{"title":"New Cameras","description":null,"products":[{"product_id":"nikon-coolpix-p950-digital-camera","title":"Nikon COOLPIX P950 Digital Camera","description":"\u003cp\u003eCharacterized by its expansive zoom, the \u003cstrong\u003eCOOLPIX P950\u003c\/strong\u003e, from \u003cstrong\u003eNikon\u003c\/strong\u003e, is a versatile compact camera offering a unique mixture of stills and video capabilities along with reach to photograph even the most distant of subjects. The 16MP 1\/2.3\" CMOS sensor features a back-illuminated design that contributes to a high degree of clarity and reduced noise to better suit working at high sensitivities and in difficult lighting conditions. The sensor also permits recording UHD 4K video at up to 30 fps, Full HD video at up to 60 fps, and in-camera time-lapse recording and movie creation.\u003c\/p\u003e \u003cp\u003eComplementing the imaging capabilities, the P950 is, of course, distinguished by its huge 83x optical zoom lens, which covers a 24-2000mm equivalent focal length range. This immense reach is benefitted by Dual Detect Vibration Reduction, which compensates for the effects of camera shake in order to realize sharper results when shooting handheld. Additionally, the P950 also features a bright 2.36m-dot OLED electronic viewfinder, large 3.2\" 921k-dot vari-angle LCD monitor, and has built-in Wi-Fi and Bluetooth for wireless sharing and remote camera control.\u003c\/p\u003e \u003cp\u003e16MP BSI CMOS Sensor and EXPEED Image Processor\u003c\/p\u003e \u003cp\u003eFeaturing a 16MP 1\/2.3\" BSI CMOS sensor, the P950 is capable of realizing high-resolution stills and video along with notable speed and sensitivity. The BSI design of the sensor yields reduced noise levels and greater image clarity when working within the expandable ISO 100-6400 sensitivity range. The sensor and EXPEED processor also enables quick continuous stills shooting up to 7 fps at full resolution to suit working with moving subjects.\u003cbr\u003e \u003cbr\u003e In addition to stills, the P950 is also capable of UHD 4K video recording at up to 30 fps and Full HD recording at 60 fps. Time lapse recording is supported, too, with in-camera processing to produce time lapse movies at 25 or 30 fps playback.\u003c\/p\u003e \u003cp\u003e83x Optical Zoom NIKKOR Lens\u003c\/p\u003e \u003cp\u003eThe P950's key feature is its impressive 83x zoom lens, which provides a huge wide-angle to super telephoto 24-2000mm equivalent focal length range. This range can be effectively doubled to 166x when using Dynamic Fine Zoom for even greater reach to truly isolate those distant subjects. At the wide-angle end, the lens has a bright f\/2.8 design to suit working in available light and Dual Detect VR also helps to minimize the appearance of camera shake to suit handheld shooting. Additionally, the lens's optical design incorporates Super ED glass to suppress a variety of aberrations throughout the zoom range for improved sharpness and clarity.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBright 2.36m-dot OLED electronic viewfinder is a clear and useful means for eye-level monitoring and benefits working at longer focal lengths by serving as an additional physical point of contact against the camera.\u003c\/li\u003e \u003cli\u003eFor image review and menu navigation, a large 3.2\" 921k-dot LCD is featured, and has a vari-angle design to better enable working from high, low, and front-facing angles.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and Bluetooth work in conjunction with Nikon's SnapBridge app for wireless file transferring and remote camera control from a linked mobile device.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":49365859107133,"sku":"CAMNICPP950","price":15649.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/572793d3e466b604c051ec38f6ab250b.png?v=1770364850"},{"product_id":"canon-eos-rp-body","title":"Canon EOS RP BODY","description":"\u003cp\u003eCanon EOS RP BODY\u003c\/p\u003e \u003cp\u003eImpressively small despite having a large full-frame sensor, the \u003cstrong\u003eCanon EOS RP\u003c\/strong\u003e offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.\u003c\/p\u003e \u003cp\u003eComplementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0\" 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. Additionally, Wi-Fi and Bluetooth allow for wireless remote camera control along with direct image sharing to linked mobile devices.\u003c\/p\u003e \u003cp\u003eCanon RF Lens Mount\u003c\/p\u003e \u003cp\u003eThe EOS RP features the RF lens mount, which support Canon's line of RF-mount lenses. This mount is characterized by its wide 54mm diameter and short 20mm flange-back distance, which promotes the ability to design lenses that are both faster and smaller than their SLR equivalents. The mount also incorporates a 12-pin electronic contact system for more sophisticated autofocus and image stabilization capabilities. This mount design also lends full compatibility to existing EF and EF-S-mount lenses via an optional EF-EOS R Mount Adapter.\u003c\/p\u003e \u003cp\u003e26.2MP Full-Frame CMOS Sensor and DIGIC 8 Image Processor\u003c\/p\u003e \u003cp\u003eA large 26.2MP full-frame CMOS sensor is featured and serves as an ideal balance between high-resolution output, low-light performance, and high-speed capabilities. When paired with the DIGIC 8 image processor, the EOS RP has a wide native sensitivity range from ISO 100-40000 for working in a variety of lighting conditions. Additionally, continuous shooting up to 5 fps is possible for working with moving subjects.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face or Eye Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery. Additionally, the focus system is sensitive down to EV -5 for working in truly low-light conditions with accurate AF capabilities.\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eDesigned for multimedia image-maker, the EOS RP supports UHD 4K (3840 x 2160) resolution recording at up to 23.98 fps at 120 Mb\/s, along with Full HD 1080p and HD 720p at 60 fps for slow motion playback. When recording in-camera, 4K video has 4:2:0 sampling and 8-bit color depth, and 4:2:2 8-bit output is possible when using an external recorder.\u003cbr\u003e \u003cbr\u003e Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack.\u003cbr\u003e \u003cbr\u003e Also, 5-axis Dual Sensing IS can be used when recording video to electronically reduce the appearance of camera shake for sharper, smoother recording.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cul\u003e \u003cli\u003eIntegrated 2.36m-dot OLED electronic viewfinder affords a bright and clear means for eye-level viewing.\u003c\/li\u003e \u003cli\u003eRear 3.0\" 1.04m-dot LCD features a vari-angle design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device's location data.\u003c\/li\u003e \u003cli\u003eIn-camera charging over USB is supported for easier on-the-go charging.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eEOS Webcam Utility\u003c\/p\u003e \u003cp\u003eExtending the capabilities of the camera, Canon's \u003ca href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/support\/self-help-center\/eos-webcam-utility\" target=\"_new\"\u003eEOS Webcam Utility\u003c\/a\u003e software lets you turn your camera into a versatile webcam by just connecting it to a computer via USB. Compatible with a variety of streaming apps, including ZOOM, YouTube Live, Microsoft Teams, and more, this software also maintains the ability to record internally while livestreaming.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499262738749,"sku":"3380C203AA","price":16509.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6e67110d1714b609ac4983936039adaf.png?v=1773555541"},{"product_id":"canon-eos-r10-mirrorless-camera-body-only-1","title":"Canon EOS R10 Mirrorless Camera (body only)","description":"\u003cp\u003eEmphasizing portability without sacrificing on capability, the \u003cstrong\u003eCanon EOS R10\u003c\/strong\u003e is a sleek mirrorless camera with a hybrid ethos. Adept in both photo and video worlds, the R10 brings an APS-C sensor to the R system, along with high-speed shooting, intelligent AF, and impressive 4K video recording to complement a multimedia workflow.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760425.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e \u003cp\u003eSitting at a sweet-spot in terms of resolution, the 24.2MP APS-C CMOS sensor strikes a fine balance between resolution, file size, speed, and low-light performance. This sensor is suitable for general photo tasks along with UHD 4K recording, as the file sizes are manageable enough to allow for quick continuous burst shooting and extended video recording.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760428.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R10 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R10 supports up to 23 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760429.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eBeyond stills, the R10's sensor also offers high-res UHD 4K 8-bit recording, with the ability to record at up to 60p using a cropped portion of the sensor or at 30p when using an oversampled 6K recording area for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e \u003cbr\u003e HDR-PQ recording is possible, too, for in-camera HDR production in 10-bit and external recording, via the micro-HDMI port, which supports a clean 4K output. Also, unlimited recording times are possible, too, and the R10 features an external microphone port as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760423.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -4 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760427.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eIntuitive Construction\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 0.95x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003c\/li\u003e \u003cli\u003eA 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.04m-dot resolution allows for vivid playback and live view monitoring.\u003c\/li\u003e \u003cli\u003eSingle SD memory card slot is rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760426.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control.\u003c\/p\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263000893,"sku":"5331C094AA","price":15649.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/61383934c691e1245fd606538902a6cd.png?v=1773555634"},{"product_id":"canon-xa75-4k-camcorder-1","title":"Canon XA75 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA75 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera featuring UHD 4K capture, a 1\" CMOS sensor, two XLR audio inputs, and one each mini-HDMI and BNC 3G-SDI output, which fits right into the ENG category for documentary or journalism-style productions. Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003c\/p\u003e \u003cp\u003eThe lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA75 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism.\u003c\/p\u003e \u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA75 features up to four channels of LPCM audio with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCompact Professional UHD 4K Camcorder\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XA75 captures sharp UHD images thanks to a 1\" CMOS 4K sensor and DIGIC DV6 image processor. Oversampled HD delivers Full HD images from the 4K sensor.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUVC Livestreaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e4K 15x Optical Zoom Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAdjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the ultrabright 3.5\" LCD to set focus by touching the AF point required. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eXF-AVC and MP4 for Flexible Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC UHD 4K 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProfessional Input and Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eOutput options include HDMI, 3G-SDI, simultaneous backup and relay recording via dual SD cards, and Infrared mode. Record 5x slow motion in Full HD or fast motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProfessional Audio Options\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eImaging\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eActual: 13.4 Megapixel (4268 x 3148)\u003cbr\u003e Effective: 8.29 Megapixel (3840 x 2160)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Sensor\u003c\/td\u003e \u003ctd\u003e1\"-Type CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e Digital\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003eMechanical Filter Wheel with 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64) ND Filters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eExposure Control\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Illumination\u003c\/td\u003e \u003ctd\u003e1.7 Lux at 1\/30 Shutter Speed\u003cbr\u003e 0.1 Lux at 1\/2 Shutter Speed\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eLens\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocal Length\u003c\/td\u003e \u003ctd\u003e8.3 to 124.5mm (35mm Equivalent: 25.5 to 382.5mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e \u003ctd\u003e15x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Aperture\u003c\/td\u003e \u003ctd\u003ef\/2.8 to 4.5\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter Size\u003c\/td\u003e \u003ctd\u003e58 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Control\u003c\/td\u003e \u003ctd\u003eAutofocus\u003cbr\u003e Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eVideo Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [35 to 45 Mb\/s]\u003cbr\u003e 1280 x 720 at 59.94 fps [8 Mb\/s]\u003cbr\u003e \u003cstrong\u003eXF-AVC 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e4:2:2 8-Bit via SDI\/BNC \/ HDMI\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080p at 23.98\/29.97 fps\u003cbr\u003e 1920 x 1080i at 59.94 fps\u003cbr\u003e 1280 x 720 at 59.94 fps\u003cbr\u003e \u003cstrong\u003e4:2:2 10-Bit via SDI\/BNC \/ HDMI\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080p at 23.98\/29.97\/59.94 fps\u003cbr\u003e 1920 x 1080i at 59.94 fps\u003cbr\u003e 1280 x 720 at 59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBroadcast Output\u003c\/td\u003e \u003ctd\u003eNTSC\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio Recording\u003c\/td\u003e \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e MP4: 4-Channel 16-Bit LPCM Audio\u003cbr\u003e XAVC: 4-Channel 24-Bit LPCM Audio\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eInterface\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (3G-SDI) Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eMonitor\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eViewfinder\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e0.36\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFocus\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eEnvironmental\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e85%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Humidity\u003c\/td\u003e \u003ctd\u003e60%\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eGeneral\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e5.3 W\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e8.4 x 4.3 x 3.6\" \/ 21.3 x 10.9 x 9.1 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e2.2 lb \/ 998 g (Body Only)\u003cbr\u003e 3.2 lb \/ 1451 g (With Battery, Handle, Recording Media)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e5.85 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e14.2 x 12 x 9\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263197501,"sku":"5735C003AA","price":39119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f96bce9dff4d9b4965d996d76de0c714.png?v=1773555675"},{"product_id":"canon-eos-rp-rf-24-105mm-f4-7-1-is-stm","title":"Canon EOS RP + RF 24-105mm F4-7.1 IS STM","description":"\u003cp\u003eCanon EOS RP + RF 24-105mm F4-7.1 IS STM \u003c\/p\u003e \u003cp\u003eImpressively small despite having a large full-frame sensor, the \u003cstrong\u003eCanon EOS RP\u003c\/strong\u003e offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.\u003c\/p\u003e \u003cp\u003eComplementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0\" 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. Additionally, Wi-Fi and Bluetooth allow for wireless remote camera control along with direct image sharing to linked mobile devices.\u003c\/p\u003e \u003cp\u003eCanon RF Lens Mount\u003c\/p\u003e \u003cp\u003eThe EOS RP features the RF lens mount, which support Canon's line of RF-mount lenses. This mount is characterized by its wide 54mm diameter and short 20mm flange-back distance, which promotes the ability to design lenses that are both faster and smaller than their SLR equivalents. The mount also incorporates a 12-pin electronic contact system for more sophisticated autofocus and image stabilization capabilities. This mount design also lends full compatibility to existing EF and EF-S-mount lenses via an optional EF-EOS R Mount Adapter.\u003c\/p\u003e \u003cp\u003e26.2MP Full-Frame CMOS Sensor and DIGIC 8 Image Processor\u003c\/p\u003e \u003cp\u003eA large 26.2MP full-frame CMOS sensor is featured and serves as an ideal balance between high-resolution output, low-light performance, and high-speed capabilities. When paired with the DIGIC 8 image processor, the EOS RP has a wide native sensitivity range from ISO 100-40000 for working in a variety of lighting conditions. Additionally, continuous shooting up to 5 fps is possible for working with moving subjects.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face or Eye Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery. Additionally, the focus system is sensitive down to EV -5 for working in truly low-light conditions with accurate AF capabilities.\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eDesigned for multimedia image-maker, the EOS RP supports UHD 4K (3840 x 2160) resolution recording at up to 23.98 fps at 120 Mb\/s, along with Full HD 1080p and HD 720p at 60 fps for slow motion playback. When recording in-camera, 4K video has 4:2:0 sampling and 8-bit color depth, and 4:2:2 8-bit output is possible when using an external recorder.\u003cbr\u003e \u003cbr\u003e Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack.\u003cbr\u003e \u003cbr\u003e Also, 5-axis Dual Sensing IS can be used when recording video to electronically reduce the appearance of camera shake for sharper, smoother recording.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cul\u003e \u003cli\u003eIntegrated 2.36m-dot OLED electronic viewfinder affords a bright and clear means for eye-level viewing.\u003c\/li\u003e \u003cli\u003eRear 3.0\" 1.04m-dot LCD features a vari-angle design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device's location data.\u003c\/li\u003e \u003cli\u003eIn-camera charging over USB is supported for easier on-the-go charging.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eEOS Webcam Utility\u003c\/p\u003e \u003cp\u003eExtending the capabilities of the camera, Canon's \u003ca href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/support\/self-help-center\/eos-webcam-utility\" target=\"_new\"\u003eEOS Webcam Utility\u003c\/a\u003e software lets you turn your camera into a versatile webcam by just connecting it to a computer via USB. Compatible with a variety of streaming apps, including ZOOM, YouTube Live, Microsoft Teams, and more, this software also maintains the ability to record internally while livestreaming.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"data:image\/png;base64,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\"\u003e\u003c\/p\u003e \u003cp\u003eUPC: 013803313222\u003c\/p\u003e \u003cp\u003eCanon RF 24-105mm f\/4-7.1 IS STM Lens\u003c\/p\u003e \u003cp\u003eSleek and versatile, the \u003cstrong\u003eCanon RF 24-105mm f\/4-7.1 IS STM\u003c\/strong\u003e is a well-rounded zoom covering wide-angle to short telephoto focal lengths to benefit working in a wide variety of conditions. A variable maximum aperture also helps to maintain an impressively compact profile to suit everyday shooting needs. Complementing the flexible design is a unique Center Macro Focus position, which enables working with close-up subjects at a 1:2 maximum magnification ratio, and an Optical Image Stabilizer also helps to achieve sharp imagery by minimizing the appearance of camera shake. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.\u003c\/p\u003e \u003cp\u003eStandard zoom covers wide-angle to short-telephoto focal lengths to suit working in a variety of situations.\u003c\/p\u003e \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e \u003cp\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/p\u003e \u003cp\u003eSpecialized Center Macro Focus setting enables working with a 1:2 maximum magnification and a 5.2\" minimum focusing distance to suit photographing close-up subjects.\u003c\/p\u003e \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e \u003cp\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263263037,"sku":"3380C175AA","price":20859.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a15893cd3a4d2ef1fd0ca3061fb3953c.png?v=1773555696"},{"product_id":"canon-eos-c400-6k-full-frame-digital-cinema-cinema-canon-rf","title":"Canon EOS C400 6K Full-Frame Digital Cinema Cinema (Canon RF)","description":"\u003cp\u003eCreators looking to capture a rich cine look while accessing versatile imaging tools can now turn to \u003cstrong\u003eCanon\u003c\/strong\u003e's RF-mount \u003cstrong\u003eEOS C400 6K Full-Frame Digital Cinema Camera\u003c\/strong\u003e. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke\/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e \u003cp\u003eCanon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e \u003cp\u003eTriple-Base ISOs\u003c\/p\u003e \u003cp\u003eThe same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.\u003c\/p\u003e \u003cp\u003eMultiple Recording Formats\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDifferent projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.\u003c\/li\u003e \u003cli\u003eCanon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eOptional PL-Mount Adapter\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260507.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eWiden your lens choices to include a range of beautiful pro cinema \"glass\" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke\/i metadata for VF\/X and other post-production uses.\u003c\/p\u003e \u003cp\u003eDual Media Slots\u003c\/p\u003e \u003cp\u003eFans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.\u003c\/p\u003e \u003cp\u003eMechanical ND Filters\u003c\/p\u003e \u003cp\u003eWhether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.\u003c\/p\u003e \u003cp\u003eCompact, Lightweight Body\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260506.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCanon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.\u003c\/p\u003e \u003cp\u003eImproved Autofocus Function\u003c\/p\u003e \u003cp\u003eFor those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.\u003c\/p\u003e \u003cp\u003eProduction and Broadcast Features\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.\u003c\/li\u003e \u003cli\u003eAn automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eLCD, Handle, and Grip\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2260504.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eErgonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.\u003c\/p\u003e \u003cp\u003eEthernet\/Wi-Fi Control and IP Streaming\u003c\/p\u003e \u003cp\u003eUse the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263394109,"sku":"6388C014AA","price":151999.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d03896fe9625f6b08f602fdb3d67168a_0b63dcf5-e607-45ab-8221-9efd8981e0dd.png?v=1773555722"},{"product_id":"canon-eos-r5-mirrorless-camera","title":"Canon EOS R5 Mirrorless Camera","description":"\u003cp\u003eFor the professional image-maker who needs resolution, speed, and video capabilities, the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.\u003c\/p\u003e \u003cp\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e \u003cp\u003eComplementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5\" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2\" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.\u003c\/p\u003e \u003ch4\u003eIBIS High Resolution 400MP Files\u003c\/h4\u003e \u003cp\u003eUsing the EOS R5 with firmware 1.8.1 or later, the IBIS High Resolution shot mode can create 400 megapixel (approx.) files in-camera, without the need for external software. This feature can be used for some specific situations when a high-resolution file with fine detail is required. Examples include art reproduction and building signage.\u003c\/p\u003e \u003ch4\u003e45MP Full-Frame Sensor and DIGIC X Processor\u003c\/h4\u003e \u003cp\u003eBuilt around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.\u003c\/p\u003e \u003ch4\u003e8K30 Raw and 4K120 Video Recording\u003c\/h4\u003e \u003cp\u003eBenefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.\u003c\/p\u003e \u003ch4\u003eHDMI 8K Raw Output to Atomos Ninja V+\u003c\/h4\u003e \u003cp\u003eFirmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)\u003c\/p\u003e \u003ch4\u003eDual Pixel CMOS AF II\u003c\/h4\u003e \u003cp\u003eAn updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.\u003cbr\u003e \u003cbr\u003e Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.\u003c\/p\u003e \u003ch4\u003eSensor-Shift Image Stabilizer\u003c\/h4\u003e \u003cp\u003eA first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.\u003c\/p\u003e \u003cp\u003eBody Design and Wireless Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHigh-resolution 5.67m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e \u003cli\u003eRear 3.2\" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e \u003cli\u003eTop status LCD can be used to quickly review camera and shooting settings.\u003c\/li\u003e \u003cli\u003eCFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.\u003c\/li\u003e \u003cli\u003eBoth a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.\u003c\/li\u003e \u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e \u003cli\u003eDurable, weather-sealed body design is built to handle tough working conditions and inclement weather.\u003c\/li\u003e \u003cli\u003eBoth 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263557949,"sku":"4147C047AA","price":41729.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a2c84f0f470d61a315a4f6cdab513dda.png?v=1773555754"},{"product_id":"canon-xa-70-4k-camcorder-1","title":"Canon XA 70 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA70 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera featuring UHD 4K capture, a 1\" CMOS sensor, two XLR audio inputs, and one mini-HDMI output which fits right into the ENG category for documentary or journalism-style productions. Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003c\/p\u003e \u003cp\u003eThe lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA70 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism.\u003c\/p\u003e \u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to a mini-HDMI port. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI output. On the audio side, the XA70 features up to four channels of LPCM audio with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack and a 2.5mm LANC input for control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCompact Professional UHD 4K Camcorder\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XA70 captures sharp UHD images thanks to a 1\" CMOS 4K sensor and DIGIC DV6 image processor. Oversampled HD delivers Full HD images from the 4K sensor.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUVC Livestreaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e4K 15x Optical Zoom Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAdjustable focusing speeds and advanced Dual-Pixel CMOS AF give fast and precise focusing. Use the ultrabright 3.5\" LCD to set focus by touching the AF point required. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eXF-AVC and MP4 for Flexible Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC UHD 4K 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProfessional Input and Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eOutput options include HDMI, simultaneous backup and relay recording via dual SD cards, and Infrared mode. Record 5x slow motion in Full HD or Fast Motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProfessional Audio Options\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e  \u003c\/p\u003e \u003cp\u003eImaging\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eActual: 13.4 Megapixel (4268 x 3148)\u003cbr\u003e Effective: 8.29 Megapixel (3840 x 2160)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Sensor\u003c\/td\u003e \u003ctd\u003e1\"-Type CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e Digital\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003eMechanical Filter Wheel with 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64) ND Filters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eExposure Control\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Illumination\u003c\/td\u003e \u003ctd\u003e1.7 Lux at 1\/30 Shutter Speed\u003cbr\u003e 0.1 Lux at 1\/2 Shutter Speed\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eLens\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocal Length\u003c\/td\u003e \u003ctd\u003e8.3 to 124.5mm (35mm Equivalent: 25.5 to 382.5mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e \u003ctd\u003e15x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMax Digital Zoom\u003c\/td\u003e \u003ctd\u003e40x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Aperture\u003c\/td\u003e \u003ctd\u003ef\/2.8 to 4.5\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter Size\u003c\/td\u003e \u003ctd\u003e58 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Control\u003c\/td\u003e \u003ctd\u003eAutofocus\u003cbr\u003e Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eVideo Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [35 to 45 Mb\/s]\u003cbr\u003e 1280 x 720 at 59.94 fps [8 Mb\/s]\u003cbr\u003e \u003cstrong\u003eXF-AVC 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e4:2:2 8-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080p at 23.98\/29.97 fps\u003cbr\u003e 1920 x 1080i at 59.94 fps\u003cbr\u003e 1280 x 720 at 59.94 fps\u003cbr\u003e \u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080p at 23.98\/29.97\/59.94 fps\u003cbr\u003e 1920 x 1080i at 59.94 fps\u003cbr\u003e 1280 x 720 at 59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBroadcast Output\u003c\/td\u003e \u003ctd\u003eNTSC\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio Recording\u003c\/td\u003e \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e MP4: 4-Channel 16-Bit LPCM Audio\u003cbr\u003e XAVC: 4-Channel 24-Bit LPCM Audio\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eStill Image Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eImage File Format\u003c\/td\u003e \u003ctd\u003eJPEG\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eInterface\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini (LANC) Control Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMobile App Compatible\u003c\/td\u003e \u003ctd\u003eNo\u003cbr\u003e \u003cem\u003e*As of December, 2022: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eMonitor\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eViewfinder\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e0.36\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e \u003ctd\u003e-5.5 to +2\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFocus\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eEnvironmental\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e85%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Humidity\u003c\/td\u003e \u003ctd\u003e60%\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eGeneral\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e5.3 W\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e8.4 x 4.3 x 3.6\" \/ 21.3 x 10.9 x 9.1 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e2.2 lb \/ 985 g (Body Only)\u003cbr\u003e 3.2 lb \/ 1460 g (With Battery, Handle, Recording Media)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e5.825 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e14.8 x 11.8 x 9\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499264016701,"sku":"5736C003AA","price":47819.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/c0c8b356749ce814510bf1b7f6162812.png?v=1773555817"},{"product_id":"canon-cr-x300-outdoor-4k-ptz-camera-with-20x-zoom-titanium-white","title":"Canon CR-X300 Outdoor 4K PTZ Camera with 20x Zoom (Titanium White)","description":"\u003cp\u003eIf you have a professional production or outdoor environment that requires remotely controlled cameras with minimal crew and a high-resolution output, the titanium white \u003cstrong\u003eCR-X300 Outdoor 4K PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. With its weather-resistant exterior paint, durable aluminum body, interior fan, IP65 waterproof rating, and built-in lens wiper, it can also be used for outdoor surveillance and security.\u003cbr\u003e \u003cbr\u003e The CR-X300 sports many features of a Canon camcorder such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, IR (infrared) mode, 20x optical zoom, 20x digital zoom, built-in waterproof microphone, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003cbr\u003e \u003cbr\u003e Where the PTZ camera diverges from the camcorders is in its remote resources such as control via IP and RS-422 serial as well as HDMI, 6G-SDI, and IP streaming outputs, and compatibility with the Canon RC-IP100 IP PTZ remote controller. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.3 to 60° per second. \u003cbr\u003e \u003cbr\u003e The camera can also be powered using PoE++ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports a wide dynamic range, minimum illumination of 3 lux, and its lens features a 35mm equivalent focal length of 30.5 to 627mm.\u003cbr\u003e \u003cbr\u003e The camera can utilize an external controller via RS-422\/VISCA or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or, if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced 4K UHD CMOS Image Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFor incredibly sharp and detailed high-definition video recording, the CR-X300 features a 1\/2.3-inch, approximately effective 8.29MP UHD 4K CMOS Pro Image Sensor that captures 3840 x 2160 pixels. Thanks to the sensor's high sensitivity, the CR-X300 helps provide vivid, accurate video through an excellent signal-to-noise ratio.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIG!C DV 6 Image Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eGet improved picture quality for both UHD 4K video and Full HD with the oversampled HD processing, along with Canon's autofocus logic.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e4K29.97 and 1080p59.94 4:2:2 10-Bit Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e6D-SDI and HDMI terminals allow for output that supports integration into professional workflows, making it particularly useful for broadcast applications. The 6G-SDI and HDMI outputs provide an uncompressed signal at 3840 x 2160 or 1920 x 1080 resolution with 4:2:2 color sampling and 10-bit color depth, perfect for demanding television broadcast applications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHybrid AF\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is equipped with \"Hybrid AF\". Hybrid AF is an autofocus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid autofocus system achieves auto focus faster and more reliably compared to contrast auto focus alone. The CR-X300 features Face Detection and Tracking functions which detects faces and automatically adjusts focus when a human is detected within the frame.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced Full HD Image Quality\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFull HD image quality from our CR-X300 is now even better thanks to oversampling HD processing, which enables Full HD by effectively utilizing the outstanding capabilities of the UHD 4K CMOS sensor.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThere are four types of scene modes: Portrait mode, which exhibits a blurred background while subject is in sharp focus, Sports mode, which enhances capture of moving objects, Low Light mode, which enhances capture of bright images even in dark places, and Spotlight mode, which enhances capture of beautiful images of spotlighted objects.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIR Mode\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 features an Infrared Mode allowing the capture of video in conditions with little to no ambient light. This feature allows low-light capture by removing the infrared cutoff filter from the optical path. The camera's specially designed lens coating allows the infrared light to pass through to the image sensor.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOutdoor Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP65 Rating\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith a waterproof and dustproof design featuring an IP65 enclosure rating, the CR-X300 can be installed in challenging locations and is not affected by environmental conditions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In Wiper\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 model is equipped with an enhanced servo 1\/32 ND filter and wiper unit, each of which aid in the CR-X300 delivering dependable video in challenging environmental conditions. The CR-X300 is also equipped with a fan for heat dissipation, which helps to ensure the camera continues operation without issue.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDurable Aluminum Body\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA durable die-cast aluminum body provides a resilient platform for professional video delivery in challenging outdoor environments. The body is further protected by a weather resistant paint in titanium white.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon UHD 4K Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e20x Zoom Range\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 features a genuine Canon 20x 4K optical zoom lens that provides a highly versatile zoom range with a 35mm equivalent of 29.3 to 601mm to help capture subjects at a variety of distances. Furthermore, the CR-X300 exhibits a 65.6° angle of view when video output is set to UHD 4K and a 63.5° angle of view when video output is set to full HD. This allows operators to capture wider angles of view, which could potentially reduce the amount of cameras needed for a production, reducing overall costs of the project.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e20x Digital Zoom\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWhen combined with a digital 20x zoom, the camera can achieve super-telephoto shooting with a maximum 400x zoom (Optical 20x + Digital 20x).\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eImage Stabilization Options with Two Types of IS Modes\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to the Standard optical IS mode, CR-X300 is also equipped with the powered IS mode that compensates for blurring during telephoto shooting.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eND Filters\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eInternal optical ND filtration up to 1\/8 allows for remote exposure control. In addition, an included 1\/32 external enhanced ND can be manually activated for more demanding applications.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e3-Axis Simultaneous PTZ Movement\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is an exceptional PTZ camera which combines smooth, fast, and highly precise movement. In Normal Mode, operational movement has a noise rating of NC45 or lower, making it extremely suitable for quiet indoor environments. Up to 100 Camera Presets are possible, allowing for incredible creative flexibility for all productions, whether large or small venues.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e+\/- 180° Pan and -40° to +215° Tilt Operation\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is equipped with a pan and tilt drive mechanism supporting a range of ±180° pan, -40° to +215° tilt, allowing for outstanding movement flexibility, whether mounted in a standard manner, or inverted. The CR-X300 exhibits a variable pan and tilt speed of 0.3° to 60°\/second, for situations ranging from the delicate movements of an outdoor worship service to high-paced sports events.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUpright\/Inverted Mounting\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 can be mounted upright or inverted (ceiling mount). In either position, the picture image will automatically flip when the tilt angle reaches 90°.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e6G-SDI and HDMI Outputs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 features industry-standard 6G-SDI and HDMI video outputs for easy integration into professional video environments. With these interfaces, the user can achieve of output of up to 4K UHD at 29.97p or Full HD at up to 59.94p. Furthermore, the CR-X300 is equipped with a built-in weatherproof microphone that can be utilized to capture audio.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePoE++ Single Cable Solution\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003ePoE++ (802.3bt compliant) support allows for an easy, single-cable solution. More specifically, this allows for quicker, and potentially lower-cost installations, with one cable providing any combination of power, control, and video feed over a standard IP connection.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLAN and Serial Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 can be controlled by a variety of methods, including serial-based controllers, or by IP-based controllers. These controllers can be hardware or software based offering tremendous flexibility to fit into a variety of production workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP System\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-X300 supports multiple protocols that can be utilized for video, audio and control. The CR-X300 can also be combined with third-party equipment for control purposes. This IP system can contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-X300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol) for live streaming to such popular distribution platforms such as Facebook Live, YouTube, Twitch, and others. RTMP is known for delivering advantages including low latency, reduced buffering, and adaptive bitrate streaming, all of which are handled by the advanced networking chipset built into the CR-X300.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 supports the NDI|HX (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-time Transport Protocol). The NDI protocol has been developed and led by NewTek, Inc. as a protocol that supports the workflow of live video production over an IP network. NDI offers users a simple, low latency network solution for plug-n-play connectivity for PTZ cameras, controllers, and even system monitors. The CR-X300 blends seamlessly into existing NDI networks for easy integration into many environments including live events, sports arenas, outdoor venues, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard (VISCA) Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 supports the Standard (VISCA) Protocol as a protocol to remotely control the camera via IP. When connecting a Standard (VISCA) Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller. The standard (VISCA) protocol is widely used in video production, broadcasting and many other markets. The CR-X300 supports the standard (VISCA) protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupport for Canon XC Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment, including the Cinema EOS models such as the C300 Mk III and C500 Mk II, as well as a number of PTZ camera models. By supporting, the XC Protocol the CR-X300 can be remotely controlled supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVersatile Integration\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBT.709 and BT.2020 Color Spaces\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 features the Image Quality Adjustment function (Custom Picture) for high-end video production. This versatile Custom Picture menu for the CR-X300 is similar to Canon's XF705, XF605 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects according to the intention of direction. This function makes it possible for content creators to set the gamma, gamut, and color matrix to match the image capture of other cameras in a production.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMultiple Control Protocols\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 can be controlled via a large variety of protocols, including XC (Canon's original), NU (Canon's original), RTSP\/RTP, NDI|HX, RTMP\/RTMPS, Standard Communication over serial (VISCA Serial), and Standard Communication over IP (VISCA IP).\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHardware or Software Remote Camera Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBecause the CR-X300 supports a large variety of protocols, the operator has an assortment of controller choices, including both hardware and software-based solutions. Canon's optional RC-IP100 hardware control panel is capable of controlling up to 100 cameras and 100 presets per camera with a combination of touch screen and physical controls. For software-based environments, Canon's Remote Camera Control Application can be utilized to control the CR-X300. The Remote Camera Control Application is designed for Windows 10 for centralized control of up to nine cameras at the same time, achieving a \"multi-camera operation\". The software is included with the camera and can be installed immediately without having to prepare a hardware controller in advance, making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Search Tool\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-X300 supports the camera search tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-X300 within an existing network infrastructure. Furthermore, the CR-X300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video quality adjustments such as exposure and white balance that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhances the ease of use by remote control.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499264704829,"sku":"5638C001AA","price":188069.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/549e46a20464f5f2dd6fa9c18eb0701a.png?v=1773555917"},{"product_id":"canon-eos-r1-full-frame-mirrorless-camera-body-only-1","title":"Canon EOS R1 Full-Frame Mirrorless Camera Body Only","description":"\u003cp\u003eSpeed, precision, and reliability, the \u003cstrong\u003eCanon EOS R1\u003c\/strong\u003e is built for photojournalists, sports photographers, wildlife shooters, and other image-makers who can't afford to miss the shot. The flagship of the EOS R line, this mirrorless camera sports a full-frame 24MP BSI stacked sensor, DIGIC Accelerator processing, next-gen Dual Pixel Intelligent AF, and the robust design expected from a professional workhorse.\u003cbr\u003e \u003cbr\u003e  \u003c\/p\u003e \u003cp\u003eStacked Sensor and DIGIC Accelerator\u003c\/p\u003e \u003cp\u003e24.2MP Full-Frame Sensor and Continuous Shooting\u003c\/p\u003e \u003cp\u003eAs a camera built for speed, the R1 sports a newly designed 24.2MP full-frame back-illuminated stacked sensor that offers impressively fast readout speeds and a staggering 40 fps top continuous shooting rate with an electronic shutter, along with blackout-free viewing and greatly reduced rolling shutter distortion. The back-illuminated design and new DIGIC Accelerator processing also help to produce high clarity and sharpness, native sensitivity up to ISO 102400, and utilize Neural Network Noise Reduction for especially clean files when working in low-light conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289673.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eContinuous and Pre-Continuous Shooting\u003c\/p\u003e \u003cp\u003eFor continuous shooting applications, the 40 fps shooting rate can be used in conjunction with Pre-Continuous Shooting, which allows the camera to continuously pre-buffer 20 frames over a 0.5-second period while half-pressing the shutter, prior to fully pressing the shutter—helping to ensure you never miss the critical moment of action. The EOS R1 also has a mechanical shutter, which supports a top continuous shooting rate of 12 fps.\u003c\/p\u003e \u003cp\u003eIn-Camera Upscaling\u003c\/p\u003e \u003cp\u003eFor instances when 24MP isn't enough, DIGIC Accelerator processing now enables In-Camera Upscaling, which uses deep learning to double the number of pixels both horizontally and vertically in order to produce a separate 96MP image in about 10 seconds. This upscaling can be done after the original image is shot and can also be performed at the time of cropping images in camera, saving time compared to generating a 96MP image and then cropping it afterward.\u003c\/p\u003e \u003cp\u003eDIGIC Accelerator and DIGIC X Processing\u003c\/p\u003e \u003cp\u003eOne of the critical pieces that enables the EOS R1 to do everything is can do is the newly developed DIGIC Accelerator front-engine processor, which complements a proven DIGIC X processor. The DIGIC Accelerator is responsible for many of the continuous shooting, subject detection and tracking, and autofocus capabilities, allowing the DIGIC X to serve fully as an image processor. The combination of these two distinct processors enables the camera to better process huge volumes of data, perform simultaneous tasks at high speeds, and contributes to the quality and accuracy of deep learning features, like In-Camera Upscaling and Neural network Noise Reduction.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAuto-Exposure and Auto White Balance Modes use Deep Learning\u003c\/li\u003e \u003cli\u003e6144-zone exposure metering for high accuracy in various lighting conditions\u003c\/li\u003e \u003cli\u003eCoordinated Image Stabilization pairs IBIS with Lens-Based IS\u003c\/li\u003e \u003cli\u003eSupports Anti-Flicker and High-Frequency Anti-Flicker shooting\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eSensor-Shift Image Stabilization\u003c\/p\u003e \u003cp\u003eHelping keep both photos and video sharp and stable, the EOS R1 uses a well-rounded image stabilization system using three distinct methods: in-body sensor-shift, optical, and an independent Movie Digital IS system purpose-built for video.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289670.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe camera body's 5-axis sensor-shift system is compatible with all lenses and helps to lessen the effects of camera shake in a general sense, for sharper handheld shooting at slower shutter speeds.\u003c\/li\u003e \u003cli\u003eWhen paired with an RF lens with image stabilization, Coordinated Control IS can deliver even more powerful stabilization, up to 8.5 stops of correction in the center of the frame and 7.5 stops of correction at the periphery.\u003c\/li\u003e \u003cli\u003eFor video shooters, Movie Digital IS is an electronic stabilization system that helps suppress blur in peripheral areas to better enable recording video handheld.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289669.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eNext-Generation Autofocus\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289668.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDual Pixel Intelligent AF\u003c\/p\u003e \u003cp\u003eBeyond speed, autofocus performance is the main calling card of a flagship camera. The R1's AF capabilities have been optimized to detect, track, and maintain critical focus on moving subjects, even when they are briefly obscured while shooting. This Dual Pixel system has been fine-tuned with numerous tracking features and usability assets to make it the most intelligent and intuitive focusing system in an EOS yet.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe sensor incorporates cross-type Dual Pixel AF for more responsive and accurate focusing performance, especially in scenes with an abundance of linear details, like with window blinds, brick or wooden plank walls, or other patterned backgrounds.\u003c\/li\u003e \u003cli\u003eFocusing is possible down to -7.5 EV for photo and -5.5 EV for video for working in truly low-light conditions.\u003c\/li\u003e \u003cli\u003eThe 4897-point phase-detection system can automatically recognize People, Animals (Dogs, Cats, Birds, and Horses), and Vehicles. This system also has Eye Detection, with the ability to prioritize the left or right eye.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eAction Priority + Subject Detection and Tracking\u003c\/p\u003e \u003cp\u003eOne of the main benefits of the DIGIC Accelerator is a new focusing mode built specifically for photographing sports and action: Action Priority. This intelligent AF mode recognizes specific subjects movements and automatically moves the AF area to the player performing a detected motion, such as taking a shot, making a pass, jumping, and more.\u003cbr\u003e \u003cbr\u003e It currently recognizes Soccer, Basketball, and Volleyball activities and can analyze Ball, Joint, Torso, Action, and Head information for tracking. The mode can recognize specific subjects and uses this information in conjunction with recognized movements to determine where to focus in the scene while the action is unfolding.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAction Priority can be assigned to a custom function button for quick on\/off toggling.\u003c\/li\u003e \u003cli\u003ePre-Registered Person Priority allows you to register up to 10 different people in-camera prior to photographing an event; this information is stored and used to prioritize who to focus on while the game or match is being played.\u003c\/li\u003e \u003cli\u003eIntelligent subject recognition also helps to maintain sharp focus on the intended subject even when it's obscured or crossed by a secondary subject in the frame.\u003c\/li\u003e \u003cli\u003eCan be used in conjunction with Pre-Continuous Shooting mode.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289674.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eEye Control AF\u003c\/p\u003e \u003cp\u003eTaken from the EOS R3, the R1 also inherits the unique Eye Control AF method, which allows you to simply look where you want to focus and then have the AF Area automatically move there when you press the AF activation button. The R1 improves upon this tool, though, with 2x faster detection and a revised line-of-sight detection algorithm, as well as greater tolerances for different eyelid thicknesses, eyelash length, how the camera is held, and even if you wear eyeglasses.\u003c\/p\u003e \u003cp\u003eProfessional Reliability and Design\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289675.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e9.44m-Dot OLED EVF and Rear LCD\u003c\/p\u003e \u003cp\u003eDeemed the best viewfinder yet in an EOS R-series camera, the R1 sports an impressive 9.44m-dot OLED EVF with a massive 0.9x magnification for comfortable, clear, and bright eye-level viewing. The resolution and magnification suit a wide array of viewing conditions, and are ideal for glasses-wearing users, and the finder's optical design has also been upgraded for improved clarity. Additionally, some of the EVF optics are sealed within an airtight structure, helping to prevent fog in case of working in extreme temperature or humidity conditions.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEVF features a 9.44m-dot OLED panel that is 3x brighter than the EVF of the EOS R3\u003c\/li\u003e \u003cli\u003eOVF Simulation View Assist function mimics the rendering and brightness of an optical finder, helping to better asses scene brightness in mixed lighting conditions.\u003c\/li\u003e \u003cli\u003eIn addition to the viewfinder, there is also a rear 3.0\" 2.1m-dot touchscreen LCD that features a vari-angle design to better support working from high and low angles.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289671.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289676.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eBuilt for the Professional Image-Maker\u003c\/p\u003e \u003cul\u003e \u003cli\u003eMagnesium alloy exterior is dust- and water-resistant with full protective sealing at all seams and behind each button.\u003c\/li\u003e \u003cli\u003eMeasures 0.7\" shorter than the EOS-1D X Mark III and weighs 2.1 lb—more than half a pound less than its SLR predecessor.\u003c\/li\u003e \u003cli\u003eIntegrated vertical grip improves the ergonomics and makes the EOS R1 easier to hold throughout a full day of shooting. The grip also includes updated rubber that is more comfortable and provides greater traction while holding.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289672.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eLike the EOS R3 and EOS-1D X Mark III, the EOS R1 accepts the high-capacity LP-E19 lithium-ion battery as a reliable, long-running power source.\u003c\/li\u003e \u003cli\u003eDual CFexpress Type B memory card slots support high-speed, high bit-rate recording modes as well as proxy recording and file type separation for an easier post-production workflow.\u003c\/li\u003e \u003cli\u003eDual Shooting (still \u0026amp; movie) setting allows simultaneous capture of 17MP JPEG still images to one card while recording FHD 30p video to the other card with no interruption to the video.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eVersatile Connectivity\u003c\/p\u003e \u003cp\u003eAs a professional workhorse, the R1 can easily be integrated into an existing workflow: connect to optional recorders, tether via ethernet, attach an external strobe, or offload files for FTP.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFull-size HDMI port for outputting video to an external recorder or monitor\u003c\/li\u003e \u003cli\u003eUSB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging\u003c\/li\u003e \u003cli\u003eEthernet port supports 2.5GBASE-T wired LAN connection for transferring files over FTP\u003c\/li\u003e \u003cli\u003eMulti-Function Shoe, which features a row of pins at the front for greater accessory functionality and provides power to select accessory types that traditionally rely on separate batteries\u003c\/li\u003e \u003cli\u003eSupports Wi-Fi 6E\/Wi-Fi 6 and Bluetooth Low Energy for wireless transferring and control as well as image.canon and Frame.io support\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eVideo Capabilities and Cinema EOS Integration\u003c\/p\u003e \u003cp\u003e6K Raw and 4K Video\u003c\/p\u003e \u003cp\u003eDespite its prowess as a camera for stills, the EOS R1 touts strong video capabilities and supports an integrated workflow with Cinema EOS shooters. The R1 supports up to 6K 60p raw recording or 4K 60p MP4 recording using a 6K oversampling area with 10-bit 4:2:2 sampling. Proxy recording is also possible and helps expedite post-production by splitting two separate recording formats across the two separate memory cards; for example, record a 6K 60p raw version to one card and a DCI 2K 60p MP4 version to another so you can edit and grade the lower bit-rate footage and then apply your edits to the higher bit-rate version when finishing.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003e6K 60p raw internal recording using full sensor width\u003c\/li\u003e \u003cli\u003e4K 60p normal LGOP recording for approximately 120 minutes\u003c\/li\u003e \u003cli\u003e4K 120p and FHD 240p high-speed recording options\u003c\/li\u003e \u003cli\u003eRaw and XF-HEVC S\/XF-AVC S formats\u003c\/li\u003e \u003cli\u003eIn-camera custom picture profiles include Canon Log2, 3, PQ, and HLG\u003c\/li\u003e \u003cli\u003eFull-size HDMI Type-A for external recording\u003c\/li\u003e \u003cli\u003eFalse color, zebra display, and tally lamp functions\u003c\/li\u003e \u003cli\u003eLPCM 24-bit\/4-channel audio\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499265196349,"sku":"6577C023AA","price":104339.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/0cd2fbe994d52cf84bb9067adc6faff5.png?v=1773555964"},{"product_id":"canon-cr-n300-4k-ndi-ptz-camera-with-20x-zoom-satin-black","title":"Canon CR-N300 4K NDI PTZ Camera with 20x Zoom (Satin Black)","description":"\u003cp\u003eIf you have a professional production that requires remotely controlled cameras with minimal crew and a high-resolution output, the satin black \u003cstrong\u003eCR-N300 4K NDI PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e \u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePortrait mode—exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e \u003cli\u003eSports mode—enhances capture of moving objects\u003c\/li\u003e \u003cli\u003eLow-Light mode—enhances capture of bright images, even in dark places\u003c\/li\u003e \u003cli\u003eSpotlight mode—enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWebcam via USB Connection\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0), which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003c\/p\u003e \u003cp\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e \u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e \u003cp\u003eBy constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the standard VISCA protocol to remotely control the camera via IP. When connecting a VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003c\/p\u003e \u003cp\u003eThe standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N300 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting the XC Protocol, the CR-N300 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture capture, corporate video production, and more.\u003c\/p\u003e \u003cp\u003eThe CR-N300 can be controlled by IP, infrared, USB, and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image-quality video at 59.94p. The USB output is capable of full HD resolution for high-quality web conferencing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh-Quality Audio Input\/Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll New Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a \"multi-camera operation\".\u003c\/p\u003e \u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance, making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499265294653,"sku":"5157C003AB","price":39119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/73e181765f13098b92f7ed0ef72fb36e.png?v=1773555983"},{"product_id":"canon-eos-5d-mark-iv-dslr-camera-body-only","title":"Canon EOS 5D Mark IV DSLR Camera (Body Only)","description":"\u003cp\u003eContinuing on in their legacy of powerful workhorse cameras, \u003cstrong\u003eCanon\u003c\/strong\u003e has released the \u003cstrong\u003e5D Mark IV DSLR\u003c\/strong\u003e which is an outstanding still photography option and an able 4K-capable video machine. This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.\u003c\/p\u003e \u003cp\u003eIn order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.\u003c\/p\u003e \u003cp\u003eVideo benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2\" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.\u003c\/p\u003e \u003cp\u003eThe body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.\u003c\/p\u003e \u003cp\u003e30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor\u003c\/p\u003e \u003cp\u003eIn line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.\u003cbr\u003e \u003cbr\u003e Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.\u003c\/p\u003e \u003cp\u003eHigh Density Reticular AF and Dual Pixel CMOS AF Systems\u003c\/p\u003e \u003cp\u003eEnsuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f\/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.\u003cbr\u003e \u003cbr\u003e In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.\u003c\/p\u003e \u003cp\u003eDCI 4K Video Recording\u003c\/p\u003e \u003cp\u003eDesigned for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.\u003cbr\u003e \u003cbr\u003e Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.\u003c\/p\u003e \u003cp\u003eDual Pixel RAW\u003c\/p\u003e \u003cp\u003eFirst implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA large 3.2\" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.\u003c\/li\u003e \u003cli\u003eA dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.\u003c\/li\u003e \u003cli\u003eDual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.\u003c\/li\u003e \u003cli\u003eAn Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.\u003c\/li\u003e \u003cli\u003eA Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.\u003c\/li\u003e \u003cli\u003eA robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eOther Camera Features\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.\u003c\/li\u003e \u003cli\u003eDigital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.\u003c\/li\u003e \u003cli\u003eA built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eCanon Digital Solutions\u003c\/p\u003e \u003cp\u003eAvailable by digital download from manufacturer's website.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499265589565,"sku":"1483C052AA","price":34779.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6c3b5f73fb54b02b307b852d75399f44.png?v=1773556021"},{"product_id":"canon-cr-n100-4k-ptz-camera-white-1","title":"Canon CR-N100 4K PTZ Camera (white)","description":"\u003cp\u003eClarity and Control\u003c\/p\u003e \u003cp\u003eAdd remotely controlled cameras to your production for operation with minimal crew and a high-resolution output, the satin black \u003cstrong\u003eCR-N100 4K NDI PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe CR-N100 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, optical image stabilization, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX and SRT support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079852.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e1\/2.3\" CMOS Sensor\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079859.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eCanon's DIGIC DV 6 Image Processor is essential in providing high image quality, advanced performance and convenient operability to the CR-N100. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003eOversampling HD Processing\u003c\/p\u003e \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N100.\u003c\/p\u003e \u003cp\u003eCanon 4K UHD Lens\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079861.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a 20x optical zoom lens and exhibits a wide horizontal viewing angle of 65.6°. At the wide end, the 29.3mm lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for impressive wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe lens structure of the CR-N100 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e \u003cp\u003eHybrid AF\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079846.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 is equipped with \"Hybrid AF\", an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e \u003cp\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079854.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a PT (Pan, Tilt) drive mechanism that enables multi-step speed changes from high to low speeds, providing smooth PT in tandem with the zoom. This can be linked with optional remote controllers and applications to support many kinds of video production with a single operator. The CR-N100 has a variable Pan speed of .2 to 300°\/second and variable Tilt speed of .2 to 180°\/second.\u003c\/p\u003e \u003cp\u003eTally Lamp\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079869.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 is equipped with a tally lamp located on the front of the lens section that can illuminate red when the camera is shooting. This provides clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003eFour Scene Modes for Impressive Video\u003c\/p\u003e \u003cp\u003eThe CR-N100 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003ePortrait mode: exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e \u003cli\u003eSports mode: enhances capture of moving objects\u003c\/li\u003e \u003cli\u003eLow-Light mode: enhances capture of bright images, even in dark places\u003c\/li\u003e \u003cli\u003eSpotlight mode: enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e \u003cp\u003eBuilt-in NDI|HX and SRT Support\u003c\/p\u003e \u003cp\u003eThe CR-N100 supports multiple professional protocols for ease of integration. NDI|HX is built-in to the camera and provides high image quality, low latency, and ease of implementation. SRT is also built-in to the camera that helps provide high-quality video over unpredictable public networks.\u003c\/p\u003e \u003cp\u003eWebcam via USB Connection\u003c\/p\u003e \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. The software has many advantages such as, automatic camera detection, up to 4K 30P video output, embedded audio (AAC-LC), supports up to five cameras and is free of charge.\u003c\/p\u003e \u003cp\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079871.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is an IP protocol that controls Canon video production equipment. With XC Protocol, the CR-N100 can be remotely controlled to support a wide range of applications, which includes sports, music, live events, lecture recording, corporate meeting rooms, video production, and more.\u003c\/p\u003e \u003cp\u003eStandard Protocol\u003c\/p\u003e \u003cp\u003eThe CR-N100 supports the Standard Protocol to remotely control the camera via IP. When connecting a Standard Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing an optional remote controller.\u003c\/p\u003e \u003cp\u003eVarious Interfaces Supported\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079863.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe IP output and HDMI output are suitable when capturing UHD 4K at 30pThe CR-N100 comes with an infrared remote control which can be used to control a variety of camera functions including PTZ, presets, speed, focus, standby mode, etc.\u003c\/li\u003e \u003cli\u003eThe CR-N100 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.\u003c\/li\u003e \u003cli\u003eThe serial terminal RS-422 can be utilized to connect third party supported controllers that support the standard protocol communication. or full HD resolutions at 59.94p. The USB output is capable of full HD resolution for high quality web conferencing.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eHigh-Quality Audio Input\/Output\u003c\/p\u003e \u003cp\u003eThe CR-N100 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003eRemote Camera Control Application\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N100. The Remote Camera Control Application is a Windows \/ Macintosh application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a \"multi-camera operation\".\u003c\/p\u003e \u003cp\u003eWebcam Driver\u003c\/p\u003e \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. The software has many advantages such as, automatic camera detection, up to 4K30 video output, embedded audio (AAC-LC), supports up to five cameras and is free of charge.\u003c\/p\u003e \u003cp\u003eMulti-Camera Management Application\u003c\/p\u003e \u003cp\u003eIdeal for use in large-scale camera systems, the Multi-Camera Management Application (MCMA) supports up to 200 individual compatible PTZ, professional video, and cinema cameras. The MCMA streamlines the registration of usernames, passwords and IP addresses to a camera, and registration of cameras to the optional RC-IP1000 by executing these procedures all at once, instead of individually to each camera. This allows for a rapid initial configuration of large-scale systems with minimal workload.\u003c\/p\u003e \u003cp\u003eAdd-On Application Support\u003c\/p\u003e \u003cp\u003eThe Add-On Application System will enable the installation of paid applications directly onto the camera. These applications can then be run without the need for a computer, simplifying operations and set-up.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe Auto Tracking Application enables the camera to automatically track the speaker or other specified persons during commercial presentations, lectures and other events. Because visual analysis is performed in-camera, the system achieves excellent tracking capability. In addition to framing a person in the shot, the camera, aided by its high-performance pan\/tilt mechanism and the automatic tracking application, can smoothly capture movements of people with satisfying quality for video production.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499266081085,"sku":"6527C004AB","price":30429.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/8ad83cdd8c49fe223d5094cc53aff8b6.png?v=1781078023"},{"product_id":"canon-xf605-uhd-4k-hdr-pro-camcorder-1","title":"Canon XF605 UHD 4K HDR Pro Camcorder","description":"\u003cp\u003eCombining high-resolution capture with a mobile workflow, the 15x zoom \u003cstrong\u003eXF605 UHD 4K HDR Pro Camcorder\u003c\/strong\u003e from Canon is a go-to choice for ENG, sports, entertainment, and narrative applications. This compact 1\" CMOS sensor camera with a DIGIC DV 7 engine features high sensitivity, Canon cinema color matrix choices, Canon Log 3, HDR support, and Eye AF and EOS iTR AF X (head detection) autofocus modes. It offers up to UHD 4K60 4:2:2 10-bit capture in a variety of both All-I and Long-GOP XF-AVC and MP4 H.264\/H.265 formats with the ability to capture different codecs and rates simultaneously to its dual SD card slots. A Direct Touch Control touchscreen menu, four-channel XLR audio, simultaneous outputs, a USB-C video output, and an iPhone app built on established XF series features such as individual focus, iris, and zoom rings, and built-in ND filters.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eHigh-Resolution Performance\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eWhether you shoot ENG, sports events, live entertainment, or broadcast-style footage, the Canon XF605 is poised to deliver high-resolution video using a compact form and mobile workflow options, including an iPhone app, a LAN port, and built-in dual-band, MIMO Wi-Fi.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUHD 4K CMOS Sensor\u003c\/strong\u003e\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eCapture rates of up to UHD 4K 10-bit 4:2:2 include broadcast-friendly 59.94 frame rates\u003c\/li\u003e \u003cli\u003eHigh-speed capture at 1080p120 for revealing slo-mo shots\u003c\/li\u003e \u003cli\u003eA high sensitivity of up to 2000 lux at f\/12 is perfect for dimly lit locations\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e\u003cstrong\u003eDIGIC DV 7 Engine\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe DIGIC DV 7 engine powers the camcorder's processing of the 4K, 10-bit 4:2:2 video and selectable color matrix settings, including Canon EOS and other industry-standard matrix choices, as well as supporting Canon Log 3\/HLG and PQ color spaces. The processor allows you to take advantage of the dual SD card slots for dual recording, relay recording, and multiple simultaneous recording options of your footage in MP4 or XFAVC.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003e15x Canon L Zoom\u003c\/strong\u003e\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eA 15x optical\/30x digital zoom (25.5-382.5mm 35mm equivalent) lets you reach shots near and far, whether in the field or the studio, and the 9-blade iris provides a pleasing natural bokeh\u003c\/li\u003e \u003cli\u003eSeparate F\/I\/Z controls: Three rings provide professional, individual control over focus, iris, and zoom settings\u003c\/li\u003e \u003cli\u003eImage stabilization: Three optical IS choices include standard, dynamic, and powered IS for smoother motion shots\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e\u003cstrong\u003eAdvanced Autofocus\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe XF605 is the first of the ENG-friendly XF family to offer two autofocus features familiar to Canon EOS series users that help keep your image sharp during dynamic shots:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEye AF zeroes in on your subject's eye for crisp eye focus\u003c\/li\u003e \u003cli\u003eEOS iTR AF X (head detection) does a neat trick of remaining focused on your subject even after they turn their head to the side or away from the camera\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e\u003cstrong\u003eFrame and Interval Recording\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eCreate captivating time-lapse effects using the XF605's Frame Recording and Interval Recording modes. Frame Recording captures a set number of frames with each press of the trigger. Interval Recording enables you to choose the number of frames recorded and the interval length between them.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eCinema Color\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eMatch the look of your other Canon cameras using the XF605's cinema color matrix selections. Use Canon Log3, HLG, and PQ HDR for beautifully detailed images.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUSB Video Out\u003c\/strong\u003e\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eThanks to a USB-C video output, you no longer need an HDMI to USB adapter\u003c\/li\u003e \u003cli\u003eUse the USB-C output to take advantage of all the XF605 features while using it as a webcam, boosting the image and audio quality of your streaming output\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e\u003cstrong\u003eNew Touchscreen\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eGain intuitive touchscreen control, including start\/stop with the XF605's Direct Touch Control menu borrowed from the Canon C70 cinema camera.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eCTM iPhone App\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eCanon's new iPhone CTM (content transfer mobile) app enables a truly mobile news workflow. Use the app to exchange proxy footage, audio, and metadata through your phone connection and a newsroom server and integrate content into assignment planning software.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eHDR-Compatible Viewing Options\u003c\/strong\u003e\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eView your images simultaneously via the EVF (viewfinder) and fold-out LCD screen, and output via HDMI and SDI\u003c\/li\u003e \u003cli\u003eHDR compatibility enables you to see finely nuanced images, even in darker and brightly lit areas.\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e\u003cstrong\u003e4-Channel Audio\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eA new multifunction shoe on the XF605 enables you to access up to four inputs on the XLR audio unit, perfect for capturing ambient sound plus one to three speakers.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eLightweight, Compact Form\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe compact XF605 is about 25% lighter and 10% smaller than the XF705, a difference you'll appreciate on long shoot days.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eWired Remote Control\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eUse the LANC-based RC-V100 to control your main camera functions and shading options. Use an NU (RS-422) controller like the RC-IP100 to control the XF605 and other cameras in your network.\u003c\/p\u003e \u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e \u003ch4\u003eFeatures\u003c\/h4\u003e \u003cul\u003e \u003cli\u003e1\" CMOS Sensor, 4:2:2 10-Bit\u003c\/li\u003e \u003cli\u003eH.265\/H.264 MP4 Format, XF-AVC\u003c\/li\u003e \u003cli\u003eUHD 4K up to 60 fps, 1080p to 120 fps\u003c\/li\u003e \u003cli\u003eiOS App | 15x Optical\/30x Digital Zoom\u003c\/li\u003e \u003cli\u003eDual-Pixel CMOS Autofocus Feature\u003c\/li\u003e \u003cli\u003eHDR Recording, Canon Log 3, Wide DR\u003c\/li\u003e \u003cli\u003e12G-SDI, HDMI \u0026amp; USB-C Outputs\u003c\/li\u003e \u003cli\u003eOptical \u0026amp; Digital Stabilization\u003c\/li\u003e \u003cli\u003eFour XLR Inputs, 4-Channel LPCM Audio\u003c\/li\u003e \u003cli\u003eDiscrete Focus, Iris, Zoom Lens Rings\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eSpecs\u003c\/h3\u003e \u003ch4\u003eSpecs\u003c\/h4\u003e \u003ch5\u003eImaging\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eActual: 13.4 Megapixel (4268 x 3148)\u003cbr\u003e Effective: 8.29 Megapixel (3840 x 2160)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Type\u003c\/td\u003e \u003ctd\u003e1\"-Type CMOS Sensor\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e Digital\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003eMechanical Filter Wheel with 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64) ND Filters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eExposure Control\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e1\/2000 to 1\/4 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Angle\u003c\/td\u003e \u003ctd\u003e11 to 360°\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensitivity\u003c\/td\u003e \u003ctd\u003ef\/12 at 2000 lux\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Illumination\u003c\/td\u003e \u003ctd\u003e1.5 Lux at 1\/30 Shutter Speed\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eLens\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocal Length\u003c\/td\u003e \u003ctd\u003e8.3 to 124.5mm (35mm Equivalent Focal Length: 25.5 to 382.5mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e \u003ctd\u003e15x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMax Digital Zoom\u003c\/td\u003e \u003ctd\u003e30x ( in 1080p)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Aperture\u003c\/td\u003e \u003ctd\u003ef\/2.8\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Aperture\u003c\/td\u003e \u003ctd\u003ef\/4.5\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Design\u003c\/td\u003e \u003ctd\u003e18 Elements in 14 Groups\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e \u003ctd\u003eEntire Zoom Range: 2.0' \/ 60.0 cm\u003cbr\u003e Wide: 0.4\" \/ 1.0 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter Size\u003c\/td\u003e \u003ctd\u003e58 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eControl Rings\u003c\/td\u003e \u003ctd\u003eFocus\u003cbr\u003e Zoom\u003cbr\u003e Iris\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Control\u003c\/td\u003e \u003ctd\u003eAutofocus\u003cbr\u003e Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eVideo Capture\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eMXF\/XF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 from 1 to 59.94 fps [160 to 410 Mb\/s]\u003cbr\u003e 1920 x 1080p from 1 to 59.94\/90\/ fps [50 to 310 Mb\/s]\u003cbr\u003e 1920 x 1080i at 50\/59.94 fps [50 to 160 Mb\/s]\u003cbr\u003e 1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps\u003cbr\u003e \u003cstrong\u003eH.265\/MP4 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 from 1 to 59.94 fps [135 to 225 Mb\/s]\u003cbr\u003e 1920 x 1080p from 1 to 59.94\/90\/ fps [50 Mb\/s]\u003cbr\u003e 1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps [12 Mb\/s]\u003cbr\u003e \u003cstrong\u003eH.265\/MP4 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 from 1 to 59.94 fps [100 to 170 Mb\/s]\u003cbr\u003e 1920 x 1080p from 1 to 59.94\/90\/ fps [35 Mb\/s]\u003cbr\u003e 1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps [9 Mb\/s]\u003cbr\u003e \u003cstrong\u003eH.264\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160 from 1 to 59.94 fps [150 Mb\/s]\u003cbr\u003e 1920 x 1080p from 1 to 59.94\/90\/ fps [35 Mb\/s]\u003cbr\u003e 1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eSDI\/BNC\u003c\/strong\u003e\u003cbr\u003e UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGamma Curve\u003c\/td\u003e \u003ctd\u003eCanon Log 3, HDR-HLG\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio Recording\u003c\/td\u003e \u003ctd\u003e2-Channel 16-Bit 48 kHz AAC Audio\u003cbr\u003e 4-Channel 24-Bit 48 kHz LPCM Audio\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eMPEG2\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.0 Mb\/s)\u003cbr\u003e 1920 x 1080 at 50i, 59.94i (4.0 to 9.0 Mb\/s)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eInterface\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eSlot 1: SD\/SDHC\/SDXC\u003cbr\u003e Slot 2: SD\/SDHC\/SDXC\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI 2.0 Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (12G-SDI) Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eBarrel (24VDC) Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-A Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Genlock, Sync) Input\/Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Timecode) Input\/Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini Control\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eD-Sub 8-Pin Control\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eRJ45 (LAN) Input\/Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003e2.4 \/ 5 GHz MIMO Wi-Fi Video Output, Audio Output, Control\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eMonitor\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3.45\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eViewfinder\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eRemovable Electronic (OLED)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e0.36\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eFocus\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eEnvironmental\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e0 to 85%\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003eGeneral\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eCanon BP-A Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Consumption\u003c\/td\u003e \u003ctd\u003e21.5 W\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e1\/4\"-20 Female\u003cbr\u003e 3\/8\"-16 Female\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mount\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eCold Shoe Mount\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eIntelligent Hot Shoe\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Video Light\u003c\/td\u003e \u003ctd\u003eYes (Infrared)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e15.2 x 8.6 x 8.3\" \/ 385 x 219 x 210 mm (With Protrusions)\u003cbr\u003e 13.1 x 6.8 x 6.6\" \/ 333 x 173 x 168 mm (Without Protrusions)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e4.4 lb \/ 2010 g\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch5\u003ePackaging Info\u003c\/h5\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e10.98 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e17 x 14.4 x 11.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499266113853,"sku":"5076C003AA","price":86939.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/31fac4ac950e2c3ca51a5a215789a8c0.png?v=1773556148"},{"product_id":"canon-eos-r100-mirrorless-camera-with-18-45mm-lens-2","title":"Canon EOS R100 Mirrorless Camera with 18-45mm Lens","description":"\u003cp\u003eDesigned for modern-day content creators, the compact and portable \u003cstrong\u003eCanon EOS R100 Mirrorless Camera\u003c\/strong\u003e offers a wide range of features to suit a variety of multimedia applications. Its excellent still-image capabilities start with its APS-C-sized 24.1MP CMOS sensor and DIGIC 8 processor, and the camera also provides 4K 24p cropped video recording.\u003c\/p\u003e \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC 8 Processor\u003c\/p\u003e \u003cp\u003eStriking a fine balance between resolution, file size, speed, and low-light performance, the APS-C-sized 24.2MP CMOS sensor is well-suited for general photo tasks along with cropped UHD 4K and uncropped Full HD video recording. The R100 produces imagery with notable clarity and dynamic range, and the camera offers a native sensitivity range of ISO 100-12800 to support working in difficult lighting situations. The sensor and image processor also realize fast performance throughout the camera system, including the ability to shoot continuously at up to 6.5 fps.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF Systems\u003c\/p\u003e \u003cp\u003eThe Dual Pixel CMOS AF system features 3975 autofocus points covering 143 autofocus zones for refined accuracy across the entire image plane, and this system also supports both automatic subject detection and Eye Detection AF. Designed for speed and precision, this Dual Pixel CMOS AF system enables you to achieve critical focus with each shot.\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording. In terms of wireless, Bluetooth pairing helps you connect the camera to compatible smart devices using the free Canon Camera Connect app. It also sends GPS location data from your phone, so you know precisely where you captured the photo. Additionally, with built-in Wi-Fi you can also transfer files to your compatible mobile device to browse and share on social media.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003eLarge 3.0\" 1.04m-dot LCD screen provides an intuitive method for navigating menus and reviewing imagery.\u003c\/p\u003e \u003cp\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing.\u003c\/p\u003e \u003cp\u003eSingle SD memory card slot to support 4K video recording and high-speed continuous shooting.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/p\u003e \u003cp\u003eA versatile zoom range in a compact package is the promise of the \u003cstrong\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare. An Optical Image Stabilizer will help ensure sharp imagery, providing up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body. Additionally, the lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499266277693,"sku":"6052C013AA","price":10689.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/40d333a9a6a28b4ca38c982b5024f5a3_6fcdf8bb-9765-4fbf-8b7f-8dc6b6df066f.png?v=1773556215"},{"product_id":"canon-eos-c70-cinema-video-camera","title":"Canon EOS C70 Cinema Video Camera","description":"\u003ch2\u003e\u003cstrong\u003eCinema Capture in an RF-Mount, Mirrorless Form\u003c\/strong\u003e\u003c\/h2\u003e \u003cp\u003eIncorporating key Cinema EOS video tools in a mirrorless-style body, the Canon EOS C70 Cinema Camera features a Super35 DGO (Dual Gain Output) sensor for capturing nuanced images with up to 16+ stops of high dynamic range. The EOS C70 is the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eVideo resolutions include DCI 4K capture at rates ranging from 23.98 to 60 fps, plus high-speed options up to 120 fps in UHD 4K and 180 fps in cropped 2K. Pro video functions include unlimited video recording, Dual Pixel CMOS AF autofocus control, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eExceptional Image Quality\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg alt=\"DGO Sensor\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732781.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCanon Super35 Dual Gain Output (DGO) Sensor\u003c\/p\u003e \u003cp\u003eCanon's next-generation Super35 Dual Gain Output (DGO) Sensor offers a dynamic range of up to 16+ stops and includes Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor generates a high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCanon's DIG!C DV7 image processor takes the extensive raw information captured from the imaging sensor and processes it for output. The DiG!C engine is also the driving force behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3; PQ and HLG Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C70 supports both the full dynamic range Canon Log 2 and the more workflow-friendly Canon Log 3 gamma. Canon Log formats are designed to reproduce the entire tonal range of its CMOS image sensor. Turn to a log post-production workflow when you're seeking a higher dynamic range, improved highlights and shadow retention, and increased grading flexibility. Note that while Canon Log 2 offers the largest dynamic range and image detail, the most post-production flexibility, and the full dynamic range of the sensor, it typically will require more time spent in color correction.\u003cbr\u003e \u003cbr\u003e For users seeking most of the benefits of a log workflow but with reduced turnaround times, choose the Canon Log 3 alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHighly Adaptable Shooting Style\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1421906.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRF Lens Mount\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA built-in RF lens mount lends the EOS C70 compatibility with Canon's expanding line of high-performance RF-mount lenses.\u003c\/li\u003e \u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEF Lens Compatibility with Optional Adapter\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop The EF adapter passes EF lens data through the RF mount, providing full Dual-Pixel Autofocus and metadata information for select lenses.\u003cbr\u003e \u003cbr\u003e Additional compatible adapters include the EF-EOS R Canon Mount, Canon Control Ring Mount, Drop-In Circular Polarizer Filter Mount, and Drop-In Variable ND Filter Mount adapters.\u003c\/p\u003e \u003cp\u003e\u003cimg alt=\"Direct Touch Control\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732783.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDirect Touch Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C70 features Direct Touch Control, enabling you to quickly and easily access your favorite menu settings through the fully rotatable LCD screen. Simply touch the 3.5\" screen to start\/stop recording, set ISO\/Gain, color temperature, and iris, and access other critical settings. Recording settings that are located in different menus can now be controlled with one hand, enabling on-the-spot changes even while operating the camera with one hand.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e9 x 16 Vertical Capture\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUse the 1\/4\"-20 tripod thread built into the grip to position the EOS C70 for vertical use when capturing images for digital signage or mobile device use. For easier viewing, the user interface can also be switched for vertical use.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe compact EOS C70 features a lightweight design with a built-in ergonomic grip. This smallest of the EOS bodies has two top shoe mounts and comes with a detachable handle and a mic holder.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1877426.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMini-XLR Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options for the EOS C70\u003c\/li\u003e \u003cli\u003eThe EOS C70 supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDesigned specifically for the EOS C70's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density - an especially handy feature for ENG shooters or when shooting in quickly changing lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTimecode Input\/Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA BNC connector on the front of the EOS C70 enables users to input and output timecode, making synching on multicamera shoots easier.\u003c\/p\u003e \u003cp\u003e\u003cimg alt=\"Dual Pixel Focus Guide\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732786.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAnother innovative EOS C70 feature is the Dual Pixel CMOS AF Technology, which uses each pixel on the CMOS sensor for both focus detection and image information, resulting in precision focusing and optimal image quality. The EOS C70 is also the first Cinema EOS camera to feature the EOS iTR AF X autofocus function featuring a head-detection algorithm developed using deep-learning technology.\u003c\/li\u003e \u003cli\u003eIn Face Detection mode, this algorithm helps to improve distance measuring and tracking reliability, even when a subject turns their head to the side or back.\u003c\/li\u003e \u003cli\u003eThe EOS C70 also features the innovative Dual Pixel Focus Guide, which provides both front- and back-focus information to let users know where to set the focus during manual pulls.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg alt=\"Stabalization\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732788.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEIS with Coordinated Control\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTo smooth out handheld shots, the EOS C70 is the first Cinema EOS camera to offer enhanced image stabilization with coordinated control. When used with an RF-mount lens and the EOS C70's electronic IS, coordinated control optimizes hand-shake correction for even greater vibration reduction than that obtained with an EF-mount lens and electronic IS.\u003c\/li\u003e \u003cli\u003eWhen working in the 2K format, the EOS C70's Super16 Digital IS improves performance by using the peripheral area around the center of the 4K sensor to stabilize the image.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eAuto ISO\/Gain Control\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn another first for the Cinema EOS line, the EOS C70 can automatically adjust ISO and Gain Control using the DGO (dual gain output) to change gain smoothly, enabling users to concentrate on their framing instead of their aperture control when moving between locations with notable changes in light levels.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C70 body's remote LANC terminal enables remote control using the optional Canon RC-V100 unit. The RC-V100 provides full access to key functions like start\/stop, shutter\/gain adjustments, focus\/iris\/zoom settings, display settings, white balance, black gamma, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced Workflow Optimization\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg alt=\"Card Formats\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1732779.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e \u003cp\u003eDual SD card slots on the EOS C70 enable simultaneous recording in different formats including 4K\/HD and XF-AVC\/MP4 options. The EOS C70 can also capture still photos when on standby in select video modes.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876216.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eStandard and High Frame Rate to 4K 120p\u003c\/p\u003e \u003cp\u003eWith its new chip design and DIG!C DV7 processor, the EOS C70 is capable of both standard rates ranging from 23.98 to 60pfs and ultra-high frame rates. Capture video at frame rates up to 120 fps in 4K and up to 180 fps in the 2K crop mode. Dual Pixel AF is supported by the EOS C70 even at high frame rates, keeping your focus even when used on a gimbal or drone.\u003cbr\u003e  \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLog2\/3 and Cube LUT Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFor greater flexibility during post-production, this camera also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e4K\/2K Long GOP Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C70 supports the higher-compression Long GOP for longer recording times at rates up to 4K60p. The inter-frame Long GOP compression detects differences between frames by referring to preceding and subsequent frames.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e  \u003c\/p\u003e \u003cp\u003eImaging\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon RF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Communication\u003c\/td\u003e \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eActual: 9.6 Megapixel (4206 x 2280)\u003cbr\u003e Effective: 8.85 Megapixel (4096 x 2160)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Sensor\u003c\/td\u003e \u003ctd\u003e26.2 x 13.8 mm (Super35) CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePixel Pitch\u003c\/td\u003e \u003ctd\u003e6.4 µm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eDigital, 5-Axis\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003eMechanical Filter Wheel with Clear, 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64), 8-Stop (1\/256), 10-Stop (1\/1024) ND Filters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eExposure Control\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e1\/2000 to 1\/12 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISO Sensitivity\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003ePhoto\/Video\u003c\/strong\u003e\u003cbr\u003e 160 to 25,600 (Extended: 100 to 102,400)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGain\u003c\/td\u003e \u003ctd\u003e-6 to 54 dB (Native)\u003cbr\u003e -2 to 54 dB (Expanded)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Angle\u003c\/td\u003e \u003ctd\u003e11 to 360°\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAdvertised Dynamic Range\u003c\/td\u003e \u003ctd\u003e16 Stops\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e2000 to 15,000K\u003cbr\u003e \u003cstrong\u003ePresets: \u003c\/strong\u003eAWB, Daylight, Set A, Set B, Tungsten\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eVideo Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eXF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080i) at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/25\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e 1920 x 1080i at 50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e 1280 x 720 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 600 Mb\/s]\u003cbr\u003e \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4098 x 2160) [135 to 225 Mb\/s]\u003cbr\u003e DCI 4K (4098 x 2160)\u003cbr\u003e UHD 4K (3840 x 2160) at 50\/59.94 fps [135 to 225 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160)\u003cbr\u003e 2840 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e 2048 x 1080\u003cbr\u003e 1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [50 Mb\/s]\u003cbr\u003e 1920 x 1080\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [12 Mb\/s]\u003cbr\u003e \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:2 8-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160)\u003cbr\u003e UHD 4K (3840 x 2160)\u003cbr\u003e DCI 2K (2048 x 1080)\u003cbr\u003e 1920 x 1080\u003cbr\u003e \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) [100 to 170 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 170 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080) from 12 to 24.00 fps [35 Mb\/s]\u003cbr\u003e 1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 Mb\/s]\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [9 Mb\/s]\u003cbr\u003e \u003cstrong\u003eH.264\/H.265\/MP4\/XF-AVC\/XF-AVC Proxy 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) [150 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [150 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080) [24 to 35 Mb\/s]\u003cbr\u003e 1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [24 to 35 Mb\/s]\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [8 Mb\/s]\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50 fps\u003cbr\u003e 1920 x 1080 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e 1280 x 720 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e 2K (2048 x 1080)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGamma Curve\u003c\/td\u003e \u003ctd\u003eCanon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Wide DR\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBroadcast Output\u003c\/td\u003e \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003cbr\u003e Mono\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio Recording\u003c\/td\u003e \u003ctd\u003e4-Channel 24-Bit 48 kHz LPCM Audio\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eStill Image Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eImage Sizes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e16:9 JPEG\u003c\/strong\u003e\u003cbr\u003e 3840 x 2160\u003cbr\u003e 1920 x 1080\u003cbr\u003e \u003cstrong\u003e17:9 JPEG\u003c\/strong\u003e\u003cbr\u003e 4096 x 2160\u003cbr\u003e 2048 x 1080\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAspect Ratio\u003c\/td\u003e \u003ctd\u003e16:9, 17:9\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage File Format\u003c\/td\u003e \u003ctd\u003eJPEG\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBit Depth\u003c\/td\u003e \u003ctd\u003e12-Bit\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eInterface\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI (Unspecified Signal) Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eMini XLR Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eBarrel (11.5 to 20VDC) Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Control\/Video Input\/Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Timecode) Input\/Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini (LANC) Control\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMobile App Compatible\u003c\/td\u003e \u003ctd\u003eNo\u003cbr\u003e \u003cem\u003e*As of November, 2022: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003eGPS\u003cbr\u003e *\u003cem\u003eAdapter Required\u003c\/em\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eMonitor\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1280 x 720 (2,760,000 Dot)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFocus\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eAutomatic, Continuous-Servo AF, Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eEnvironmental\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e85% (Recommended)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eGeneral\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eCanon BP-A Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShoe Mount\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eCold Shoe\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e3\/8\"-16 Female (Bottom)\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Side)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eNetflix Approved\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e5.1 x 6.3 x 4.6\" \/ 130.2 x 160 x 115.9 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e2.58 lb \/ 1.17 kg (Body Only)\u003cbr\u003e 2.95 lb \/ 1.34 kg (With Battery)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e6.655 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e13.6 x 10.3 x 8.3\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499266310461,"sku":"4507C003AA","price":109549.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/13905bedad098a7cac772eb661f5a6aa.png?v=1773556219"},{"product_id":"canon-eos-r3-body-v2-4","title":"Canon EOS R3 BODY V2.4","description":"\u003cp\u003eCanon EOS R3 BODY V2.4\u003c\/p\u003e \u003cp\u003eBuilt for speed, versatility, and reliability, the \u003cstrong\u003eCanon EOS R3\u003c\/strong\u003e combines the technology from their mirrorless EOS R system with the robustness and performance you'd expect from a flagship DSLR. Revolving around a new full-frame stacked sensor, updated AF performance, and refined body design, the EOS R3 is first 3-Series camera since the film era and plants itself as a fast-shooting, flexible, and contemporary mirrorless camera.\u003c\/p\u003e \u003cp\u003eAmong the most significant technologies in the R3 is the 24.1MP stacked sensor which affords truly fast readout speeds to help reduce rolling shutter distortion and benefit fast continuous shooting and video recording applications. This full-frame BSI CMOS sensor is also benefitted by an updated DIGIC X processor, which helps boost the overall speed for up to 30 fps continuous shooting with an electronic shutter, 6K 60p raw and 4K 120p video recording, and intelligent Dual Pixel CMOS II autofocus with Eye Control AF for intuitive focus point selection.\u003c\/p\u003e \u003cp\u003eThe R3 is also the first EOS R-series camera to feature a built-in vertical grip, making it an ergonomic choice for long shooting times and for seamlessly switching between horizontal and vertical shooting orientations. The rugged body design also incorporates a high-resolution 5.76m-dot OLED EVF and a 3.2\" vari-angle touchscreen LCD, along with dual memory card slots, wireless and wired connectivity, and an updated Multi-Function Shoe design for expanded accessory compatibility.\u003c\/p\u003e \u003cp\u003eFull-Frame Stacked Sensor and DIGIC X Processor\u003c\/p\u003e \u003cp\u003e24.1MP BSI Stacked CMOS Sensor\u003c\/p\u003e \u003cp\u003eA first for EOS cameras, the R3 features a stacked sensor design that promotes impressively fast read-out speeds to greatly reduce rolling shutter distortion and enable faster shooting performance. This 24.1MP full-frame CMOS chip also has a back-illuminated design that is more efficient at gathering light, which leads to reduced noise, higher clarity, and smoother color rendering, particularly when working in low-light conditions.\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eAn updated DIGIC X complements the new sensor design with capable processing and the ability to perform simultaneous high-speed tasks, such as 30 fps high-speed shooting while performing AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-102400, which is expandable to ISO 50-204800, for working in a broad variety of lighting conditions.\u003c\/p\u003e \u003cp\u003eElectronic Shutter\u003c\/p\u003e \u003cp\u003eA main benefit of the stacked sensor design is a highly usable electronic shutter function that is able to shoot continuously at up to 30 fps, for up to 150 raw frames, with virtually no rolling shutter distortion. When working in manual or shutter-priority modes, the top shutter speed is 1\/64,000 sec and flash sync is even possible with an electronic shutter, up to 1\/180 sec. This versatile shutter function is inherently silent, but can be paired with a choice of audible shutter noises to go along with each shutter click to make it easier for subjects to recognize when a photo has been taken.\u003cbr\u003e \u003cbr\u003e A manual shutter is also available, and offers a top continuous shooting speed of 12 fps, with a buffer of more than 1000 frames, along with a top flash sync speed of 1\/250 sec.\u003c\/p\u003e \u003cp\u003e6K Raw and DCI\/UHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eAlso contributing to notable video performance, the 24MP full-frame sensor offers high-res 6K raw 12-bit internal recording and uncropped 4K 120p 10-bit recording with Canon Log 3. Both 6K and 5.6K recording areas can also be used for oversampled DCI and UHD 4K shooting with improved sharpness, reduced moiré, and lower noise. HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. All-I, IPB, and IPB Light compression options are available, along with the ability to use Dual Pixel CMOS AF II when shooting at up to 6K raw. Unlimited recording times are possible, too, and the R3 features both mic and headphone ports, as well as a micro-HDMI Type-D port for clean output to an external recorder.\u003c\/p\u003e \u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eAn improved Dual Pixel CMOS AF II system features 1053 automatic AF points, which cover the entire sensor area, for faster, more responsive, and more precise focusing performance. This upgraded phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize eyes, faces, heads (including helmets), animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit has also been improved to focus down to an impressive -7.5 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e \u003cp\u003eEye Control AF\u003c\/p\u003e \u003cp\u003eNew to EOS digital cameras, Canon is re-introducing Eye Control AF with the R3. This popular feature from the film era has now been refined and tuned to work in conjunction with Dual Pixel CMOS AF's intelligent focusing capabilities. Eye Control AF essentially allows shooters to use their eye to initiate where the focus point is simply by looking through the electronic viewfinder, and then the camera will take control using subject tracking and detection to keep the sighted subject in sharp focus.\u003c\/p\u003e \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003e5.76m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eAn impressive 5.76m-dot OLED electronic viewfinder is featured for clear, high-resolution eye-level viewing. This 0.76x-magnification finder is benefitted by the stacked sensor design, too, and affords blackout free viewing when working with an electronic shutter and supports a 120-fps refresh rate for realistic motion portrayal. The large area of the viewfinder also permits displaying extensive shooting information, if desired, and the information display rotates with the camera for more natural viewing.\u003cbr\u003e \u003cbr\u003e In addition to the EVF, a 3.2\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the impressive 4.15m-dot resolution allows for vivid playback and live view monitoring.\u003c\/p\u003e \u003cp\u003eProfessional-Grade Body Construction\u003c\/p\u003e \u003cp\u003eTaking after flagship DSLR designs, the R3 sports a robust and ergonomic body design fit with an integrated vertical grip for improved comfort when working in either horizontal or vertical shooting orientations. The R3 features both the smart controller and multi-controller from previous EOS cameras, making for an intuitive handling experience, and it has a similar rear layout to the 1D X Mark III and R5 bodies. This larger body design also makes room for the high-capacity LP-E19 battery for extended shooting sessions and is built to the same weather-sealed specifications as the flagship EOS-1D X Mark III.\u003c\/p\u003e \u003cp\u003eDual Memory Card Slots\u003c\/p\u003e \u003cp\u003eThe EOS R3 has dual card memory card slots—one CFexpress Type B slot and one UHS-II SD slot—for file-saving flexibility. The CFexpress Type B slot should be prioritized for 6K video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.\u003c\/p\u003e \u003cp\u003eConnectivity\u003c\/p\u003e \u003cp\u003eExtensive wired and wireless connectivity options are available, allowing for multiple methods of transferring photos, videos, and voice memo data. Physically, the camera features a 1000BASE-T Ethernet interface and RJ-45 port for a fast and secure hardwired connection. When transferring wirelessly, 5GHz Wi-Fi and Bluetooth is available for transferring and remote camera control. Users of select smartphones can also make use of their device's mobile data for sharing files directly from the camera over 5G networks when the device is connected to the R3 via USB.\u003cbr\u003e \u003cbr\u003e There is also a built-in GPS module, which is compatible with GLONASS and QZSS, for in-camera location tagging to help streamline any geotagging and timestamp needs.\u003c\/p\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499267916093,"sku":"4895C022AA","price":86949.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/96730ce0bc9848386b12181fd6d5660b.png?v=1773556282"},{"product_id":"canon-cr-n700-4k-ptz-camera-with-15x-zoom-satin-black","title":"Canon CR-N700 4K PTZ Camera with 15x Zoom (Satin Black)","description":"\u003cp\u003eCapture exceptional 4K imaging in a PTZ form using the satin black \u003cstrong\u003eCR-N700 4K PTZ Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. Ideal for high-end broadcast, TV studio, and live event use, the compact CR-N700 supports up to UHD 4K60p 4:2:2 10-bit HDR video. The CR-N700 shares several features with high-resolution, cine-style Canon cameras like a 1\" type CMOS sensor, a Canon DIG!C DV7 image processor, Dual Pixel CMOS AF with EOS iTR AF X (autofocus), and a 15x optical\/20x digital zoom with a 30x Advanced Zoom in HD.\u003c\/p\u003e \u003cp\u003eThe CR-N700 PTZ camera's additional features include \"deep learning\" auto focus, 12G-SDI connectivity, flexible connectivity, and compatibility with multiple streaming and control protocols. Region of interest (ROI) crop capabilities enable you to highlight areas within your 4K image.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e1\" CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N700 features a Canon 1\" 4K CMOS image sensor that supports up to 4K60p 4:2:2 10-bit HDR image quality.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon DIG!C DV7 Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIncorporates Canon's DIG!C DV7 Image Processor for high image quality, advanced performance, and convenient operability. This advanced technology provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEOS iTR AF\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIntelligent Tracking and Recognition Auto Focus (EOS iTR AF) helps the camera focus on faces, even when a subject turns to look away from the camera\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced Zoom Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSupported IP and control protocols include NDI|HX, SRT, FreeD, RTMP\/RTMPS, RTP\/RTSP, Canon XC, and Standard Communication options\u003c\/li\u003e \u003cli\u003eThe CR-N700 features a 15x optical\/20x digital zoom with a 30x Advanced Zoom in HD that lets you get tight telephoto shots when getting closer physically isn't desired or possible\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eMultiple Protocol Support\u003c\/strong\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499268211005,"sku":"6022C001AA","price":139119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7b9050791a01909e8922f0717a40b844.png?v=1773556333"},{"product_id":"canon-eos-r7-body","title":"Canon EOS R7 Body","description":"\u003cp\u003eCanon EOS R7 Body\u003c\/p\u003e \u003cp\u003eEOS R7: Time to Level Up\u003c\/p\u003e \u003cp\u003eAn ideal blend of performance and portability, the \u003cstrong\u003eEOS R7\u003c\/strong\u003e represents \u003cstrong\u003eCanon\u003c\/strong\u003e's move into APS-C with the mirrorless R system. Featuring a 32.5MP CMOS sensor and DIGIC X processing, this sleek powerhouse is capable of high-speed 30 fps shooting for sports and wildlife and features the renowned Dual Pixel CMOS AF II focusing system to keep up with and track fast-moving subjects. And, for the multimedia image-maker, 4K video is supported at up to 60p, or 30p when oversampled from a 7K area, as well as Full HD at up to 120 fps.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e32.5MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760345.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e \u003cp\u003eBalancing resolution, speed, and low-light performance, the 32.5MP APS-C CMOS sensor is a versatile chip perfect for both photo and video applications. As one of the first APS-C sensors in the EOS R system, the R7's high-resolution design benefits photographers as well as 4K video by providing a 7K area for oversampling footage, which yields improved sharpness and quality.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760346.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R7 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from quick continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R7 supports up to 30 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760349.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eBeyond stills, the R7's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 7K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e \u003cbr\u003e HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 4K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R7 features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760347.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -5 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760348.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760350.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eA bright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 1.15x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003cbr\u003e \u003cbr\u003e In addition to the EVF, a 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.62m-dot resolution allows for vivid playback and live view monitoring.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760352.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eReliable and Intuitive Construction\u003c\/p\u003e \u003cul\u003e \u003cli\u003eReferencing the professional-grade EOS R3, the R7 is modeled after its robust physical design and sports a dust- and moisture-sealed body construction that's suitable for working in inclement conditions.\u003c\/li\u003e \u003cli\u003eRedesigned rear controls include a combined AF point selector and rear control wheel, which puts two of the most oft-used controls in a single intuitive-to-reach spot.\u003c\/li\u003e \u003cli\u003eDual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760351.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C 3.2 Gen 2 port along and a micro-HDMI port, along with 3.5mm headphone and microphone ports to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control.\u003c\/p\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499268243773,"sku":"5137C064AA","price":29989.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5fbecf9db99cfc36cd7587bb3579b732_6acf2ef7-4f8e-46fc-9ad5-2f1209298016.png?v=1773556354"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-body-only-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro Body Only (Canon EF)","description":"\u003cp\u003eTo top their previous achievement with the Pocket Cinema Camera 6K, Blackmagic Design adds an even more full-featured, compact Super35 camera to their cine-style line with the \u003cstrong\u003ePocket Cinema Camera 6K Pro\u003c\/strong\u003e. The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness, a Pro EVF option, built-in clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.\u003c\/p\u003e \u003cp\u003eWith only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up to 50 fps 6144 x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EF\/EF-S mount lenses available. The EF mount supports iris, autofocus, and zoom functions using electronic communication when using compatible lenses.\u003c\/p\u003e \u003cp\u003eThe 6K Pro can turn one frame into two by cropping a second shot from one frame, upscaling to 8K, or simply capturing rich, detailed footage with your favorite EF\/EF-S-mount lens. The updated Gen 5 internal color processing makes it easy to intercut 6K Pro, 6K, and BMPCC 4K footage. Record using the internal CFast 2.0 and SD\/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming, or output via the USB Type-C port to capture longer clips to an external SSD. The 6K Pro includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.\u003c\/p\u003e \u003cp\u003eThe compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output. Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\u003c\/p\u003e \u003cp\u003eAdditional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation. Sync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the 6K Pro internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve to automatically sync your multicamera shots in post.\u003c\/p\u003e \u003cp\u003eIn addition to the DaVinci Resolve Studio activation key, the 6K Pro comes with a 30W power supply offering simultaneous battery charging, an MP-F570 battery, a lens port cap, and a camera strap. Optional accessories designed specifically for the 6K Pro include the BMPCC Pro EVF and BMPCC Pro Battery Grip, available separately.\u003c\/p\u003e \u003ch4\u003eNew 6K Pro Features\u003c\/h4\u003e \u003cul\u003e \u003cli\u003e5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness\u003c\/li\u003e \u003cli\u003eBuilt-in clear\/2\/4\/6-stop IR ND filters\u003c\/li\u003e \u003cli\u003eDual mini-XLR inputs\u003c\/li\u003e \u003cli\u003eElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\u003c\/li\u003e \u003cli\u003eSuper-accurate timecode clock\u003c\/li\u003e \u003cli\u003eNP-F570 L-series battery slot\u003c\/li\u003e \u003cli\u003eUpdated Gen 5 color science\u003c\/li\u003e \u003cli\u003eOptional Pro EVF and battery grip\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eFeatures\u003c\/h4\u003e \u003ch5\u003eActive Canon EF Lens Mount\u003c\/h5\u003e \u003cp\u003eChoose from a wide array of Canon EF\/EF-S-mount lenses and automatically populate lens metadata with compatible lenses\u003c\/p\u003e \u003ch5\u003eSuper35 Image Sensor \/ Dual Native ISO\u003c\/h5\u003e \u003cp\u003eThe 6K Pro camera uses a Super35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 50 fps\u003c\/p\u003e \u003ch5\u003eBlackmagic Raw and ProRes Options\u003c\/h5\u003e \u003cp\u003eCapture in Blackmagic Raw or ProRes 422 options depending on your project's needs\u003c\/p\u003e \u003ch5\u003eUp to 6K Shooting Resolutions\u003c\/h5\u003e \u003cp\u003eMultiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more\u003c\/p\u003e \u003ch5\u003eVersatile Media Capture Options\u003c\/h5\u003e \u003cp\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external SSD\u003c\/p\u003e \u003ch5\u003eDaVinci Resolve Studio License Included\u003c\/h5\u003e \u003cp\u003eThe 6K Pro is compatible with DaVinci Resolve and includes an activation key for Resolve Studio\u003c\/p\u003e \u003ch3\u003eSpecs\u003c\/h3\u003e \u003ch4\u003eSpecs\u003c\/h4\u003e \u003ch4\u003eImaging\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon EF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Communication\u003c\/td\u003e \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eEffective: 21.2 Megapixel (6144 x 3456)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Type\u003c\/td\u003e \u003ctd\u003e23.1 x 12.99 mm (Super35) CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003eMechanical Filter Wheel with Clear, 2 Stop (1\/4), 4 Stop (1\/16), 6 Stop (1\/64) ND Filters\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInternal Filter Holder\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eExposure Control\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISO Sensitivity\u003c\/td\u003e \u003ctd\u003e100 to 25,600\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Angle\u003c\/td\u003e \u003ctd\u003e5 to 360°\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAdvertised Dynamic Range\u003c\/td\u003e \u003ctd\u003e13 Stops\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eVideo Capture\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eProRes 422\/ProRes 422 HQ\/ProRes 422 Proxy\/ProRes 422LT\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) up to 60.00 fps\u003cbr\u003e UHD 4K (3840 x 2160) up to 60.00 fps\u003cbr\u003e 1920 x 1080p up to fps\u003cbr\u003e \u003cstrong\u003eBlackmagic RAW\u003c\/strong\u003e\u003cbr\u003e 6144 x 3456 at 23.98\/24.00\/25\/29.97\/50 fps [49 to 483 Mb\/s]\u003cbr\u003e 6144 x 2560 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [37 to 359 Mb\/s]\u003cbr\u003e 5744 x 3024 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [40 to 395 Mb\/s]\u003cbr\u003e 4096 x 2160 at 23.98\/24.00\/25\/29.97 fps [28 to 163 Mb\/s]\u003cbr\u003e 3728 x 3104 at 23.98\/24.00\/25\/29.97 fps [36 to 265 Mb\/s]\u003cbr\u003e 2868 x 1512 at 23.98\/24.00\/25\/29.97 fps [14 to 101 Mb\/s] \u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e 1920 x 1080p\u003cbr\u003e \u003cstrong\u003eRaw via USB\u003c\/strong\u003e\u003cbr\u003e 6144 x 3456 at 23.98\/24.00\/25\/29.97\/50 fps\u003cbr\u003e 6144 x 2560 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003cbr\u003e 5744 x 3024 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Crop While Recording\u003c\/td\u003e \u003ctd\u003e6K (6144 x 2560) in 2.4:1 When Recording in Raw\u003cbr\u003e 5744 x 3024 When Recording in Raw\u003cbr\u003e 4K (4096 x 2160) When Recording in Raw\u003cbr\u003e 3728 x 3104 When Recording in Raw\u003cbr\u003e 2868 x 1512 When Recording in Raw\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eStill Image Capture\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eImage File Format\u003c\/td\u003e \u003ctd\u003eDNG\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eInterface\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eSlot 1: SD\/SDHC\/SDXC (UHS-II)\u003cbr\u003e Slot 2: CFast\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eMini XLR Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Mic\/Line Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eWeipu SF610\/S2 (12 to 20 VDC) Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (USB 3.2 \/ 3.1 Gen 1) Control\/Video Output\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm (Timecode) Input (Shared with Mic\/Line Input)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003eBluetooth Control\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eMonitor\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e5\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1920 x 1080\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eTilting Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eOptional, Not Included\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eFocus\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eEnvironmental\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e-4 to 113°F \/ -20 to 45°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e0 to 90%\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003eGeneral\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eSony L-Series\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003e1\/4\"-20 Female\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mount\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaterial of Construction\u003c\/td\u003e \u003ctd\u003eCarbon Fiber\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e7.08 x 4.41 x 4.84\" \/ 179.83 x 112.01 x 122.94 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e2.73 lb \/ 1.24 kg\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e \u003ch4\u003ePackaging Info\u003c\/h4\u003e \u003cp\u003e \u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e4.61 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e10.5 x 7.8 x 7.1\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499277418813,"sku":"BLA-CINECAMPOCHDEF06P","price":57808.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/c8fcd4d7e01049b1cc331b9968f2c185.png?v=1773557824"},{"product_id":"blackmagic-design-studio-camera-4k-pro-g2","title":"Blackmagic Design Studio Camera 4K Pro G2","description":"\u003cp\u003eMade to work seamlessly with powerful SDI video switchers, the \u003cstrong\u003eBlackmagic Design Studio Camera 4K Pro G2\u003c\/strong\u003e now offers live streaming plus pro connections like 12G-SDI and 10GbE Ethernet. The Ethernet connection enables you to set up a SMPTE-style workflow using a more affordable single-cable setup with PoE (power over ethernet) and the 12G-SDI output and program return provides camera control, talkback, and tally functions. This latest 4K Pro model retains features like a 7\" touchscreen monitor, HDMI output, Blackmagic Raw recording, HDR support, XLR audio, and Micro Four Thirds lens mount from its predecessor.\u003c\/p\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eCompact and Lightweight Design\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 4K Pro G2 model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eGlobal Live Streaming\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 4K Pro G2 as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eExceptional Low-Light Performance\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e\u003cstrong\u003eCinematic Images in Live Production\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 4K Pro G2 camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e\u003cstrong\u003eAffordable Photographic Lenses\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eWith the popular MFT lens mount, Studio Camera 4K Pro G2 is compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e\u003cstrong\u003eFrame Shots with Large 7\" Viewfinder\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003ePhysical and Touchscreen Controls\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eCommunicate with the Director via Talkback\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eFour Ways to Connect\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 4K Pro G2 has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera output video, and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eBuilt-In Tally for On-Air Status\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e\u003cstrong\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro G2 model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eUSB Expansion Port for Accessories\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Quality\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats such as H.264, Blackmagic RAW eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eIncludes Built-In Microphones\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 4K Pro G2 model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eSupports 3D LUTs for Film Looks\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eLocalised in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, and Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003ePowers from DC or 10G Ethernet\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eBlackmagic Studio Camera 4K Pro G2 has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003eYou can utilise the Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499278139709,"sku":"BLA-CINSTUDMFT\/G24PDFG2","price":39320.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/bb7111dd07d2f49b972d44491e7cf3e4.png?v=1773557919"},{"product_id":"blackmagic-design-studio-camera-6k-pro-ef-mount-body-only","title":"Blackmagic Design Studio Camera 6K Pro EF Mount (body only)","description":"\u003cp\u003eBoost your studio recording with cinematic images using the Blackmagic Design Studio Camera 6K Pro. This latest model of the Studio Camera not only boasts a 6K sensor for greater resolution and full RGB color, it also features an active Canon EF mount—providing compatibility with a large array of affordable EF-mount cine-style and still lenses. The Studio Camera 6K Pro now offers live streaming while retaining the talkback, tally, color correction, and raw recording to USB disks of the original 6K version. Built-in, electronically controllable ND filters let you quickly adapt to changing light conditions and a host of both broadcast and consumer interfaces makes it a snap to connect the 6K Pro to your studio setup.\u003c\/p\u003e \u003ch5\u003eCinematic 6K Images for Live Production\u003c\/h5\u003e \u003cp\u003eThe larger 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 6K Pro camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 6144 x 3456, which produces truly cinematic images with support for frame rates from 23.98 up to 60 fps.\u003c\/p\u003e \u003ch5\u003eCanon EF Lens Mount\u003c\/h5\u003e \u003cp\u003eEquipped with a an active Canon EF lens mount, Studio Camera 6K Pro is compatible with a wide range of affordable cine-style and photographic lenses. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e \u003ch5\u003eCompact and Lightweight Design\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Camera 6K Pro tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber-reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e \u003ch5\u003eGlobal Live Streaming\u003c\/h5\u003e \u003cp\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 6K Pro as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e \u003ch5\u003eBuilt-In ND Filters\u003c\/h5\u003e \u003cp\u003eUse the Blackmagic Studio Camera 6K Pro's built-in ND filters to quickly and easily adjust the amount of light entering the camera. Designed to match the color of the camera, the 2, 4, and 6-stop neutral density filters (plus clear) filter both optical and IR wavelengths, eliminating IR contamination. The ND filters can be controlled using the buttons on the camera or remotely.\u003c\/p\u003e \u003ch5\u003ePowerful Broadcast Connections\u003c\/h5\u003e \u003cp\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 6K Pro model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e \u003ch5\u003eExceptional Low-Light Performance\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Camera 6K Pro features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e \u003ch5\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h5\u003e \u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e \u003ch5\u003ePhysical and Touchscreen Controls\u003c\/h5\u003e \u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e \u003ch5\u003eCommunicate with the Director via Talkback\u003c\/h5\u003e \u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 6K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e \u003ch5\u003eFour Ways to Connect\u003c\/h5\u003e \u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 6K Pro has 12G-SDI, so you can connect it to SDI-based switchers, such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e \u003ch5\u003eBuilt-In Tally for On-Air Status\u003c\/h5\u003e \u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e \u003ch5\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Camera 6K Pro model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 6K Pro model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e \u003ch5\u003eUSB Expansion Port for Accessories\u003c\/h5\u003e \u003cp\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality, 12-bit Blackmagic Raw files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e \u003ch5\u003eBlackmagic Raw Quality\u003c\/h5\u003e \u003cp\u003eBlackmagic Raw is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats, such as H.264, Blackmagic Raw eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e \u003ch5\u003eIncludes Built-In Microphones\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Camera 6K Pro incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 6K Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e \u003ch5\u003eMonitor Program Video\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Camera 6K Pro lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e \u003ch5\u003eSupports 3D LUTs for Film Looks\u003c\/h5\u003e \u003cp\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic Raw image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic Raw file, but only used when you enable it.\u003c\/p\u003e \u003ch5\u003eLocalized in 13 Popular Languages\u003c\/h5\u003e \u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, or Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e \u003ch5\u003ePowers from DC or 10G Ethernet\u003c\/h5\u003e \u003cp\u003eBlackmagic Studio Camera 6K Pro has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 6K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e \u003ch5\u003eOptional Accessories\u003c\/h5\u003e \u003cp\u003eYou can use the separately available Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499278172477,"sku":"BLA-CINSTUDMFT\/G26PDK","price":52262.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d14a05a0bf3cad8b7bbb78b2c8654067.png?v=1773557939"},{"product_id":"blackmagic-design-ursa-broadcast-g2-incl-b4-ef-lens-mount-vlock-battery-plate-top-handle-shoulder-pad","title":"Blackmagic URSA Broadcast G2 w\/ B4 \u0026 EF Mount, V-Lock, Top-Handle \u0026 Shoulder Pad","description":"\u003cp\u003eUpdate your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the Blackmagic Design URSA G2 Broadcast Camera. This updated G2 model features generation 5 color science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2\/3\" B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.\u003c\/p\u003e \u003cp\u003eThe camera body is constructed with durable and lightweight magnesium, so it will hold steady in any environment. To power the camera, you can use the included 12 VDC power adapter or the preinstalled V-mount plate to utilize professional, high-capacity V-mount batteries. Also included with the camera are the URSA Mini shoulder pad, the URSA Mini top handle, a viewfinder mounting plate, and all the installation hardware and lens caps. A downloadable copy of DaVinci Resolve Studio is included, along with access to future camera software updates.\u003c\/p\u003e \u003ch4\u003eThree Cameras in One\u003c\/h4\u003e \u003ch4\u003eBroadcast Production Camera\u003c\/h4\u003e \u003cp\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera, so you can locate them by feel. It also features a low-light sensor, so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/p\u003e \u003ch4\u003eLive Studio Camera\u003c\/h4\u003e \u003cp\u003eURSA Broadcast includes an advanced YRGB color corrector built-in and full remote camera control. You can use B4 ENG or large studio box lenses, or even change the lens mount and use any lens. Plus, the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/p\u003e \u003ch4\u003eDigital Cinema Camera\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus, the high dynamic range, great low-light performance, and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/p\u003e \u003ch4\u003eKey Features\u003c\/h4\u003e \u003ch4\u003eDigital Film Quality for Broadcast\u003c\/h4\u003e \u003cp\u003eThe large 6K sensor, combined with Blackmagic generation 5 color science, gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcasts. The 6K sensor features a resolution of 6144 x 3456, so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then, if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality.\u003c\/p\u003e \u003ch4\u003eLow-Light Performance\u003c\/h4\u003e \u003cp\u003eThe new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.\u003c\/p\u003e \u003ch4\u003eCompatible with B4 Broadcast Lenses\u003c\/h4\u003e \u003cp\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.\u003c\/p\u003e \u003ch4\u003eBuilt-In Optical ND Filters\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1\/4, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.\u003c\/p\u003e \u003ch4\u003eCommon Media and File Formats\u003c\/h4\u003e \u003cp\u003eURSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/p\u003e \u003ch4\u003eDual Media Slots for Nonstop Recording\u003c\/h4\u003e \u003cp\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.\u003c\/p\u003e \u003ch4\u003eUSB Type-C for Recording Direct to External Media Disks\u003c\/h4\u003e \u003cp\u003eThe Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/p\u003e \u003ch4\u003eStrong and Lightweight Magnesium Design\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.\u003c\/p\u003e \u003ch4\u003eBuilt-In LCD with Touch Controls\u003c\/h4\u003e \u003cp\u003eWith a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.\u003c\/p\u003e \u003ch4\u003eExternal Status Display\u003c\/h4\u003e \u003cp\u003eThe status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/p\u003e \u003ch4\u003eProgram Video Monitoring\u003c\/h4\u003e \u003cp\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/p\u003e \u003ch4\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/h4\u003e \u003cp\u003eDigital film cameras shoot logarithmic color space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.\u003c\/p\u003e \u003ch4\u003eStandard Television Industry Connections\u003c\/h4\u003e \u003cp\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections, such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multirate and switch between all HD and UHD formats up to 2160p60. Other connections include a headphone connection, USB Type-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a front-mounted 12-pin Hirose connector for broadcast lens control, which can also power the lens. Plus, for connecting a viewfinder or on-set monitor, there's even an HD-SDI monitoring output and a broadcast style 4-pin XLR 12 VDC power output.\u003c\/p\u003e \u003ch4\u003eSupports All Broadcast Frame Rates\u003c\/h4\u003e \u003cp\u003eWhether you're shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super-smooth, crystal clear slow-motion video. To shoot slow-motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file for smooth slow-motion shooting. You can set up your preferred high-speed frame rate using the camera's on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so it's instantly available when the action gets exciting.\u003c\/p\u003e \u003ch4\u003eProfessional Audio Connections and Built-In Microphones\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don't have to carry any extra sound equipment. That means you can use the built-in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip-on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.\u003c\/p\u003e \u003ch4\u003eStudio Camera Control via SDI\u003c\/h4\u003e \u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number, and it all works. This means someone can manage the image color and gain, so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.\u003c\/p\u003e \u003ch4\u003eWork in Both HD or Ultra HD\u003c\/h4\u003e \u003cp\u003eThe Blackmagic URSA Broadcast G2 is not just a great UHD 4K camera, but it's also an amazing HD camera. The high-resolution sensor and generation 5 color science create amazing images with a high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080 HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world. Plus, when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that's perfect for both HD and UHD production.\u003c\/p\u003e \u003ch4\u003eChange to PL, EF, and F Lens Mounts\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 features an interchangeable lens mount, so you can easily swap the included B4 lens mount for an EF, a PL, or even an F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you're starting out, you can change the mount and use low-cost photographic lenses. Photographic lenses offer incredible quality because they're designed for high-resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best. as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses.\u003c\/p\u003e \u003ch4\u003eLatest Generation 5 Color Science\u003c\/h4\u003e \u003cp\u003eFeaturing the same generation 5 color science as the high-end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones, and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows for better-looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata, which you can then use in post-production. That means you get images that have a natural, filmlike response to color adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e \u003ch4\u003eBlackmagic RAW Quality\u003c\/h4\u003e \u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e \u003ch4\u003ePowered by Blackmagic OS\u003c\/h4\u003e \u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system, where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e \u003ch4\u003eBuilt-In Timecode Generator\u003c\/h4\u003e \u003cp\u003eAll models of Blackmagic URSA Broadcast G2 have a built-in time-of-day timecode generator, so you can sync all the cameras and then do multicamera editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input, and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording, and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras. Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.\u003c\/p\u003e \u003ch4\u003eFocus and Zoom Demands\u003c\/h4\u003e \u003cp\u003eThe optional zoom and focus demands allow you to use photography lenses for live production. The focus and zoom demands have USB Type-C connections, so they control the lens via the camera's electronic lens control. Each zoom and focus demand has two USB Type-C ports, so you can daisy-chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel, so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized, so you can assign different camera functions to them. Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.\u003c\/p\u003e \u003ch4\u003eOptional Viewfinders, SMPTE Fiber, and Lens Mounts\u003c\/h4\u003e \u003cp\u003eThere's a wide range of accessories specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-mount battery plate, and top handle are included, so you don't need to purchase anything extra. Plus, you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production, you can add a Blackmagic URSA Studio Viewfinder. There's also an optional fiber converter that can power the camera from 1.2 miles away via the single SMPTE fiber. For long-duration recording, URSA Mini Recorder gives you the option to record to external SSDs.\u003c\/p\u003e \u003ch4\u003eRecord to SSDs and U.2 Media\u003c\/h4\u003e \u003cp\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5\" SSDs, as well as the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing-fast performance allows you longer recording times for full-resolution 4K and 6K 12-bit Blackmagic RAW files in the highest-quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It's controlled via the USB-C, so you don't have to worry about manually starting or stopping the SSD recorder.\u003c\/p\u003e \u003ch4\u003eLocalized in 13 Languages\u003c\/h4\u003e \u003cp\u003eAll Blackmagic Design cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, the heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e \u003ch4\u003eWireless Bluetooth Camera Remote Control\u003c\/h4\u003e \u003cp\u003eIf you're positioning the camera on the end of a boom or in another hard-to-reach location, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/p\u003e \u003ch4\u003eCompatible with Industry-Standard Batteries\u003c\/h4\u003e \u003cp\u003eAll URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-mount battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12 to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 1.2 miles away via a single SMPTE fiber cable.\u003c\/p\u003e \u003ch4\u003eIncludes DaVinci Resolve Studio\u003c\/h4\u003e \u003cp\u003eURSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together, and output it fast. In addition to the new cut page, you also get DaVinci's legendary professional editing, advanced color correction, audio post, and visual effects tools, all in a single software application. Now you can use the same high-end software that professional editors and colorists use.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499278860605,"sku":"BLA-CINEURSAMWC6KG2","price":90727.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/bc98f5837d6e38ff35c5b311c27669ae.png?v=1776330777"},{"product_id":"blackmagic-pyxis-12k-body-only-1","title":"Blackmagic PYXIS 12K (body only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a native, active Leica L lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499279778109,"sku":"BLA-CINECAMCPYXM12LFL","price":107326.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/781590df6724338051d1b29cad8d9f1f_51207538-d9f8-4538-8352-8971123b4fac.png?v=1773558278"},{"product_id":"blackmagic-pyxis-12k-ef-body-only-1","title":"Blackmagic PYXIS 12K EF (body only)","description":"\u003cp\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/p\u003e\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a Canon EF lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468224.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468229.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\u003cp\u003eFlexible Film Formats\u003c\/p\u003e\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468228.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468232.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468227.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustomizable Rigging\u003c\/p\u003e\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468231.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\n\u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468212.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePost-Production-Friendly Formats\u003c\/p\u003e\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468241.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMultiple Recording Options\u003c\/p\u003e\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468215.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLive Syncing to Blackmagic Cloud\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eBuilt-In Streaming\u003c\/p\u003e\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2468233.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eExpansive Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\n\u003cli\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/li\u003e\n\u003cli\u003eA Reference\/Timecode input port syncs your sources. \u003c\/li\u003e\n\u003cli\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/li\u003e\n\u003cli\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\n\u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499279810877,"sku":"BLA-CINECAMCPYXN12LFEF","price":107223.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f0713b97e1fd2f79194a2076272498f6_6d505421-6590-442a-9ed7-d7b2d70c755d.png?v=1773558285"},{"product_id":"blackmagic-pyxis-6k-1","title":"Blackmagic PYXIS 6K (Leica L)","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a native Leica L lens mount with customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232261.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232265.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232263.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Film Formats\u003c\/p\u003e \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232258.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232262.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCustomize Your Gear\u003c\/p\u003e \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232257.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232259.jpg\"\u003e\u003c\/p\u003e \u003cp\u003ePost-Production File Formats\u003c\/p\u003e \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232253.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eMultiple Recording Options\u003c\/p\u003e \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232252.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232254.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eExpansive Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499279843645,"sku":"BLA-CINECAMCPYXA60LFL","price":41719.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b12c831351736ea19b17ceac3775d909.png?v=1773558296"},{"product_id":"blackmagic-pyxis-6k-ef-1","title":"Blackmagic PYXIS 6K EF","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable Canon EF lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232280.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232284.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232282.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Film Formats\u003c\/p\u003e \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232277.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232281.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCustomize Your Gear\u003c\/p\u003e \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232276.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232278.jpg\"\u003e\u003c\/p\u003e \u003cp\u003ePost-Production File Formats\u003c\/p\u003e \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232272.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eMultiple Recording Options\u003c\/p\u003e \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232271.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232273.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eExpansive Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499279876413,"sku":"BLA-CINECAMCPYXD60LFEF","price":41719.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7f6c8678b0e6ff220932ac97dcb647ed.png?v=1773558307"},{"product_id":"blackmagic-pyxis-6k-pl-1","title":"Blackmagic PYXIS 6K PL","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design PYXIS 6K Cinema Box Camera\u003c\/strong\u003e takes the digital film innovations of the Blackmagic Design Cinema Camera 6K and turns it into a box-style cinema camera with a lockable ARRI PL lens mount and customizable side plates. A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232299.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232303.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232301.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Film Formats\u003c\/p\u003e \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e \u003cp\u003eMultiple Resolutions and Frame Rates\u003c\/p\u003e \u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the center and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232296.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e \u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232300.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCustomize Your Gear\u003c\/p\u003e \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232295.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232297.jpg\"\u003e\u003c\/p\u003e \u003cp\u003ePost-Production File Formats\u003c\/p\u003e \u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and color during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232291.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eMultiple Recording Options\u003c\/p\u003e \u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232290.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/p\u003e \u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232292.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eExpansive Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e \u003cli\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eIn the Box\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)\u003c\/li\u003e \u003cli\u003ePYXIS Standard Mounting Plate\u003c\/li\u003e \u003cli\u003ePYXIS SSD Mounting Plate\u003c\/li\u003e \u003cli\u003ePower Supply with International Adapters (60W)\u003c\/li\u003e \u003cli\u003eDaVinci Resolve Studio Activation Key\u003c\/li\u003e \u003cli\u003eLimited 1-Year Manufacturer Warranty\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eNot in the Box\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eEssential \u003ca href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1823586-REG\/blackmagic_design_blpyxis6kpl_pyxis_6k_cinema_box.html\/accessories\/47931\" title=\"Recording media is not included; a memory card is required to record your footage.\"\u003eRecording Media (Not Included)\u003c\/a\u003e\n\u003c\/li\u003e \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499279909181,"sku":"BLA-CINECAMCPYXH60LFPL","price":45924.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/68cfed5a19088c3906bf4b0c83d301ba.png?v=1773558321"},{"product_id":"canon-cr-n100-4k-ptz-camera-black-1","title":"Canon CR-N100 4K PTZ Camera (black)","description":"\u003cp\u003eClarity and Control\u003c\/p\u003e \u003cp\u003eAdd remotely controlled cameras to your production for operation with minimal crew and a high-resolution output, the satin black \u003cstrong\u003eCR-N100 4K NDI PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe CR-N100 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, optical image stabilization, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX and SRT support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079852.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e1\/2.3\" CMOS Sensor\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079859.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eCanon's DIGIC DV 6 Image Processor is essential in providing high image quality, advanced performance and convenient operability to the CR-N100. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003eOversampling HD Processing\u003c\/p\u003e \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N100.\u003c\/p\u003e \u003cp\u003eCanon 4K UHD Lens\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079861.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a 20x optical zoom lens and exhibits a wide horizontal viewing angle of 65.6°. At the wide end, the 29.3mm lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for impressive wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe lens structure of the CR-N100 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e \u003cp\u003eHybrid AF\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079846.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 is equipped with \"Hybrid AF\", an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e \u003cp\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079854.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 features a PT (Pan, Tilt) drive mechanism that enables multi-step speed changes from high to low speeds, providing smooth PT in tandem with the zoom. This can be linked with optional remote controllers and applications to support many kinds of video production with a single operator. The CR-N100 has a variable Pan speed of .2 to 300°\/second and variable Tilt speed of .2 to 180°\/second.\u003c\/p\u003e \u003cp\u003eTally Lamp\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079869.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N100 is equipped with a tally lamp located on the front of the lens section that can illuminate red when the camera is shooting. This provides clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003eFour Scene Modes for Impressive Video\u003c\/p\u003e \u003cp\u003eThe CR-N100 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cul\u003e \u003cli\u003ePortrait mode: exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e \u003cli\u003eSports mode: enhances capture of moving objects\u003c\/li\u003e \u003cli\u003eLow-Light mode: enhances capture of bright images, even in dark places\u003c\/li\u003e \u003cli\u003eSpotlight mode: enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e \u003cp\u003eBuilt-in NDI|HX and SRT Support\u003c\/p\u003e \u003cp\u003eThe CR-N100 supports multiple professional protocols for ease of integration. NDI|HX is built-in to the camera and provides high image quality, low latency, and ease of implementation. SRT is also built-in to the camera that helps provide high-quality video over unpredictable public networks.\u003c\/p\u003e \u003cp\u003eWebcam via USB Connection\u003c\/p\u003e \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. The software has many advantages such as, automatic camera detection, up to 4K 30P video output, embedded audio (AAC-LC), supports up to five cameras and is free of charge.\u003c\/p\u003e \u003cp\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079871.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is an IP protocol that controls Canon video production equipment. With XC Protocol, the CR-N100 can be remotely controlled to support a wide range of applications, which includes sports, music, live events, lecture recording, corporate meeting rooms, video production, and more.\u003c\/p\u003e \u003cp\u003eStandard Protocol\u003c\/p\u003e \u003cp\u003eThe CR-N100 supports the Standard Protocol to remotely control the camera via IP. When connecting a Standard Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing an optional remote controller.\u003c\/p\u003e \u003cp\u003eVarious Interfaces Supported\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079863.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe IP output and HDMI output are suitable when capturing UHD 4K at 30pThe CR-N100 comes with an infrared remote control which can be used to control a variety of camera functions including PTZ, presets, speed, focus, standby mode, etc.\u003c\/li\u003e \u003cli\u003eThe CR-N100 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.\u003c\/li\u003e \u003cli\u003eThe serial terminal RS-422 can be utilized to connect third party supported controllers that support the standard protocol communication. or full HD resolutions at 59.94p. The USB output is capable of full HD resolution for high quality web conferencing.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eHigh-Quality Audio Input\/Output\u003c\/p\u003e \u003cp\u003eThe CR-N100 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003eRemote Camera Control Application\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N100. The Remote Camera Control Application is a Windows \/ Macintosh application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a \"multi-camera operation\".\u003c\/p\u003e \u003cp\u003eWebcam Driver\u003c\/p\u003e \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. The software has many advantages such as, automatic camera detection, up to 4K30 video output, embedded audio (AAC-LC), supports up to five cameras and is free of charge.\u003c\/p\u003e \u003cp\u003eMulti-Camera Management Application\u003c\/p\u003e \u003cp\u003eIdeal for use in large-scale camera systems, the Multi-Camera Management Application (MCMA) supports up to 200 individual compatible PTZ, professional video, and cinema cameras. The MCMA streamlines the registration of usernames, passwords and IP addresses to a camera, and registration of cameras to the optional RC-IP1000 by executing these procedures all at once, instead of individually to each camera. This allows for a rapid initial configuration of large-scale systems with minimal workload.\u003c\/p\u003e \u003cp\u003eAdd-On Application Support\u003c\/p\u003e \u003cp\u003eThe Add-On Application System will enable the installation of paid applications directly onto the camera. These applications can then be run without the need for a computer, simplifying operations and set-up.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe Auto Tracking Application enables the camera to automatically track the speaker or other specified persons during commercial presentations, lectures and other events. Because visual analysis is performed in-camera, the system achieves excellent tracking capability. In addition to framing a person in the shot, the camera, aided by its high-performance pan\/tilt mechanism and the automatic tracking application, can smoothly capture movements of people with satisfying quality for video production.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281023293,"sku":"6527C003AB","price":30429.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1a4500af6aa4a925400c176f435f2a37_f50f2c13-e5b7-457a-8eb9-d5000c9487e4.png?v=1773558534"},{"product_id":"canon-cr-n300-4k-ndi-ptz-camera-with-20x-zoom-titanium-white","title":"Canon CR-N300 4K NDI PTZ Camera with 20x Zoom (Titanium White)","description":"\u003cp\u003eIf you have a professional production that requires remotely controlled cameras with minimal crew and a high-resolution output, the titanium white \u003cstrong\u003eCR-N300 4K NDI PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e \u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eThere are four types of Scene Modes:\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePortrait mode—exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e \u003cli\u003eSports mode—enhances capture of moving objects\u003c\/li\u003e \u003cli\u003eLow-Light mode—enhances capture of bright images, even in dark places\u003c\/li\u003e \u003cli\u003eSpotlight mode—enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWebcam via USB Connection\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0), which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003c\/p\u003e \u003cp\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e \u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e \u003cp\u003eBy constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the standard VISCA protocol to remotely control the camera via IP. When connecting a VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003c\/p\u003e \u003cp\u003eThe standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N300 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting the XC Protocol, the CR-N300 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture capture, corporate video production, and more.\u003c\/p\u003e \u003cp\u003eThe CR-N300 can be controlled by IP, infrared, USB, and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image-quality video at 59.94p. The USB output is capable of full HD resolution for high-quality web conferencing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh-Quality Audio Input\/Output\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll New Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e \u003cp\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a \"multi-camera operation\".\u003c\/p\u003e \u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance, making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281056061,"sku":"5157C004AB","price":39119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/03b08d36f784bc78c8f384aaa8aba1ec.png?v=1773558549"},{"product_id":"canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-satin-black","title":"Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom (Satin Black)","description":"\u003cp\u003eIf you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew, and you need more accurate camera-matching than a traditional PTZ camera, the satin black \u003cstrong\u003eCR-N500 Professional 4K NDI PTZ Camera with 15x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production. The CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that postproduction camera matching and color correction is made easy.\u003c\/p\u003e \u003cp\u003eThe CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1\" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR \/ 3.5mm microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1\/4, 1\/16, and 1\/64 options.\u003c\/p\u003e \u003cp\u003eWhere the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP\/RTMP\/RTSP streaming output.\u003c\/p\u003e \u003cp\u003eThe camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports  wide dynamic range, minimum brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 25.5 to 382.5mm. The camera can utilize an external controller via RS-422 or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e1\" CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features a Canon 1\" 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions.\u003cbr\u003e \u003cbr\u003e The 1\" sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon's DPAF tracks and keeps subjects in sharp focus. The CR-N500's DIG!C DV 6 imaging processor drives the high sensitivity (1.5 lux) and low-noise performance of the camera yielding amazing imagery in a variety of shooting conditions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon DIG!C DV6 Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDual-Pixel CMOS AF is Canon's breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual-Pixel CMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning, or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual-Pixel Focus Guide\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUtilizing information from Dual-Pixel CMOS AF, Dual-Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly and innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFace Detection and Tracking\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection and Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority and Face Only). Face Priority will track a face within the scene; when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene; if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject, allowing the operator to focus on composition while the camera handles focus.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon UHD 4K Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73° (horizontal). At the wide end, the 25.5mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities: 1\/4, 1\/16, and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOptical-Shift Stabilization\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition, full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSmooth and Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speed to desired preference to allow for smooth PT movement. The CR-N500 exhibits a variable pan and tilt speed of 0.1 to 100°\/second.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Log 3 Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800% \/ 13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003cbr\u003e \u003cbr\u003e Log shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions. Canon Log 3 is a gamma considering a simple grading by tightening the dark area to arrange the gradation, which retains the ease of use of Canon Log making the noise less visible.\u003cbr\u003e \u003cbr\u003e Shooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWide DR Gamma Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports Wide DR Gamma for natural and realistic-looking images that faithfully represent the scene at hand. Wide DR Gamma achieves a dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with Six Image-Quality Modes\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with the acclaimed image quality modes for high-end video production. There are six preset image modes to choose from, each preset contains specific gamma, color space, and color matrix parameters. Apart from the preset image-quality mode, adjusting and combining the gamma, color space, and color matrix make it possible to adjust to the intended image look.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with a Variety of Image-Quality Adjustment Functions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features the Image-Quality Adjustment function (Custom Picture) which is acclaimed for high-end video production. The Image-Quality Adjustment function of the CR-N500 is similar to Canon's XF705 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects, according to the intention of direction. This function makes it possible for content creators to match the image capture of other cameras in a production, resulting in a match of image output.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N500 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N500 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N500. The CR-N500 can also be combined with third-party equipment for control purposes. This IP system can help contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the Standard VISCA Protocol to remotely control the camera via IP. When connecting a standard VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003cbr\u003e \u003cbr\u003e The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N500 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupport for Canon XC protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon's video production equipment. By supporting the XC Protocol, the CR-N500 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with three output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94p.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e2-Channel XLR Audio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 offers a variety of ways to record high-quality audio through two XLR terminals, and internal stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard Serial RS-422\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with a serial terminal RS-422 which can be utilized to connect third-party supported controllers that support the standard VISCA protocol communication.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOne-Person Operation\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 can be controlled by IP, infrared, and Wi-Fi. Canon's hardware controller, the RC-IP100, is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N500 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll-New Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N500 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section, and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to the IP interface, the CR-N500 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N500 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N500 within an existing network infrastructure. Furthermore, the CR-N500 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N500. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a multi-camera operation.\u003cbr\u003e \u003cbr\u003e At a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281088829,"sku":"4839C003AA","price":82599.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a619e07f785ab613b1b8d88e5edd724e.png?v=1773558568"},{"product_id":"canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-titanium-white","title":"Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom (Titanium White)","description":"\u003cp\u003eIf you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew, and you need more accurate camera-matching than a traditional PTZ camera, the titanium white \u003cstrong\u003eCR-N500 Professional 4K NDI PTZ Camera with 15x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production. The CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that postproduction camera matching and color correction is made easy.\u003c\/p\u003e \u003cp\u003eThe CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1\" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR \/ 3.5mm microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1\/4, 1\/16, and 1\/64 options.\u003c\/p\u003e \u003cp\u003eWhere the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP\/RTMP\/RTSP streaming output.\u003c\/p\u003e \u003cp\u003eThe camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports  wide dynamic range, minimum brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 25.5 to 382.5mm. The camera can utilize an external controller via RS-422 or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e1\" CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features a Canon 1\" 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions.\u003cbr\u003e \u003cbr\u003e The 1\" sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon's DPAF tracks and keeps subjects in sharp focus. The CR-N500's DIG!C DV 6 imaging processor drives the high sensitivity (1.5 lux) and low-noise performance of the camera yielding amazing imagery in a variety of shooting conditions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon DIG!C DV6 Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDual-Pixel CMOS AF is Canon's breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual-Pixel CMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning, or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual-Pixel Focus Guide\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUtilizing information from Dual-Pixel CMOS AF, Dual-Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly and innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFace Detection and Tracking\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection and Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority and Face Only). Face Priority will track a face within the scene; when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene; if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject, allowing the operator to focus on composition while the camera handles focus.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon UHD 4K Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73° (horizontal). At the wide end, the 25.5mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities: 1\/4, 1\/16, and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOptical-Shift Stabilization\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition, full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSmooth and Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speed to desired preference to allow for smooth PT movement. The CR-N500 exhibits a variable pan and tilt speed of 0.1 to 100°\/second.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Log 3 Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800% \/ 13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003cbr\u003e \u003cbr\u003e Log shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions. Canon Log 3 is a gamma considering a simple grading by tightening the dark area to arrange the gradation, which retains the ease of use of Canon Log making the noise less visible.\u003cbr\u003e \u003cbr\u003e Shooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWide DR Gamma Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports Wide DR Gamma for natural and realistic-looking images that faithfully represent the scene at hand. Wide DR Gamma achieves a dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with Six Image-Quality Modes\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with the acclaimed image quality modes for high-end video production. There are six preset image modes to choose from, each preset contains specific gamma, color space, and color matrix parameters. Apart from the preset image-quality mode, adjusting and combining the gamma, color space, and color matrix make it possible to adjust to the intended image look.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with a Variety of Image-Quality Adjustment Functions\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 features the Image-Quality Adjustment function (Custom Picture) which is acclaimed for high-end video production. The Image-Quality Adjustment function of the CR-N500 is similar to Canon's XF705 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects, according to the intention of direction. This function makes it possible for content creators to match the image capture of other cameras in a production, resulting in a match of image output.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N500 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N500 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N500. The CR-N500 can also be combined with third-party equipment for control purposes. This IP system can help contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the Standard VISCA Protocol to remotely control the camera via IP. When connecting a standard VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003cbr\u003e \u003cbr\u003e The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N500 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupport for Canon XC protocol\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon's video production equipment. By supporting the XC Protocol, the CR-N500 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with three output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94p.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e2-Channel XLR Audio\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 offers a variety of ways to record high-quality audio through two XLR terminals, and internal stereo mini-jack mic terminal.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eStandard Serial RS-422\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with a serial terminal RS-422 which can be utilized to connect third-party supported controllers that support the standard VISCA protocol communication.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eOne-Person Operation\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 can be controlled by IP, infrared, and Wi-Fi. Canon's hardware controller, the RC-IP100, is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N500 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAll-New Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N500 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section, and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eIn addition to the IP interface, the CR-N500 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N500 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe CR-N500 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N500 within an existing network infrastructure. Furthermore, the CR-N500 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N500. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a multi-camera operation.\u003cbr\u003e \u003cbr\u003e At a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281121597,"sku":"4839C004AA","price":82599.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/443746b158b26a75f7589e88d71b1b00.png?v=1773558584"},{"product_id":"canon-cr-n700wh-ptz-camera","title":"Canon CR-N700(WH) PTZ Camera","description":"\u003cp\u003eCapture exceptional 4K imaging in a PTZ form using the titanium white \u003cstrong\u003eCR-N700 4K PTZ Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. Ideal for high-end broadcast, TV studio, and live event use, the compact CR-N700 supports up to UHD 4K60p 4:2:2 10-bit HDR video. The CR-N700 shares several features with high-resolution, cine-style Canon cameras like a 1\" type CMOS sensor, a Canon DIG!C DV7 image processor, Dual Pixel CMOS AF with EOS iTR AF X (autofocus), and a 15x optical\/20x digital zoom with a 30x Advanced Zoom in HD.\u003c\/p\u003e \u003cp\u003eThe CR-N700 PTZ camera's additional features include \"deep learning\" auto focus, 12G-SDI connectivity, flexible connectivity, and compatibility with multiple streaming and control protocols. Region of interest (ROI) crop capabilities enable you to highlight areas within your 4K image.\u003c\/p\u003e \u003cp\u003e1\" CMOS Sensor\u003c\/p\u003e \u003cp\u003eThe CR-N700 features a Canon 1\" 4K CMOS image sensor that supports up to 4K60p 4:2:2 10-bit HDR image quality.\u003c\/p\u003e \u003cp\u003eCanon DIG!C DV7 Processor\u003c\/p\u003e \u003cp\u003eIncorporates Canon's DIG!C DV7 Image Processor for high image quality, advanced performance, and convenient operability. This advanced technology provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e \u003cp\u003eEOS iTR AF\u003c\/p\u003e \u003cp\u003eIntelligent Tracking and Recognition Auto Focus (EOS iTR AF) helps the camera focus on faces, even when a subject turns to look away from the camera\u003c\/p\u003e \u003cp\u003eAdvanced Zoom Lens\u003c\/p\u003e \u003cp\u003eSupported IP and control protocols include NDI|HX, SRT, FreeD, RTMP\/RTMPS, RTP\/RTSP, Canon XC, and Standard Communication options\u003c\/p\u003e \u003cp\u003eThe CR-N700 features a 15x optical\/20x digital zoom with a 30x Advanced Zoom in HD that lets you get tight telephoto shots when getting closer physically isn't desired or possible\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281154365,"sku":"6022C002AA","price":139119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6062e0475b586ea25050d95c8eeda96f.png?v=1773558602"},{"product_id":"canon-d-cam-eos-r7-mirrorless-body-rf-s18-150-is-stm","title":"Canon D.CAM EOS R7 Mirrorless Body + RF-S18-150 IS STM","description":"\u003cp\u003eCanon EOS R7 + RF-S 18-150mm \u003c\/p\u003e \u003cp\u003eEOS R7: Time to Level Up\u003c\/p\u003e \u003cp\u003eAn ideal blend of performance and portability, the \u003cstrong\u003eEOS R7\u003c\/strong\u003e represents \u003cstrong\u003eCanon\u003c\/strong\u003e's move into APS-C with the mirrorless R system. Featuring a 32.5MP CMOS sensor and DIGIC X processing, this sleek powerhouse is capable of high-speed 30 fps shooting for sports and wildlife and features the renowned Dual Pixel CMOS AF II focusing system to keep up with and track fast-moving subjects. And, for the multimedia image-maker, 4K video is supported at up to 60p, or 30p when oversampled from a 7K area, as well as Full HD at up to 120 fps.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e32.5MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760345.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e \u003cp\u003eBalancing resolution, speed, and low-light performance, the 32.5MP APS-C CMOS sensor is a versatile chip perfect for both photo and video applications. As one of the first APS-C sensors in the EOS R system, the R7's high-resolution design benefits photographers as well as 4K video by providing a 7K area for oversampling footage, which yields improved sharpness and quality.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760346.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R7 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from quick continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R7 supports up to 30 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760349.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eBeyond stills, the R7's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 7K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e \u003cbr\u003e HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 4K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R7 features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760347.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -5 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760348.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760350.jpg\"\u003e\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eA bright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 1.15x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003cbr\u003e \u003cbr\u003e In addition to the EVF, a 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.62m-dot resolution allows for vivid playback and live view monitoring.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760352.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eReliable and Intuitive Construction\u003c\/p\u003e \u003cul\u003e \u003cli\u003eReferencing the professional-grade EOS R3, the R7 is modeled after its robust physical design and sports a dust- and moisture-sealed body construction that's suitable for working in inclement conditions.\u003c\/li\u003e \u003cli\u003eRedesigned rear controls include a combined AF point selector and rear control wheel, which puts two of the most oft-used controls in a single intuitive-to-reach spot.\u003c\/li\u003e \u003cli\u003eDual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760351.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C 3.2 Gen 2 port along and a micro-HDMI port, along with 3.5mm headphone and microphone ports to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control.\u003c\/p\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eCanon RF-S 18-150mm f\/3.5-6.3 IS STM Lens\u003c\/p\u003e \u003cp\u003eCover all your needs with one lightweight optic with the \u003cstrong\u003eCanon RF-S 18-150mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Designed to be an all-around lens for Canon's APS-C R Series mirrorless cameras, it will offer an equivalent zoom range of 29-240mm which covers wide-angle to telephoto perspectives. The 18-150mm uses an UD elements along with two aspherical elements to create aberration-free imagery. A Super Spectra Coating further helps by minimizing ghosting and flaring.\u003c\/p\u003e \u003cp\u003eUsers will be able to make use of a customizable Control Ring for either manual focus or a programmable setting. Autofocus is smooth and quiet, great for stills and video, thanks to a lead screw-type STM stepping AF motor. Additionally, the lens has an Optical Image Stabilizer that will compensate for up to 4.5 stops of camera shake, or up to 6.5 stops with Coordinated IS when paired with a compatible camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281318205,"sku":"5137C063AA","price":35209.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2c8847abe0a90284ed1e256a67540951.png?v=1773558641"},{"product_id":"canon-eos-2000d-24-mp-dc-starter-kit-2","title":"Canon EOS 2000D (24 MP) DC Starter Kit","description":"\u003cp\u003eEOS 2000D, EF-S18-55 F\/3.5-5.6 III,  Shoulder CB-SB130 BK, Integral SD Card 16GB Class 10\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322081597,"sku":"2728C066AA","price":8689.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/99ceb70f093bfd046efbea9ab29a2de4_374093c6-58e4-4f0b-9009-af976b5ba5df.png?v=1773560991"},{"product_id":"canon-eos-c300-mark-iii-digital-cinema-camera-body","title":"Canon EOS C300 Mark III Digital Cinema Camera Body","description":"\u003cp\u003eCreate cinema-quality productions with the \u003cstrong\u003eCanon EOS C300 Mark III Digital Cinema Camera\u003c\/strong\u003e, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.\u003cbr\u003e \u003cbr\u003e The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.\u003cbr\u003e \u003cbr\u003e For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C300 Mark III also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.\u003cbr\u003e \u003cbr\u003e The camera features up to 12G-SDI output over a single BNC cable, timecode I\/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3\" rotating touchscreen LCD unit with full controls, grip, and thumb rest.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Super 35 Dual Gain Output (DGO) Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III features Canon's next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon's exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIG!C DV7 Image Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III features Canon's DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognize not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Log 2 and 3 Gamma\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e \u003cbr\u003e Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.\u003cbr\u003e \u003cbr\u003e For users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eModular Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003cbr\u003e \u003cbr\u003e In addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.\u003cbr\u003e \u003cbr\u003e The EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow-efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120 fps and 2K up to 180 fps.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eLM-V2 4.3\" LCD Touchscreen Monitor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe LM-V2 4.3\" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e4-Channel Audio Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSupport for Custom User LUTs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUser-Interchangeable Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUser-interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter. The EOS C300 Mark III ships with an EF mount that can be user-swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eProxy Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHigher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003cbr\u003e \u003cbr\u003e Canon's powerful high-speed DIGIC DV7 image processor makes it possible for the EOS C300 Mark III to simultaneously record 2K Proxy files. Cinema RAW Light can be recorded to the internal CFexpress card, while an XF-AVC 2K 4:2:0 8-bit proxy can be recorded directly to an internal SD card. The C300 Mark III can also apply LUTs to Proxy recording.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eElectronic Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e12G-SDI Support\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eSupport for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eRC-V100 Support and LANC Compatible\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322474813,"sku":"3795C003AA","price":156519.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/c155eb7d1d34a49907fed780e32518be.png?v=1773561038"},{"product_id":"canon-eos-c80-digital-cinema-camera-body-with-rf-lens-mount-1","title":"Canon EOS C80 Digital Cinema Camera Body with RF Lens Mount","description":"\u003cp\u003e6K Full-Frame Cinema Capture in a Mirrorless Form\u003c\/p\u003e \u003cp\u003eOffering exceptional 6K30 full-frame capture in a compact form, the \u003cstrong\u003eCanon EOS C80 6K Full-Frame Cinema Camera\u003c\/strong\u003e melds the EOS C400's CMOS sensor with a lightweight design similar to the EOS C70. Ideal for fast-paced capture and solo operators, this digital camera features triple ISO bases of 800, 3200, and 12,800 in log\/raw, upgraded Dual Pixel CMOS AF II autofocus, and simultaneous 12G-SDI and HDMI video output. The EOS C80's RF mount provides compatibility with fast, reliable Canon RF lenses, and a motorized ND filter wheel enables on-the-fly exposure tweaking.\u003cbr\u003e \u003cbr\u003e  \u003c\/p\u003e \u003cp\u003e6K Full-Frame Sensor\u003c\/p\u003e \u003cp\u003eThe 6K full-frame CMOS sensor at the heart of the C80 camera enables it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. All this is possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.\u003c\/p\u003e \u003cp\u003eMultiple Recording Formats\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe C80's multiple recording formats include up to full-frame 6K30 Canon Cinema RAW Light LT and cropped S35 up to 4K30 in RAW ST and 4K60 in RAW LT.\u003c\/li\u003e \u003cli\u003eOversampled 4K 120p or 2K 180p with maximized detail is available, all with 4:2:2 10-bit color.\u003c\/li\u003e \u003cli\u003eSlow and fast motion can be captured at rates up to UHD 4K120 in HEVC and AVC codecs.\u003c\/li\u003e \u003cli\u003eMake your editing process easier using XF-AVC S and XF-HEVC S codecs, featuring an easier naming system and folder structure, as well as metadata preservation, all within the established MP4 format.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eRF Lens Mount\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA built-in RF lens mount lends the EOS C80 compatibility with Canon's line of fast, reliable RF-mount lenses with advanced coatings and image stabilization.\u003c\/li\u003e \u003cli\u003eWith a short flange distance, the RF mount helps to noticeably reduce the camera body's depth, resulting in a more compact design.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eOptional PL-RF Adapter\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1876215.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA new PL-RF lens mount adapter enables you to access a wide variety of ARRI PL-mount cine-style lenses.\u003c\/li\u003e \u003cli\u003eThis adapter features Cooke\/i metadata compatibility and locking plates for a secure fit.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eMultiple Interfaces Including 12G-SDI\u003c\/p\u003e \u003cul\u003e \u003cli\u003eVideo outputs include full-size HDMI and 12G-SDI BNC outputs that can be used simultaneously for feeding an onboard monitor, video transmitter, or EVF.\u003c\/li\u003e \u003cli\u003eUse the USB-C port for UVC video output or to connect to a smartphone or the Canon GP-E2 GPS receiver.\u003c\/li\u003e \u003cli\u003eA BNC connector enables users to input and output timecode, making syncing on multicamera shoots easier.\u003c\/li\u003e \u003cli\u003eNote that the BNC port can output either SDI video or timecode but not both simultaneously.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eDual-Pixel CMOS Autofocus\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331152.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eImproved Dual-Pixel CMOS AF Technology uses each pixel on approximately 100% of the CMOS sensor for focus detection and image information.\u003c\/li\u003e \u003cli\u003eThe back-illuminated stacked sensor's excellent light capture widens the sensor area, which can be used for AF.\u003c\/li\u003e \u003cli\u003eThe EOS C80 also offers the EOS iTR AF X autofocus function featuring an algorithm developed using deep-learning technology to detect the human form. \u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eMini-XLR Audio Inputs\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTwo mini-XLR inputs with phantom power and manual control dials provide professional audio recording options.\u003c\/li\u003e \u003cli\u003eThe EOS C80 supports 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eBuilt-In ND Filters\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331154.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDesigned for the EOS C80 RF mount's short flange distance, a thin motorized ND filter unit enables users to quickly select up to 10 stops of neutral density.\u003c\/li\u003e \u003cli\u003eND button controls on the right side of the camera enable operators to quickly adjust exposure while maintaining their shot's depth of field.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eLog2\/3 and 3D LUT Support\u003c\/p\u003e \u003cp\u003eFor greater post-production flexibility, the C80 offers Canon's Log 2 and Log 3 gamma modes, which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C80 also supports 3D LUTs, so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.\u003c\/p\u003e \u003cp\u003eCompact Design with Tilting LCD\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331151.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe compact EOS C80 features a lightweight design with a built-in ergonomic grip and a joystick control.\u003c\/li\u003e \u003cli\u003eIt has a Multi-Accessory hot shoe on top and comes with a detachable handle and a mic holder.\u003c\/li\u003e \u003cli\u003eThe LCD screen features a reinforced hinge and built-in controls like focus peaking, waveforms, and more.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eDual SD Card Slots \/ Multiple Recording Options\u003c\/p\u003e \u003cp\u003eDual SD card slots on the EOS C80 offer simultaneous, relay, and proxy video recording. The EOS C80 can also capture JPEG still photos.\u003c\/p\u003e \u003cp\u003eEthernet and Wi-Fi Control\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2331153.jpg\"\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUse the Ethernet port and built-in Wi-Fi with an optional Canon RC-IP1000 or RC-IP100 unit to access the XC protocol-base remote control.\u003c\/li\u003e \u003cli\u003eCompatibility with the Canon Multicamera Control app for iPhone provides monitoring and start\/stop, focus, iris, zoom, ND filter, ISO, shutter, white balance, custom picture control, and more.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eBP-AN Series Battery\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUse the included BP-A30N battery, a BP-A60N battery, or a 24 VDC adapter to power the C80. Older BP-A batteries can also be used but will not power the Multi-Accessory hot shoe.\u003c\/li\u003e \u003cli\u003eSupport your C80 with a third-party cage to add a V-mount or Gold mount battery plate to enable longer runtimes.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322540349,"sku":"6389C012AA","price":78259.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/14cdfeff2d5c6b8fc8e2514d07a090a1.png?v=1773561062"},{"product_id":"canon-eos-r10-mirrorless-camera-with-18-150mm-lens","title":"Canon EOS R10 Mirrorless Camera with 18-150mm Lens","description":"\u003cp\u003eEOS R10: Compact and Capable, for Content Creators\u003c\/p\u003e \u003cp\u003eEmphasizing portability without sacrificing on capability, the \u003cstrong\u003eCanon EOS R10\u003c\/strong\u003e is a sleek mirrorless camera with a hybrid ethos. Adept in both photo and video worlds, the R10 brings an APS-C sensor to the R system, along with high-speed shooting, intelligent AF, and impressive 4K video recording to complement a multimedia workflow.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760425.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e \u003cp\u003eSitting at a sweet-spot in terms of resolution, the 24.2MP APS-C CMOS sensor strikes a fine balance between resolution, file size, speed, and low-light performance. This sensor is suitable for general photo tasks along with UHD 4K recording, as the file sizes are manageable enough to allow for quick continuous burst shooting and extended video recording.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760428.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R10 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R10 supports up to 23 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760429.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eBeyond stills, the R10's sensor also offers high-res UHD 4K 8-bit recording, with the ability to record at up to 60p using a cropped portion of the sensor or at 30p when using an oversampled 6K recording area for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e \u003cbr\u003e HDR-PQ recording is possible, too, for in-camera HDR production in 10-bit and external recording, via the micro-HDMI port, which supports a clean 4K output. Also, unlimited recording times are possible, too, and the R10 features an external microphone port as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760423.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -4 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760427.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eIntuitive Construction\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 0.95x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003c\/li\u003e \u003cli\u003eA 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.04m-dot resolution allows for vivid playback and live view monitoring.\u003c\/li\u003e \u003cli\u003eSingle SD memory card slot is rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760426.jpg\"\u003e\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control.\u003c\/p\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e \u003cp\u003eCanon RF-S 18-150mm f\/3.5-6.3 IS STM Lens\u003c\/p\u003e \u003cp\u003eCover all your needs with one lightweight optic with the \u003cstrong\u003eCanon RF-S 18-150mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Designed to be an all-around lens for Canon's APS-C R Series mirrorless cameras, it will offer an equivalent zoom range of 29-240mm which covers wide-angle to telephoto perspectives. The 18-150mm uses an UD elements along with two aspherical elements to create aberration-free imagery. A Super Spectra Coating further helps by minimizing ghosting and flaring.\u003c\/p\u003e \u003cp\u003eUsers will be able to make use of a customizable Control Ring for either manual focus or a programmable setting. Autofocus is smooth and quiet, great for stills and video, thanks to a lead screw-type STM stepping AF motor. Additionally, the lens has an Optical Image Stabilizer that will compensate for up to 4.5 stops of camera shake, or up to 6.5 stops with Coordinated IS when paired with a compatible camera.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322605885,"sku":"5331C092AA","price":27758.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/4fb9b08d2b78daff6230506013381929.png?v=1773561087"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera-1","title":"Canon EOS R5 C Mirrorless Cinema Camera","description":"\u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eReady for Anything\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eFor all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the \u003cstrong\u003eEOS R5 C Mirrorless Cinema Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003c\/div\u003e \u003cdiv\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. \u003cul\u003e \u003cli\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e \u003cli\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e \u003cli\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e \u003cli\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e \u003cli\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eVideo Control for the Dedicated Video Professional\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eErgonomic EOS Design\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003eCMOS Sensor and DIGIC X Processor\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.\u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cdiv\u003e\u003cstrong\u003e8K60 RAW Recording\u003c\/strong\u003e\u003c\/div\u003e \u003c\/div\u003e \u003cdiv\u003eCinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.\u003cbr\u003e \u003cbr\u003e The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecs\u003c\/strong\u003e\n\u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003cdiv\u003e \u003cp\u003eImaging\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon RF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Communication\u003c\/td\u003e \u003ctd\u003eYes, with Autofocus Support\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eActual: 47.1 Megapixel\u003cbr\u003e Effective: 45 Megapixel (8192 x 5464)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Sensor\u003c\/td\u003e \u003ctd\u003e36 x 24 mm (Full-Frame) CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePixel Pitch\u003c\/td\u003e \u003ctd\u003e5.5 µm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eDigital\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInternal Filter Holder\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eExposure Control\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Shutter, Mechanical Focal Plane Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e 1\/8000 to 30 Seconds\u003cbr\u003e \u003cstrong\u003eElectronic Front Curtain Shutter\u003c\/strong\u003e\u003cbr\u003e 1\/8000 to 30 Seconds\u003cbr\u003e \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e 1\/8000 to 0.5 Seconds\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBulb\/Time Mode\u003c\/td\u003e \u003ctd\u003eBulb Mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISO Sensitivity\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003ePhoto\u003c\/strong\u003e\u003cbr\u003e 100 to 51,200 in Manual Mode (Extended: 50 to 102,400)\u003cbr\u003e 100 to 12,800 in Auto Mode (Extended: 100 to 51,200)\u003cbr\u003e \u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e 100 to 51,200 (Extended: 50 to 102,400)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMetering Method\u003c\/td\u003e \u003ctd\u003eCenter-Weighted Average, Evaluative, Partial, Spot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExposure Modes\u003c\/td\u003e \u003ctd\u003eAperture Priority, Manual, Program, Shutter Priority\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExposure Compensation\u003c\/td\u003e \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMetering Range\u003c\/td\u003e \u003ctd\u003e-3 to 20 EV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e0 to 0K\u003cbr\u003e \u003cstrong\u003ePresets: \u003c\/strong\u003eAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eContinuous Shooting\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e Up to 12 fps at 45 MP for up to 180 Frames (Raw) \/ 350 Frames (JPEG)\u003cbr\u003e \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e Up to 20 fps at 45 MP for up to 83 Frames (Raw) \/ 170 Frames (JPEG)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInterval Recording\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSelf-Timer\u003c\/td\u003e \u003ctd\u003e2\/10-Second Delay\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eVideo Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eRaw 12-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [2600 Mb\/s]\u003cbr\u003e \u003cstrong\u003eAVC-Intra\/AVC-LongG\/XF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e 1920 x 1080p at 23.98\/25\/29.97\/50\/59.94\/120 fps [50 to 310 Mb\/s]\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e \u003cstrong\u003eAVC-LongG\/MP4 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e UHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/100\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e 1920 x 1080p at 23.98\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e \u003cstrong\u003eAVC-LongG\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 225 Mb\/s]\u003cbr\u003e DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e 1920 x 1080p at 23.98\/24.00\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e 1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e \u003cstrong\u003eRaw\/Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003e 8192 x 5464 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [1030 to 2570 Mb\/s]\u003cbr\u003e 5952 x 3140 at 23.98\/24.00\/29.97\/50\/59.94 fps [544 to 1360 Mb\/s]\u003cbr\u003e 2976 x 1570 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [138 to 344 Mb\/s]\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e DCI 4K (4096 x 2160) up to 59.94 fps\u003cbr\u003e UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e 5952 x 3184\u003cbr\u003e 4096 x 2160\u003cbr\u003e 3840 x 2160\u003cbr\u003e \u003cstrong\u003eSuper16\u003c\/strong\u003e\u003cbr\u003e 2976 x 1570\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGamma Curve\u003c\/td\u003e \u003ctd\u003eCanon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBroadcast Output\u003c\/td\u003e \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eIP Streaming\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eStill Image Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eImage Sizes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e 8192 x 5464\u003cbr\u003e 5088 x 3392\u003cbr\u003e \u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e 8192 x 5464\u003cbr\u003e 5808 x 3872\u003cbr\u003e 4176 x 2784\u003cbr\u003e 2400 x 1600\u003cbr\u003e \u003cstrong\u003e4:3 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e 7280 x 5464\u003cbr\u003e 5152 x 3872\u003cbr\u003e 3715 x 2784\u003cbr\u003e 2112 x 1600\u003cbr\u003e \u003cstrong\u003e16:9 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e 8192 x 4608\u003cbr\u003e 5808 x 3264\u003cbr\u003e 4176 x 2344\u003cbr\u003e 2400 x 1344\u003cbr\u003e \u003cstrong\u003e1:1 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e 5456 x 5456\u003cbr\u003e 3872 x 3872\u003cbr\u003e 2784 x 2784\u003cbr\u003e 1600 x 1600\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAspect Ratio\u003c\/td\u003e \u003ctd\u003e1:1, 3:2, 4:3, 16:9\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage File Format\u003c\/td\u003e \u003ctd\u003eC-RAW, HEIF, JPEG, Raw\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBit Depth\u003c\/td\u003e \u003ctd\u003e14-Bit\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eInterface\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eSlot 1: CFexpress Type B\u003cbr\u003e Slot 2: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMicro-HDMI Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Mic\/Line Input\u003cbr\u003e \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (9VDC at 3 A) Input\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (USB 3.2 \/ 3.1 Gen 2) (Shared with Power Input)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003eBluetooth Control\u003cbr\u003e 2.4 \/ 5 GHz Wi-Fi (802.11b\/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) Video Output, Control\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eMonitor\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3.2\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e2,100,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eFree-Angle Tilting Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eViewfinder\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eBuilt-In Electronic (OLED)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e0.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e5,790,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEye Point\u003c\/td\u003e \u003ctd\u003e23 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCoverage\u003c\/td\u003e \u003ctd\u003e100%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMagnification\u003c\/td\u003e \u003ctd\u003eApprox. 0.76x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e \u003ctd\u003e-4 to +2\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFocus\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eContinuous-Servo AF, Manual Focus, Single-Servo AF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAutofocus Points\u003c\/td\u003e \u003ctd\u003ePhase Detection: 1053\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e \u003ctd\u003e-6 to +20 EV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e \u003ctd\u003eNo\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e \u003ctd\u003e1\/250 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFlash Compensation\u003c\/td\u003e \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDedicated Flash System\u003c\/td\u003e \u003ctd\u003eeTTL\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Flash Connection\u003c\/td\u003e \u003ctd\u003eShoe Mount\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eEnvironmental\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e0 to 85%\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eGeneral\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003eCanon LP-E6N\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e \u003ctd\u003e\u003cstrong\u003e1 x\u003c\/strong\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e5.6 x 4 x 4.4\" \/ 142.2 x 101.6 x 111.8 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1.5 lb \/ 680 g (Body Only)\u003cbr\u003e 1.7 lb \/ 770 g (With Battery, Recording Media)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e3.205 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e9.7 x 7.8 x 7.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003c\/div\u003e \u003cdiv\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322671421,"sku":"5077C003AA","price":43475.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b12b42084101c428ced5a3f578ad3913.png?v=1773561099"},{"product_id":"canon-eos-r5-ii-mirrorless-camera-rf-24-105mm-f-4-lens-1","title":"Canon EOS R5 II Mirrorless Camera + RF 24-105mm f\/4 Lens","description":"\u003cp\u003eCanon EOS R5 Mark II Mirrorless Camera\u003c\/p\u003e \u003cp\u003eThe Do-It-All Camera for Multimedia Professionals\u003c\/p\u003e \u003cp\u003eBoasting enough horsepower to allow \u003cstrong\u003eCanon\u003c\/strong\u003e's highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the \u003cstrong\u003eEOS R5 Mark II Mirrorless Camera\u003c\/strong\u003e is the multimedia professional's solution for versatility, image quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322900797,"sku":"6536C050AA","price":86949.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d79bb1cf7691fdd7bdb1fb233c1da437.png?v=1773561124"},{"product_id":"canon-eos-r5-v2-4-rf24-105l","title":"Canon EOS R5 V2.4+RF24-105L","description":"\u003cp\u003eCanon EOS R5 V2.4+RF24-105L \u003c\/p\u003e \u003cp\u003eFor the professional image-maker who needs resolution, speed, and video capabilities, there is the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.\u003c\/p\u003e \u003cp\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e \u003cp\u003eComplementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.\u003c\/p\u003e \u003cp\u003eCanon EOS R5 Mirrorless Camera\u003c\/p\u003e \u003cp\u003eFor the professional image-maker who needs resolution, speed, and video capabilities, the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.\u003c\/p\u003e \u003cp\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e \u003cp\u003eComplementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5\" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2\" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.\u003c\/p\u003e \u003cp\u003eIBIS High Resolution 400MP Files\u003c\/p\u003e \u003cp\u003eUsing the EOS R5 with firmware 1.8.1 or later, the IBIS High Resolution shot mode can create 400 megapixel (approx.) files in-camera, without the need for external software. This feature can be used for some specific situations when a high-resolution file with fine detail is required. Examples include art reproduction and building signage.\u003c\/p\u003e \u003cp\u003e45MP Full-Frame Sensor and DIGIC X Processor\u003c\/p\u003e \u003cp\u003eBuilt around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.\u003c\/p\u003e \u003cp\u003e8K30 Raw and 4K120 Video Recording\u003c\/p\u003e \u003cp\u003eBenefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.\u003c\/p\u003e \u003cp\u003eHDMI 8K Raw Output to Atomos Ninja V+\u003c\/p\u003e \u003cp\u003eFirmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eAn updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.\u003cbr\u003e \u003cbr\u003e Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.\u003c\/p\u003e \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e \u003cp\u003eA first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.\u003c\/p\u003e \u003cp\u003eBody Design and Wireless Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHigh-resolution 5.67m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e \u003cli\u003eRear 3.2\" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e \u003cli\u003eTop status LCD can be used to quickly review camera and shooting settings.\u003c\/li\u003e \u003cli\u003eCFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.\u003c\/li\u003e \u003cli\u003eBoth a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.\u003c\/li\u003e \u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e \u003cli\u003eDurable, weather-sealed body design is built to handle tough working conditions and inclement weather.\u003c\/li\u003e \u003cli\u003eBoth 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003c\/p\u003e \u003cp\u003ePrized for its versatility, the \u003cstrong\u003eRF 24-105mm f\/4 L IS USM\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a wide-angle to short telephoto zoom characterized by its constant f\/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.\u003c\/p\u003e \u003cp\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/p\u003e \u003cp\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003c\/p\u003e \u003cp\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003c\/p\u003e \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e \u003cp\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003c\/p\u003e \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e \u003cp\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003c\/p\u003e \u003cp\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322999101,"sku":"4147C079AA","price":80429.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e61921ea951892c21b02a0d452627be9.png?v=1773561150"},{"product_id":"canon-eos-r50-bk-rfs18-45-s","title":"Canon EOS R50 BK + RFS18-45 S","description":"\u003cp\u003eCanon EOS R50 BK + RFS18-45 S\u003c\/p\u003e \u003cp\u003eA compact and lightweight camera, the black \u003cstrong\u003eCanon EOS R50\u003c\/strong\u003e is a highly versatile mirrorless camera with a sophisticated photo and video feature set. Geared towards content creators and vloggers, this camera is slightly smaller and lighter than the EOS M50 Mark II and features an upgraded 24.2MP APS-C CMOS sensor and DIGIC X image processor to deliver high-resolution stills and UHD 4K videos.\u003c\/p\u003e \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003ePairing a powerful 24.2MP APS-C CMOS sensor and DIGIC X image processor, the R50 delivers high resolution imagery with striking and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-32000 range that is expandable to ISO 51200 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 30p video recording is supported as is Full HD 1080 120p for slow motion playback. Additionally, 1-hour of video recording is now available. Capable of processing high speed bursts and high-resolution 4K video, the DIGIC X image processor also supports up to 15 fps continuous shooting via its silent electronic shutter.\u003c\/p\u003e \u003cp\u003eEnhanced Dual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eFeaturing 651 high precision autofocus zones, the advanced Dual Pixel CMOS AF II system provides fast and accurate focusing performance. This phase-detection focusing system offers enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles while automatically locking onto these subjects and maintaining sharp focus throughout bursts and video captures.\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eProviding high-resolution eye-level viewing, the R50 is designed with a bright and clear 2.36m-dot OLED EVF for a pleasing electronic viewfinder experience. Additionally, a large 3.0\" 1.62m-dot vari-angle touchscreen provides an intuitive interface for controlling focusing points, navigating menus, and reviewing imagery. This screen also features a vari-angle design for ease-of-use when working from high and low angles.\u003c\/p\u003e \u003cp\u003eAdvanced A+ Assist\u003c\/p\u003e \u003cp\u003eExperience the joy of creative photography with an expanded array of auto-compatible scenes. Advanced A+ Assist enables great imagery even in difficult settings such as night views and backlit scenarios. Overexposure is automatically reduced so you can capture dynamic scenes or bright portraits, and multiple continuous shots are taken to create beautiful night images or macro photography with a deeper depth of field.\u003c\/p\u003e \u003cp\u003eSimple and Convenient Vlogging\u003c\/p\u003e \u003cp\u003eWith video recording features such as uncropped UHD 4K movie recording at up to 30 fps, Full-HD High-frame rate movie recording at up to 120 fps, Dual Pixel CMOS AF tracking, and Movie for Close-up Demo Mode, the R50 camera makes vlogging and video content creation simple and convenient. The camera also lets you continuously record video for up to 1 hour, allowing you to set up your video and keep your vlog, podcast, or other video project rolling without worrying about it stopping.\u003c\/p\u003e \u003cp\u003eMovie for Close-Up Demos Mode\u003c\/p\u003e \u003cp\u003eEnsure the correct subject is in focus with Movie for Close-Up Demos Mode on the R50 mirrorless camera. This mode quickly switches focus from the on-camera subject to an object that is presented towards the camera's lens, ideal for movies where showing a product to the viewers is necessary such as in makeup demos or cooking videos.\u003c\/p\u003e \u003cp\u003eVertical Movie Mode and Aspect Markers\u003c\/p\u003e \u003cp\u003eMovie rotation information can be set during or after movie recording, allowing videos to be played in vertical composition when viewing on a smartphone. The Aspect Markers function displays visual markers for different aspect ratios that may be desired for posting the same file to various social media sites. This display provides consideration for proper composition for the different deliverable files that can be created when editing.\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, livestreaming, as well as for remotely controlling the camera. Physically, the camera features a USB-C port, a micro-HDMI port, and a microphone port for video recording.\u003c\/li\u003e \u003cli\u003eUVC\/UAC compatibility allows the R50 camera to be used as a web camera to stream live video in Full HD without additional computer software. Compatible applications include Zoom, Microsoft Teams, Skype, and similar on-line web conferencing software.\u003c\/li\u003e \u003cli\u003eBuilt-in Bluetooth pairing lets you easily connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi connectivity enables quick and seamless wireless functions, such as remote live view, file viewing, and transfer. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.\u003c\/li\u003e \u003cli\u003eBuilt-in USB-C allows you to connect the camera to a smartphone or computer. All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003ePop-Up Flash and Next-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eA built-in pop-up flash provides additional illumination for working in low-light conditions, and the camera's Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality. This next-generation shoe also provides power to select accessory types that traditionally rely on separate batteries.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"data:image\/png;base64,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\"\u003e\u003c\/p\u003e \u003cp\u003eUPC: 013803351408\u003c\/p\u003e \u003cp\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/p\u003e \u003cp\u003eA versatile zoom range in a compact package is the promise of the \u003cstrong\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare. An Optical Image Stabilizer will help ensure sharp imagery, providing up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body. Additionally, the lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323031869,"sku":"5811C053AA","price":13874.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/4f2fda27e10a77b7cdb3a49ce25917a1.png?v=1773561165"},{"product_id":"canon-eos-r50-content-creator-kit-1","title":"Canon EOS R50 Content Creator Kit.","description":"\u003cp\u003eBringing together the mobile versatility of the EOS R50 mirrorless camera with a lens, shotgun microphone, and tripod grip, the \u003cstrong\u003eEOS R50 Content Creator Kit\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a starter's bundle tailored for vloggers, videographers, and visionaries who are keen to record their world in high-quality detail. The heart of this kit is the EOS R50 camera, offering an inviting blend of simplicity and performance in a compact, lightweight body that makes on-the-go content creation an intuitive process. The compact and retractable RF-S 18-45mm f\/4.5-6.3 IS STM won't monopolize your camera bag, leaving room for the Tripod Grip HG-100BTR, which provides stability and clarity for both photos and videos, and the Stereo Microphone DM-E100, a shoe-mounted directional microphone that provides detailed audio for your podcasts, vlogs, and other videos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon EOS R50 Mirrorless Camera (Black)\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA compact and lightweight camera, the black \u003cstrong\u003eCanon EOS R50\u003c\/strong\u003e is a highly versatile mirrorless camera with a sophisticated photo and video feature set. Geared towards content creators and vloggers, this camera is slightly smaller and lighter than the EOS M50 Mark II and features an upgraded 24.2MP APS-C CMOS sensor and DIGIC X image processor to deliver high-resolution stills and UHD 4K videos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003ePairing a powerful 24.2MP APS-C CMOS sensor and DIGIC X image processor, the R50 delivers high resolution imagery with striking and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-32000 range that is expandable to ISO 51200 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 30p video recording is supported as is Full HD 1080 120p for slow motion playback. Additionally, 1-hour of video recording is now available. Capable of processing high speed bursts and high-resolution 4K video, the DIGIC X image processor also supports up to 15 fps continuous shooting via its silent electronic shutter.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEnhanced Dual Pixel CMOS AF II\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFeaturing 651 high precision autofocus zones, the advanced Dual Pixel CMOS AF II system provides fast and accurate focusing performance. This phase-detection focusing system offers enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles while automatically locking onto these subjects and maintaining sharp focus throughout bursts and video captures.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eProviding high-resolution eye-level viewing, the R50 is designed with a bright and clear 2.36m-dot OLED EVF for a pleasing electronic viewfinder experience. Additionally, a large 3.0\" 1.62m-dot vari-angle touchscreen provides an intuitive interface for controlling focusing points, navigating menus, and reviewing imagery. This screen also features a vari-angle design for ease-of-use when working from high and low angles.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAdvanced A+ Assist\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eExperience the joy of creative photography with an expanded array of auto-compatible scenes. Advanced A+ Assist enables great imagery even in difficult settings such as night views and backlit scenarios. Overexposure is automatically reduced so you can capture dynamic scenes or bright portraits, and multiple continuous shots are taken to create beautiful night images or macro photography with a deeper depth of field.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eSimple and Convenient Vlogging\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eWith video recording features such as uncropped UHD 4K movie recording at up to 30 fps, Full-HD High-frame rate movie recording at up to 120 fps, Dual Pixel CMOS AF tracking, and Movie for Close-up Demo Mode, the R50 camera makes vlogging and video content creation simple and convenient. The camera also lets you continuously record video for up to 1 hour, allowing you to set up your video and keep your vlog, podcast, or other video project rolling without worrying about it stopping.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eMovie for Close-Up Demos Mode\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eEnsure the correct subject is in focus with Movie for Close-Up Demos Mode on the R50 mirrorless camera. This mode quickly switches focus from the on-camera subject to an object that is presented towards the camera's lens, ideal for movies where showing a product to the viewers is necessary such as in makeup demos or cooking videos.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eVertical Movie Mode and Aspect Markers\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMovie rotation information can be set during or after movie recording, allowing videos to be played in vertical composition when viewing on a smartphone. The Aspect Markers function displays visual markers for different aspect ratios that may be desired for posting the same file to various social media sites. This display provides consideration for proper composition for the different deliverable files that can be created when editing.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFlexible Connectivity\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, livestreaming, as well as for remotely controlling the camera. Physically, the camera features a USB-C port, a micro-HDMI port, and a microphone port for video recording.\u003c\/li\u003e \u003cli\u003eUVC\/UAC compatibility allows the R50 camera to be used as a web camera to stream live video in Full HD without additional computer software. Compatible applications include Zoom, Microsoft Teams, Skype, and similar on-line web conferencing software.\u003c\/li\u003e \u003cli\u003eBuilt-in Bluetooth pairing lets you easily connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi connectivity enables quick and seamless wireless functions, such as remote live view, file viewing, and transfer. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.\u003c\/li\u003e \u003cli\u003eBuilt-in USB-C allows you to connect the camera to a smartphone or computer. All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003ePop-Up Flash and Next-Generation Multi-Function Shoe\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA built-in pop-up flash provides additional illumination for working in low-light conditions, and the camera's Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality. This next-generation shoe also provides power to select accessory types that traditionally rely on separate batteries.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA versatile zoom range in a compact package is the promise of the \u003cstrong\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare. An Optical Image Stabilizer will help ensure sharp imagery, providing up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body. Additionally, the lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon DM-E100 Directional Microphone\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eDesigned to improve audio quality while recording video, the \u003cstrong\u003eCanon DM-E100 Directional Microphone\u003c\/strong\u003e is a shoe-mounted, wired external mic with a 3.5mm plug. The directional design is suitable for a variety of recording applications and a windscreen is included to reduce wind noise when working in noisier and outdoor environments.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eCanon HG-100TBR Tripod Grip\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUseful for stabilizing your shots, the \u003cstrong\u003eHG-100TBR Tripod Grip\u003c\/strong\u003e is compatible with select \u003cstrong\u003eCanon\u003c\/strong\u003e EOS M and PowerShot G cameras. Serving double duty, the HG-100TBR can be used either as a camera grip for handheld shooting or can fold out to a sleek tabletop tripod. The head has a tilting design for working at different angles and it attaches to cameras via a 1\/4\"-20 mount. A BR-E1 Wireless Remote Control is also included, and fits into the grip's design, for wireless shooting and seamless camera control.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323162941,"sku":"5811C055AA","price":11299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/3a70dfc1abd804a94ed56054d18c4608.png?v=1773561179"},{"product_id":"canon-eos-r50-mirrorless-camera-with-18-45mm-and-55-210mm-lenses-black-1","title":"Canon EOS R50 Mirrorless Camera with 18-45mm and 55-210mm Lenses (Black)","description":"\u003cp\u003eCanon EOS R50 Mirrorless Camera (Black)\u003c\/p\u003e \u003cp\u003eA compact and lightweight camera, the black \u003cstrong\u003eCanon EOS R50\u003c\/strong\u003e is a highly versatile mirrorless camera with a sophisticated photo and video feature set. Geared towards content creators and vloggers, this camera is slightly smaller and lighter than the EOS M50 Mark II and features an upgraded 24.2MP APS-C CMOS sensor and DIGIC X image processor to deliver high-resolution stills and UHD 4K videos.\u003c\/p\u003e \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003ePairing a powerful 24.2MP APS-C CMOS sensor and DIGIC X image processor, the R50 delivers high resolution imagery with striking and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-32000 range that is expandable to ISO 51200 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 30p video recording is supported as is Full HD 1080 120p for slow motion playback. Additionally, 1-hour of video recording is now available. Capable of processing high speed bursts and high-resolution 4K video, the DIGIC X image processor also supports up to 15 fps continuous shooting via its silent electronic shutter.\u003c\/p\u003e \u003cp\u003eEnhanced Dual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eFeaturing 651 high precision autofocus zones, the advanced Dual Pixel CMOS AF II system provides fast and accurate focusing performance. This phase-detection focusing system offers enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles while automatically locking onto these subjects and maintaining sharp focus throughout bursts and video captures.\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eProviding high-resolution eye-level viewing, the R50 is designed with a bright and clear 2.36m-dot OLED EVF for a pleasing electronic viewfinder experience. Additionally, a large 3.0\" 1.62m-dot vari-angle touchscreen provides an intuitive interface for controlling focusing points, navigating menus, and reviewing imagery. This screen also features a vari-angle design for ease-of-use when working from high and low angles.\u003c\/p\u003e \u003cp\u003eAdvanced A+ Assist\u003c\/p\u003e \u003cp\u003eExperience the joy of creative photography with an expanded array of auto-compatible scenes. Advanced A+ Assist enables great imagery even in difficult settings such as night views and backlit scenarios. Overexposure is automatically reduced so you can capture dynamic scenes or bright portraits, and multiple continuous shots are taken to create beautiful night images or macro photography with a deeper depth of field.\u003c\/p\u003e \u003cp\u003eSimple and Convenient Vlogging\u003c\/p\u003e \u003cp\u003eWith video recording features such as uncropped UHD 4K movie recording at up to 30 fps, Full-HD High-frame rate movie recording at up to 120 fps, Dual Pixel CMOS AF tracking, and Movie for Close-up Demo Mode, the R50 camera makes vlogging and video content creation simple and convenient. The camera also lets you continuously record video for up to 1 hour, allowing you to set up your video and keep your vlog, podcast, or other video project rolling without worrying about it stopping.\u003c\/p\u003e \u003cp\u003eMovie for Close-Up Demos Mode\u003c\/p\u003e \u003cp\u003eEnsure the correct subject is in focus with Movie for Close-Up Demos Mode on the R50 mirrorless camera. This mode quickly switches focus from the on-camera subject to an object that is presented towards the camera's lens, ideal for movies where showing a product to the viewers is necessary such as in makeup demos or cooking videos.\u003c\/p\u003e \u003cp\u003eVertical Movie Mode and Aspect Markers\u003c\/p\u003e \u003cp\u003eMovie rotation information can be set during or after movie recording, allowing videos to be played in vertical composition when viewing on a smartphone. The Aspect Markers function displays visual markers for different aspect ratios that may be desired for posting the same file to various social media sites. This display provides consideration for proper composition for the different deliverable files that can be created when editing.\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, livestreaming, as well as for remotely controlling the camera. Physically, the camera features a USB-C port, a micro-HDMI port, and a microphone port for video recording.\u003c\/li\u003e \u003cli\u003eUVC\/UAC compatibility allows the R50 camera to be used as a web camera to stream live video in Full HD without additional computer software. Compatible applications include Zoom, Microsoft Teams, Skype, and similar on-line web conferencing software.\u003c\/li\u003e \u003cli\u003eBuilt-in Bluetooth pairing lets you easily connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi connectivity enables quick and seamless wireless functions, such as remote live view, file viewing, and transfer. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.\u003c\/li\u003e \u003cli\u003eBuilt-in USB-C allows you to connect the camera to a smartphone or computer. All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003ePop-Up Flash and Next-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eA built-in pop-up flash provides additional illumination for working in low-light conditions, and the camera's Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality. This next-generation shoe also provides power to select accessory types that traditionally rely on separate batteries.\u003c\/p\u003e \u003cp\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/p\u003e \u003cp\u003eA versatile zoom range in a compact package is the promise of the \u003cstrong\u003eCanon RF-S 18-45mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e. Made specifically for Canon's APS-C-format R Series mirrorless line, it delivers a wide-angle to short telephoto equivalent zoom range of 29-72mm. Plus, a retractable design makes it ideal for everyday carry where you want to stuff the camera in a bag.\u003c\/p\u003e \u003cp\u003eCanon has taken care with the optical design, using two aspherical elements and the Super Spectra Coating to minimize aberrations and reduce ghosting and flare. An Optical Image Stabilizer will help ensure sharp imagery, providing up to 4 stops of shake correction or up to 6 stops of Coordinated IS with a compatible camera body. Additionally, the lead screw-type STM AF system is fast enough to keep up with speedy continuous focus while being smooth and quiet enough to work for video.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eImaging\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon RF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSensor Resolution\u003c\/td\u003e \u003ctd\u003eEffective: 24.2 Megapixel\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Sensor\u003c\/td\u003e \u003ctd\u003e22.3 x 14.9 mm (APS-C) CMOS\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCrop Factor\u003c\/td\u003e \u003ctd\u003e1.6x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCapture Type\u003c\/td\u003e \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eExposure Control\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eShutter Type\u003c\/td\u003e \u003ctd\u003eElectronic Shutter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eShutter Speed\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e 1\/8000 Up to 30 Seconds\u003cbr\u003e \u003cstrong\u003eElectronic Front Curtain Shutter\u003c\/strong\u003e\u003cbr\u003e 1\/4000 Up to 30 Seconds\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBulb\/Time Mode\u003c\/td\u003e \u003ctd\u003eBulb Mode, Time Mode\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eISO Sensitivity\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003ePhoto\/Video\u003c\/strong\u003e\u003cbr\u003e 100 to 32,000 (Extended: 51,200)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMetering Method\u003c\/td\u003e \u003ctd\u003eCenter-Weighted Average, Evaluative, Partial, Spot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExposure Modes\u003c\/td\u003e \u003ctd\u003eAperture Priority, Manual, Program, Shutter Priority\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExposure Compensation\u003c\/td\u003e \u003ctd\u003e-3 to +3 EV (1\/3 EV Steps)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMetering Range\u003c\/td\u003e \u003ctd\u003e-2 to 20 EV\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWhite Balance\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003ePresets: \u003c\/strong\u003eAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eContinuous Shooting\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e Up to 15 fps for up to 28 Frames (JPEG) \/ 7 Frames (Raw)\u003cbr\u003e \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e Up to 12 fps for up to 42 Frames (JPEG) \/ 7 Frames (Raw)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eInterval Recording\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSelf-Timer\u003c\/td\u003e \u003ctd\u003e2\/10-Second Delay\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eStill Image Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eAspect Ratio\u003c\/td\u003e \u003ctd\u003e3:2\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage File Format\u003c\/td\u003e \u003ctd\u003eC-RAW, HEIF, JPEG, Raw\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eVideo Capture\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003eH.264\/H.265\/MPEG-4\u003c\/strong\u003e\u003cbr\u003e UHD 4K (3840 x 2160) at 23.98\/25\/29.97 fps\u003cbr\u003e 1920 x 1080 at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBroadcast Output\u003c\/td\u003e \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e \u003ctd\u003eStereo\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eInterface\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e \u003ctd\u003eSingle Slot: SD\/SDHC\/SDXC\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eVideo I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMicro-HDMI Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAudio I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input on Camera Body\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOther I\/O\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\/Output\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWireless\u003c\/td\u003e \u003ctd\u003e2.4 \/ 5 GHz Bluetooth 4.2 Control\u003cbr\u003e Wi-Fi\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMobile App Compatible\u003c\/td\u003e \u003ctd\u003eYes\u003cbr\u003e \u003cem\u003e*As of February, 2023: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eMonitor\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e3\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e1,620,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDisplay Type\u003c\/td\u003e \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eViewfinder\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eType\u003c\/td\u003e \u003ctd\u003eBuilt-In Electronic (OLED)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eSize\u003c\/td\u003e \u003ctd\u003e0.39\"\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eResolution\u003c\/td\u003e \u003ctd\u003e2,360,000 Dot\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eEye Point\u003c\/td\u003e \u003ctd\u003e22 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eCoverage\u003c\/td\u003e \u003ctd\u003e100%\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMagnification\u003c\/td\u003e \u003ctd\u003eApprox. 96x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e \u003ctd\u003e-3 to +1\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFocus\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Mode\u003c\/td\u003e \u003ctd\u003eContinuous-Servo AF, Manual Focus, Single-Servo AF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAutofocus Points\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003ePhoto\u003c\/strong\u003e\u003cbr\u003e Phase Detection: 4503\u003cbr\u003e \u003cstrong\u003eVideo\u003c\/strong\u003e\u003cbr\u003e Phase Detection: 3713\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e \u003ctd\u003e-4 to +20 EV\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eFlash\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e \u003ctd\u003eYes, Flash Only\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e \u003ctd\u003e1\/250 Second\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFlash Compensation\u003c\/td\u003e \u003ctd\u003e-3 to +3 EV (1\/3 EV Steps)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDedicated Flash System\u003c\/td\u003e \u003ctd\u003eeTTL\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Flash Connection\u003c\/td\u003e \u003ctd\u003eShoe Mount\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eEnvironmental\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u003c\/td\u003e \u003ctd\u003e32 to 72°F \/ 0 to 40°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOperating Humidity\u003c\/td\u003e \u003ctd\u003e0 to 85% (Recommended)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003eGeneral\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eBattery Type\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eLP-E17 Rechargeable Lithium Polymer, 7.2 VDC, 1040 mAh\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e \u003ctd\u003e4.6 x 3.4 x 2.7\" \/ 116.3 x 85.5 x 68.8 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e13.2 oz \/ 375 g (With Battery, Recording Media)\u003cbr\u003e 11.6 oz \/ 328 g (Body Only)\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e1.69 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.7 x 7.3 x 5.5\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch2\u003eCanon RF-S 18-45mm F\/4.5-6.3 IS STM Lens Specs\u003c\/h2\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocal Length\u003c\/td\u003e \u003ctd\u003e18 to 45mm (35mm Equivalent: 29 to 72mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Aperture\u003c\/td\u003e \u003ctd\u003ef\/4.5 to 6.3\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Aperture\u003c\/td\u003e \u003ctd\u003ef\/32\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon RF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Format Coverage\u003c\/td\u003e \u003ctd\u003eAPS-C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAngle of View\u003c\/td\u003e \u003ctd\u003e74° 20' to 33° 40'\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e \u003ctd\u003e7.9\" \/ 20 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Magnification\u003c\/td\u003e \u003ctd\u003e0.16x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Design\u003c\/td\u003e \u003ctd\u003e7 Elements in 7 Groups\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e \u003ctd\u003e7, Rounded\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAutofocus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter Size\u003c\/td\u003e \u003ctd\u003e49 mm (Front)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e \u003ctd\u003e2.7 x 1.7\" \/ 68.9 x 44.3 mm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e4.6 oz \/ 130 g\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.505 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e5.3 x 4 x 3.7\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch2\u003eCanon RF-S 55-210mm F\/5-7.1 IS STM Lens (Canon RF) Specs\u003c\/h2\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eFocal Length\u003c\/td\u003e \u003ctd\u003e55 to 210mm (35mm Equivalent: 88 to 336mm)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Aperture\u003c\/td\u003e \u003ctd\u003ef\/5 to 7.1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Mount\u003c\/td\u003e \u003ctd\u003eCanon RF\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLens Format Coverage\u003c\/td\u003e \u003ctd\u003eAPS-C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eAngle of View\u003c\/td\u003e \u003ctd\u003e27° 50' to 7° 25'\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e \u003ctd\u003e2.3' \/ 70 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMaximum Magnification\u003c\/td\u003e \u003ctd\u003e0.28x\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eOptical Design\u003c\/td\u003e \u003ctd\u003e11 Elements in 8 Groups\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e \u003ctd\u003e7\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFocus Type\u003c\/td\u003e \u003ctd\u003eAutofocus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eImage Stabilization\u003c\/td\u003e \u003ctd\u003eYes\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eFilter Size\u003c\/td\u003e \u003ctd\u003e55 mm (Front)\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e \u003ctd\u003e2.7 x 3.7\" \/ 6.9 x 9.4 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e \u003ctd\u003e5.3\" \/ 13.5 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e9.5 oz \/ 270 g\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003ePackaging Info\u003c\/p\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e0.97 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e7.5 x 4.9 x 4.8\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323294013,"sku":"5811C054AA","price":17389.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d80308d22b74297c5a9851e5762b297d.png?v=1773561200"},{"product_id":"canon-eos-r6-mark-ii-rf24-105-f4-l-is-usm","title":"Canon EOS R6 Mark II + RF24-105 F4 L IS USM","description":"\u003cp\u003eCanon EOS R6 Mark II + RF24-105 F4 L IS USM \u003c\/p\u003e \u003cp\u003eThe Full-Frame All-Rounder\u003c\/p\u003e \u003cp\u003eMatching strong photo performance with apt video capabilities, the \u003cstrong\u003eCanon EOS R6 Mark II\u003c\/strong\u003e is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.\u003c\/p\u003e \u003cp\u003e24.2MP Full-Frame Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003eUpdated Full-Frame Sensor\u003c\/p\u003e \u003cp\u003eHitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that's versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.\u003c\/p\u003e \u003cp\u003eDIGIC X Processor\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5-sec before you press the shutter.\u003cbr\u003e \u003cbr\u003e Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.\u003c\/p\u003e \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e \u003cp\u003eBeyond stills, the R6 Mark II's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eHDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003eExternal 6K Raw Recording\u003c\/p\u003e \u003cp\u003eUsing the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.\u003c\/p\u003e \u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAdvanced Dual Pixel CMOS AF II system features 1053 automatic AF points that cover the entire sensor area and provide notably fast, responsive, and precise focusing performance.\u003c\/li\u003e \u003cli\u003eThis phase-detection focusing system also has enhanced subject detection and tracking, benefitted by deep learning technology, with the ability to intelligently recognize people, animals, and vehicles. Subject tracking will automatically lock onto these subjects and maintain sharp focus while shooting, even throughout burst captures and when recording video.\u003c\/li\u003e \u003cli\u003eDual Pixel AF II's low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing even in nighttime conditions.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cp\u003eEVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHigh-resolution 3.69m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e \u003cli\u003eRear 3.0\" 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e \u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eReliable and Intuitive Handling\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAn updated top plate design repositions the On\/Off dial and Photo\/Video mode dial for more intuitive handling.\u003c\/li\u003e \u003cli\u003eBuilt for everyday use, this camera touts a dust- and moisture-sealed body constructions that's suitable for working in inclement conditions.\u003c\/li\u003e \u003cli\u003eDual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUSB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC\/UAC protocols\u003c\/li\u003e \u003cli\u003e3.5mm headphone and external microphone ports\u003c\/li\u003e \u003cli\u003eMicro-HDMI port for working with an external recorder\u003c\/li\u003e \u003cli\u003eBluetooth and 5\/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the EL-5 Speedlite, ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e \u003cp\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003c\/p\u003e \u003cp\u003ePrized for its versatility, the \u003cstrong\u003eRF 24-105mm f\/4 L IS USM\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a wide-angle to short telephoto zoom characterized by its constant f\/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.\u003c\/p\u003e \u003cp\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/p\u003e \u003cp\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003c\/p\u003e \u003cp\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003c\/p\u003e \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e \u003cp\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003c\/p\u003e \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e \u003cp\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003c\/p\u003e \u003cp\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323392317,"sku":"5666C060AA","price":52169.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/4a787adaba18ea62ed67750fa55700c1.png?v=1773561216"},{"product_id":"canon-eos-r6-mark-ii-mirrorless-camera-1","title":"Canon EOS R6 Mark II Mirrorless Camera","description":"\u003cp\u003e\u003cstrong\u003eThe Full-Frame All-Rounder\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eMatching strong photo performance with apt video capabilities, the \u003cstrong\u003eCanon EOS R6 Mark II\u003c\/strong\u003e is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003e24.2MP Full-Frame Sensor and DIGIC X Processing\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUpdated Full-Frame Sensor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eHitting a sweet-spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that's versatile for both photo and video applications, performs well in low-light conditions, and yields striking and accurate colors.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDIGIC X Processor\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBorrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 4K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a 30 fps RAW Burst mode, which offers pre-release capture to record moments that happened up to 0.5-sec before you press the shutter.\u003cbr\u003e \u003cbr\u003e Also, improved processing leads to improved low-light performance, with the sensitivity range now extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting conditions.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUHD 4K Video Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eBeyond stills, the R6 Mark II's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 180p recording is supported at up to Full HD resolution.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eHDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 6K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R6 Mark II features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eExternal 6K Raw Recording\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eUsing the micro-HDMI port, raw video recording is possible when paired with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor as well as 3.7K raw recording with a crop.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eAutofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF II\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAdvanced Dual Pixel CMOS AF II system features 1053 automatic AF points that cover the entire sensor area and provide notably fast, responsive, and precise focusing performance.\u003c\/li\u003e \u003cli\u003eThis phase-detection focusing system also has enhanced subject detection and tracking, benefitted by deep learning technology, with the ability to intelligently recognize people, animals, and vehicles. Subject tracking will automatically lock onto these subjects and maintain sharp focus while shooting, even throughout burst captures and when recording video.\u003c\/li\u003e \u003cli\u003eDual Pixel AF II's low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing even in nighttime conditions.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eSensor-Shift Image Stabilizer\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eBody Design\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eEVF and Vari-Angle Touchscreen LCD\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHigh-resolution 3.69m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e \u003cli\u003eRear 3.0\" 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e \u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eReliable and Intuitive Handling\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAn updated top plate design repositions the On\/Off dial and Photo\/Video mode dial for more intuitive handling.\u003c\/li\u003e \u003cli\u003eBuilt for everyday use, this camera touts a dust- and moisture-sealed body constructions that's suitable for working in inclement conditions.\u003c\/li\u003e \u003cli\u003eDual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eFlexible Connectivity\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eUSB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC\/UAC protocols\u003c\/li\u003e \u003cli\u003e3.5mm headphone and external microphone ports\u003c\/li\u003e \u003cli\u003eMicro-HDMI port for working with an external recorder\u003c\/li\u003e \u003cli\u003eBluetooth and 5\/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cstrong\u003eNext-Generation Multi-Function Shoe\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the EL-5 Speedlite, ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323425085,"sku":"5666C059AA","price":34779.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5666C059AA-1.png?v=1783945713"},{"product_id":"canon-eos-r8-body","title":"Canon EOS R8 BODY","description":"\u003cp\u003eCanon EOS R8 BODY \u003c\/p\u003e \u003cp\u003eA lightweight, travel-friendly, full-frame camera body, the \u003cstrong\u003eCanon EOS R8 Mirrorless Camera\u003c\/strong\u003e offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.\u003c\/p\u003e \u003cp\u003e24.2MP Full-Frame Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003ePairing a powerful full-frame 24.2MP CMOS sensor and DIGIC X image processor, the R8 delivers high resolution imagery with rich and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-102400 range that is expandable to ISO 204800 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 60p video recording is supported as is Full HD 1080 180p for slow motion playback. The R8 offers 4:2:2 10-bit shooting and up to 2-hours of video recording is now available at 29.97 fps, allowing you to keep your project rolling. Capable of processing high speed bursts, the DIGIC X image processor also supports up to 40 fps continuous shooting and offers pre-shooting support, which allows the camera to start recording images 0.5 seconds prior to pressing the shutter release button.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eFeaturing 1053 automatic AF points that cover the entire sensor area, the advanced Dual Pixel CMOS AF II system provides extremely fast and accurate focusing performance. This phase-detection focusing system offers enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles while automatically locking onto these subjects and maintaining sharp focus throughout burst and video captures. Additionally, this autofocus system's low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing in dark conditions.\u003c\/p\u003e \u003cp\u003eHDR PQ and Canon Log 3\u003c\/p\u003e \u003cp\u003eThough the EOS R8 camera can record impressive video straight out of camera, content creators looking to take the next step in their imaging journey have the choice of two powerful video recording options in HDR PQ or Canon Log 3 video recording. With HDR PQ recording a 10-bit color file is recorded that does not require additional editing. This 10-bit HDR file is compatible with HDR displays such as TVs, monitors, and smartphones, which display your video with even more color accuracy and dynamic range than standard displays. For creators who like to edit their video files, Canon Log 3 is also available, creating a 10-bit log file which allows for powerful recovery of highlights and shadows as well as creative color grading capability.\u003c\/p\u003e \u003cp\u003eVertical Movie Mode and Aspect Markers\u003c\/p\u003e \u003cp\u003eMovie rotation information can be set during or after movie recording, allowing videos to be played in vertical composition when viewing on a smartphone. The Aspect Markers function displays visual markers for different aspect ratios that may be desired for posting the same file to various social media sites. This display provides consideration for proper composition for the different deliverable files that can be created when editing.\u003c\/p\u003e \u003cp\u003eLivestreaming\u003c\/p\u003e \u003cp\u003eUVC\/UAC compatibility allows the R8 to be used as a web camera to stream live video in Full HD, without additional computer software, to applications such as Zoom, Microsoft Teams, Skype, and similar video conferencing software. Thanks to the full-frame image sensor, you'll be able to have versatility in your exposure, as well as strong background separation when using bright aperture lenses for video conferencing or livestreaming content.\u003c\/p\u003e \u003cp\u003eMovie Digital IS\u003c\/p\u003e \u003cp\u003eRecord stable videos efficiently with minimum equipment, even when shooting handheld, with Movie Digital IS 5-axis image stabilization. Camera-shake vibrations are reduced even more through coordinated control of Movie Digital IS when using a RF lens featuring optical image stabilization.\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eProviding high-resolution eye-level viewing, the R8 is designed with a bright and clear 2.36m-dot OLED EVF for a pleasing electronic viewfinder experience. The EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp, and colorful 100% view of the subject at hand.\u003cbr\u003e \u003cbr\u003e Additionally, a large 3.0\" 1.62m-dot vari-angle touchscreen makes it easy to compose and shoot from virtually any angle. With touch and drag functionality, you can intuitively and swiftly move the autofocus point on the touch-panel LCD.\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, livestreaming, as well as for remotely controlling the camera. Physically, the camera features a remote port, a USB-C port, a micro-HDMI port, a microphone input, and a headphone jack for monitoring sound.\u003c\/li\u003e \u003cli\u003eBuilt-in Bluetooth pairing lets you easily connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi connectivity enables wireless functions, such as remote live view, file viewing, and transfer, by connecting to Wi-Fi quickly and seamlessly. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.\u003c\/li\u003e \u003cli\u003eBuilt-in USB-C allows you to connect the camera to a smartphone or computer. All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323490621,"sku":"5803C033AA","price":33469.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5bea80a48c597ec7b6145bcdee378339.png?v=1773561254"},{"product_id":"canon-eos-r8-rf-24-50mm-f4-5-6-3-is-stm","title":"Canon EOS R8+RF 24-50mm F4.5-6.3 IS STM","description":"\u003cp\u003eCanon EOS R8+RF 24-50mm F4.5-6.3 IS STM \u003c\/p\u003e \u003cp\u003eCanon EOS R8 Mirrorless Camera\u003c\/p\u003e \u003cp\u003eA lightweight, travel-friendly, full-frame camera body, the \u003cstrong\u003eCanon EOS R8 Mirrorless Camera\u003c\/strong\u003e offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.\u003c\/p\u003e \u003cp\u003e24.2MP Full-Frame Sensor and DIGIC X Processing\u003c\/p\u003e \u003cp\u003ePairing a powerful full-frame 24.2MP CMOS sensor and DIGIC X image processor, the R8 delivers high resolution imagery with rich and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-102400 range that is expandable to ISO 204800 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 60p video recording is supported as is Full HD 1080 180p for slow motion playback. The R8 offers 4:2:2 10-bit shooting and up to 2-hours of video recording is now available at 29.97 fps, allowing you to keep your project rolling. Capable of processing high speed bursts, the DIGIC X image processor also supports up to 40 fps continuous shooting and offers pre-shooting support, which allows the camera to start recording images 0.5 seconds prior to pressing the shutter release button.\u003c\/p\u003e \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e \u003cp\u003eFeaturing 1053 automatic AF points that cover the entire sensor area, the advanced Dual Pixel CMOS AF II system provides extremely fast and accurate focusing performance. This phase-detection focusing system offers enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles while automatically locking onto these subjects and maintaining sharp focus throughout burst and video captures. Additionally, this autofocus system's low-luminance limit focuses down to an impressive -6.5 EV for accurate focusing in dark conditions.\u003c\/p\u003e \u003cp\u003eHDR PQ and Canon Log 3\u003c\/p\u003e \u003cp\u003eThough the EOS R8 camera can record impressive video straight out of camera, content creators looking to take the next step in their imaging journey have the choice of two powerful video recording options in HDR PQ or Canon Log 3 video recording. With HDR PQ recording a 10-bit color file is recorded that does not require additional editing. This 10-bit HDR file is compatible with HDR displays such as TVs, monitors, and smartphones, which display your video with even more color accuracy and dynamic range than standard displays. For creators who like to edit their video files, Canon Log 3 is also available, creating a 10-bit log file which allows for powerful recovery of highlights and shadows as well as creative color grading capability.\u003c\/p\u003e \u003cp\u003eVertical Movie Mode and Aspect Markers\u003c\/p\u003e \u003cp\u003eMovie rotation information can be set during or after movie recording, allowing videos to be played in vertical composition when viewing on a smartphone. The Aspect Markers function displays visual markers for different aspect ratios that may be desired for posting the same file to various social media sites. This display provides consideration for proper composition for the different deliverable files that can be created when editing.\u003c\/p\u003e \u003cp\u003eLivestreaming\u003c\/p\u003e \u003cp\u003eUVC\/UAC compatibility allows the R8 to be used as a web camera to stream live video in Full HD, without additional computer software, to applications such as Zoom, Microsoft Teams, Skype, and similar video conferencing software. Thanks to the full-frame image sensor, you'll be able to have versatility in your exposure, as well as strong background separation when using bright aperture lenses for video conferencing or livestreaming content.\u003c\/p\u003e \u003cp\u003eMovie Digital IS\u003c\/p\u003e \u003cp\u003eRecord stable videos efficiently with minimum equipment, even when shooting handheld, with Movie Digital IS 5-axis image stabilization. Camera-shake vibrations are reduced even more through coordinated control of Movie Digital IS when using a RF lens featuring optical image stabilization.\u003c\/p\u003e \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e \u003cp\u003eProviding high-resolution eye-level viewing, the R8 is designed with a bright and clear 2.36m-dot OLED EVF for a pleasing electronic viewfinder experience. The EVF supports up to a 120 fps refresh rate and has been designed to provide a bright, sharp, and colorful 100% view of the subject at hand.\u003cbr\u003e \u003cbr\u003e Additionally, a large 3.0\" 1.62m-dot vari-angle touchscreen makes it easy to compose and shoot from virtually any angle. With touch and drag functionality, you can intuitively and swiftly move the autofocus point on the touch-panel LCD.\u003c\/p\u003e \u003cp\u003eFlexible Connectivity\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWired and wireless connectivity options allow for multiple methods of transferring photos and videos, livestreaming, as well as for remotely controlling the camera. Physically, the camera features a remote port, a USB-C port, a micro-HDMI port, a microphone input, and a headphone jack for monitoring sound.\u003c\/li\u003e \u003cli\u003eBuilt-in Bluetooth pairing lets you easily connect the camera to compatible smart devices using the free Canon Camera Connect app. This low-energy wireless connection helps preserve battery life, while providing remote control of the camera. It also sends continuously updated GPS location data from your phone, letting you geotag what you've captured so you know precisely where you captured the photo.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi connectivity enables wireless functions, such as remote live view, file viewing, and transfer, by connecting to Wi-Fi quickly and seamlessly. Using the Canon Camera Connect app, you can also transfer files to your mobile device to browse and share on social media.\u003c\/li\u003e \u003cli\u003eBuilt-in USB-C allows you to connect the camera to a smartphone or computer. All Canon Camera Connect app features that can be used with Wi-Fi are now available when the camera and smartphone are connected via USB, using a compatible cable for your device.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eNext-Generation Multi-Function Shoe\u003c\/p\u003e \u003cp\u003eAn update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"data:image\/png;base64,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\"\u003e\u003c\/p\u003e \u003cp\u003eUPC: 013803351354\u003c\/p\u003e \u003cp\u003eCanon RF 24-50mm f\/4.5-6.3 IS STM Lens (Canon RF)\u003c\/p\u003e \u003cp\u003eFeaturing a lightweight and compact design, the \u003cstrong\u003eRF 24-50mm f\/4.5-6.3 IS STM Lens\u003c\/strong\u003e is a versatile standard zoom covering wide-angle to normal-view focal lengths. Designed for everyday use and an excellent choice for vlogging and content creation, this lens is well-suited for landscapes, cityscapes, street scenes, portraits, products, and more. An STM stepping AF motor produces fast, smooth, and near-silent autofocus performance to support both stills and video recording, and an Optical Image Stabilizer compensates for up to 4.5 stops of camera shake to better enable taking sharp handheld photos in difficult lighting conditions.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/li\u003e \u003cli\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/li\u003e \u003cli\u003eOptical Image Stabilizer technology compensates for up to 4.5 stops of camera shake to better enable taking sharp handheld photos in difficult lighting conditions. When paired with EOS R-series cameras featuring an In-Body Image Stabilizer (IBIS), up to 7 stops of shake correction are provided.\u003c\/li\u003e \u003cli\u003eIncorporates a focus control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation, and more. Located towards the front of the lens, this ring effectively adds a third dial to the camera's main dial and quick control dial.\u003c\/li\u003e \u003cli\u003eTwo aspheric elements and a Super Spectra Coating minimize ghosting and flare.\u003c\/li\u003e \u003cli\u003eMinimum focusing distance of 11.8\" for working with close-up subjects.\u003c\/li\u003e \u003cli\u003eCompact and lightweight lens weighs just 7.4 oz.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323523389,"sku":"5803C034AA","price":28689.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/74b42fe980ecca0d0792c6d719df76c3.png?v=1773561269"},{"product_id":"canon-eos5d-mk4-24-105-lis","title":"Canon EOS5D MK4 24-105 LIS","description":"\u003cp\u003eD.CAM EOS5D MK4 24-105 LIS EU26 ICASA ZA.\u003c\/p\u003e \u003cp\u003eContinuing on in their legacy of powerful workhorse cameras, \u003cstrong\u003eCanon\u003c\/strong\u003e has released the \u003cstrong\u003e5D Mark IV DSLR\u003c\/strong\u003e which is an outstanding still photography option and an able 4K-capable video machine. This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.\u003c\/p\u003e \u003cp\u003eIn order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.\u003c\/p\u003e \u003cp\u003eVideo benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2\" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.\u003c\/p\u003e \u003cp\u003eThe body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.\u003c\/p\u003e \u003cp\u003e30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor\u003c\/p\u003e \u003cp\u003eIn line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.\u003cbr\u003e \u003cbr\u003e Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.\u003c\/p\u003e \u003cp\u003eHigh Density Reticular AF and Dual Pixel CMOS AF Systems\u003c\/p\u003e \u003cp\u003eEnsuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f\/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.\u003cbr\u003e \u003cbr\u003e In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.\u003c\/p\u003e \u003cp\u003eDCI 4K Video Recording\u003c\/p\u003e \u003cp\u003eDesigned for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.\u003cbr\u003e \u003cbr\u003e Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.\u003c\/p\u003e \u003cp\u003eDual Pixel RAW\u003c\/p\u003e \u003cp\u003eFirst implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.\u003c\/p\u003e \u003cp\u003eBody Design\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA large 3.2\" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.\u003c\/li\u003e \u003cli\u003eA dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.\u003c\/li\u003e \u003cli\u003eDual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.\u003c\/li\u003e \u003cli\u003eAn Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.\u003c\/li\u003e \u003cli\u003eA Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.\u003c\/li\u003e \u003cli\u003eA robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eOther Camera Features\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.\u003c\/li\u003e \u003cli\u003eDigital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.\u003c\/li\u003e \u003cli\u003eA built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.\u003c\/li\u003e \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323556157,"sku":"1483C058AA","price":52169.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b6d3d1d6fb37caf7047de9e2f423a7d8.png?v=1773561278"},{"product_id":"canon-ixus-285-hs-black-1","title":"Canon IXUS 285 HS (Black)","description":"\u003ch2\u003eInternal Notes : \u003c\/h2\u003e\u003ch2\u003eDetailed Features\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003ch2\u003ePocketable style\u003c\/h2\u003eThis ultra-slim and stylish metal-bodied IXUS is easy to carry with you wherever you go and features a flexible 25mm ultra-wide 12x optical zoom lens with 24x ZoomPlus; so you can easily capture every moment, near or far, in superb quality photos and movies. Auto Zoom helps you select the best framing at the touch of a button.\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eInstant Full HD movies\u003c\/h2\u003eMaking great movies is fun and easy. With one touch of a button you can effortlessly shoot great Full HD movies (1080p) in MP4 format. Experience the creative versatility of shooting movies using the optical zoom and still enjoy sharp, steady results thanks to the Dynamic Image Stabilizer.\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eQuick connections\u003c\/h2\u003eConnect to your compatible smart device with just one tap using Wi-Fi with Dynamic NFC for easy sharing. Use Image Sync to automatically back-up new images to cloud services and capture great group shots with wireless Remote Shooting from your smart device. The Wi-Fi Button offers a quick and easy shortcut to Wi-Fi functions.\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eSuperb quality\u003c\/h2\u003eEnjoy exceptional quality, detailed images – even in low light - thanks to a 20.2 Megapixels CMOS sensor and DIGIC 4+ processing. An intelligent optical Image Stabilizer ensures sharp stills and steady movies in any situation, while the large 7.5 cm (3.0”) LCD screen allows easy shooting and playback.\u003c\/li\u003e\n\u003cli\u003e\n\u003ch2\u003eEffortless creativity\u003c\/h2\u003eAt the touch of the shutter, Creative Shot automatically analyses the scene and creates 5 additional unique images of your original shot. Get close and capture stunning everyday detail with 1 cm Macro or simply point and shoot with Hybrid Auto and let the camera automatically create a fun HD (720p) movie summary of the day.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323785533,"sku":"7281C001AA","price":6249.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a25990fd6bfbcbebb51a451d09a1c877_30a98227-ecdb-4716-86a3-2b85c50452b7.png?v=1773561319"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/collections\/Photo-Cover-2000x858.png?v=1791901018","url":"https:\/\/www.icilylive.co.za\/collections\/new-cameras.oembed?page=3","provider":"Icily Live","version":"1.0","type":"link"}