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Then, when full, you can unplug the disks and you can replace them with new, blank ones to increase your archive storage capacity. You also get 4 x 10Gb Ethernet ports to keep up with fast, high-capacity hard disks. Hard disks offer the lowest cost per TB of storage and are fast, making them ideal for archiving older projects. Plus, there's an HDMI monitor output that shows storage status.\u003c\/p\u003e\u003cp\u003eDesigned for Film and Television\u003c\/p\u003e\u003cp\u003eBlackmagic Cloud Backup 8 is an ideal solution for post-production workflows where you have completed projects that require fast archiving to low cost storage. It's great for creating replay archives, as media files can become large when recording multiple ISO channels. You can even use it for education to manage numerous student media projects. Plus there's a security bar included so you can lock the disks and prevent their removal. 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That offers similar performance to high end business SANs, but in a low cost design that you can install yourself.\u003c\/p\u003e\u003cp\u003eIntelligent Sync to Blackmagic Cloud\u003c\/p\u003e\u003cp\u003eCreative teams can now share a single local cache of media synced to Blackmagic Cloud, enabling a truly global workflow. Blackmagic Cloud handles all sync, duplicating media to multiple sites for robust data safety and zero latency access since everyone works from local copies. Blackmagic Cloud will run continuous backups, eliminating manual archiving. Then once a job completes, it remains available on the Blackmagic Cloud Backup 8 disks, freeing up space on your primary fast flash storage. Blackmagic Cloud also handles the DaVinci Resolve proxy workflow, transferring proxies first, then the camera original files. 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It has a capacity of 20TB, which is made up of multiple NVMe M.2 SSDs, which are preconfigured as RAID 5 and able to handle 12K Blackmagic raw digital cinema files. The Cloud Store is also equipped with four 10GbE ports, which can also function as a network switch, plus two Gigabit Ethernet ports. There are also two 5 Gb\/s USB Type-C ports, one of which ingests content from an external drive, while the other backs up cloud data to a USB drive. Both USB Type-C ports also support Ethernet connectivity and an HDMI output that lets you keep track of your Cloud Store's status, including a storage map, speed graphics, sync, active users, and power status.\u003c\/p\u003e \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, colour correction, audio, post, and VFX work. It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronized in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e \u003cp\u003eUnlike IT industry storage products that are rack mounted and have loud cooling fans, the Blackmagic Cloud Store has an elegant vertical design that's portable. It's also whisper quiet so it can be used on location. Internally, it has an array of flash memory cards working in parallel for speed and data protection. There are also two redundant power supplies. The four 10G Ethernet ports operate as a switch so you can connect four separate computers, or they work together using \"link aggregation\" for a massive 40G Ethernet speed. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. It can even be maintained and repaired!\u003c\/p\u003e \u003ch5\u003eUSB Type-C Ingest\u003c\/h5\u003e \u003cp\u003eThe USB Type-C ingest port will automatically load from any disk plugged in. It's fully automatic and you simply plug in a USB media dock or a USB disk. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e \u003ch5\u003eUSB Type-C Backup\u003c\/h5\u003e \u003cp\u003eThis USB Type-C port will automatically backup cloud store files to any USB disk plugged into the port. It's a low cost way to protect your critical files. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e \u003ch5\u003eHDMI Monitor Output\u003c\/h5\u003e \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Store in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e \u003ch5\u003e1G Ethernet\u003c\/h5\u003e \u003cp\u003eThe two 1G Ethernet connections are provided for slower connections, such as the internet or slower computers. They are part of the built- in Ethernet switch and help keep the faster 10G ports free.\u003c\/p\u003e \u003ch5\u003e10G Ethernet\u003c\/h5\u003e \u003cp\u003eThe 10G Ethernet ports allow four separate computers to be connected. That's great for mobile use, as the 10G Ethernet switch is built in. Plus, all four connections can work together as a 40G Ethernet link.\u003c\/p\u003e \u003ch5\u003eAC Power\u003c\/h5\u003e \u003cp\u003eA standard IEC power socket is used for connecting AC power. All international AC voltages are supported, so you can use it globally. Plus, there are two internal power supplies allowing full redundancy.\u003c\/p\u003e \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is available with 20TB of flash memory, so you have lots of space for your business files and video media. With video as the standard for information delivery in business, that's enough capacity to store all your media in a single location on your network. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the M.2 cards are arranged in parallel RAID 5 groups so they can operate much faster than a single card. That ensures massive speed combined with fault tolerance. If a faulty M.2 card is detected, the Cloud Store will automatically enter read only, so you can still access your files.\u003c\/p\u003e \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e \u003cp\u003eWith four separate very high speed 10G Ethernet connections, the Blackmagic Cloud Store is extremely fast. The internal memory core has been designed to saturate all four 10G Ethernet ports to their theoretical maximum speed, all at the same time. Plus, file access has very low latency times, so responsiveness is fast, thanks to the massive parallel processing used by the memory core. At maximum speed, the Blackmagic Cloud Store is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also incredibly smooth, even if it's used with massive digital film camera files.\u003c\/p\u003e \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e \u003cp\u003eMake sure your Blackmagic Cloud Store is connected to the internet. Enter in your Dropbox account details, so the Cloud Store can gain access to allow sync.\u003c\/p\u003e \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store will constantly sync files, even if your computer is turned off.\u003c\/p\u003e \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store . Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e \u003ch5\u003eUsage Indicator\u003c\/h5\u003e \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store.\u003c\/p\u003e \u003ch5\u003eCloud Store Name\u003c\/h5\u003e \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e \u003ch5\u003eStorage Map\u003c\/h5\u003e \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e \u003ch5\u003eUser Connections\u003c\/h5\u003e \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e \u003ch5\u003eCloud Store Status\u003c\/h5\u003e \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e \u003cp\u003eThe lower part of the display has the data-transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e \u003ch4\u003eRedundant Design for Mission Critical Use\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store saves files in a RAID 5 array of M.2 flash memory cards, ensuring your data is protected. Although the flash memory used in the Blackmagic Cloud Store is extremely reliable, using RAID 5 adds extra protection. RAID 5 means every 6th M.2 card is used for parity. The parity card holds error correction data that can then be used to rebuild the files after replacing an M.2 card. Plus, the Blackmagic Cloud Store's memory will automatically wear level, avoiding excessive data writes to the same location. It even has dual power supplies so it will keep operating if a power supply fails. All parts are common, allowing the Blackmagic Cloud Store to be repaired.\u003c\/p\u003e \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in the future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has a larger capacity.\u003c\/p\u003e \u003ch4\u003eHigh Performance 10G Ethernet Switch\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store has four high-speed 10G Ethernet ports, which are generally found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. With a built in Ethernet switch, each port can be plugged into a separate computer, or they can be used together for 40G Ethernet. The 10G Ethernet ports also features very low latency for fast access times, while two extra 1G Ethernet ports let you keep the 10G Ethernet ports free for faster computers.\u003c\/p\u003e \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e \u003ch4\u003eSupports Local Backup and Ingest via USB Type-C Disks\u003c\/h4\u003e \u003cp\u003eThe two USB Type-C ports on the Blackmagic Cloud Store can be used for the loading and backup of files. If you connect a media card reader or a USB Type-C disk to the ingest port, then all files on that disk will be loaded into the cloud store. This means you don't need to tie up computers just to load files. Backup is also important and while Dropbox is a good backup solution, by connecting a USB disk to the backup port, you can do local backups without any ongoing costs and with total privacy. It works with a USB Type-C disk, or even large USB Type-C disk arrays. The latest files will be loaded first, and the Blackmagic Cloud Store will keep backing up for as long as the disk is connected.\u003c\/p\u003e \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you can customize your network storage solution with total freedom.\u003c\/p\u003e \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. If you ever replace M.2 memory cards, then the utility also lets you run a rebuild on the memory core.\u003c\/p\u003e \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The Blackmagic Cloud Store Mini has a rackmount design that's affordable and portable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. The Blackmagic Cloud Pod allows virtually any USB disk to be shared on your network. That means you can use just the USB disks you already have. The Blackmagic Cloud Pod is the lowest cost option for network storage and features a 10G Ethernet connection so it's extremely fast. All models support Dropbox sync and the HDMI monitoring output.\u003c\/p\u003e \u003ch4\u003ePerfect Multi-Camera Video Production\u003c\/h4\u003e \u003cp\u003eNow you can revolutionize multi camera production by recording studio cameras into the Cloud Store via HyperDeck Extremes. Each HyperDeck Extreme will record each ISO camera direct into the Cloud Store, making for a good DaVinci Resolve multi-cam editing solution! DaVinci Resolve is a free download, so you can add as many users as you need. HyperDeck Extreme can record ProRes, H.265, or DNx video formats into the Cloud Store using its high-speed 10G Ethernet connection. 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It has a capacity of 80TB, which is made up of multiple NVMe M.2 SSDs, which are preconfigured as RAID 5 and able to handle 12K Blackmagic raw digital cinema files. The Cloud Store is also equipped with four 10GbE ports, which can also function as a network switch, plus two Gigabit Ethernet ports. There are also two 5 Gb\/s USB Type-C ports, one of which ingests content from an external drive, while the other backs up cloud data to a USB drive. Both USB Type-C ports also support Ethernet connectivity and an HDMI output that lets you keep track of your Cloud Store's status, including a storage map, speed graphics, sync, active users, and power status.\u003c\/p\u003e \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio, post, and VFX work. It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronised in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e \u003cp\u003eUnlike IT industry storage products that are rack mounted and have loud cooling fans, the Blackmagic Cloud Store has an elegant vertical design that's portable. It's also whisper quiet so it can be used on location. Internally, it has an array of flash memory cards working in parallel for speed and data protection. There are also two redundant power supplies. The four 10G Ethernet ports operate as a switch so you can connect four separate computers, or they work together using \"link aggregation\" for a massive 40G Ethernet speed. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. It can even be maintained and repaired!\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUSB Type-C Ingest\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe USB Type-C ingest port will automatically load from any disk plugged in. It's fully automatic and you simply plug in a USB media dock or a USB disk. Ethernet-over-USB is also supported on this port.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUSB Type-C Backup\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThis USB Type-C port will automatically backup cloud store files to any USB disk plugged into the port. It's a low cost way to protect your critical files. 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Plus, all four connections can work together as a 40G Ethernet link.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eAC Power\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eA standard IEC power socket is used for connecting AC power. All international AC voltages are supported, so you can use it globally. Plus, there are two internal power supplies allowing full redundancy.\u003c\/p\u003e \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is available with 80TB of flash memory, so you have lots of space for your business files and video media. With video as the standard for information delivery in business, that's enough capacity to store all your media in a single location on your network. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the M.2 cards are arranged in parallel RAID 5 groups so they can operate much faster than a single card. That ensures massive speed combined with fault tolerance. If a faulty M.2 card is detected, the Cloud Store will automatically enter read only, so you can still access your files.\u003c\/p\u003e \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e \u003cp\u003eWith four separate very high speed 10G Ethernet connections, the Blackmagic Cloud Store is extremely fast. The internal memory core has been designed to saturate all four 10G Ethernet ports to their theoretical maximum speed, all at the same time. Plus, file access has very low latency times, so responsiveness is fast, thanks to the massive parallel processing used by the memory core. At maximum speed, the Blackmagic Cloud Store is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also incredibly smooth, even if it's used with massive digital film camera files.\u003c\/p\u003e \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e \u003cp\u003eMake sure your Blackmagic Cloud Store is connected to the internet. Enter in your Dropbox account details, so the Cloud Store can gain access to allow sync.\u003c\/p\u003e \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store will constantly sync files, even if your computer is turned off.\u003c\/p\u003e \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store . Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUsage Indicator\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eCloud Store Name\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eStorage Map\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eCloud Sync Status\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eUser Connections\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eCloud Store Status\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e \u003ch4\u003e\u003cstrong\u003eSpeed Graphs\u003c\/strong\u003e\u003c\/h4\u003e \u003cp\u003eThe lower part of the display has the data-transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e \u003ch4\u003eRedundant Design for Mission Critical Use\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store saves files in a RAID 5 array of M.2 flash memory cards, ensuring your data is protected. Although the flash memory used in the Blackmagic Cloud Store is extremely reliable, using RAID 5 adds extra protection. RAID 5 means every 6th M.2 card is used for parity. The parity card holds error correction data that can then be used to rebuild the files after replacing an M.2 card. Plus, the Blackmagic Cloud Store's memory will automatically wear level, avoiding excessive data writes to the same location. It even has dual power supplies so it will keep operating if a power supply fails. All parts are common, allowing the Blackmagic Cloud Store to be repaired.\u003c\/p\u003e \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in the future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has a larger capacity.\u003c\/p\u003e \u003ch4\u003eHigh Performance 10G Ethernet Switch\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store has four high-speed 10G Ethernet ports, which are generally found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. With a built in Ethernet switch, each port can be plugged into a separate computer, or they can be used together for 40G Ethernet. The 10G Ethernet ports also features very low latency for fast access times, while two extra 1G Ethernet ports let you keep the 10G Ethernet ports free for faster computers.\u003c\/p\u003e \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e \u003ch4\u003eSupports Local Backup and Ingest via USB Type-C Disks\u003c\/h4\u003e \u003cp\u003eThe two USB Type-C ports on the Blackmagic Cloud Store can be used for the loading and backup of files. If you connect a media card reader or a USB Type-C disk to the ingest port, then all files on that disk will be loaded into the cloud store. This means you don't need to tie up computers just to load files. Backup is also important and while Dropbox is a good backup solution, by connecting a USB disk to the backup port, you can do local backups without any ongoing costs and with total privacy. It works with a USB Type-C disk, or even large USB Type-C disk arrays. The latest files will be loaded first, and the Blackmagic Cloud Store will keep backing up for as long as the disk is connected.\u003c\/p\u003e \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you can customize your network storage solution with total freedom.\u003c\/p\u003e \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. If you ever replace M.2 memory cards, then the utility also lets you run a rebuild on the memory core.\u003c\/p\u003e \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The Blackmagic Cloud Store Mini has a rackmount design that's affordable and portable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. The Blackmagic Cloud Pod allows virtually any USB disk to be shared on your network. That means you can use just the USB disks you already have. The Blackmagic Cloud Pod is the lowest cost option for network storage and features a 10G Ethernet connection so it's extremely fast. All models support Dropbox sync and the HDMI monitoring output.\u003c\/p\u003e \u003ch4\u003ePerfect Multi-Camera Video Production\u003c\/h4\u003e \u003cp\u003eNow you can revolutionize multi camera production by recording studio cameras into the Cloud Store via HyperDeck Extremes. Each HyperDeck Extreme will record each ISO camera direct into the Cloud Store, making for a good DaVinci Resolve multi-cam editing solution! DaVinci Resolve is a free download, so you can add as many users as you need. HyperDeck Extreme can record ProRes, H.265, or DNx video formats into the Cloud Store using its high-speed 10G Ethernet connection. 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It has a capacity of 8TB, which is made up of 4 x 2TB NVMe M.2 SSDs, which are preconfigured as RAID 0 and able to handle 12K Blackmagic raw digital cinema files. The Cloud Store Mini is also equipped with a 10GbE port and 1GbE port for network access, as well as a USB Type-C port that features a built-in network adapter for systems that don't have an RJ45 port. There is also a 5 Gb\/s USB Type-C port for standard data transfers, plus an HDMI output that lets you keep track of your Cloud Store Mini's status, including a storage map, speed graphics, sync, active users, and power status.\u003c\/p\u003e \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store Mini is the perfect network storage solution for any use! It's great for film and television where large media files need to be shared between multiple users for editing, color correction, audio, post, and VFX work. It even handles massive 12K Blackmagic raw digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It's the perfect solution for DaVinci Resolve, while Dropbox sync allows multiple disks to be synchronized in different locations globally. Then, each location gets the fastest editing experience possible, which is critical for multi-cam editing where multiple media files are playing simultaneously.\u003c\/p\u003e \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store Mini features a compact rack mount design that's very portable and whisper quiet. Internally it has an array of 4 flash memory cards working in parallel for higher speeds. The 10G Ethernet port and the 1G Ethernet port operate as a 2-port network switch, which is great if you don't have a 10G Ethernet network, as you can connect the 10G port directly into your computer and the 1G port to your existing network. If you need to access files quickly, then the USB Type-C port also operates as a network port - just plug it into your computer. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor.\u003c\/p\u003e \u003ch5\u003eFlexible Power\u003c\/h5\u003e \u003cp\u003eAn IEC power socket is included for connecting AC power. All international AC voltages are supported so you can use it globally. Plus, there is a separate DC power input for redundancy or battery use.\u003c\/p\u003e \u003ch5\u003e10G Ethernet\u003c\/h5\u003e \u003cp\u003e10G Ethernet allows high-speed computers to be connected. It's fast, even when lots of users are connected, all at the same time. It's perfect for connecting to the latest 10G Ethernet switches.\u003c\/p\u003e \u003ch5\u003e1G Ethernet\u003c\/h5\u003e \u003cp\u003eThe 1G Ethernet connection is provided for slower connections, such as the Internet or slower computers. It is part of the built-in Ethernet switch and helps keep the faster 10G port free.\u003c\/p\u003e \u003ch5\u003eUSB Type-C Connection\u003c\/h5\u003e \u003cp\u003eThe USB Type-C port supports Ethernet for connecting it to your computer to access files. That's possible because there is a USB Type-C to Ethernet adapter built in. This USB Type-C port is also used for settings and updates.\u003c\/p\u003e \u003ch5\u003eHDMI Monitor Output\u003c\/h5\u003e \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Store Mini in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e \u003ch4\u003eFlash Memory Allows for Multiple Simultaneous Users\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store Mini is available with 8TB of flash memory, so you have lots of space for your files. That's fantastic for television production, as it's small enough to be portable, but it has enough storage space for lots of video media. M.2 flash memory cards are used for extreme reliability, high access speeds, and zero seek times. Plus, the four M.2 cards are arranged in a parallel RAID 0 group so they can operate much faster than a single card. That ensures enough speed to keep up with the 10G Ethernet connection. Plus, in the future, as new larger M.2 cards are released, the flash memory cards can be replaced with new ones. That helps ensure a very long life.\u003c\/p\u003e \u003ch4\u003e10G Speed - High Performance for Digital Film Files\u003c\/h4\u003e \u003cp\u003eWith a separate high-speed 10G Ethernet connection, the Blackmagic Cloud Store Mini is very fast. The internal memory core has been designed to saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. Plus, files can be accessed with low latency, so responsiveness is fast. That's possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store Mini is extremely quiet with very little noise from the cooling fan, even when editing large 12K digital raw files. Multi-cam editing is also very smooth, even if it's used with large digital film camera files.\u003c\/p\u003e \u003ch4\u003eSync to Dropbox\u003c\/h4\u003e \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. The Blackmagic Cloud Store Mini will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store Mini so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Store Minis via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e \u003cp\u003eMake sure your Blackmagic Cloud Store Mini is connected to the internet. Enter in your Dropbox account details, so the Cloud Store Mini can gain access to allow sync.\u003c\/p\u003e \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Store Mini where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Store Mini units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. The Blackmagic Cloud Store Mini will constantly sync files, even if your computer is turned off.\u003c\/p\u003e \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store Mini. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the Cloud Store Mini. Also, the status for each Dropbox connection is also shown and it's even possible to see connected users and the power status.\u003c\/p\u003e \u003ch5\u003eUsage Indicator\u003c\/h5\u003e \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Store Mini.\u003c\/p\u003e \u003ch5\u003eCustomizable Name\u003c\/h5\u003e \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Store Mini so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e \u003ch5\u003eStorage Map\u003c\/h5\u003e \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e \u003ch5\u003eUser Connections\u003c\/h5\u003e \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e \u003ch5\u003eCloud Store Mini Status\u003c\/h5\u003e \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e \u003cp\u003eThe lower part of the display has the data transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e \u003ch4\u003eHigh Performance 10G Ethernet\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store Mini has a high speed 10G Ethernet port, which is usually only found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet, and most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Store Mini is fast, so it will run the 10G Ethernet port to its maximum capacity, even when connected to an Ethernet switch with dozens of users accessing files at the same time. The 10G Ethernet port also features very low latency for fast access times. There is also a separate 1G Ethernet port, plus Ethernet on the USB Type-C port, so you can keep the fast 10G Ethernet port free for a faster computer.\u003c\/p\u003e \u003ch4\u003eConnect via USB Type-C for Quick File Access\u003c\/h4\u003e \u003cp\u003eModern laptop computers are so thin, they often don't even have an Ethernet connection, meaning you need an adapter to connect to an Ethernet network. The Blackmagic Cloud Store Mini has a USB Type-C to Ethernet adapter built in and you can access it simply by plugging your computer into its USB Type-C port. Once you have connected the Cloud Store Mini's USB Type-C connection to your computer, you have an Ethernet connection, meaning you can just plug in to quickly grab files when you need them.\u003c\/p\u003e \u003ch4\u003eRepairable Design for Long Life\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Store Mini is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the 4 memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus, the Blackmagic Cloud Store Mini runs Blackmagic OS so it applies wear leveling, meaning that each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus, in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store Mini can be upgraded so it has a larger capacity.\u003c\/p\u003e \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Store Mini is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses free to download software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store Mini, you can customize your network storage solution with total freedom.\u003c\/p\u003e \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store Mini is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the Cloud Pod. The utility also lets you add Dropbox sync folders.\u003c\/p\u003e \u003ch4\u003ePerfect Multi-Camera Video Workflow\u003c\/h4\u003e \u003cp\u003eGet broadcast-quality video workflows by recording from a HyperDeck Studio directly into the Blackmagic Cloud Store Mini. Just connect the HyperDeck Studio to the 1G Ethernet port, while the 10G Ethernet port can be connected to a high-speed network so multiple DaVinci Resolve workstations can edit the media recorded by the HyperDeck. DaVinci Resolve is a free download and allows you to edit and color the camera files. There is a wide range of HyperDeck Studio recorders and they interface between the broadcast video world and the file-based world used by editing software. 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Furthermore, Dropbox Live Sync lets you distribute files globally and syncs to your Cloud Pod automatically, while an HDMI monitoring output lets you keep track of your Cloud Pod's status, including a storage map, speed graphics, sync, active users, and power status. Compatible with Windows and Mac, the Cloud Pod lets you work with broadcast-quality video in DaVinci Resolve. When paired with the proper storage media, 12K raw workflows are supported. Included is a universal power supply with international adapters.\u003c\/p\u003e \u003ch4\u003eDesigned for Film and Television\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Pod will transform customer's work. It's perfect for film and television because you can record onto USB Type-C flash disks and then use the Blackmagic Cloud Pod to make the disk available on the network for multiple editors and colorists to use. Depending on the brand of USB Type-C flash disk used, it even handles massive 12K Blackmagic raw digital cinema files. USB Type-C flash disks are handy because they are affordable, have low seek times, and can be bought almost anywhere. Dropbox sync allows you to place pods in different locations so everyone can have a fast, local copy of their files. Then each location gets the fastest editing experience possible.\u003c\/p\u003e \u003ch4\u003ePortable and Quiet Design\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Pod features an extremely small and thin design because it doesn't have any internal storage. It's also very quiet and very portable. It features two USB Type-C ports so it can host two separate USB disks on your network at the same time. The 10G Ethernet port means you get extremely high performance. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. Along the front there is a status light that shows disk activity, so you know when the USB Type-C disk is being accessed. There's also a DC power connection so you can use the included power supply, or run it from a battery when it's used on location.\u003c\/p\u003e \u003ch5\u003eDC Power\u003c\/h5\u003e \u003cp\u003eA 12 VDC power supply is included with Blackmagic Cloud Pod. All international AC voltages are supported so you can use it globally. Adapters for international power sockets are also included.\u003c\/p\u003e \u003ch5\u003e10G Ethernet\u003c\/h5\u003e \u003cp\u003e10G Ethernet allows high-speed computers to be connected. It's fast, even when lots of users are connected, all at the same time. It's perfect for connecting to the latest 10G Ethernet switches.\u003c\/p\u003e \u003ch5\u003eUSB Type-C Connections\u003c\/h5\u003e \u003cp\u003eThere are two USB Type-C ports so you can host two disks on each Blackmagic Cloud Pod. Connect any type of USB Type-C storage, such as mechanical or flash disks. USB Type-C is also used for settings and updates.\u003c\/p\u003e \u003ch5\u003eHDMI Monitor Output\u003c\/h5\u003e \u003cp\u003eThe HDMI monitor output lets you see the status of your Cloud Pod in real time. Simply plug in a TV or monitor and you'll be able to see a storage map, speed graphics, active users, and power status.\u003c\/p\u003e \u003ch4\u003eLive Sync to Dropbox\u003c\/h4\u003e \u003cp\u003eNow you can set up a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the Internet. Blackmagic Cloud Pod will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Pod so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Pods or Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a good home or offsite solution.\u003c\/p\u003e \u003ch4\u003eAdd Cloud Service\u003c\/h4\u003e \u003cp\u003eMake sure your Blackmagic Cloud Pod is connected to the internet. Enter in your Dropbox account details, so the Cloud Pod can gain access to allow sync.\u003c\/p\u003e \u003ch4\u003eSet Sync Folders\u003c\/h4\u003e \u003cp\u003eNext you need to set the sync folders. That tells the Blackmagic Cloud Pod where to sync its files to the remote Dropbox. You can have multiple sync folders for different jobs.\u003c\/p\u003e \u003ch4\u003eSet Sync Direction\u003c\/h4\u003e \u003cp\u003eNow set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone's files. Both directions means everyone gets the same set of files.\u003c\/p\u003e \u003ch4\u003eDistribute Files Globally\u003c\/h4\u003e \u003cp\u003eWith support for Dropbox sync, you can use multiple Blackmagic Cloud Pod units to share files globally. That's important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage helps eliminate delays in accessing them. That's because everyone has a local copy of the files on their network. Blackmagic Cloud Pod will constantly sync files, even if your computer is turned off.\u003c\/p\u003e \u003ch4\u003eReal-Time Monitoring\u003c\/h4\u003e \u003cp\u003eUsing the HDMI monitoring output, simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Pod. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB Type-C disks and how much is currently being used. You can also add a custom name to the pod. Also, the status for each Dropbox connection is shown and it's even possible to see connected users and the power status.\u003c\/p\u003e \u003ch5\u003eUsage Indicator\u003c\/h5\u003e \u003cp\u003eOn the top left, you can see the storage capacity indicator. The number on the left is the space used and the number on the right is the total USB Type-C disk capacity connected to the Blackmagic Cloud Pod.\u003c\/p\u003e \u003ch5\u003eCustomizable Name\u003c\/h5\u003e \u003cp\u003eYou can give a custom name to the Blackmagic Cloud Pod so you can identify it on the monitor display and the utility software. To change the name, just use the Blackmagic Cloud Store utility.\u003c\/p\u003e \u003ch5\u003eStorage Map\u003c\/h5\u003e \u003cp\u003eThe storage map display shows a view of the two USB Type-C disks. The memory is divided into segments with reads in cyan and writes in orange. The display will automatically adapt when disks are connected.\u003c\/p\u003e \u003ch5\u003eCloud Sync Status\u003c\/h5\u003e \u003cp\u003eThe cloud sync status shows each sync folder and its transfers to and from Dropbox. When new files appear in any sync folder, you can see the transfer status as they sync.\u003c\/p\u003e \u003ch5\u003eUser Connections\u003c\/h5\u003e \u003cp\u003eYou can see each of the connected users and the data transfers for each. However, this list will move down if you have more cloud sync folders, as the sync folder status is more important.\u003c\/p\u003e \u003ch5\u003eCloud Pod Status\u003c\/h5\u003e \u003cp\u003eYou also get hardware status on the lower left side of the display. This includes the cell size for the storage map and the status of the USB Type-C ports and each disk that is currently connected.\u003c\/p\u003e \u003ch5\u003eSpeed Graphs\u003c\/h5\u003e \u003cp\u003eThe lower part of the display has the data transfer speed graph. It shows recent read and write speeds for the 10G Ethernet connection. It's great for diagnosing the Ethernet speed on the port.\u003c\/p\u003e \u003ch4\u003eHigh Performance 10G Ethernet\u003c\/h4\u003e \u003cp\u003eThe Blackmagic Cloud Pod has a high-speed 10G Ethernet port, which is typically found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet, plus most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Pod is so fast that it will run the 10G Ethernet port to its maximum capacity, even when connected to an Ethernet switch with dozens of users accessing files at the same time. The Ethernet port also features very low latency for fast access times. That's similar performance to expensive business SANs but in a low-cost design that you can install yourself.\u003c\/p\u003e \u003ch4\u003eNo Subscription Costs\u003c\/h4\u003e \u003cp\u003eOne of the big advantages of the Blackmagic Cloud Pod is that it's private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings because the Blackmagic Cloud Pod uses a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Pod, you can customize your network storage solution with total freedom.\u003c\/p\u003e \u003ch4\u003eFree Software for Mac and Windows\u003c\/h4\u003e \u003cp\u003eWhen you need to change settings, you can use the Blackmagic Cloud Pod utility that's available for Mac and Windows. By default, the Blackmagic Cloud Pod is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to set up, you won't need an IT person to get started. However, if you want to customize your network, then the utility software lets you change the network settings in the Cloud Pod. The utility also lets you add Dropbox sync folders.\u003c\/p\u003e \u003ch4\u003ePerfect Multi-Camera Video Workflow\u003c\/h4\u003e \u003cp\u003eGet broadcast-quality video workflows by connecting USB Type-C disks recorded on camera to the USB Type-C port on the Blackmagic Cloud Pod. This lets multiple DaVinci Resolve workstations access the recorded files instantly, without any file copying. DaVinci Resolve is a free download and allows you to edit and color the camera files. That's a fantastic workflow solution when using Blackmagic Pocket Cinema Cameras, which can record direct to USB Type-C disks. The camera's sensor features dual ISO up to 25,600 so you can create cinematic images, even in moonlight. So, you get a workflow solution for independent film production, plus Blackmagic Cloud Pod is fast, so it's good for multi-cam editing.\u003c\/p\u003e \u003ch4\u003eExciting Alternative Models\u003c\/h4\u003e \u003cp\u003eBlackmagic Design has a wide range of network storage options, depending on your needs. The high-speed Blackmagic Cloud Store is the highest performance model with extreme speeds. This model features an elegant design that's high capacity and portable. It includes four 10G Ethernet connections, a built in 10G Ethernet switch, internal RAID 5 protection, and redundant power supplies. The Blackmagic Cloud Store Mini is a smaller compact rack mount design that's more affordable. It features four internal M.2 cards in a RAID 0 configuration so it can sustain the maximum possible speed on its 10G Ethernet port. Both models have Dropbox sync and HDMI monitoring output.\u003c\/p\u003e \u003ch3\u003eFeatures\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eUse USB Type-C Disks as Network Storage\u003c\/li\u003e \u003cli\u003eConnects Two USB Type-C Disks\u003c\/li\u003e \u003cli\u003e2 x 5 Gb\/s USB Type-C Ports\u003c\/li\u003e \u003cli\u003e1 x 10Gb\/s Ethernet Port\u003c\/li\u003e \u003cli\u003e1 x HDMI Monitoring Output for Status\u003c\/li\u003e \u003cli\u003eSupports up to 50 Simultaneous Users\u003c\/li\u003e \u003cli\u003eAutomatic Dropbox Sync Support\u003c\/li\u003e \u003cli\u003eSoftware Utility for Windows and Mac\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eSpecs\u003c\/h3\u003e \u003ch4\u003eConnections\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003e10Gb Ethernet Ports\u003c\/td\u003e \u003ctd\u003e1 x RJ45 Port Supports 100\/1000\/10G BASE-T\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eUSB Type-C\u003c\/td\u003e \u003ctd\u003e2 x 5 Gb\/s USB 3.0 Type-C Ports for External Storage\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eHDMI Monitor Outputs\u003c\/td\u003e \u003ctd\u003e1\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eComputer Interface\u003c\/td\u003e \u003ctd\u003eEthernet for Shared File Access, Configuration, and Software Updates\u003cbr\u003e USB Type-C for Configuration and Software Updates\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eFile Sharing Protocol\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eProtocol\u003c\/td\u003e \u003ctd\u003eSMB\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eComputer Connections\u003c\/td\u003e \u003ctd\u003e50 Max\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eCloud Synchronization\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eCompatible Services\u003c\/td\u003e \u003ctd\u003eDropbox\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eStorage\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eStorage Type\u003c\/td\u003e \u003ctd\u003eBring Your Own Drive\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Storage\u003c\/td\u003e \u003ctd\u003eUSB Disks\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eExternal Storage Format\u003c\/td\u003e \u003ctd\u003eExFAT (Windows\/Mac) or HFS+ (Mac) File Systems\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eDisplays\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eHDMI Monitor Outputs\u003c\/td\u003e \u003ctd\u003e1080p50, 1080p59.94, and 1080p60\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eMonitor Out Displays\u003c\/td\u003e \u003ctd\u003eDevice Name, Storage Capacity and Use, Cloud Sync Status, User Activity, Hardware Status, Storage Map, and Network Data Rate Graphs\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStatus Indicator\u003c\/td\u003e \u003ctd\u003eGlow Strip Illuminates Red During Read or Write Operations\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eDevice Control\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eExternal Control\u003c\/td\u003e \u003ctd\u003eUSB Type-C or Ethernet for Configuration and Software Updates\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eSoftware\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eSoftware Included\u003c\/td\u003e \u003ctd\u003eBlackmagic Cloud Setup Utility\u003cbr\u003e Blackmagic Proxy Generator Lite\u003cbr\u003e Internal Software Upgrade via Blackmagic Cloud Setup Using the USB Type-C Port\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eOperating Systems\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eMac\u003c\/td\u003e \u003ctd\u003emacOS 11.1 Big Sur, 12.0 Monterey, and later\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWindows\u003c\/td\u003e \u003ctd\u003eWindows 10 and 11\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003ePower Requirements\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePower Supply\u003c\/td\u003e \u003ctd\u003e1 x External 12 VDC 60 W Power Supply\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Input\u003c\/td\u003e \u003ctd\u003e1 x 12 VDC Locking 5.5 mm Barrel Connector\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003ePower Usage\u003c\/td\u003e \u003ctd\u003e25 W without External USB Disks\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003eEnvironmental Specifications\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eOperating Temperature\u0026gt;\/td\u0026gt;\u003c\/td\u003e \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eStorage Temperature\u003c\/td\u003e \u003ctd\u003e-4 to 140°F \/ -20 to 60°C\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eRelative Humidity\u003c\/td\u003e \u003ctd\u003e0 to 90% Non-Condensing\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003ePhysical Specifications\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003eDimensions\u003c\/td\u003e \u003ctd\u003e6.35 x 5.00 x 1.00\" \/ 16.1 x 12.7 x 2.54 cm\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eWeight\u003c\/td\u003e \u003ctd\u003e1.0 lb \/ 0.5 kg\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch4\u003ePackaging Info\u003c\/h4\u003e \u003ctable\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd\u003ePackage Weight\u003c\/td\u003e \u003ctd\u003e2.11 lb\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e \u003ctd\u003e11.3 x 7 x 2.1\"\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274142013,"sku":"BLA-DWCLDA\/POD","price":7249.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5c8dec4f68d52d207fbcf009f8860e32.png?v=1773557033"},{"product_id":"blackmagic-design-cloud-store-mini-16tb-1","title":"Blackmagic Design Cloud Store Mini 16TB","description":"\u003cp\u003eBlackmagic Cloud Store Mini lets you share your media files globally, eliminating the high cost of collaborating with talented editors and colorists around the world! Blackmagic Cloud Store Mini is storage that syncs and shares media with Blackmagic Cloud, Dropbox and Google Drive. It even understands proxy workflows, so a whole timeline and its media can be shared in minutes. The internal memory core is so fast it can saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. File access is very low latency, so responsiveness is fast. That means it's perfect for sharing large media files between editors, colorists, audio engineers and VFX artists!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274207549,"sku":"BLA-DWCLDE\/CLDMINI16","price":134861.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/3a937b6ab9e9e3f8f17989e3ef21f5b8.png?v=1773557040"},{"product_id":"blackmagic-design-davinci-resolve-editor-keyboard-1","title":"Blackmagic Design DaVinci Resolve Editor Keyboard","description":"\u003ch4\u003eProfessional Editing at Your Fingertips\u003c\/h4\u003e \u003cp\u003eMade for DaVinci Resolve 16 and above, the \u003cstrong\u003eDaVinci Resolve Editor Keyboard\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features an all-metal construction and has professional edit keys and a high-quality search wheel, allowing you to edit with both hands. For example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, the Resolve Editor Keyboard even has subtle design features such as empty space above certain keys, so they can be located by touch. It plugs into a USB Type-C port and works without any batteries. The keyboard can be used on a desktop or inset into a console via a flange. DaVinci Resolve software is included.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989372.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eMetal Design with Premium Keys\u003c\/h4\u003e \u003cp\u003eThe all-metal design includes keys with a tiered profile, instead of flat keys, so it's easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows for very precise transport and trimming control. There's also a handrest with a soft feel to help reduce fatigue. Plus, the key caps, handrest, and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989370.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eIntegrated Search Dial Control\u003c\/h4\u003e \u003cp\u003eThe metal search dial features rubber coating and is designed with multiple roller bearings that allow for smooth operation. There's an integrated electronic clutch that creates end stops when used for shuttle and position. The dial can also be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch, and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly.\u003c\/p\u003e \u003ch4\u003eFast Source Tape Allows Scrolling Clips\u003c\/h4\u003e \u003cp\u003eThe innovative source button instantly creates a \"source tape\" of all the clips in your bin. Now you can simply scroll up and down all your media without the need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real time. Switching between the source tape and timeline is instant.\u003c\/p\u003e \u003ch4\u003eInstantly Re-Sort Bin and Source Tape\u003c\/h4\u003e \u003cp\u003eThe source tape uses your bin's sort order, so you get lots of control over how shots are organized. This gives you the flexibility to find shots by time, camera, duration, or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin's sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is highly useful for content shot in time order, such as live events. You can also sort by camera, ideal for multicamera shoots where you lay down the wide shot first and then look for cutaways on other cameras. You can even sort by duration and the clip name.\u003c\/p\u003e \u003ch4\u003eFast In and Out Points\u003c\/h4\u003e \u003cp\u003eThe in and out point buttons are designed large, and a small empty space is provided above them to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When you select in and out points in the DaVinci Resolve cut page, you also trim clips. Once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the Escape key.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989367.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eIntelligent Keyboard Edit Modes\u003c\/h4\u003e \u003cp\u003eThe editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different from editing on a computer's user interface, the editing functions have been optimized to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself, eliminating time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit or even match timecode. A good example is Smart Insert, which locates the nearest edit and inserts at that point.\u003c\/p\u003e \u003ch4\u003eSmart Insert\u003c\/h4\u003e \u003cp\u003eSmart Insert is similar to the traditional insert edit function; however, it's smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/p\u003e \u003ch4\u003eAppend to End\u003c\/h4\u003e \u003cp\u003eAppend to End is useful for building edits fast. Simply select an in and out point and then Append to End will add the clip to the end of the edit and increase the timeline duration. Append to End is great when adding shots to an edit from content that's been shot in time order.\u003c\/p\u003e \u003ch4\u003eRipple Overwrite\u003c\/h4\u003e \u003cp\u003eRipple Overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip, and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration.\u003c\/p\u003e \u003ch4\u003eClose Up\u003c\/h4\u003e \u003cp\u003eClose Up is best for creating two camera angles from one camera. Simply shoot your subject with a wide or mid shot, and then when a close-up is applied, it will create a slightly zoomed-in version of the same camera shot and place it on top of the timeline. Plus, you can also apply it to a clip in the timeline.\u003c\/p\u003e \u003ch4\u003ePlace on Top\u003c\/h4\u003e \u003cp\u003ePlace on Top is similar to traditional edit functions and it will place the clip on the top of the background layer that's already in the timeline. If the timeline doesn't have a layer above the background layer, Place on Top will add a new timeline track and then place the clip on top.\u003c\/p\u003e \u003ch4\u003eSource Overwrite\u003c\/h4\u003e \u003cp\u003eSource Overwrite is a faster alternative to multicam. It automatically matches source timecode to the source timecode of the clip in the timeline and places the clip on top. If you shoot with multiple cameras and sync timecode, you can lay other camera angles on a base wide shot layer.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989366.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eSearch Dial Live Trimming\u003c\/h4\u003e \u003cp\u003eWith a high-quality search dial built in, you get an accurate and fast way to trim edit points. The roll buttons allow the keyboard to take control of the search dial and very precisely adjust edit trimming. You can select the trim mode with your left hand while adjusting the trim with your right. Using roll trimming is easy and is operated by pressing and holding one of the roll buttons, depending on the type of trim you need to do, while then rotating the search dial. There's also a trim editor button on the numeric keypad that allows a direct switch to trim mode, so you can scroll up and down the edit points in a timeline to allow locating and adjusting multiple edits fast.\u003c\/p\u003e \u003ch4\u003eRoll In\u003c\/h4\u003e \u003cp\u003eRoll In is very similar to adjusting trim in on the software; however, it's a modifier key on the keyboard. Using roll in on a transition adjusts the in point of the destination clip, while adjusting roll in on a clip adjusts its in point. All adjustments will ripple the timeline duration.\u003c\/p\u003e \u003ch4\u003eRoll Out\u003c\/h4\u003e \u003cp\u003eRoll Out is very similar to adjusting trim out on the software but it's a modifier key on the keyboard. Using Roll Out on a transition adjusts the out point of the source clip, while adjusting roll out on a clip adjusts its out point. All adjustments will ripple the timeline duration.\u003c\/p\u003e \u003ch4\u003eRoll Transition\u003c\/h4\u003e \u003cp\u003eRoll Transition is similar to the roll edit. It works by rolling the transition between two clips and has the same effect as simultaneously adjusting the in point on the destination clip while adjusting the out point on the source clip. Roll edit does not affect timeline duration.\u003c\/p\u003e \u003ch4\u003eRoll Source\u003c\/h4\u003e \u003cp\u003eRoll Source is the same as slipping the source clip and it will move the shot up and down within the current clip's in and out points. Roll source allows slipping the clip within the same duration so it won't affect the overall timeline duration.\u003c\/p\u003e \u003ch4\u003eRoll Destination\u003c\/h4\u003e \u003cp\u003eRoll Destination is the same as slipping the destination clip and it will move the shot up and down within the current clip's in and out points. Roll destination allows slipping the clip within the same duration so it won't affect the overall timeline duration.\u003c\/p\u003e \u003ch4\u003eRoll Duration\u003c\/h4\u003e \u003cp\u003eRoll Duration is designed to allow you to change the transition length of any effect that has been applied to an edit point. When selected, adjusting the search dial will interactively adjust the duration of the transition. Because you can select the transition type, you can use roll duration to get the transition perfect.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989368.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eSelect and Change Transitions Instantly\u003c\/h4\u003e \u003cp\u003eEditing software is slow at adding transitions because it requires using drag and drop to place a transition, or a keyboard shortcut for only one transition type. With DaVinci Resolve Editor Keyboard you can press a key and add or remove a transition with a single button press. The Cut key will remove any transition on an edit point and leave it as a simple edit between the two clips. Pressing Dissolve will add a one second dissolve between the two clips, and using Roll Duration will set the desired transition length. Plus, if there is already a dissolve on the edit, then the key will be ignored. There's also a smooth cut button to allow jump cuts to be removed at the press of a button.\u003c\/p\u003e \u003ch4\u003eImproved QWERTY Key Layout\u003c\/h4\u003e \u003cp\u003eThe DaVinci Resolve Editor Keyboard features a revised QWERTY key layout based on feedback from professional editors. The new features in the revised layout include a viewer button to allow instant switching to full screen view. However, you still get all the traditional editing features for both the cut and edit pages in DaVinci Resolve, so the core QWERTY part of the keyboard still operates in a familiar way.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989369.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eDirect Timecode Entry Keypad\u003c\/h4\u003e \u003cp\u003eWhen entering edit points and durations numerically, there's a keypad specifically designed for timecode entry. The F\/TC button allows switching between timecode or frames. Just press the F\/TC button and the entry changes to frames. When typing longer timecode values, there's also a double zero button so you don't have to press the standard zero key as often. The plus and minus keys allow time values as offsets to current values rather than absolute entries. A dedicated duration entry button allows you to numerically define the duration of a clip. Numeric duration entry is one of the most used functions. For example, if you need to set a 100-frame duration on a clip, just press DUR, F\/TC, and 100.\u003c\/p\u003e \u003ch4\u003eDesigned for the Desktop or Inset into a Console\u003c\/h4\u003e \u003cp\u003eAlthough the DaVinci Resolve Editor Keyboard has been designed with a modern aesthetic, there's also function to the form. The subtle edge created by the mating of the top keyboard surface and the lower chassis has a pinstripe feel to the design. There are also fold-out rear feet to increase the keyboard tilt. However, the flange has a functional benefit as you can install the keyboard in a cutout of a desk or console. The keyboard will then sit almost perfectly flat on the desk surface.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1638108.jpg\"\u003e\u003c\/p\u003e \u003ch4\u003eDaVinci Resolve Software License\u003c\/h4\u003e \u003cp\u003eA copy of DaVinci Resolve software is included with the keyboard.\u003c\/p\u003e \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989371.jpg\"\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274535229,"sku":"BLA-DV\/RES\/BBPNLMLEKB","price":10949.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/66848a89859a637567b115920f41ae09.png?v=1773557064"},{"product_id":"blackmagic-design-davinci-resolve-mini-panel-1","title":"Blackmagic Design DaVinci Resolve Mini Panel","description":"\u003cp\u003eThe \u003cstrong\u003eDaVinci Resolve Mini Panel\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a step up in functionality from the Micro panel but without all the features of the Advanced panel, and it includes DaVinci Resolve Studio software. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desktop or in a rack or can be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003cbr\u003e \u003cbr\u003e However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates both USB-C and Ethernet interfaces. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274666301,"sku":"BLA-DV\/RES\/BBPNLMINI","price":41615.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7ed05bc61ceef3dccbb506bb6f4cfae0.png?v=1773557080"},{"product_id":"blackmagic-design-davinci-resolve-studio-activation-card","title":"Blackmagic Design DaVinci Resolve Studio (Activation Card)","description":"\u003ch2\u003eBlackmagic Design Davinci Resolve Studio Overview\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic Design DaVinci Resolve Studio\u003c\/strong\u003e is an NLE that can be used for projects ranging from personal films to feature films and VFX. The Color page features new HDR grading tools, an AI-based magic mask for targeted grading, and a color warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real time.\u003c\/p\u003e\u003cp\u003eThe Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.\u003cbr\u003e\u003cbr\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBlackmagic Cloud to host and manage cloud-based project libraries.\u003c\/li\u003e\n\u003cli\u003eCollaborate securely over the internet using Blackmagic ID.\u003c\/li\u003e\n\u003cli\u003eSupport for intelligent path mapping to relink files automatically.\u003c\/li\u003e\n\u003cli\u003eVastly improved project library performance for network workflows.\u003c\/li\u003e\n\u003cli\u003eImproved project performance, especially when working on large projects.\u003c\/li\u003e\n\u003cli\u003eNew Proxy Generator app for auto-creating proxies within watch folders.\u003c\/li\u003e\n\u003cli\u003eAbility to choose between prioritizing proxies or camera originals.\u003c\/li\u003e\n\u003cli\u003eProxy files in subfolders are automatically assigned in the media pool.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993499.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eMedia and Edit\u003c\/h5\u003e\u003cul\u003e\u003cli\u003eStabilize Blackmagic Pocket Camera clips with camera gyro metadata.\u003c\/li\u003e\u003c\/ul\u003e\u003ch5\u003eNew subtitle improvements, including:\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for timed text TTML, XML, and embedded MXF\/IMF subtitles.\u003c\/li\u003e\n\u003cli\u003eAbility to view and import subtitles from media storage.\u003c\/li\u003e\n\u003cli\u003eSupport for relinking subtitle clips from the media pool.\u003c\/li\u003e\n\u003cli\u003eSubtitle region support with multiple simultaneous captions per track.\u003c\/li\u003e\n\u003cli\u003eSet individual presets and text positions, and intuitively edit between regions.\u003c\/li\u003e\n\u003cli\u003eAdd, rename, and manage regions from the timeline context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to export TTML subtitles from the track header context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to import, export, and embed multiple subtitle tracks as TTML.\u003c\/li\u003e\n\u003cli\u003eSupport for reversing shape, iris, and wipe transitions on the edit page.\u003c\/li\u003e\n\u003cli\u003eSupport for showing up to 25 simultaneous multicamera angles on the viewer.\u003c\/li\u003e\n\u003cli\u003eEdit Index now shows clip duration.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate keyframes outside trimmed clip extents.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate retime keyframes using hotkeys.\u003c\/li\u003e\n\u003cli\u003eSmart bin filter for disabled timelines.\u003c\/li\u003e\n\u003cli\u003eRender in place and open in Fusion actions can be assigned shortcuts.\u003c\/li\u003e\n\u003cli\u003eReset Fusion composition now works on multiple clip selections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993488.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eColor\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew object mask capability in Magic Mask.\u003c\/li\u003e\n\u003cli\u003eAdjustment clips and Fusion generators can bypass color management.\u003c\/li\u003e\n\u003cli\u003eSupport for syncing clip groups in remote grading sessions.\u003c\/li\u003e\n\u003cli\u003eAbility to trigger bidirectional tracking from advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eSupport for matte finesse and 3D qualifier in advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eDolby Vision highlight clipping support in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bypassing color outputs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eAdd key mixers with auto-connected key outs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bidirectional tracking in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for fast review playback mode in advanced panels.\u003c\/li\u003e\n\u003cli\u003eACES support for Blackmagic Gen 5 camera formats.\u003c\/li\u003e\n\u003cli\u003eSupport for the HDR Vivid standard.\u003c\/li\u003e\n\u003cli\u003eReference gamut compression is enabled by default in ACES 1.3.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eResolve FX\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew Resolve FX Depth Map to generate 3D depth-based keys in Studio.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Fast Noise.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Despill.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Surface Tracker for tracking warped surfaces in Studio.\u003c\/li\u003e\n\u003cli\u003eImproved Resolve FX Beauty with new ultra mode.\u003c\/li\u003e\n\u003cli\u003eImproved edge strength and filter controls in Resolve FX Edge Detection.\u003c\/li\u003e\n\u003cli\u003eOption to composite from a second input in Resolve FX Transform.\u003c\/li\u003e\n\u003cli\u003eNew bokeh preset for Resolve FX Lens Reflections.\u003c\/li\u003e\n\u003cli\u003eGreen-purple control for Resolve FX Chromatic Aberration.\u003c\/li\u003e\n\u003cli\u003eSizing awareness option in Resolve FX lens flare and radial and zoom blurs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993494.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eFairlight\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eAbility to convert fixed bus projects to FlexBus in project settings.\u003c\/li\u003e\n\u003cli\u003eAbility to freely order tracks and buses in the mixer via the track index.\u003c\/li\u003e\n\u003cli\u003eAbility to nudge custom millisecond or sub-frame intervals in the timeline.\u003c\/li\u003e\n\u003cli\u003eImproved quality for time-stretched audio.\u003c\/li\u003e\n\u003cli\u003eImproved Dolby Atmos immersive mixing, including binaural monitoring.\u003c\/li\u003e\n\u003cli\u003eNative support for Dolby Atmos production for Linux and Apple silicon.\u003c\/li\u003e\n\u003cli\u003eIndependent controls to enable automation and expose parameters.\u003c\/li\u003e\n\u003cli\u003eImproved behavior of automated tracks under VCA control.\u003c\/li\u003e\n\u003cli\u003eImproved meters with configurable decay, peak hold, and display modes.\u003c\/li\u003e\n\u003cli\u003eAbility to ctrl-alt click to remove gain and elastic wave keyframes.\u003c\/li\u003e\n\u003cli\u003eAbility to double-click a clip in the timeline to rename.\u003c\/li\u003e\n\u003cli\u003eAbility to set record clip name prefix at a per-track level.\u003c\/li\u003e\n\u003cli\u003eSupport for renaming underlying tracks when renaming a linked group\u003c\/li\u003e\n\u003cli\u003eEqualizers with improved Q controls and mouse wheel inputs.\u003c\/li\u003e\n\u003cli\u003eDynamics with enhanced metering, gain display, and enable controls.\u003c\/li\u003e\n\u003cli\u003eDynamics with improved dry mix, soft knee, and metering in FlexBus.\u003c\/li\u003e\n\u003cli\u003eImproved plug-in management with replace and copy settings in the mixer.\u003c\/li\u003e\n\u003cli\u003eNew built-in presets for equalizers and dynamics.\u003c\/li\u003e\n\u003cli\u003eHold shift and double-click clips to extend the edit selection range.\u003c\/li\u003e\n\u003cli\u003eSupport for applying audio gain on range selection.\u003c\/li\u003e\n\u003cli\u003eImproved waveform display accuracy under crossfades.\u003c\/li\u003e\n\u003cli\u003eOrigination time metadata is now persisted when bouncing mix to track.\u003c\/li\u003e\n\u003cli\u003eOption to trim from unity on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for VCA and bus spill on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for using the Fairlight Desktop Console on Linux systems.\u003c\/li\u003e\n\u003cli\u003eStudio monitoring support for FlexBus on consoles.\u003c\/li\u003e\n\u003cli\u003eFairlight console option to mute speakers on timeline load.\u003c\/li\u003e\n\u003cli\u003eSupport for chasing timecode via Fairlight audio interfaces.\u003c\/li\u003e\n\u003cli\u003eSupport for user views in the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eImproved mapping for audio effects on the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eAbility to use alt + solo to invoke solo safe in the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eSupport for a new clear mutes action in the timeline menu.\u003c\/li\u003e\n\u003cli\u003eEnabling track mixer controls brings a window to focus if already open.\u003c\/li\u003e\n\u003cli\u003eGrid and list modes are persisted for patch, bus, and VCA assign.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eFusion\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMulti-button mode selection in the inspector for multiple tools.\u003c\/li\u003e\n\u003cli\u003eSupport for all modern and future Python 3 versions for scripting.\u003c\/li\u003e\n\u003cli\u003eSupport for live previews when using the Text+ color picker.\u003c\/li\u003e\n\u003cli\u003eMultiple new composition blend modes.\u003c\/li\u003e\n\u003cli\u003eNew expression animated Custom Poly modifier for masks and strokes.\u003c\/li\u003e\n\u003cli\u003eFaster GPU-accelerated paint tool with smoother strokes.\u003c\/li\u003e\n\u003cli\u003eFaster duplicate tool with additional blur, glow, and size controls.\u003c\/li\u003e\n\u003cli\u003eImproved fade-on and text ripple title performance.\u003c\/li\u003e\n\u003cli\u003eImproved performance for night vision, glitch, TV, and other effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and Deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comments and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comment and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993498.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eCut\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMetadata view and clip sorting\u003c\/li\u003e\n\u003cli\u003eTrimming against audio waveforms\u003c\/li\u003e\n\u003cli\u003eSmart Reframe for social media\u003c\/li\u003e\n\u003cli\u003eFast effects search and live preview\u003c\/li\u003e\n\u003cli\u003eImport ATEM Mini projects\u003c\/li\u003e\n\u003cli\u003eUpdated clip inspector\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993496.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eEdit\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eProxy media workflows\u003c\/li\u003e\n\u003cli\u003eEasily sync multicamera clips\u003c\/li\u003e\n\u003cli\u003eKeying and compositing\u003c\/li\u003e\n\u003cli\u003eRender in place\u003c\/li\u003e\n\u003cli\u003eSource clip adjustments\u003c\/li\u003e\n\u003cli\u003eShare timelines and bins\u003c\/li\u003e\n\u003cli\u003eImproved editing with interlaced material\u003c\/li\u003e\n\u003cli\u003eEnhanced timeline organization\u003c\/li\u003e\n\u003cli\u003eScene cut detection\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch5\u003eOther New Features\u003c\/h5\u003e\u003cp\u003eUpdated inspector layout\u003c\/p\u003e\u003cp\u003eAdditional format support: decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips; improved support for GoPro CineForm, HTJ2K, and MP3 on Linux\u003c\/p\u003e\u003cp\u003eIncreased video metadata support: support for frame-based metadata from Blackmagic RAW, ARRI, RED, and Sony camera files, along with decoding and rendering per frame EXR metadata; improved metadata support for Sony MXF, IMF MCA audio, non-HDR DCP export, and HDR tags in DCP workflows\u003c\/p\u003e\u003ch5\u003eNew integration and encoding APIs\u003c\/h5\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993484.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOther Resolve Studio Features\u003c\/p\u003e\u003cp\u003eAdvanced noise reduction\u003c\/p\u003e\u003cp\u003eLens distortion\u003c\/p\u003e\u003cp\u003eProfessional HDR scopes\u003c\/p\u003e\u003cp\u003eStereoscopic 3D\u003c\/p\u003e\u003cp\u003eRemote grading\u003c\/p\u003e\u003cp\u003eDaVinci color space transforms language\u003c\/p\u003e\u003cp\u003eScripting and automation\u003c\/p\u003e\u003cp\u003eDaVinci Neural Engine\u003c\/p\u003e\u003cp\u003eDolby Atmos mastering\u003c\/p\u003e\u003cp\u003eRe-mix external productions\u003c\/p\u003e\u003cp\u003eDCP encoding and decoding\u003c\/p\u003e\u003cp\u003eIMF audio deliverables\u003c\/p\u003e\u003cp\u003eDolby Vision mastering\u003c\/p\u003e\u003cp\u003eNative IMF encoding and decoding\u003c\/p\u003e\u003cp\u003eEncoder plug-in support\u003c\/p\u003e\u003cp\u003ePre-Installation Notes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePostgreSQL 9.0 is the minimum supported version.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is the recommended version.\u003c\/li\u003e\n\u003cli\u003e10-bit viewers on Windows and Linux need a capable graphics card and display.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Mac OS\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003emacOS 11 Big Sur\u003c\/li\u003e\n\u003cli\u003e8GB of system memory, 16GB when using Fusion\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video version 12.0 or later\u003c\/li\u003e\n\u003cli\u003eIntegrated GPU or discrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports Metal or OpenCL 1.2\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Windows\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWindows 10 Creators Update\u003c\/li\u003e\n\u003cli\u003e16GB of system memory, 32GB when using Fusion\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video 10.4.1 or later\u003c\/li\u003e\n\u003cli\u003eIntegrated GPU or discrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports OpenCL 1.2 or CUDA 11\u003c\/li\u003e\n\u003cli\u003eNVIDIA\/AMD\/Intel GPU Driver version–as required by your GPU\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Linux\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCentOS 7.3\u003c\/li\u003e\n\u003cli\u003e32GB of system memory\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video 10.4.1 or later\u003c\/li\u003e\n\u003cli\u003eDiscrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports OpenCL 1.2 or CUDA 11\u003c\/li\u003e\n\u003cli\u003eNVIDIA\/AMD Driver version–as required by your GPU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274797373,"sku":"BLA-DV\/RESSTUD","price":5178.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/946624bfed6a903f091decb367705432_e5e53b40-a0ce-43d5-8274-c890575edfeb.png?v=1776157960"},{"product_id":"blackmagic-design-davinci-resolve-studio-usb-dongle","title":"Blackmagic Design DaVinci Resolve Studio (USB Dongle)","description":"\u003cp\u003eBlackmagic Design DaVinci Resolve Studio is an NLE that can be used for projects ranging from personal films to feature films and VFX. The Colour page features new HDR grading tools, an AI-based magic mask for targeted grading, and a colour warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real time. The Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.\u003c\/p\u003e \u003cp\u003eDaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, colour correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.\u003c\/p\u003e \u003cp\u003eYour order provides you with a USB dongle that lets you download the software on an unlimited number of computers and move between them as needed.\u003c\/p\u003e \u003ch5\u003eResolve Studio New Features\u003c\/h5\u003e \u003ch5\u003eKey Features\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eBlackmagic Cloud to host and manage cloud-based project libraries.\u003c\/li\u003e \u003cli\u003eCollaborate securely over the internet using Blackmagic ID.\u003c\/li\u003e \u003cli\u003eSupport for intelligent path mapping to relink files automatically.\u003c\/li\u003e \u003cli\u003eVastly improved project library performance for network workflows.\u003c\/li\u003e \u003cli\u003eImproved project performance, especially when working with large projects.\u003c\/li\u003e \u003cli\u003eNew Proxy Generator app for auto-creating proxies within watch folders.\u003c\/li\u003e \u003cli\u003eAbility to choose between prioritizing proxies or camera originals.\u003c\/li\u003e \u003cli\u003eProxy files in subfolders are automatically assigned in the media pool.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eMedia and Edit\u003c\/h5\u003e \u003cp\u003eStabilize Blackmagic Pocket Camera clips with camera gyro metadata.\u003c\/p\u003e \u003ch6\u003eNew subtitle improvements, including:\u003c\/h6\u003e \u003cul\u003e \u003cli\u003eSupport for timed text TTML, XML, and embedded MXF\/IMF subtitles.\u003c\/li\u003e \u003cli\u003eAbility to view and import subtitles from media storage.\u003c\/li\u003e \u003cli\u003eSupport for relinking subtitle clips from the media pool.\u003c\/li\u003e \u003cli\u003eSubtitle region support with multiple simultaneous captions per track.\u003c\/li\u003e \u003cli\u003eSet individual presets, text positions, and intuitively edit between regions.\u003c\/li\u003e \u003cli\u003eAdd, rename and manage regions from the timeline context menu.\u003c\/li\u003e \u003cli\u003eAbility to export TTML subtitles from the track header context menu.\u003c\/li\u003e \u003cli\u003eAbility to import, export, and embed multiple subtitle tracks as TTML.\u003c\/li\u003e \u003cli\u003eSupport for reversing shape, iris, and wipe transitions on the edit page.\u003c\/li\u003e \u003cli\u003eSupport for showing up to 25 simultaneous multicamera angles on the viewer.\u003c\/li\u003e \u003cli\u003eEdit Index now shows clip duration.\u003c\/li\u003e \u003cli\u003eAbility to navigate keyframes outside trimmed clip extents.\u003c\/li\u003e \u003cli\u003eAbility to navigate retime keyframes using hotkeys.\u003c\/li\u003e \u003cli\u003eSmart bin filter for disabled timelines.\u003c\/li\u003e \u003cli\u003eRender in place and open in Fusion actions can be assigned shortcuts.\u003c\/li\u003e \u003cli\u003eReset Fusion composition now works on multiple clip selections.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eColour\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eNew object mask capability in Magic Mask.\u003c\/li\u003e \u003cli\u003eAdjustment clips and Fusion generators can bypass colour management.\u003c\/li\u003e \u003cli\u003eSupport for syncing clip groups in remote grading sessions.\u003c\/li\u003e \u003cli\u003eAbility to trigger bidirectional tracking from advanced and mini panels.\u003c\/li\u003e \u003cli\u003eSupport for matte finesse and 3D qualifier in advanced and mini panels.\u003c\/li\u003e \u003cli\u003eDolby Vision highlight clipping support in advanced panels.\u003c\/li\u003e \u003cli\u003eSupport for bypassing colour outputs from advanced panels.\u003c\/li\u003e \u003cli\u003eAdd key mixers with auto-connected key outs from advanced panels.\u003c\/li\u003e \u003cli\u003eSupport for bidirectional tracking in advanced panels.\u003c\/li\u003e \u003cli\u003eSupport for fast review playback mode in advanced panels.\u003c\/li\u003e \u003cli\u003eACES support for Blackmagic Gen 5 camera formats.\u003c\/li\u003e \u003cli\u003eSupport for the HDR Vivid standard.\u003c\/li\u003e \u003cli\u003eReference gamut compression is enabled by default in ACES 1.3.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eResolve FX\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eNew Resolve FX Depth Map to generate 3D depth-based keys in Studio.\u003c\/li\u003e \u003cli\u003eNew Resolve FX Fast Noise.\u003c\/li\u003e \u003cli\u003eNew Resolve FX Despill.\u003c\/li\u003e \u003cli\u003eNew Resolve FX Surface Tracker for tracking warped surfaces in Studio.\u003c\/li\u003e \u003cli\u003eImproved Resolve FX Beauty with new ultra mode.\u003c\/li\u003e \u003cli\u003eImproved edge strength and filter controls in Resolve FX Edge Detection.\u003c\/li\u003e \u003cli\u003eOption to composite from a second input in Resolve FX Transform.\u003c\/li\u003e \u003cli\u003eNew bokeh preset for Resolve FX Lens Reflections.\u003c\/li\u003e \u003cli\u003eGreen-purple control for Resolve FX Chromatic Aberration.\u003c\/li\u003e \u003cli\u003eSizing awareness option in Resolve FX lens flare and radial and zoom blurs.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eFairlight\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eAbility to convert fixed bus projects to FlexBus in project settings.\u003c\/li\u003e \u003cli\u003eAbility to freely order tracks and buses in the mixer via the track index.\u003c\/li\u003e \u003cli\u003eAbility to nudge custom millisecond or sub-frame intervals in the timeline.\u003c\/li\u003e \u003cli\u003eImproved quality for time-stretched audio.\u003c\/li\u003e \u003cli\u003eImproved Dolby Atmos immersive mixing, including binaural monitoring.\u003c\/li\u003e \u003cli\u003eNative support for Dolby Atmos production for Linux and Apple silicon.\u003c\/li\u003e \u003cli\u003eIndependent controls to enable automation and expose parameters.\u003c\/li\u003e \u003cli\u003eImproved behavior of automated tracks under VCA control.\u003c\/li\u003e \u003cli\u003eImproved meters with configurable decay, peak hold, and display modes.\u003c\/li\u003e \u003cli\u003eAbility to ctrl-alt click to remove gain and elastic wave keyframes.\u003c\/li\u003e \u003cli\u003eAbility to double click a clip in the timeline to rename.\u003c\/li\u003e \u003cli\u003eAbility to set record clip name prefix at a per-track level.\u003c\/li\u003e \u003cli\u003eSupport for renaming underlying tracks when renaming a linked group\u003c\/li\u003e \u003cli\u003eEqualizers with improved Q controls and mouse wheel inputs.\u003c\/li\u003e \u003cli\u003eDynamics with enhanced metering, gain display, and enable controls.\u003c\/li\u003e \u003cli\u003eDynamics with improved dry mix, soft knee, and metering in FlexBus.\u003c\/li\u003e \u003cli\u003eImproved plug-in management with replace and copy settings in the mixer.\u003c\/li\u003e \u003cli\u003eNew built-in presets for equalizers and dynamics.\u003c\/li\u003e \u003cli\u003eHold shift and double-click clips to extend the edit selection range.\u003c\/li\u003e \u003cli\u003eSupport for applying audio gain on range selection.\u003c\/li\u003e \u003cli\u003eImproved waveform display accuracy under crossfades.\u003c\/li\u003e \u003cli\u003eOrigination time metadata is now persisted when bouncing mix to track.\u003c\/li\u003e \u003cli\u003eOption to trim from unity on the Fairlight Desktop Console.\u003c\/li\u003e \u003cli\u003eSupport for VCA and bus spill on the Fairlight Desktop Console.\u003c\/li\u003e \u003cli\u003eSupport for using the Fairlight Desktop Console on Linux systems.\u003c\/li\u003e \u003cli\u003eStudio monitoring support for FlexBus on consoles.\u003c\/li\u003e \u003cli\u003eFairlight console option to mute speakers on timeline load.\u003c\/li\u003e \u003cli\u003eSupport for chasing timecode via Fairlight audio interfaces.\u003c\/li\u003e \u003cli\u003eSupport for user views in the Fairlight Desktop Console.\u003c\/li\u003e \u003cli\u003eImproved mapping for audio effects on the Audio Editor panel.\u003c\/li\u003e \u003cli\u003eAbility to use alt + solo to invoke solo safe in the Audio Editor panel.\u003c\/li\u003e \u003cli\u003eSupport for a new clear mutes action in the timeline menu.\u003c\/li\u003e \u003cli\u003eEnabling track mixer controls brings a window to focus if already open.\u003c\/li\u003e \u003cli\u003eGrid and list modes are persisted for patch, bus, and VCA assign.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eFusion\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eMulti-button mode selection in the inspector for multiple tools.\u003c\/li\u003e \u003cli\u003eSupport for all modern and future python 3 versions for scripting.\u003c\/li\u003e \u003cli\u003eSupport for live previews when using the Text+ colour picker.\u003c\/li\u003e \u003cli\u003eMultiple new composition blend modes.\u003c\/li\u003e \u003cli\u003eNew expression animated Custom Poly modifier for masks and strokes.\u003c\/li\u003e \u003cli\u003eFaster GPU accelerated paint tool with 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available.\u003c\/li\u003e \u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e \u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e \u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e \u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e \u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e \u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e \u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e \u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e \u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e \u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eGeneral\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e \u003cli\u003eStream video 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for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e \u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e \u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e \u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e \u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e \u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e \u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e \u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e \u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e \u003c\/ul\u003e \u003ch5\u003eCut\u003c\/h5\u003e \u003cul\u003e \u003cli\u003eMetadata view and clip sorting\u003c\/li\u003e \u003cli\u003eTrimming against audio waveforms\u003c\/li\u003e \u003cli\u003eSmart 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The Fairlight Desktop Console also functions as a flexible monitor controller with dedicated buttons for source selection, speaker dim and mute, switching between headphones and speakers, and talkback control.\u003c\/p\u003e \u003cp\u003eThe Fairlight Desktop Console connects to your computer via a USB Type-C connection (cable included) and boasts an HDMI output for visually monitoring all console activity.\u003c\/p\u003e \u003ch4\u003eCompact and Professional\u003c\/h4\u003e \u003cp\u003eThe Fairlight Desktop Console uses the same high-quality faders as the full-size modular consoles. The sculpted faders are smooth and provide the perfect amount of resistance for making subtle adjustments. The precision-engineered encoder knobs ensure a long life of noiseless operation, and the console buttons are rated at a million presses.\u003cbr\u003e Individual LCDs display track information for each channel. The high-quality search dial is extremely responsive and is much faster than a mouse. The soft front-panel bumper makes long sessions more comfortable, the console can be installed flush in a custom desk, and there's even a built-in power supply, which means no power brick. A USB Type-C port provides easy connectivity with your computer system.\u003c\/p\u003e \u003ch4\u003eChannel Strips\u003c\/h4\u003e \u003cp\u003eThe Fairlight Desktop Console features 12 channel strips that can be used in a variety of ways for mixing audio. Each channel strip has a motorized fader for adjusting levels, a series of buttons for solo, mute, and other parameters, a multifunction pan knob, and an LCD that shows you information about the channel or track on which you are working.\u003cbr\u003e Channel strips can be used to control an individual track and any strip can be assigned to any track in the project. You can also use a single strip to control multiple tracks in a group, or you can use the channel strips to control buses. This gives you the speed and flexibility you need for total control over your recording and mixing sessions.\u003c\/p\u003e \u003ch4\u003eChannel Status Displays\u003c\/h4\u003e \u003cp\u003eThere are independent high-resolution LCD screens located above each of the 12 fader strips. These displays include track name, number, and color, along with panning status, channel level meters, automation state, bus routing, and more.\u003c\/p\u003e \u003ch4\u003eMultifunction Pan Knob\u003c\/h4\u003e \u003cp\u003eThe multifunction pan knob can be used for panning or can be assigned to control other Fairlight parameters. Hold Control and tap to reset, or hold Shift for refined control. As it's a rotary encoder, it won't introduce signal noise like worn mechanical knobs.\u003c\/p\u003e \u003ch4\u003eChannel-Strip Controls\u003c\/h4\u003e \u003cp\u003eEach of the 12 fader channel strips has its own dedicated solo and mute buttons for quickly isolating or temporarily turning tracks off. Multifunction select buttons can be used to load track parameters and activate automation and plug-in controls.\u003c\/p\u003e \u003ch4\u003eMotorized Faders\u003c\/h4\u003e \u003cp\u003e12 belt-driven 100mm motorized faders offer precision volume control for adjusting levels. The bank control buttons let you switch between fader sets to control different channels. Faders can even be assigned to adjust send and record levels.\u003c\/p\u003e \u003ch4\u003eNavigation and Transport Controls\u003c\/h4\u003e \u003cp\u003eWhen you're working on a tight deadline and have a large project with a lot of tracks, you don't want to waste time scrolling through the timeline or hunting for a clip. The Fairlight Desktop Console helps you work faster because it includes transport buttons and a high-quality jog\/shuttle wheel.\u003cbr\u003e You'll be able to quickly move around the timeline and navigate clips, scrub, start or stop playback, or jump to a new position with incredible speed. The controls are logically grouped, allowing you to keep your hand in one position while navigating the timeline from end to end, or anywhere in between, in seconds. The search dial can also be used for timeline zooming, clip levels, and more.\u003c\/p\u003e \u003ch4\u003eTask-Based Controls\u003c\/h4\u003e \u003cp\u003eControl function selector buttons let you assign the buttons and knobs on the panel for different purposes. You can quickly select between master and channel controls, panning, plug-in control, EQ, dynamics, and more. By default, the console works in strip mode, giving you one channel strip per track. Focus mode lets you assign all of the select buttons and knobs on the console to work on the parameters or plug-ins for a single track. That means you can adjust the EQ, dynamics, or any other plug-in parameter for a track using all of the select buttons and knobs on the console. For example, you can adjust multiple frequency ranges in the EQ at the same time, which is impossible to do with a mouse.\u003c\/p\u003e \u003ch4\u003eRecording Automation\u003c\/h4\u003e \u003cp\u003eFairlight's powerful automation lets you record parameter changes you make over time. For example, you can record level changes as you move the faders on the console. Fader adjustments are saved and can be edited later. Fairlight lets you automate anything from simple level changes to complex plug-in, EQ, and dynamics changes. That means you can use the console to create and save live adjustments.\u003cbr\u003e The faders and knobs are touch-sensitive, activated the moment you touch them, so you don't have to move them for the console to know you want to work on that parameter. Six automation buttons enable and disable automation, set recording method, and set which automation curves appear in the timeline tracks.\u003c\/p\u003e \u003ch4\u003eMonitoring Controls\u003c\/h4\u003e \u003cp\u003eThe Fairlight page has incredibly flexible monitoring, so you can preview your sound from a variety of different speaker sets. You can listen and switch between everything from headphones, nearfield or main stereo monitors, all the way up to immersive 3D surround systems.\u003cbr\u003e The monitoring controls on the Fairlight Desktop Console let you quickly switch between sources, control both your studio and booth levels, or even control talkback if you have a Fairlight Audio Interface installed with your computer. You also get a level knob along with buttons for dimming and muting your speakers, allowing you to instantly cut or reduce the sound, so you can have a conversation in your studio or suite.\u003c\/p\u003e \u003ch4\u003eExternal HDMI Monitoring\u003c\/h4\u003e \u003cp\u003eFor direct visual feedback, you can add an HDMI display to the Fairlight Desktop Console. This allows you to see an extensive graphical display of everything happening on the console. You'll be able to see channel strip information, levels, equalization, dynamics processing, plug-in interfaces, and more. That means you don't have to open pop-up windows on top of your timeline.\u003cbr\u003e For example, when you adjust EQ settings, its interface will be displayed on the screen as you turn the knob. The screen automatically switches to show you buses, in-line channel-strip controls, or single-channel controls when in focus mode. There's no configuration needed, simply plug in an HDMI monitor and start working.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499275387197,"sku":"BLA-DV\/RESF\/EDTAUSMIN","price":59025.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/88365505ea7dd282a6a8604743eb6db8.png?v=1773557151"},{"product_id":"blackmagic-design-fusion-studio-1","title":"Blackmagic Design Fusion Studio","description":"\u003cp\u003eUtilizing the advantages of a Node-based workflow, Blackmagic Design's Fusion Studio packs the power of a full 2D\/3D software-based compositing system into your computer running macOS 10.10 or later, Windows 8, or Windows 10 64-bit. Fusion Studio is resolution independent, supporting images over 32K x 32K with no limits on the output resolution. Fusion Studio takes advantage of GPU acceleration, moving the intense image processing computations away from your system's CPU.\u003c\/p\u003e \u003cp\u003eFusion essentially places an entire VFX studio at your fingertips with keyframe- and spline-based animation tools for controlling the image effects you apply to your footage over time. You can use the keyframe and spline tools to control the included tools, which include Keying and matte tools, particle tools, and vector paint tools. The included 2D and 3D text tools allow you to create and animate text effects from simple to Hollywood-style effects. Fusion also works in 3D space, allowing you to import 3D scenes and models created in other programs, such as Maya, 3ds Max, and Cinema 4D and integrate them into your effects work. Fusion Studio is the paid version of the software, which includes several features that the free version lacks.\u003c\/p\u003e \u003ch4\u003eGeneral\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eSupport for all major VR headsets\u003c\/li\u003e \u003cli\u003e3D Camera Tracking\u003c\/li\u003e \u003cli\u003eLag-free 90fps viewing\u003c\/li\u003e \u003cli\u003ePlanar Tracking\u003c\/li\u003e \u003cli\u003ePlanar Stabilization and steadying\u003c\/li\u003e \u003cli\u003ePlanar Rotoscoping\u003c\/li\u003e \u003cli\u003eDelta Keyer and Clean Plate\u003c\/li\u003e \u003cli\u003eStudio Player (supports custom playlists, storyboards, and version tracking)\u003c\/li\u003e \u003cli\u003eSupports ProRes, DNxHR, and MXF support for round tripping between applications\u003c\/li\u003e \u003cli\u003eOpenCL support for GPU acceleration\u003c\/li\u003e \u003cli\u003eReal-time viewing of 3D scenes\u003c\/li\u003e \u003cli\u003eLive-action VR playback\u003c\/li\u003e \u003cli\u003eSupports Stereo VR\u003c\/li\u003e \u003cli\u003eConversion between VR image formats\u003c\/li\u003e \u003cli\u003eVR Paint and Fix workflow\u003c\/li\u003e \u003cli\u003eVR Motion Graphics and Tiling\u003c\/li\u003e \u003cli\u003eStabilization of VR live-action scenes\u003c\/li\u003e \u003cli\u003eVR colour correction\u003c\/li\u003e \u003cli\u003eCollaboration—Multiple Artists can access the same projects on different machines\u003c\/li\u003e \u003cli\u003eOptical Flow-Based retiming\u003c\/li\u003e \u003cli\u003eIntegrated 2D and 3D compositing an animation environment\u003c\/li\u003e \u003cli\u003eResolution independent with support for images over 32K x 32K\u003c\/li\u003e \u003cli\u003eMix and match footage of different resolutions, field orders, aspect ratios, and formats within a single project\u003c\/li\u003e \u003cli\u003eFootage of different colour depths can be processed in their native colour depth within a single flow graph\u003c\/li\u003e \u003cli\u003eResponsive UI with interactive, real-time rendering\u003c\/li\u003e \u003cli\u003eRender to multiple formats and resolutions in a single pass, with multiple saver nodes at any position in the flow process\u003c\/li\u003e \u003cli\u003eSeamlessly blend floating point, 64-bit and 32-bit images without concern\u003c\/li\u003e \u003cli\u003eTwo-level proxy system for fast, interactive response\u003c\/li\u003e \u003cli\u003eOpen and work with multiple comps at once\u003c\/li\u003e \u003cli\u003eOpen unlimited floating display views\u003c\/li\u003e \u003cli\u003eSave Custom interface layouts\u003c\/li\u003e \u003cli\u003eUse Independent LUTs for each display view\u003c\/li\u003e \u003cli\u003eSupport for dual displays\u003c\/li\u003e \u003cli\u003eA\/B split view for comparing shots\u003c\/li\u003e \u003cli\u003eView and edit your project in frames, timecode, or feet+frames modes\u003c\/li\u003e \u003cli\u003eIncludes Generation studio wide management software for assigning tasks, tracking assets, and versioning shots\u003c\/li\u003e \u003cli\u003eIncludes Avid Connect plugin for using Fusion from the Media Composer timeline\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eGPU Accelerations\u003c\/h4\u003e \u003cp\u003eWith its GPU acceleration, you get instant feedback while you work so you can see exactly what you're doing. Whether you're working alone or with a client, Fusion gives you the real-time control you need so you can spend more time being creative and less time waiting.\u003c\/p\u003e \u003ch4\u003eNode Based Interface\u003c\/h4\u003e \u003cp\u003eFusion uses nodes—small icons that represent effects, filters, and other processing—can be connected together to easily build up larger and more complex visual effects. Nodes are easy to see and connect together; you can combine tools, images, and objects in any order to create unlimited visual effects. Nodes make it easy to adjust any single part of your project simply by clicking on the node and making an adjustment.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eIntuitive node-based flow-graph interface for building composites\u003c\/li\u003e \u003cli\u003eBranch and connect tools to multiple nodes\u003c\/li\u003e \u003cli\u003eOpen and work with multiple comps at once\u003c\/li\u003e \u003cli\u003eCopy and paste tools into other comps\u003c\/li\u003e \u003cli\u003eGroup and collapse tools into sub-flow for better organization\u003c\/li\u003e \u003cli\u003eDrag and drop footage into flow directly from file explorer\u003c\/li\u003e \u003cli\u003eAdd notes to any node, or even the flow itself, as reminders or to assist with collaboration\u003c\/li\u003e \u003cli\u003eRender a comp while working on another\u003c\/li\u003e \u003cli\u003eShow thumbnails for images in flow graph\u003c\/li\u003e \u003cli\u003eIntegrated Script Debug Console. Step through code, set breakpoints, and have multiple scripts open at the same time\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eOptical Flow Tools\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eOptical Flow analysis for generating forward and back vectors\u003c\/li\u003e \u003cli\u003eChange the speed of a clip using optical flow analysis\u003c\/li\u003e \u003cli\u003eRepairFrame regenerates a frame using optical flow between its two neighbors\u003c\/li\u003e \u003cli\u003eSmoothMotion for smoothing of colour or aux channels using optical flow\u003c\/li\u003e \u003cli\u003eTween interpolates between two non-sequential images\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eStereoscopic 3D Toolset\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eBuilt-in 3D cameras with support for eye separation, convergence and toe in, or Parallel mode\u003c\/li\u003e \u003cli\u003eDisparity stereo map generation, with mapping in both left and right eyes\u003c\/li\u003e \u003cli\u003eNew Eye tool for generating new left and right images, with convergence and alignment\u003c\/li\u003e \u003cli\u003eStereo Align tool for adjusting vertical alignment, convergence, and eye separation\u003c\/li\u003e \u003cli\u003eDisparityToZ and ZToDisparity converts Disparity to and from Z depth\u003c\/li\u003e \u003cli\u003eGlobal Alignment tool for adjusting a stereo pair without warping\u003c\/li\u003e \u003cli\u003eStereo Stack and Unstack to combine Left and Right images into a single stereo pair\u003c\/li\u003e \u003cli\u003eSupport for 3D stereo viewing systems including OpenGL quad-buffering, anaglyph, side-by-side, stacking, and interlace viewing\u003c\/li\u003e \u003cli\u003eStereoscopic Hardware Support including NVIDIA 3DVision, Planar and JVC monitors, Christie Digital Cinema Projectors, and Mirage Projectors\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eGeneration\u003c\/h4\u003e \u003cp\u003eFusion 16 Studio includes Generation, which is a multiuser management software. Generation helps you manage and track versions of every shot in your studio. You can assign tasks to artists, make notes, and see each team member's workload to help balance the work and finish projects faster. Fusion 16 Studio also features a bin server to let everyone share and see common assets that are needed for the job. That means you don't have to copy and track multiple elements on different computers.\u003c\/p\u003e \u003ch4\u003eAnimation Tools\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eDisplay and edit multiple animation splines\u003c\/li\u003e \u003cli\u003eUse Bezier or cubic splines for animation curves\u003c\/li\u003e \u003cli\u003eScale, shape, and stretch splines\u003c\/li\u003e \u003cli\u003eSet looping parameters for ping-pong, relative, and number of loops\u003c\/li\u003e \u003cli\u003eUse keyframe markers as guides\u003c\/li\u003e \u003cli\u003eStep-in and step-out keyframe modes\u003c\/li\u003e \u003cli\u003eSet guides, markers, and snap-to points\u003c\/li\u003e \u003cli\u003eUse time value offsets and scaling for multiple selected keyframes\u003c\/li\u003e \u003cli\u003eGlobal ease in and out controls\u003c\/li\u003e \u003cli\u003eShape box to deform and taper splines\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eTimeline\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eNon-linear timeline display for adjusting element timing\u003c\/li\u003e \u003cli\u003eTrim and position multiple clips simultaneously\u003c\/li\u003e \u003cli\u003eScrub audio and view waveform within timeline\u003c\/li\u003e \u003cli\u003eSift the timeline display to show specific tools or groups of tools\u003c\/li\u003e \u003cli\u003eSet guides, markers, and snap-to points\u003c\/li\u003e \u003cli\u003eIntegrated spline viewer and editor\u003c\/li\u003e \u003cli\u003eSpreadsheet view for quick editing of animated parameters\u003c\/li\u003e \u003cli\u003eDrag-and-drop sorting of tools in the timeline to better focus on timing and keyframes\u003c\/li\u003e \u003cli\u003ecolour coding of tools and splines\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003ePerformance\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eCompletely multi-threaded rendering, uses every CPU available\u003c\/li\u003e \u003cli\u003eGPU Acceleration of 3D workspace and rendering\u003c\/li\u003e \u003cli\u003eOpenCL Acceleration of computationally intensive tools\u003c\/li\u003e \u003cli\u003eRender and interactive performance scalable with remote nodes\u003c\/li\u003e \u003cli\u003eDesigned to work efficiently with extremely large files\u003c\/li\u003e \u003cli\u003eEnhanced file caching for local and networked drives\u003c\/li\u003e \u003cli\u003eDisk and RAM Caching stores processed images for immediate playback\u003c\/li\u003e \u003cli\u003eCache manager work invisibly in background—no user intervention required\u003c\/li\u003e \u003cli\u003eMultiple tools can simultaneously maintain their own cache\u003c\/li\u003e \u003cli\u003eImprove local performance\/interactivity with remote render nodes\u003c\/li\u003e \u003cli\u003eAutomatic memory tuning\u003c\/li\u003e \u003cli\u003eImages already in cache do not re-render\u003c\/li\u003e \u003cli\u003eCache output of any node to either RAM or disk\u003c\/li\u003e \u003cli\u003eRegion of interest and user-definable domain of definition speed up image processing\u003c\/li\u003e \u003cli\u003eInfinite Canvas eliminates clipping of image areas outside the project bounds\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003e3D Workspace\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eA fully integrated 3D compositing environment with lights, camera snap casted shadows\u003c\/li\u003e \u003cli\u003e3D scene importing via FBX and Alembic, includes models, cameras, lights, and rigs\u003c\/li\u003e \u003cli\u003eRender scenes with many millions of polygons and complex shading\u003c\/li\u003e \u003cli\u003eGPU-based renderer\u003c\/li\u003e \u003cli\u003eImport 3D models from Maya, 3ds Max, Cinema 4D, and more\u003c\/li\u003e \u003cli\u003e3D importing of scenes with matched animation curves, stereo cameras, lighting, and multilevel materials\u003c\/li\u003e \u003cli\u003eRelighting using rich deep pixels and reshading tools to a full GPU renderer\u003c\/li\u003e \u003cli\u003eThe GPU render outputs multiple layer types for later processing\u003c\/li\u003e \u003cli\u003eGPU accelerated Ambient Occlusion rendering\u003c\/li\u003e \u003cli\u003eGeometry creation, with primitives and 3D text\u003c\/li\u003e \u003cli\u003eBending, tapering, and warping of geometry or groups of objects\u003c\/li\u003e \u003cli\u003eDuplicate, Replicate objects to create armies or crowds\u003c\/li\u003e \u003cli\u003eSupport for multiple renderers and many scenes in one composition\u003c\/li\u003e \u003cli\u003eImport tracked cameras that match live action and also match 3D animation applications, making a seamless workflow for studios\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eMultichannel Support\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eUse the extra channels in Open EXR files produced by 3D applications to enhance the look of 3D rendered material\u003c\/li\u003e \u003cli\u003eDepth merging combines two images based on the relative position of their pixels, eliminating the concept of foreground and background\u003c\/li\u003e \u003cli\u003e3D Z -Depth Blur for true depth-of-field focusing\u003c\/li\u003e \u003cli\u003e3D Shader for relighting object based on the information contained in the normals channel\u003c\/li\u003e \u003cli\u003e3D Fog applies fog to an image based on depth of each pixel, or an external z-buffer map\u003c\/li\u003e \u003cli\u003e3D Texture to apply reflection maps and replacement textures to 3D rendered objects\u003c\/li\u003e \u003cli\u003eUse object and material ID's to mask the effect of any tool\u003c\/li\u003e \u003cli\u003eUse the above tools and techniques with particles and grid warping tools in Fusion, which also produce extra channel information\u003c\/li\u003e \u003cli\u003eDeep multichannel output for Z buffers, normals, UV texture, and World Pass pass, velocity vectors\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eDeep Pixel Compositing\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eGenerate deep pixel data like World Position, Normals, UV\u003c\/li\u003e \u003cli\u003eVolumetric Renderer, with full ray casted self shadowing volumes with variable density\u003c\/li\u003e \u003cli\u003eWorld Position Pass integration of images with occlusion\u003c\/li\u003e \u003cli\u003eMasking and Volumetric Atmospherics using World Position Pass\u003c\/li\u003e \u003cli\u003eOpenCL GPU accelerated for real-time interactivity and rendering\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eParticles\u003c\/h4\u003e \u003cul\u003e \u003cli\u003e3D flow-based particle suite\u003c\/li\u003e \u003cli\u003eFully OpenGL accelerated\u003c\/li\u003e \u003cli\u003eBitmap, geometric, or pixel-based particle styles for increased flexibility\u003c\/li\u003e \u003cli\u003eVariable control over spin, size, velocity, angle, spin, fade, blur, and colour over time\u003c\/li\u003e \u003cli\u003eModify particle behavior with physics-based tools like gravitational, wind, friction, tangential, point, and gradient forces\u003c\/li\u003e \u003cli\u003eControl modifier tools with effectors and force emitters, based on bitmaps, shapes, or polylines\u003c\/li\u003e \u003cli\u003eAdvanced behavioral controls like flocking, turbulence, spawning, and n-body attraction\u003c\/li\u003e \u003cli\u003eN-GON particle style provides a variety of shaded geometric shapes for particles\u003c\/li\u003e \u003cli\u003eImage Emitter tool turns each pixel of an image into a particle\u003c\/li\u003e \u003cli\u003eModify particle attributes with custom expressions\u003c\/li\u003e \u003cli\u003eProduce depth-of-field blurring on particles based on Z-position\u003c\/li\u003e \u003cli\u003eAnimate any particle parameter over time\u003c\/li\u003e \u003cli\u003eApply motion blur to all particle streams\u003c\/li\u003e \u003cli\u003eChoose from a variety of predefined particle styles and brushes\u003c\/li\u003e \u003cli\u003eMerge separate particle streams together with pMerge tool\u003c\/li\u003e \u003cli\u003eOutput Z-buffer position for each particle, and depth blur particles together\u003c\/li\u003e \u003cli\u003eChange particle styles based on collision and other 'events'\u003c\/li\u003e \u003cli\u003eNetwork renderable to slash render times\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eNetwork Rendering\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eRender Fusion comps on remote CPUs using unlimited number of render nodes\u003c\/li\u003e \u003cli\u003eNetwork rendered previews, tool caches speed the entire production process from start to finish\u003c\/li\u003e \u003cli\u003ePowerful render manager for maximum efficiency\u003c\/li\u003e \u003cli\u003eAssign remote nodes to render groups and submit flow to only specified groups\u003c\/li\u003e \u003cli\u003eAssign priorities to a submitted render to help resolve conflicts in busy environments\u003c\/li\u003e \u003cli\u003eNetwork render Flipbook previews Disk and Ram caches\u003c\/li\u003e \u003cli\u003ePower Cluster predicatively renders the frames around current time during an interactive session using the remote nodes\u003c\/li\u003e \u003cli\u003eSelect the range of frames to be rendered for each flow in the queue, without the need to modify or open the saved flow\u003c\/li\u003e \u003cli\u003eNodes that become available after a render has begun automatically rejoin the queue\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eLayer Blending Tools\u003c\/h4\u003e \u003cul\u003e \u003cli\u003eUse standard layer blend modes like screen, overlay, multiply, and soft light\u003c\/li\u003e \u003cli\u003eChoose between additive and subtractive merge modes\u003c\/li\u003e \u003cli\u003ePerform Z-depth compositing\u003c\/li\u003e \u003cli\u003eApply 'burn in' overexposure to foreground layer\u003c\/li\u003e \u003cli\u003eDissolve between layers with standard SMPTE wipes and gradients, or use custom bitmaps to control the dissolve\u003c\/li\u003e \u003cli\u003eApply calculated motion blur to any tool with animation applied\u003c\/li\u003e \u003c\/ul\u003e 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The RODECaster Duo includes Bluetooth technology and integrated wireless microphone receivers for onboard compatibility with the RODE Wireless GO II and Wireless ME, allowing you to handle just about any usage scenario and any workflow, anywhere.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003eProduct Highlights\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePremium boutique-class preamps with a high gain, low noise, and mic\/line\/instrument combo inputs\u003c\/li\u003e \u003cli\u003eCustomizable mixer with RGB color coding\u003c\/li\u003e \u003cli\u003eExtensively programmable SMART pads for launching sounds, shows, mixer actions, and more\u003c\/li\u003e \u003cli\u003eTwo built-in wireless receivers (one on each mic channel) compatible with the Wireless GO II and Wireless ME transmitters\u003c\/li\u003e \u003cli\u003eiOS-ready dual USB Type-C ports to connect multiple computers or mobile devices\u003c\/li\u003e \u003cli\u003eAdvanced high-quality Bluetooth input\/output, Wi-Fi, Ethernet, and integrated wireless receivers for Series IV transmitters\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e2 High-End Preamps\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBuilt to compete with pricey boutique microphone preamplifiers, the Revolution preamps deliver transparency and detail with ultralow noise (just -131.5 dBV) and incredible gain up to 76 dB, which enables ideal recording levels, even for low-output dynamic mics—no mic boosters, lifters, or normalization needed.\u003c\/li\u003e \u003cli\u003ePro-grade Neutrik XLR-1\/4\" combo jacks provide connection points for microphones (+48V phantom power is available for condenser mics), line-level sources, or instruments such as electric guitar and bass. Pairs of the analog input channels can be linked to easily record stereo mic setups, synths, DJ mixers, or outboard gear.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStudio-Quality Processing and Effects\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAuthentic emulations of classic APHEX hardware processors are onboard—Aural Exciter elevates clarity and sheen, Big Bottom adds warm and deep low-frequency punch, and Compellor glues it all together with compression\/leveling—as well as other widely used processors including a reverb, delay, pitch shifter, equalizer, high-pass filter, noise gate, de-esser, robot effects, and more.\u003c\/li\u003e \u003cli\u003eUse the VoxLab editor to quickly manipulate parameters on several processors via three intuitive controls, or access the advanced editor (onscreen or with a computer) for intricate editing. Use presets, save your own presets, and load them at any time to immediately call up your favorite settings.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e6 Programmable SMART Pads\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEach SMART pad can trigger audio files such as music or sound bites, activate special effects, send MIDI commands to software or hardware, or execute mixer functions like fades, music ducking, and bleeping.\u003c\/li\u003e \u003cli\u003eBank switching buttons beneath the pads for a plethora of unique actions.\u003c\/li\u003e \u003cli\u003eSelect the color of your choice for the pad illumination, a convenient way to remember which effect is on which pad.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eCustomizable Multichannel Mixer\u003c\/p\u003e \u003cul\u003e \u003cli\u003eThe 7-channel mixer features 4 channels with full-size broadcast-quality physical faders and three virtual channels, with the option to expand via digital hosting and hardware integrations with future updates.\u003c\/li\u003e \u003cli\u003ePhysical faders and virtual channels are freely assignable to the two analog inputs, USB and Bluetooth interfaces, and SMART pads.\u003c\/li\u003e \u003cli\u003eEach channel offers a pan control, mute button, and listen button (pre- or after-fader solo). With channel-specific color coding on the RODECaster Duo, you'll be able to quickly identify your sources.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStereo or Multitrack Recording\u003c\/p\u003e \u003cul\u003e \u003cli\u003eRecord stereo or individual multitrack files to a microSD card or USB storage such as an external drive.\u003c\/li\u003e \u003cli\u003eChoose uncompressed WAV format for maximum audio quality or MP3 format to save storage space and extend recording time.\u003c\/li\u003e \u003cli\u003eUse the RODECaster Duo as a high-quality USB audio interface to stream\/record to a computer with ultrafast data transfer.\u003c\/li\u003e \u003cli\u003eRODECaster Duo runs at 24-bit \/ 48 kHz, the industry standard for video production.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eMonitoring for All\u003c\/p\u003e \u003cul\u003e \u003cli\u003eTwo high-powered 1\/4\" headphone outputs provide clear personal monitoring for the host and a guest.\u003c\/li\u003e \u003cli\u003eSeparate color-coded volume controls let all participants easily control their own headphone levels.\u003c\/li\u003e \u003cli\u003eConnect a pair of active speakers to the 1\/4\" line outputs if you need to amplify your content to a live audience, or go wireless and monitor through a Bluetooth speaker to check the mix on an alternate system.\u003c\/li\u003e \u003cli\u003eSelectable high or low sensitivity optimizes the gain structure of the headphone outputs, so you can set headphone levels easier.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003ePodcast-Friendly Specialties\u003c\/p\u003e \u003cul\u003e \u003cli\u003eProducer talkback mode lets you communicate with guests without affecting the recording.\u003c\/li\u003e \u003cli\u003eEquipped with advanced Bluetooth connectivity, the RODECaster Duo can be used for ultrahigh-quality phone-call integration, crystal-clear audio streaming, wireless monitoring, and more.\u003c\/li\u003e \u003cli\u003eMix-minus on the Bluetooth and USB channels prevents the person on the other end of the call from hearing a distracting echo, making the RODECaster Duo great for remote and local guests in your podcast.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eFast Workflow\u003c\/p\u003e \u003cul\u003e \u003cli\u003eSave multiple Shows containing all of the RODECaster Duo's settings, an ideal way to instantly switch between types of productions such as podcasts, live streams, and game commentary. Tailored presets for Rode microphones and other popular models help you get great sound in a hurry.\u003c\/li\u003e \u003cli\u003eThe color touchscreen has haptic feedback, automatic brightness adjustment, and is tilted for optimal viewing. Next to the touchscreen, a rotary encoder is placed for efficient navigation and control.\u003c\/li\u003e \u003cli\u003eDual USB Type-C interfaces allow two computers or mobile devices to be connected simultaneously, unlocking great options for everything from remote podcasting to organizing complex streaming setups.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eAdditional Features\u003c\/p\u003e \u003cul\u003e \u003cli\u003eAn internal 1.5 GHz quad-core audio engine delivers significant processing power and unlocks huge potential for future updates.\u003c\/li\u003e \u003cli\u003eBidirectional MIDI communication allows excellent integration with DAWs and streaming software.\u003c\/li\u003e \u003cli\u003eWi-Fi and Ethernet connections offer high-speed communication with computers and other devices for updating firmware wirelessly, software and hardware integrations, and more.\u003c\/li\u003e \u003cli\u003eThe USB connections are MFi-certified for seamless integration with iOS devices such as iPads.\u003c\/li\u003e \u003cli\u003ePower the RODECaster Duo via USB Type-C PD (30W).\u003c\/li\u003e \u003cli\u003eReady for global use, the unit provides use in 10 languages—English, Chinese, Japanese, Korean, French, German, Italian, Spanish, Portuguese, and Hindi.\u003c\/li\u003e \u003cli\u003eRODECaster Duo is fully updatable for continued evolution with new firmware that will be available to all users via Wi-Fi, Ethernet, or USB.\u003c\/li\u003e \u003cli\u003eInternal wireless microphone receivers for compatibility with any Series IV wireless transmitter, including Wireless GO II and Wireless ME.\u003c\/li\u003e \u003c\/ul\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":51499901452605,"sku":"RODECASTERIIDUO","price":12857.18,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2facc82f6806996e94d38bbc9070a38d.png?v=1773573348"}],"url":"https:\/\/www.icilylive.co.za\/collections\/new-computers-and-editing.oembed","provider":"Icily Live","version":"1.0","type":"link"}