Quality\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"DGO Sensor\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732781.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/p\u003e    \u003cp\u003eCanon's next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates a high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eCanon's DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you're seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in color correction.\u003cbr\u003e  \u003cbr\u003e  For users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eHighly Adaptable Shooting Style\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1421906.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRF Lens Mount\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA built-in RF lens mount lends the EOS C70 compatibility with Canon's expanding line of high-performance RF-mount lenses.\u003c\/li\u003e   \u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEF Lens Compatibility with Optional Adapter\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003cbr\u003e  \u003cbr\u003e  Additional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Direct Touch Control\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732783.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favorite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\" screen to start\/stop recording, set ISO\/Gain, color temperature, and iris, and access other critical settings. Recording settings that are located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e9 x 16 Vertical Capture\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUse the 1\/4\"-20 tripod thread built into the grip to position the EOS C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe compact EOS C70 features a lightweight design with a built-in ergonomic grip. This smallest of the EOS bodies has two top shoe mounts and comes with a detachable handle and a mic holder.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1877426.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eMini-XLR Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the EOS C70\u003c\/li\u003e   \u003cli\u003eThe EOS C70 supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eDesigned specifically for the EOS C70's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eTimecode Input\/Output\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Dual Pixel Focus Guide\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732786.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAnother innovative EOS C70 feature is the Dual Pixel CMOS AF Technology, which uses each pixel on the CMOS sensor for both focus detection and image information, resulting in precision focusing and optimal image quality. The EOS C70 is also the first Cinema EOS camera to feature the EOS iTR AF X autofocus function featuring a head-detection algorithm developed using deep-learning technology.\u003c\/li\u003e   \u003cli\u003eIn Face Detection mode, this algorithm helps to improve distance measuring and tracking reliability, even when a subject turns their head to the side or back.\u003c\/li\u003e   \u003cli\u003eThe EOS C70 also features the innovative Dual Pixel Focus Guide, which provides both front- and back-focus information to let users know where to set the focus during manual pulls.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg alt=\"Stabalization\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732788.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEIS with Coordinated Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTo smooth out handheld shots, the EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70's electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003c\/li\u003e   \u003cli\u003eWhen working in the 2K format, the EOS C70's Super16 Digital IS improves performance by using the peripheral area around the center of the 4K sensor to stabilize the image.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAuto ISO\/Gain Control\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn another first for the Cinema EOS line, the EOS C70 can automatically adjust ISO and Gain Control using the DGO (dual gain output) to change gain smoothly, enabling users to concentrate on their framing instead of their aperture control when moving between locations with notable changes in light levels.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 body's remote LANC terminal enables remote control using the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Workflow Optimization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Card Formats\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732779.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e    \u003cp\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options. The EOS C70 can also capture still photos when on standby in select video modes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876216.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eStandard and High Frame Rate to 4K 120p\u003c\/p\u003e    \u003cp\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of both standard rates ranging from 23.98 to 60pfs and ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLog2\/3 and Cube LUT Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor greater flexibility during post-production, this camera also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4K\/2K Long GOP Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C70 supports the higher-compression Long GOP for longer recording times at rates up to 4K60p. The inter-frame Long GOP compression detects differences between frames by referring to preceding and subsequent frames.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Communication\u003c\/td\u003e     \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eActual: 9.6 Megapixel (4206 x 2280)\u003cbr\u003e     Effective: 8.85 Megapixel (4096 x 2160)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e26.2 x 13.8 mm (Super35) CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePixel Pitch\u003c\/td\u003e     \u003ctd\u003e6.4 µm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eDigital, 5-Axis\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003eMechanical Filter Wheel with Clear, 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64), 8-Stop (1\/256), 10-Stop (1\/1024) ND Filters\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1\/12 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eISO Sensitivity\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003ePhoto\/Video\u003c\/strong\u003e\u003cbr\u003e     160 to 25,600 (Extended: 100 to 102,400)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGain\u003c\/td\u003e     \u003ctd\u003e-6 to 54 dB (Native)\u003cbr\u003e     -2 to 54 dB (Expanded)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Angle\u003c\/td\u003e     \u003ctd\u003e11 to 360°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAdvertised Dynamic Range\u003c\/td\u003e     \u003ctd\u003e16 Stops\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003cbr\u003e     \u003cstrong\u003ePresets: \u003c\/strong\u003eAWB, Daylight, Set A, Set B, Tungsten\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eXF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080i) at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/25\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1920 x 1080i at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4098 x 2160) [135 to 225 Mb\/s]\u003cbr\u003e     DCI 4K (4098 x 2160)\u003cbr\u003e     UHD 4K (3840 x 2160) at 50\/59.94 fps [135 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160)\u003cbr\u003e     2840 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e     2048 x 1080\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e     1920 x 1080\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160)\u003cbr\u003e     UHD 4K (3840 x 2160)\u003cbr\u003e     DCI 2K (2048 x 1080)\u003cbr\u003e     1920 x 1080\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) [100 to 170 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 170 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) from 12 to 24.00 fps [35 Mb\/s]\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [9 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) [150 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [150 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) [24 to 35 Mb\/s]\u003cbr\u003e     1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 35 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 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The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.\u003cbr\u003e  \u003cbr\u003e  The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.\u003cbr\u003e  \u003cbr\u003e  For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.\u003cbr\u003e  \u003cbr\u003e  The camera features up to 12G-SDI output over a single BNC cable, timecode I\/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3\" rotating touchscreen LCD unit with full controls, grip, and thumb rest.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Super 35 Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III features Canon's next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III features Canon's DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognize not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3 Gamma\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e  \u003cbr\u003e  Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003cbr\u003e  \u003cbr\u003e  For users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eModular Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003cbr\u003e  \u003cbr\u003e  In addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. 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The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4-Channel Audio Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSupport for Custom User LUTs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. 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Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log\/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output. The EOS C80's RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e    \u003cp\u003eThe 6K full-frame CMOS sensor at the heart of the C80 camera enables it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. All this is possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e    \u003cp\u003eMultiple Recording Formats\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe C80's multiple recording formats include up to full-frame 6K30 Canon Cinema RAW Light LT and cropped S35 up to 4K30 in RAW ST and 4K60 in RAW LT.\u003c\/li\u003e   \u003cli\u003eOversampled 4K 120p or 2K 180p with maximized detail is available, all with 4:2:2 10-bit color.\u003c\/li\u003e   \u003cli\u003eSlow and fast motion can be captured at rates up to UHD 4K120 in HEVC and AVC codecs.\u003c\/li\u003e   \u003cli\u003eMake your editing process easier using XF-AVC S and XF-HEVC S codecs, featuring an easier naming system and folder structure, as well as metadata preservation, all within the established MP4 format.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eRF Lens Mount\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA built-in RF lens mount lends the EOS C80 compatibility with Canon's line of fast, reliable RF-mount lenses with advanced coatings and image stabilization.\u003c\/li\u003e   \u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eOptional PL-RF Adapter\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA new PL-RF lens mount adapter enables you to access a wide variety of ARRI PL-mount cine-style lenses.\u003c\/li\u003e   \u003cli\u003eThis adapter features Cooke\/i metadata compatibility and locking plates for a secure fit.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eMultiple Interfaces Including 12G-SDI\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eVideo outputs include full-size HDMI and 12G-SDI BNC outputs that can be used simultaneously for feeding an onboard monitor, video transmitter, or EVF.\u003c\/li\u003e   \u003cli\u003eUse the USB-C port for UVC video output or to connect to a smartphone or the Canon GP-E2 GPS receiver.\u003c\/li\u003e   \u003cli\u003eA BNC connector enables users to input and output timecode, making syncing on multicamera shoots easier.\u003c\/li\u003e   \u003cli\u003eNote that the BNC port can output either SDI video or timecode but not both simultaneously.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eDual-Pixel CMOS Autofocus\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331152.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eImproved Dual-Pixel CMOS AF Technology uses each pixel on approximately 100% of the CMOS sensor for focus detection and image information.\u003c\/li\u003e   \u003cli\u003eThe back-illuminated stacked sensor's excellent light capture widens the sensor area, which can be used for AF.\u003c\/li\u003e   \u003cli\u003eThe EOS C80 also offers the EOS iTR AF X autofocus function featuring an algorithm developed using deep-learning technology to detect the human form. \u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eMini-XLR Audio Inputs\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options.\u003c\/li\u003e   \u003cli\u003eThe EOS C80 supports 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331154.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDesigned for the EOS C80 RF mount's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density.\u003c\/li\u003e   \u003cli\u003eND button controls on the right side of the camera enable operators to quickly adjust exposure while maintaining their shot's depth of field.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eLog2\/3 and 3D LUT Support\u003c\/p\u003e    \u003cp\u003eFor greater post-production flexibility, the C80 offers Canon's Log 2 and Log 3 gamma modes, which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C80 also supports 3D LUTs, so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.\u003c\/p\u003e    \u003cp\u003eCompact Design with Tilting LCD\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331151.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe compact EOS C80 features a lightweight design with a built-in ergonomic grip and a joystick control.\u003c\/li\u003e   \u003cli\u003eIt has a Multi-Accessory hot shoe on top and comes with a detachable handle and a mic holder.\u003c\/li\u003e   \u003cli\u003eThe LCD screen features a reinforced hinge and built-in controls like focus peaking, waveforms, and more.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e    \u003cp\u003eDual SD card slots on the EOS C80 offer simultaneous, relay, and proxy video recording. The EOS C80 can also capture JPEG still photos.\u003c\/p\u003e    \u003cp\u003eEthernet and Wi-Fi Control\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331153.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the Ethernet port and built-in Wi-Fi with an optional Canon RC-IP1000 or RC-IP100 unit to access the XC protocol-base remote control.\u003c\/li\u003e   \u003cli\u003eCompatibility with the Canon Multicamera Control app for iPhone provides monitoring and start\/stop, focus, iris, zoom, ND filter, ISO, shutter, white balance, custom picture control, and more.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eBP-AN Series Battery\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the included BP-A30N battery, a BP-A60N battery, or a 24 VDC adapter to power the C80. Older BP-A batteries can also be used but will not power the Multi-Accessory hot shoe.\u003c\/li\u003e   \u003cli\u003eSupport your C80 with a third-party cage to add a V-mount or Gold mount battery plate to enable longer runtimes.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322540349,"sku":"6389C003AA","price":99995.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/14cdfeff2d5c6b8fc8e2514d07a090a1.png?v=1773561062"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera-1","title":"Canon EOS R5 C Mirrorless Cinema Camera","description":"\u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eReady for Anything\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eFor all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003c\/div\u003e    \u003cdiv\u003e  \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.  \u003cul\u003e   \u003cli\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e   \u003cli\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e   \u003cli\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e   \u003cli\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e   \u003cli\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eVideo Control for the Dedicated Video Professional\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eErgonomic EOS Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCMOS Sensor and DIGIC X Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. 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23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-LongG\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 225 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eRaw\/Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [1030 to 2570 Mb\/s]\u003cbr\u003e     5952 x 3140 at 23.98\/24.00\/29.97\/50\/59.94 fps [544 to 1360 Mb\/s]\u003cbr\u003e     2976 x 1570 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [138 to 344 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) up to 59.94 fps\u003cbr\u003e     UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e     5952 x 3184\u003cbr\u003e     4096 x 2160\u003cbr\u003e     3840 x 2160\u003cbr\u003e     \u003cstrong\u003eSuper16\u003c\/strong\u003e\u003cbr\u003e     2976 x 1570\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGamma Curve\u003c\/td\u003e     \u003ctd\u003eCanon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eStill Image Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sizes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5088 x 3392\u003cbr\u003e     \u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5808 x 3872\u003cbr\u003e     4176 x 2784\u003cbr\u003e     2400 x 1600\u003cbr\u003e     \u003cstrong\u003e4:3 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     7280 x 5464\u003cbr\u003e     5152 x 3872\u003cbr\u003e     3715 x 2784\u003cbr\u003e     2112 x 1600\u003cbr\u003e     \u003cstrong\u003e16:9 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 4608\u003cbr\u003e     5808 x 3264\u003cbr\u003e     4176 x 2344\u003cbr\u003e     2400 x 1344\u003cbr\u003e     \u003cstrong\u003e1:1 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     5456 x 5456\u003cbr\u003e     3872 x 3872\u003cbr\u003e     2784 x 2784\u003cbr\u003e     1600 x 1600\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAspect Ratio\u003c\/td\u003e     \u003ctd\u003e1:1, 3:2, 4:3, 16:9\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage File Format\u003c\/td\u003e     \u003ctd\u003eC-RAW, HEIF, JPEG, Raw\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBit Depth\u003c\/td\u003e     \u003ctd\u003e14-Bit\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eSlot 1: CFexpress Type B\u003cbr\u003e     Slot 2: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMicro-HDMI Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Mic\/Line Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (9VDC at 3 A) Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (USB 3.2 \/ 3.1 Gen 2) (Shared with Power Input)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003eBluetooth Control\u003cbr\u003e     2.4 \/ 5 GHz Wi-Fi (802.11b\/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) Video Output, Control\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.2\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,100,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eFree-Angle Tilting Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (OLED)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e5,790,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eEye Point\u003c\/td\u003e     \u003ctd\u003e23 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCoverage\u003c\/td\u003e     \u003ctd\u003e100%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMagnification\u003c\/td\u003e     \u003ctd\u003eApprox. 0.76x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e     \u003ctd\u003e-4 to +2\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eContinuous-Servo AF, Manual Focus, Single-Servo AF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Points\u003c\/td\u003e     \u003ctd\u003ePhase Detection: 1053\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e     \u003ctd\u003e-6 to +20 EV\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e     \u003ctd\u003eNo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e     \u003ctd\u003e1\/250 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFlash Compensation\u003c\/td\u003e     \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDedicated Flash System\u003c\/td\u003e     \u003ctd\u003eeTTL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Flash Connection\u003c\/td\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e0 to 85%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon LP-E6N\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cstrong\u003e1 x\u003c\/strong\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e5.6 x 4 x 4.4\" \/ 142.2 x 101.6 x 111.8 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.5 lb \/ 680 g (Body Only)\u003cbr\u003e     1.7 lb \/ 770 g (With Battery, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e3.205 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e9.7 x 7.8 x 7.5\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e  \u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322671421,"sku":"5077C003AA","price":52169.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b12b42084101c428ced5a3f578ad3913.png?v=1773561099"},{"product_id":"canon-eos-c500-mark-ii-5-9k-full-frame-camera-body","title":"Canon EOS C500 Mark II 5.9K Full-Frame Camera Body","description":"\u003cp\u003eThe \u003cstrong\u003eCanon EOS C500 Mark II 5.9K Full-Frame Camera Body\u003c\/strong\u003e is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.\u003cbr\u003e  \u003cbr\u003e  The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD, and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDIG!C DV 7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ethe C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF with support for Touch AF and Face Detection AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to \"hunt\" for focus.\u003c\/li\u003e   \u003cli\u003eDAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication.\u003c\/li\u003e   \u003cli\u003eYou can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eFocus Control\/Assist\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFocus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eShutter Settings\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eShutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. 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It also allows the camera to be powered using industry-standard V-mount batteries.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eLOG and LUT Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLog workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003c\/li\u003e   \u003cli\u003eCanon Log 2 provides the most post-production flexibility and full dynamic range of the sensor. 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An optional power supply for powering the camera from mains power is not included.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eLenses that Support Auto Iris\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEF lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEF-S 10-18mm f\/4.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-55mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-135mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 55-250mm f\/4-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF 24-105mm f\/3.5-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF-S 18-135mm f\/3.5-5.6 IS USM\u003c\/li\u003e   \u003cli\u003eEF-S 18-55mm f\/4-5.6 IS STM\u003c\/li\u003e   \u003cli\u003eEF 70-300mm f\/4-5.6 IS II USM\u003c\/li\u003e   \u003cli\u003eEF-S 35mm f\/2.8 Macro IS STM\u003c\/li\u003e   \u003cli\u003eEF 85mm f\/1.4L IS USM\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eCOMPACT SERVO lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eCN-E 18-80mm T4.4 L IS KAS S\u003c\/li\u003e   \u003cli\u003eCN-E 70-200mm T4.4L IS KAS S\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eCINE-SERVO lenses\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eCN7x17 KAS S\/E1\u003c\/li\u003e   \u003cli\u003eCN7x17 KAS S\/P1\u003c\/li\u003e   \u003cli\u003eCN20x50 IAS H\/E1\u003c\/li\u003e   \u003cli\u003eCN20x50 IAS H\/P1\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cbr\u003e  \u003cstrong\u003eENG broadcast lenses\u003c\/strong\u003e\u003cbr\u003e  2\/3 mount lenses which allow for 12-pin communication using a B4 mount. The optional MO-4E or MO-4P B4 adapter is required.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHJ14ex4.3B IASE S\u003c\/li\u003e   \u003cli\u003eHJ18ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eHJ24ex7.5B IASE S\u003c\/li\u003e   \u003cli\u003eHJ17ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eHJ22ex7.6B IASE S\u003c\/li\u003e   \u003cli\u003eCJ45ex9.7B IASE-V H\u003c\/li\u003e   \u003cli\u003eCJ45ex13.6B IASE-V H\u003c\/li\u003e   \u003cli\u003eCJ24ex7.5B IASE S\u003c\/li\u003e   \u003cli\u003eCJ14ex4.3B IASE S\u003c\/li\u003e   \u003cli\u003eCJ18ex7.6B IASE S\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51504332734781,"sku":"3794C009AA","price":191299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ed917e4a79770708645e2c12b68398c7.png?v=1773745553"},{"product_id":"pre-order-canon-eos-r6-v-mirrorless-camera","title":"Pre Order - Canon EOS R6 V Mirrorless Camera","description":"\u003cp\u003eOne Camera, Many Stories\u003c\/p\u003e\u003cp\u003eThe first V-series mirrorless camera to feature a 32.5MP full-frame sensor, the \u003cb\u003eCanon EOS R6 V\u003c\/b\u003e is designed for visual storytellers of all kinds, combining striking image quality with ergonomics tailored to video capture. Its streamlined design, in-body stabilization, and intelligent autofocus system make the R6 V equally suited for solo creators and professional productions. Boasting 7K RAW recording, impressive dynamic range, an active cooling system, and a wide range of other video-focused capabilities, the R6 V delivers consistent performance in fast-paced environments. A rotating user interface and multiple tripod mounts ensure convenient, dependable operation in horizontal and vertical shooting configurations.\u003c\/p\u003e\u003cp\u003e32.5MP Full-Frame Sensor and DIGIC X Processing\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778662814_IMG_2736930.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt around a 32.5MP full-frame CMOS sensor with a powerful DIGIC X image processor, the R6 V captures exceptionally sharp, low-noise imagery in a wide variety of high-quality video formats. The sensor's 6960 x 4640 resolution allows for 7K raw video recording, as well as 7K oversampling for 4K video with superior detail and color reproduction. Effective across a spectrum of different lighting scenarios, the R6 V has a native ISO range of 100 to 64,000 that is extendable to 50 to 102,400, with 15+ stops of dynamic range in Canon Log 2.\u003c\/p\u003e\u003cp\u003e7K RAW Video Recording\u003c\/p\u003e\u003cp\u003eWith an expansive array of video resolutions and formats, the R6 V maximizes flexibility in post-production. Internal 7K30 open gate RAW and 7K60 RAW Light recording formats provide deep 12-bit color and razor-sharp detail, permitting advanced color grading and precise cropping in post without sacrificing quality. Custom Picture can be activated using the dedicated color button, allowing direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, and 14 additional user-assignable profiles. High frame rates up to 4K120 and 2K180 deliver striking slow motion, expanding creative possibilities and enhancing footage of fast-moving subjects.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778662814_IMG_2736938.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e6960 x 4640 (3:2) open gate RAW recording up to 29.97 fps\u003c\/li\u003e\n\u003cli\u003e6960 x 3672 (17:9) DCI RAW Light recording up to 59.94 fps\u003c\/li\u003e\n\u003cli\u003e4096 x 2160 (17:9) and 3840 x 2160 (16:9) oversampled video up to 59.94 fps\u003c\/li\u003e\n\u003cli\u003e4096 x 2160 (17:9) and 3840 x 2160 (16:9) video up to 120 fps\u003c\/li\u003e\n\u003cli\u003e2048 x 1080 (17:9) and 1920 x 1080 (16:9) video up to 180 fps with 1.13x crop\u003c\/li\u003e\n\u003cli\u003e12-bit RAW, 10-bit XF-HEVC S\/H.265, and 8\/10-bit XF-AVC S\/H.264 formats\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778662814_IMG_2736933.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHybrid Functionality\u003c\/p\u003e\u003cp\u003eIdeal for solo videographers, filmmakers, and photographers that require hybrid versatility, the R6 V retains many of the still-image-capturing abilities of its photo-focused counterpart, the R6 Mark III. Its electronic shutter allows for continuous shooting at up to 40 fps and features a Pre-Continuous Shooting mode that captures an additional 20 frames prior to the shutter button being fully pressed.\u003c\/p\u003e\u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e\u003cp\u003eCarried over from the EOS R6 Mark III, the Dual Pixel CMOS AF II system is a rapid, responsive, and precise focusing system for both stills and video. Engineered to recognize people, animals, vehicles, and more, this intelligent phase-detection system locks onto subjects and tracks them during movement. Advanced functions such as Register People Priority allow specific prioritization of subjects for unmatched accuracy.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778662814_IMG_2736937.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMultiple autofocus settings for still images and video, including One-Shot, AI Focus, Servo, and Movie Servo AF\u003c\/li\u003e\n\u003cli\u003ePhase-detection system with intelligent subject detection that recognizes people, animals, and vehicles\u003c\/li\u003e\n\u003cli\u003eRegister up to 10 people in-camera using photographs to prioritize them over other subjects in crowded scenes\u003c\/li\u003e\n\u003cli\u003eMovie Servo AF offers cinematic focus pulls and customizable speed, sensitivity, and priority settings\u003c\/li\u003e\n\u003cli\u003eAdditional focus settings, including Eye Detect AF, Touch AF, and a variety of manual options with focus peaking\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778662814_IMG_2736931.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eComprehensive Image Stabilization\u003c\/p\u003e\u003cp\u003eFeaturing Coordinated Image Stabilization, the R6 V combines its In-Body Image Stabilizer (IBIS) with optical IS in compatible Canon RF and RF-S lenses, creating a multifaceted stabilization system that corrects up to 7.5 stops of camera shake at the image center for smooth video and sharp stills. In addition to sensor-shift IS, the R6 V offers Movie Digital IS, a five-axis digital image stabilization function that moves the captured image across the CMOS imaging sensor to keep footage steady in highly unstable shooting scenarios.\u003c\/p\u003e\u003cp\u003ePractical Design\u003c\/p\u003e\u003cp\u003eEngineered for video capture, the R6 V sports a sleek, versatile body design that puts functionality first. 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Fully compatible with any RF-mount body, the lens has a fast f\/4 maximum aperture, six stops of optical image stabilization, and a nano USM focusing motor to deliver optimal results no matter the subject.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778661929_IMG_2735273.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCrystal Clear Optics\u003c\/p\u003e\u003cp\u003eFocus breathing is extremely controlled for optimal video performance. The lens element features a flourine coating and the lens body is dust and weather resistant with an internal zoom for use in any environment. Three aspherical and three UD elements work together to render a sharp, distortion-free image throughout the zoom range.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1778661929_IMG_2735274.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePower Zoom Control\u003c\/p\u003e\u003cp\u003eThe incorporated wide-to-tele rocker power zoom is powered by dual nano USM motors. Control the zoom speed in the R6 V camera's menu with separate controls for barrel speed and level speed, as well as for standby speed and recording speed. 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