{"title":"New Production","description":null,"products":[{"product_id":"blackmagic-atem-2-m-e-advanced-panel-21","title":"BlackMagic ATEM 2 M\/E Advanced Panel 20","description":"\u003ch2\u003eBlackmagic Design ATEM 2 M\/E Advanced Panel Overview\u003c\/h2\u003e    \u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Advanced Panel\u003c\/strong\u003e is a highly sophisticated advancement of previous panel models as a companion to separately available professional ATEM switchers from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. Using features such as high-quality buttons, knobs, fader bars, and a 3-axis joystick, you'll be able to customize the extensive panel to your precise needs.\u003c\/p\u003e    \u003cp\u003eComplex live productions require a versatile control panel, and the ATEM 2 M\/E Advanced Panel allows you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and it also sports 8 on-air indicators. The panel features two rows of M\/E with 20 input buttons per row, two system control LCDs, independent LCDs for custom labeling of every row and button, 20 direct cross points, 40 shifted cross points, two preview transitions, and various DSK transition selectors such as Auto, Cut, and Tie\/Preview.\u003c\/p\u003e    \u003cp\u003eThe ATEM 2 M\/E Advanced Panel connects to the switcher via 10\/100\/1000 BaseT Ethernet, and there are four Ethernet loop outputs for connecting to another panel or to a media-management computer. The panel receives firmware updates via its USB Type-C input.\u003c\/p\u003e    \u003cp\u003eKey Features\u003c\/p\u003e    \u003cp\u003eTri-color LED crosspoint buttons, 20 direct cross points and 40 shifted cross points\u003c\/p\u003e    \u003cp\u003eTwo M\/E rows with 20 input buttons in each row\u003c\/p\u003e    \u003cp\u003eTwo system control LCDs for each row and LCDs for customizing labels for each button\u003c\/p\u003e    \u003cp\u003eTwo fader bars, 3-axis joystick, numeric keypad\u003c\/p\u003e    \u003cp\u003eEight on-air indicators\u003c\/p\u003e    \u003cp\u003eTwo transition previews with transition rate display\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270144317,"sku":"BLA-SWPANELADV2ME20","price":128497.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/04851ad9a82e10fb21b0173ee5c86aa8.png?v=1773556600"},{"product_id":"blackmagic-atem-2-m-e-advanced-panel-31","title":"BlackMagic ATEM 2 M\/E Advanced Panel 30","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Advanced Panel 30\u003c\/strong\u003e is a sophisticated control interface for the separately available ATEM Constellation Switcher from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. Use the numerous buttons, knobs, two fader bars, and a 3-axis joystick to customize your panel's program\/preview operation.\u003c\/p\u003e    \u003cp\u003eApplications\u003c\/p\u003e    \u003cp\u003eDesigned for complex live productions, the ATEM 2 M\/E Advanced Panel 30 enables you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and 12 on-air indicators. The ATEM 2 M\/E Advanced Panel 30 connects to your switcher via 10\/100\/1000 BaseT Ethernet and incorporates four Ethernet loop outputs for connecting to another panel or to a media-management computer.\u003c\/p\u003e    \u003cp\u003eCompatibility\u003c\/p\u003e    \u003cp\u003eProvides pro switching controls for the ATEM Constellation HD line of switchers\u003c\/p\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour 10\/100\/1000 BASE-T Ethernet ports with loop output for linking to additional control panels or computers\u003c\/li\u003e   \u003cli\u003eUSB Type-C for firmware updates\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eCross-Points\u003c\/p\u003e    \u003cp\u003eTri-color LED cross-point buttons; 30 direct cross-points, and 60 shifted cross-points\u003c\/p\u003e    \u003cp\u003eMix Effect Rows\u003c\/p\u003e    \u003cp\u003eTwo M\/E rows, 30 input buttons per row\u003c\/p\u003e    \u003cp\u003eLCD Menu Displays\u003c\/p\u003e    \u003cp\u003eThree system control LCDs for each row with custom labeling for all rows and input buttons\u003c\/p\u003e    \u003cp\u003eControls\u003c\/p\u003e    \u003cp\u003eOne 3-axis joystick, one numeric keypad, and two fader bars\u003c\/p\u003e    \u003cp\u003eOn-Air Indicators\u003c\/p\u003e    \u003cp\u003e12 indicators let you easily see which feeds are on air\u003c\/p\u003e    \u003cp\u003eDSK Selectors\u003c\/p\u003e    \u003cp\u003eFour transition previews with auto, cut, and tie\/preview options\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270242621,"sku":"BLA-SWPANELADV2ME30","price":154171.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f4aae82f0edda2bee99298d8faf5b290.png?v=1773556611"},{"product_id":"blackmagic-mini-converter-optical-fiber-12g-sfp-optical-module-not-included-1","title":"BlackMagic Mini Converter - Optical Fiber Converter 12G (SFP Optical Module not included)","description":"\u003cp\u003eThe \u003cstrong\u003eMini Converter Optical Fiber 12G-SDI\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e offers bidirectional, multi-rate SDI to optical fiber conversion capabilities with complete independence in each direction and support for up to DCI 4K25 and UHD 4K60 signals. This converter has one SFP optical fiber socket (requires a separate module), one 12G\/HD\/SD-SDI input, and one 12G\/HD\/SD-SDI output. With a 10-bit rate, you can take advantage of long fiber runs and compatibility with both studio and field HD-SDI and SD equipment.\u003cbr\u003e  \u003cbr\u003e  Features include automatic signal detection and support for up to 16-channel embedded audio. Settings can be easily changed using the diagrammed function switches, or via the macOS\/Windows-compatible converter software. This compact converter features a sturdy metal housing and includes a 12V universal power supply with a locking connection for added security.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270340925,"sku":"BLA-CONVMOF12G","price":3085.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/ec6f4f4f4c2baf41b68cca0c5b332d8f.png?v=1773556634"},{"product_id":"blackmagic-atem-1-m-e-advanced-panel-11","title":"Blackmagic ATEM 1 M\/E Advanced Panel 10","description":"\u003ch2\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel Overview\u003c\/h2\u003e    \u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM 1 M\/E Advanced Panel\u003c\/strong\u003e is a full-featured hardware control panel for BMD ATEM switchers. It connects via Ethernet and provides hands-on tactile control, essential for broadcast studios. An LCD information display surrounded by soft-touch menu buttons and rotary encoders allows for intuitive programming of control functions. Aside from the main display, each programmable button has an LCD scribble strip to illustrate its function. Since buttons can perform different functions, up to 20 inputs can be accessed by shifting the 10 input buttons. The buttons themselves have curved indentations to help avoid incorrect keystrokes. Real-time dynamic controls are available in the form of a single 3-axis joystick and large weighted T-bar fader. Use the joystick to remotely control PTZ cameras or effects, and the T-bar to adjust transitions, wipes, fades, and more.\u003c\/p\u003e    \u003cp\u003eAt the rear of the unit are dual Ethernet connections, a USB port for firmware updates, and power inputs. Use the IEC input for connecting to mains power, and the 4-pin XLR 12V input for DC power supplies. The panel's chassis is sized small enough to fit in a standard equipment rack, allowing it to be implemented in broadcast trucks and fly-away kits.\u003c\/p\u003e    \u003cp\u003eSwitching Features\u003c\/p\u003e    \u003cul\u003e\n\u003cli\u003e10 direct crosspoints\u003c\/li\u003e\n\u003cli\u003e20 shifted crosspoints\u003c\/li\u003e\n\u003cli\u003eTri-color LED crosspoint buttons with 3-row, 24-character LCD scribble strips\u003c\/li\u003e\n\u003cli\u003e4 on-air indicators\u003c\/li\u003e\n\u003cli\u003eAuto, cut, tie\/preview DSK transition selectors\u003c\/li\u003e\n\u003cli\u003e3 LCD menu displays\u003c\/li\u003e\n\u003cli\u003e20-button menu control\u003c\/li\u003e\n\u003cli\u003e1 destination bus\u003c\/li\u003e\n\u003cli\u003e1 source select bus\u003c\/li\u003e\n\u003cli\u003eWeighted T-bar fader\u003c\/li\u003e\n\u003cli\u003e3-axis joystick\u003c\/li\u003e\n\u003cli\u003eNumeric keypad\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270832445,"sku":"BLA-SWPANELADV1ME10","price":65727.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/d861c6f95eebf57c629415b6a67eda94.png?v=1773556712"},{"product_id":"blackmagic-atem-1-m-e-constellation-4k","title":"Blackmagic ATEM 1 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 1 M\/E Constellation UHD 4K Live Production Switcher\u003c\/strong\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 10 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to six 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232157.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232165.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232161.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 1 M\/E model can hold 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232167.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232159.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 10 multi-rate 12G-SDI connections, the ATEM 1 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232166.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232158.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232162.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499270865213,"sku":"BLA-SWATEMSCN2\/2ME1\/4K","price":35103.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e1e5a5ca3dd8f52fe2db29214ad4c8d7.png?v=1773556720"},{"product_id":"blackmagic-atem-2-m-e-constellation-4k","title":"Blackmagic ATEM 2 M\/E Constellation 4K","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Constellation UHD 4K Live Production Switcher\u003c\/strong\u003e adds UHD 4K capabilities and 12G-SDI ports to the familiar switcher construction of its predecessor. Designed for powerful live event UHD 4K switching, the unit features 20 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to 12 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232169.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232177.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232172.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSuperSource\u003c\/p\u003e    \u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation UHD 4K as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232173.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232179.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232171.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 20 multi-rate 12G-SDI connections, the ATEM 2 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232178.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. Control the audio with the ATEM Software Control or compatible Mackie panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232170.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003eUse the ATEM Software Control Panel to facilitate control over your Constellation unit using your personal computer. The software has a visual switcher interface and parameter palettes for quick adjustments. Multiple users can connect to the switcher via Ethernet and work on different aspects of your event simultaneously. The software also lets you access camera control, audio mixing, media, macro programming, and control of HyperDeck disk recorders. Save the full state of the switcher as XML files and back up your media from the media pool. The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232174.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499271979325,"sku":"BLA-SWATEMSCN2\/2ME2\/4K","price":81691.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cae9071de3e2194aef2bb1f84486b643.png?v=1773556728"},{"product_id":"blackmagic-atem-2-m-e-constellation-hd-1","title":"Blackmagic ATEM 2 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 20 individual 3G\/HD-SDI inputs built into a 1 RU chassis, is at hand with the \u003cb\u003eBlackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher\u003c\/b\u003e. Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 12 3G-SDI BNC outputs or a webcam output via USB-C. In addition, the switcher has two multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 48 channels of audio.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038671.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038663.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/p\u003e\u003cp\u003eSuperSource\u003c\/p\u003e\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038664.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038668.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038670.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cp\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get eight ATEM Advanced Keyers on the 2 M\/E model.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038672.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUpstream Chroma Keyers\u003c\/p\u003e\u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 2 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/p\u003e\u003cp\u003eMulti-Rate 3G-SDI Input\u003c\/p\u003e\u003cp\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\u003cp\u003eAudio\u003c\/p\u003e\u003cp\u003eATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038669.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038661.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSupports Optional Control Panels\u003c\/p\u003e\u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272110397,"sku":"BLA-SWATEMSCN2\/1ME2\/HD","price":33439.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/13cb1e76c783eeb3d7a1a410169e59a0_14c608b5-ecf0-4f6d-9a82-81d810a6d317.png?v=1773556734"},{"product_id":"blackmagic-atem-4-m-e-constellation-4k-plus-1","title":"Blackmagic ATEM 4 M\/E Constellation 4K Plus","description":"\u003cp\u003eThe \u003cb\u003eATEM 4 M\/E Constellation 4K Plus\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e doubles the I\/O of the original model with 80 12G-SDI inputs and 48 independent 12G-SDI ISO AUX outputs, and it connects to a wide range of cameras and sources, delivering video at resolutions of up to 10-bit UHD 4K60 via the 12G-SDI program outputs or 1080p and 720p webcam outputs via USB-C. The switcher features four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in FairLight audio mixer, supporting up to 298 channels of audio. There are also two MADI inputs and four MADI outputs for audio mixing and routing.\u003c\/p\u003e\u003cp\u003eReference and Control\u003c\/p\u003e\u003cp\u003eThe switcher has a reference input, and each input features a frame synchronizer, frame rate converter, and format converter, allowing you to mix and match cameras that do not have genlock capabilities. Upstream and downstream keyers and effects are supported in real time. The switcher can be controlled using the integrated front panel, optional Blackmagic ATEM panels, or the downloadable ATEM Software Control Panel.\u003c\/p\u003e\u003cp\u003eAdvanced Broadcast Power\u003c\/p\u003e\u003cp\u003eThe switcher features a compact rack mount design with a built-in control panel and a large LCD so you can see program output and change switcher settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 12G-SDI inputs, aux outputs, balanced audio, and Ethernet for control. It includes RS-422 for serial control and MADI digital audio connections. Even with all this power, the switcher is extremely quiet with its innovative high-efficiency thermal system.\u003c\/p\u003e\u003cp\u003eBuilt-In DVE\u003c\/p\u003e\u003cp\u003eThe switcher features four independent DVEs that let you reposition graphics and up to 4 independent DVEs that let you reposition graphics and create picture-in-picture compositions with impressive results. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects to add excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions.\u003c\/p\u003e\u003cp\u003eSuperSource Processing\u003c\/p\u003e\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E Plus model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE; it's then all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e\u003cp\u003eMultiview\u003c\/p\u003e\u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four dedicated multiview outputs, and up to 48 outputs are independently routable.\u003c\/p\u003e\u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\u003cp\u003eChroma Keyers\u003c\/p\u003e\u003cp\u003eFor news or virtual set work, this switcher features 16 ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for the automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer, making seamless compositions possible. The keyer can also be used for pattern and DVE keying.\u003c\/p\u003e\u003cp\u003eUpstream Chroma Keyers\u003c\/p\u003e\u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players.\u003c\/p\u003e\u003cp\u003eATEM Software Control Panel\u003c\/p\u003e\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on macOS or Windows.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272208701,"sku":"BLA-SWATEMSCN2\/2ME4\/4K\/P","price":254298.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/2df153f33c8ecd0fdb27b7b5a38a3429_ca28da93-3332-4524-aef3-18278613ea44.png?v=1773556739"},{"product_id":"blackmagic-atem-micro-panel","title":"Blackmagic ATEM Micro Panel","description":"\u003cp\u003eTake the ATEM Software Control interface and turn it into a physical switcher with the \u003cstrong\u003eBlackmagic Design ATEM Micro Live Stream Switcher Panel\u003c\/strong\u003e. The panel is designed to emulate the exact layout of the software with two rows of ten input buttons for both preview and program, transition controls, a macro key, and an onboard fader. This allows you to facilitate both manual and automatic control over your broadcast.\u003c\/p\u003e    \u003cp\u003eHigh-quality backlit buttons and a low-profile manual transition fader emulate the design of the larger ATEM Advanced Panels. The Micro Panel features a USB-C port to connect to your personal computer with ATEM Software Control. You can even wirelessly connect using the internal Bluetooth 5.1 LE signal. A large internal battery keeps the panel going for long production days and can be turned on and off with an onboard switch.\u003c\/p\u003e    \u003cp\u003eControl Configuration\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e1 mix effect row\u003c\/li\u003e   \u003cli\u003e10 direct cross-points\u003c\/li\u003e   \u003cli\u003e20 shifted cross-points\u003c\/li\u003e   \u003cli\u003e1 preview transition\u003c\/li\u003e   \u003cli\u003e4 M\/E select buttons\u003c\/li\u003e   \u003cli\u003e4 upstream key buttons\u003c\/li\u003e   \u003cli\u003e2 downstream key buttons\u003c\/li\u003e   \u003cli\u003e1 transition slider\u003c\/li\u003e   \u003cli\u003eCUT and AUTO switching-type buttons\u003c\/li\u003e   \u003cli\u003eDIP, DVE, STINGER, MIX, and WIPE transition-type buttons\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272274237,"sku":"BLA-SWPANELAA1ME10","price":13269.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a05315fb8cae5013439bd9f7eb9ee319.png?v=1773556750"},{"product_id":"blackmagic-design-5-pyxis-monitor-2","title":"Blackmagic Design 5\" PYXIS Monitor","description":"\u003cp\u003eThe \u003cstrong\u003ePYXIS Monitor \u003c\/strong\u003efrom \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a versatile, high-brightness monitor designed specifically for the Blackmagic PYXIS camera. Performing as much more than just an external display, it functions as a powerful camera extension with a touchscreen interface, allowing users to control all camera features. With multiple mounting points, the monitor can be easily attached to the camera as a large viewfinder or mounted on a rig for improved focusing and framing. Featuring a 5\" LCD touchscreen, the PYXIS Monitor is ideal for use as a viewfinder for more accurate focusing and framing. A clip-on sunshade is included to facilitate viewing in daylight or other bright light conditions.\u003c\/p\u003e\u003cp\u003eConstructed from durable machined metal, the Blackmagic PYXIS Monitor is built for professional applications, complementing the design of both the Blackmagic PYXIS and Blackmagic URSA Cine cameras. The versatile monitor can be employed as an assist station, allowing your crew to easily monitor shots from any position on the set, even when bright sunlight surrounds your area, as the monitor's 5\" LCD touchscreen features 1500 cd\/m² brightness that ensures clear visibility and with the removable sunshade offering added protection and convenience.  A bright tally light is visible from a distance during recording, and the monitor includes three customizable buttons for quick access to features like zebra, focus assist, and false color, designed for easy tactile navigation.\u003c\/p\u003e\u003cp\u003eA single USB-C cable that transmits video, power, and camera control connects the monitor to your camera while locking screws at both ends ensure a secure connection. The HDR touchscreen allows users to control all camera functions directly from the monitor, including access to Blackmagic PYXIS menus, settings, metadata, and digital slate information. Custom 3D LUTs can also be loaded for advanced cinematic workflows. Designed for flexible mounting, the Blackmagic PYXIS Monitor supports industry-standard 1\/4\"-20 mounting and works seamlessly with Blackmagic PYXIS cameras outfitted with accessories like rails and cages. 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The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and two independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003c\/p\u003e    \u003cp\u003eThe unit features a wide array of color backlit buttons, including 20 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003c\/p\u003e    \u003cp\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. 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The full-featured control panel is an essential companion for any ATEM switcher, providing tactile accessibility and three independent system control LCDs to manage switching tasks during production, regardless of size and scope. Four-port Ethernet connectivity on the rear of the panel ensures that no additional network equipment is required and that the unit will integrate seamlessly into the most challenging live production applications.\u003c\/p\u003e    \u003cp\u003eThe unit features a wide array of color backlit buttons, including 30 input buttons, and it has buttons for controlling up to four upstream and four downstream keyers as well as four M\/E rows. A dynamic 3-axis joystick and an ergonomically designed T-bar facilitate precise, real-time DVE control with the T-bar, providing targeted adjustment prowess for wipes, fades, and other broadcast-quality transitions. In addition to allowing you to create adjustable auto transitions, the panel has a dedicated preview transition button and a single-button Fade to Black option that is applicable to the entire output, all at once.\u003c\/p\u003e    \u003cp\u003eMains power is provided via an optional power cord connected to the IEC input, which also offers a second input option for redundant power. A built-in USB-C port is included for firmware updates. The compact panel design allows the unit to fit in standard equipment racks, so that it may be easily integrated in fly-away kits or broadcast trucks.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSwitching Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e30 direct crosspoints\u003c\/li\u003e   \u003cli\u003e60 shifted crosspoints\u003c\/li\u003e   \u003cli\u003eTri-color LED crosspoint buttons\u003c\/li\u003e   \u003cli\u003e3 LCD menu displays\u003c\/li\u003e   \u003cli\u003e2 destination bus\u003c\/li\u003e   \u003cli\u003e2 source select bus\u003c\/li\u003e   \u003cli\u003eNumeric keypad\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272864061,"sku":"BLA-SWPANELADV1ME30","price":112046.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/e9f052aeec0989509a69fb8703023e39.png?v=1773556856"},{"product_id":"blackmagic-design-atem-2-m-e-advanced-panel-41","title":"Blackmagic Design ATEM 2 M\/E Advanced Panel 40","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Advanced Panel 40\u003c\/strong\u003e is a sophisticated control interface for the separately available ATEM Constellation Switcher from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. Use the numerous buttons, knobs, two fader bars, and a 3-axis joystick to customize your panel's program\/preview operation.\u003c\/p\u003e    \u003ch4\u003eApplications\u003c\/h4\u003e    \u003cp\u003eDesigned for complex live productions, the ATEM 2 M\/E Advanced Panel 40 enables you to customize, monitor, and switch your live broadcast events with features such as camera switching, executing transitions, fades, DVE effects, and 12 on-air indicators. The ATEM 2 M\/E Advanced Panel 40 connects to your switcher via 10\/100\/1000 BaseT Ethernet and incorporates four Ethernet loop outputs for connecting to another panel or to a media-management computer.\u003c\/p\u003e    \u003ch4\u003eCompatibility\u003c\/h4\u003e    \u003cp\u003eProvides pro switching controls for the ATEM Constellation HD line of switchers\u003c\/p\u003e    \u003ch4\u003eInterface\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eFour 10\/100\/1000 BASE-T Ethernet ports with loop output for linking to additional control panels or computers\u003c\/li\u003e   \u003cli\u003eUSB Type-C for firmware updates\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eCross-Points\u003c\/h4\u003e    \u003cp\u003eTricolor LED cross-point buttons; 40 direct cross points, and 80 shifted cross-points\u003c\/p\u003e    \u003ch4\u003eMix Effect Rows\u003c\/h4\u003e    \u003cp\u003eTwo M\/E rows, 40 input buttons per row\u003c\/p\u003e    \u003ch4\u003eLCD Menu Displays\u003c\/h4\u003e    \u003cp\u003eFour system control LCDs for each row with custom labeling for all rows and input buttons\u003c\/p\u003e    \u003ch4\u003eControls\u003c\/h4\u003e    \u003cp\u003eOne 3-axis joystick, one numeric keypad, and two fader bars\u003c\/p\u003e    \u003ch4\u003eOn-Air Indicators\u003c\/h4\u003e    \u003cp\u003e12 indicators let you easily see which feeds are on air\u003c\/p\u003e    \u003ch4\u003eDSK Selectors\u003c\/h4\u003e    \u003cp\u003eFour transition previews with auto, cut, and tie\/preview options\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499272896829,"sku":"BLA-SWPANELADV2ME40","price":196188.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a58ca4af5eb60250feca77e9397ebe0e.png?v=1773556867"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-4k-switcher","title":"Blackmagic Design ATEM 4 M\/E Constellation 4K Switcher","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cp\u003eThe \u003cstrong\u003eATEM 4 M\/E Constellation 4K Switcher\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features 40 12G-SDI inputs and 24 12G-SDI outputs, and it connects to a wide range of cameras and sources, delivering video at resolutions of up to 10-bit UHD 4K60 via the 12G-SDI program outputs or 1080p and 720p webcam outputs via USB-C. The switcher features four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e    \u003cp\u003eThe switcher also boasts a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter, allowing you to mix and match cameras that do not have genlock capabilities. Upstream and downstream keyers and effects are supported in real time. The switcher can be controlled using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAdvanced Broadcast Power\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe switcher features a compact rack mount design with a built-in control panel and a large LCD so you can see program output and change switcher settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 12G-SDI inputs, aux outputs, balanced audio, and Ethernet for control. The 4 M\/E models include RS-422 for serial control and MADI digital audio connections. Even with all this power, the switcher is extremely quiet with its innovative high-efficiency thermal system.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe switcher features four independent DVEs that let you reposition graphics and up to 4 independent DVEs that let you reposition graphics and create picture-in-picture compositions with impressive results. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSuperSource Processing\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eMultiview\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eMedia Pool\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eChroma Keyers\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eFor news or virtual set work, this switcher features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for the automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eUpstream Chroma Keyers\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment with trying out different studio setups.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eATEM Software Control Panel\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on macOS or Windows.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSupports Optional Control Panels\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273027901,"sku":"BLA-SWATEMSCN2\/2ME4\/4K","price":183267.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6205d4861189917ccecefad8fa5c0ed0.jpg?v=1773556877"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-hd","title":"Blackmagic Design ATEM 4 M\/E Constellation HD","description":"\u003cp\u003ePowerful live event HD switching, supporting up to 40 individual 3G-\/HD-SDI inputs built into a 2 RU chassis, is at hand with the \u003cstrong\u003eBlackmagic Design ATEM 4 M\/E Constellation HD Live Production Switcher\u003c\/strong\u003e. Supporting 3G-SDI and HD-SDI signals, the switcher connects to a wide range of cameras and sources, delivering program output via 24 3G-SDI BNC outputs or a webcam output via USB Type-C. In addition, the switcher has four multiview outputs with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 156 channels of audio.\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003ch4\u003eBroadcast-Quality Transitions\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003ch4\u003eBuilt-In DVE\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation features four independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 4 M\/E model includes SuperSource processors for eight DVEs, creating a total of 12 DVEs.\u003c\/p\u003e    \u003ch4\u003eSuperSource\u003c\/h4\u003e    \u003cp\u003eIn addition to the DVEs in the M\/E rows, the 4 M\/E model includes powerful SuperSource multilayer processors with eight extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multilayer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/p\u003e    \u003ch4\u003eMultiview\u003c\/h4\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 4 M\/E model features four multiview outputs.\u003c\/p\u003e    \u003ch4\u003eProfessional Broadcast Talkback\u003c\/h4\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003ch4\u003eMedia Pool\u003c\/h4\u003e    \u003cp\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 4 M\/E model can hold 60 stills and 1200 frame animations, with four video clips up to 1080p60. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch4\u003eChroma Keyers\u003c\/h4\u003e    \u003cp\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 16 ATEM Advanced Keyers on the 4 M\/E model.\u003c\/p\u003e    \u003ch4\u003eUpstream Chroma Keyers\u003c\/h4\u003e    \u003cp\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 4 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/p\u003e    \u003ch4\u003eMulti-Rate 3G-SDI Input\u003c\/h4\u003e    \u003cp\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eThe ATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. On the ATEM 4 M\/E Constellation HD model, there are two MADI outputs for breaking out channels 1, 2, 3, and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels into the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice-over, and more.\u003c\/p\u003e    \u003ch4\u003eATEM Software Control Panel\u003c\/h4\u003e    \u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/p\u003e    \u003ch4\u003eSupports Optional Control Panels\u003c\/h4\u003e    \u003cp\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273060669,"sku":"BLA-SWATEMSCN2\/1ME4\/HD","price":77618.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/358ee202cfb12040a6cd983c279609b2.png?v=1773556888"},{"product_id":"blackmagic-design-atem-camera-converter-1","title":"Blackmagic Design ATEM Camera Converter","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Camera Converter\u003c\/strong\u003e enables extension of SDI (serial digital interface) \/ HDMI cameras to distances up to 28 miles (45km) via an optical fiber link. You can connect your camera to the SDI\/HDMI inputs to convert videos to optical signals. This optical fiber input can be connected to the switcher program feed to convert to SDI\/HDMI outputs for monitoring. In addition, the SDI\/HDMI outputs can be switched between return program and camera input for monitoring.\u003c\/p\u003e    \u003cp\u003eWith an internal battery, the converter can be used at remote locations when the cameras are placed at far-off locations. Featured Talkback function allows the switcher operator to co-ordinate with camera operator via PC headsets or iPhone-compatible headphones. By embedding microphone audio into channels 15 and 16 of the camera optical fiber video output, the Talkback function listens to channels 15 and 16 of the optical fiber input on the headphones.\u003c\/p\u003e    \u003cp\u003eUsing the 12V power connection, the converter can be connected to any power source or a car battery. By connecting the switcher’s program output to the ATEM Camera Converter via optical outputs, the camera converter illuminates the 2 tally LEDs using open standard tally packet in the SDI output. You can select the camera number using the USB software or by camera number button on the keypad. In addition, you can also view red color tally on the monitor by connecting external monitoring to the HDMI\/SDI outputs.\u003c\/p\u003e    \u003cp\u003eFeaturing an integrated belt clip, the camera converter can be attached to the belt for portability. With the help of a camera mount, the converter can be mounted onto a tripod. In addition, the camera converter features microphone inputs for audio capability.\u003c\/p\u003e    \u003cp\u003eMade of aircraft-grade aluminum, the camera converter can withstand bumps and shocks without breaking. Built-in button pad allows you to control power, microphone level, talkback and video, and battery indicators. You can update converters firmware via a USB port. The camera converter can be used for applications such as concerts, sporting events, lecture theaters, houses of worship, surveillance, or any remote camera location.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eEnables extension of SDI (serial digital interface) \/ HDMI cameras to distances up to 28 miles (45km) via optical fiber link\u003c\/li\u003e   \u003cli\u003eYou can connect your camera to the SDI\/HDMI inputs to convert videos to optical signals\u003c\/li\u003e   \u003cli\u003eOptical fiber input can be connected to the switcher program feed to convert to SDI\/HDMI outputs for monitoring\u003c\/li\u003e   \u003cli\u003eSDI\/HDMI outputs can be switched between return program and camera input for monitoring\u003c\/li\u003e   \u003cli\u003eIncludes an internal battery\u003c\/li\u003e   \u003cli\u003eCan be used at remote locations when the cameras are placed at far-off locations\u003c\/li\u003e   \u003cli\u003eFeatured Talkback function allows the switcher operator to co-ordinate with camera operator via PC headsets or iPhone-compatible headphones\u003c\/li\u003e   \u003cli\u003eTalkback function listens to channels 15 and 16 of the optical fiber input on the headphones by embedding microphone audio into channels 15 and 16 of the camera optical fiber video output\u003c\/li\u003e   \u003cli\u003eCan be connected to any power source or a car battery using the 12V power connection\u003c\/li\u003e   \u003cli\u003eIlluminates the 2 tally LEDs using open standard tally packet in the SDI output by connecting the switcher's program output to the ATEM Camera Converter via optical outputs\u003c\/li\u003e   \u003cli\u003eYou can select the camera number using the USB software or by camera number button on the keypad\u003c\/li\u003e   \u003cli\u003eYou can view red color tally on the monitor by connecting external monitoring to the HDMI\/SDI outputs\u003c\/li\u003e   \u003cli\u003eFeatures an integrated belt clip\u003c\/li\u003e   \u003cli\u003eCan be attached to the belt for portability\u003c\/li\u003e   \u003cli\u003eCan be mounted onto a tripod with the help of a camera mount\u003c\/li\u003e   \u003cli\u003eFeatures microphone inputs for audio capability\u003c\/li\u003e   \u003cli\u003eMade of aircraft-grade aluminum\u003c\/li\u003e   \u003cli\u003eCan withstand bumps and shocks without breaking\u003c\/li\u003e   \u003cli\u003eBuilt-in button pad allows you to control power, microphone level, talkback and video, and battery indicators\u003c\/li\u003e   \u003cli\u003eYou can update converters firmware via a USB port\u003c\/li\u003e   \u003cli\u003eCan be used for applications such as concerts, sporting events, lecture theaters, houses of worship, surveillance, or any remote camera location\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273093437,"sku":"BLA-SWRCONV","price":11901.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cf1c45f18b8ca1de7058eb14bccca27c.png?v=1773556900"},{"product_id":"blackmagic-design-atem-mini-extreme-1","title":"Blackmagic Design ATEM Mini Extreme","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design ATEM Mini Extreme\u003c\/strong\u003e is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam production, the Mini Extreme has HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e    \u003ch4\u003eStream Live\u003c\/h4\u003e    \u003cp\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003c\/p\u003e    \u003ch4\u003eControl Interface\u003c\/h4\u003e    \u003cp\u003eThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI \"AUX\" output for program video.\u003c\/p\u003e    \u003ch4\u003eOutput\u003c\/h4\u003e    \u003cp\u003eYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e    \u003ch4\u003e4G and 5G Phone Support\u003c\/h4\u003e    \u003cp\u003eIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.\u003c\/p\u003e    \u003ch4\u003eMultiview Monitoring\u003c\/h4\u003e    \u003cp\u003eYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003c\/p\u003e    \u003ch4\u003eCamera Control\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can color balance cameras, as well as create unique looks using the DaVinci Resolve primary color corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.\u003c\/p\u003e    \u003ch4\u003eMedia Pool\u003c\/h4\u003e    \u003cp\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003c\/p\u003e    \u003ch4\u003eCompatibility\u003c\/h4\u003e    \u003cp\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/p\u003e    \u003ch4\u003eRecording\u003c\/h4\u003e    \u003cp\u003eThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e    \u003ch4\u003eVideo Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/p\u003e    \u003ch4\u003eAudio\u003c\/h4\u003e    \u003cp\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.\u003c\/p\u003e    \u003ch4\u003eBroadcast Features\u003c\/h4\u003e    \u003cp\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e    \u003ch3\u003ekey features\u003c\/h3\u003e    \u003ch4\u003eFeatures\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e8-Channel HDMI Live Streaming Switcher\u003c\/li\u003e   \u003cli\u003eSupports up to 1080p60\u003c\/li\u003e   \u003cli\u003eRTMP Streaming via Ethernet or USB-C\u003c\/li\u003e   \u003cli\u003eRecord Program Out\u003c\/li\u003e   \u003cli\u003e11-Input, 2-Channel Audio Mixer\u003c\/li\u003e   \u003cli\u003eInput Frame Rate and Format Converter\u003c\/li\u003e   \u003cli\u003eRe-Sync on All HDMI Inputs\u003c\/li\u003e   \u003cli\u003eHD Multiview Output with up to 16 Views\u003c\/li\u003e   \u003cli\u003eLocal and Software Switching\u003c\/li\u003e   \u003cli\u003e4 x Upstream, 2 x Downstream Keyers\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273257277,"sku":"BLA-SWATEMMINICEXT","price":20562.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7c5f686e0ff964f7bfa0971c56c93666.png?v=1773556923"},{"product_id":"blackmagic-design-atem-mini-extreme-iso-g2-1","title":"Blackmagic Design ATEM Mini Extreme ISO G2","description":"\u003cp\u003eThe \u003cb\u003eATEM Mini Extreme ISO G2 Switcher\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e is an updated 8-input live production switcher for live streaming with an integrated control panel and advanced broadcast features. In addition to live streaming using RTMP protocols, you can also output your program as if it were a webcam over USB. New features include a totally redesigned keyboard with multiple knob controls, large NKK red\/green source select buttons, a hardware fader, a CFexpress slot and Thunderbolt port for recording, and a more functional button layout.\u003c\/p\u003e\u003cp\u003eUpdated Control Interface\u003c\/p\u003e\u003cp\u003eIncluded on the ATEM Extreme ISO G2 are large source select buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. A new hardware fader allows additional tactile control. On the rear panel, there are HDMI connections for cameras or computers, XLR and MADI audio inputs, USB for webcam out, Thunderbolt for record\/playback, and four HDMI outputs for program\/preview video.\u003c\/p\u003e\u003cp\u003eYou can output using the Ethernet connection to your network or use the USB-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e\u003cp\u003eM\/E Switcher\u003c\/p\u003e\u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons or the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO G2 supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO G2 has four HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e\u003cp\u003eISO Output\u003c\/p\u003e\u003cp\u003eThe switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB-C ports. The switcher automatically generates a DaVinci Resolve project file so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e\u003cp\u003eThunderbolt for Live Replay\u003c\/p\u003e\u003cp\u003eWith Thunderbolt on the ATEM Mini Extreme ISO G2 model, you get fill and key playback, capture, Ethernet access to the CFexpress card, and trickle power, all with a single computer connection. This means you can use DaVinci Resolve as a full live-action replay system.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve can show a live video input of the switcher, and when you press the Point of Interest (POI) button, DaVinci will switch to playing all 8 ISO files so you can select cameras and run replays. You can then preroll and sequence multiple cameras in the same replay.\u003c\/p\u003e\u003cp\u003eStream Live\u003c\/p\u003e\u003cp\u003eThe switcher is ideal for interviews as you can connect multiple cameras for close-ups of the host or interviewee, as well as wide shots of the space. Plus, ATEM Mini is so small the operator can even switch in small studios.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini ISO G2 has a built-in hardware streaming engine for live streaming via the Ethernet connection without the need for a computer. That means you can live stream to YouTube, Facebook, and Twitch with high quality without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key.\u003c\/p\u003e\u003cp\u003e4G and 5G Phone Support\u003c\/p\u003e\u003cp\u003eIf you're doing live production on location, ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone so the battery won't drain.\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe Extreme ISO G2 allows you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects, and graphics. Even the audio sources are all recorded, so you can professionally remix your audio.\u003c\/p\u003e\u003cp\u003eCompatibility\u003c\/p\u003e\u003cp\u003eIt is also compatible with the ATEM 1 M\/E Advanced Panel, as well as the ATEM Streaming Bridge and the ATEM Camera Control Panel. The ATEM Mini Extreme ISO G2 can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/p\u003e\u003cp\u003eRecording\u003c\/p\u003e\u003cp\u003eThe switcher also supports direct recording of your streaming data to USB flash disks or CFexpress cards. That means you get very long recording times in the same H.264 video files with AAC audio that you streamed, so you can directly upload to online video sites such as YouTube or Vimeo.\u003c\/p\u003e\u003cp\u003eRecording to multiple disks is also supported via a USB hub or Blackmagic MultiDock, so when a disk fills, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even remotely trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e\u003cp\u003eSoftware Integration\u003c\/p\u003e\u003cp\u003eThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.\u003c\/p\u003e\u003cp\u003eThe switcher is also compatible with the ATEM Software Control app to access full audio mixing with effects, load still frames, save the switcher state as an XML file, and even do advanced macro programming. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.\u003c\/p\u003e\u003cp\u003eVideo Effects\u003c\/p\u003e\u003cp\u003eOne of the benefits of ATEM Mini is the professional production value that is possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want, including mix, which does a smooth transition between sources, and dip, which fades via a color during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/p\u003e\u003cp\u003eAudio Features\u003c\/p\u003e\u003cp\u003eWith two independent XLR audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel to adjust the audio level and enable inputs into the audio mixer.\u003c\/p\u003e\u003cp\u003eIt integrates a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are connected to the audio mixer, so you can mix live from all audio sources. It also adds a headphone output.\u003c\/p\u003e\u003cp\u003eFormat Conversion\u003c\/p\u003e\u003cp\u003eEach of the HDMI inputs features its own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i, and 720p sources to the switcher video standard. By default, the switcher will set its video format automatically; however, you can also set the switcher to any video standard.\u003c\/p\u003e\u003cp\u003eThe HDMI outputs are a true \"aux\" output, so you can clean-switch each HDMI input to the output. You can even \"direct\" switch input 1 to the HDMI output for low-latency eSport productions. Plus, ATEM Mini Extreme models support two low-latency direct loops. The HDMI output can display a full multiview that lets you see all inputs, program, preview, and streaming status on a single monitor.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273290045,"sku":"BLA-SWATEMMINICEXTISOG2","price":36951.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/21aff768ed53caf33b245c9514743d66.png?v=1775647940"},{"product_id":"blackmagic-design-atem-mini-pro-1","title":"Blackmagic Design ATEM Mini Pro","description":"\u003cp\u003eSimilar to its predecessor, the ATEM Mini, the \u003cstrong\u003eATEM Mini Pro\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003cbr\u003e  \u003cbr\u003e  The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB Type-C or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003cbr\u003e  \u003cbr\u003e  The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. 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The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent 3G-SDI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e    \u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. 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By comparison, sending an HD-SDI signal over traditional copper cable is usually limited to about 300 feet, depending on the quality of the cable.\u003cbr\u003e  \u003cbr\u003e  A typical set up using the Studio Converter 2 is to connect it between the switcher and up to four ATEM Camera Converter units. This setup allows the Converter 2 to receive the signals from the fiber cable, convert the signals to SDI using 10-bit processing, and send the signals to the switcher. The Converter 2 supports SD\/HD signals, and when using the available ATEM Camera Converter you can use any camera with an SDI\/HDMI output.\u003cbr\u003e  \u003cbr\u003e  The Converter 2 can also be used as 4 independent simultaneous bidirectional SD\/HD-SDI to optical converters. The Converter 2 features a built-in mic input, speaker and headphone jack that provides talkback audio for communicating with camera operators. The Converter 2 passes tally signals embedded in the SDI program stream. You can cascade multiple ATEM Studio Converter 2 units together when using more than 4 cameras. The Studio Converter 2 features a 1 RU design with built in rackmount ears for easy integration into existing studio configurations or production cases.\u003c\/p\u003e    \u003ch4\u003eOptical Fiber Connectors\u003c\/h4\u003e    \u003cp\u003eThe ATEM Studio Converter 2 uses standard single mode optical fiber cable with standard LC connectors to allow you to transmit SD and HD video signals up to 28 miles away. Standard copper wire SDI cables have a limit of several hundred feet before the signal breaks up, converting the SDI signal to optical, and sending it along optical cable greatly increases the distance of your cable runs.\u003c\/p\u003e    \u003ch4\u003eTalkback and Tally\u003c\/h4\u003e    \u003cp\u003eThe unit features a built-in speaker and mic inputs, as well as a headphone jack for when you need privacy, or if the area is too loud. When connected to the ATEM Camera Converter, you can talk to your camera operators no matter how far away they are, without needing to worry about walkie talkies. Using the talkback feature, the unit uses audio channels 15 and 16 of the SDI stream for talkback communication.\u003cbr\u003e  Camera operators can be selected individually if desired, and communication can be controlled by a push button, or locked open. Mute and un-mute buttons on the front of the unit allows you to control who hears what.\u003cbr\u003e  The unit passes SDI Tally signal information back to the cameras along with any SDI Program signal from available switchers.\u003c\/p\u003e    \u003ch4\u003eMultiple Units\u003c\/h4\u003e    \u003cp\u003eEach ATEM Studio Converter 2 connects to up to four ATEM Camera Converter units, allowing you to communicate with up to four camera operators at a time. Multiple Studio Converter 2 units can be cascaded together when more than 4 cameras are needed.\u003c\/p\u003e    \u003ch4\u003ePrecision Signal Processing\u003c\/h4\u003e    \u003cp\u003eThe unit features chips that use 10-bit processing, and are switchable between SD and HD, for a clean signal.\u003cbr\u003e  The unit features four independent simultaneous SDI to optical and optical to SDI converters\u003cbr\u003e  When used in conjunction with the ATEM Camera Converter the unit can also be used as four independent SDI or Fiber to HDMI converters\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273421117,"sku":"BLA-SWRCONVRCK2","price":38523.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a04b4218181def8158c16240b16bdbae.png?v=1773556961"},{"product_id":"blackmagic-design-atem-television-studio-4k8-1","title":"Blackmagic Design ATEM Television Studio 4K8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio 4K8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 12G-SDI inputs that support up to UHD 4K60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003ch4\u003eLive Production\u003c\/h4\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 sources. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch4\u003eDistribution\u003c\/h4\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch4\u003eProduction Switcher Control\u003c\/h4\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003ch4\u003eEasy Setup and Usage\u003c\/h4\u003e    \u003ch4\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/h4\u003e    \u003ch4\u003eRedesigned Front Panel\u003c\/h4\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control and a three-axis joystick. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch4\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch4\u003eAdd Exciting Video Effects\u003c\/h4\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch4\u003eCreative Transitions\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch4\u003eBuilt-In DVE\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch4\u003eSupports Internal Media\u003c\/h4\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD, and 90 frames in UHD 4K. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch4\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch4\u003eSuperSource Processing\u003c\/h4\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch4\u003e8 Standards-Converted 12G-SDI Inputs\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 12G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any input source to the HD or UHD video standard of the switcher. You could have each switcher's SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch4\u003e12G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h4\u003e    \u003cp\u003eThe ATEM Television Studio includes twelve 12G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an onscreen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 12G-SDI and HDMI 2.0 output for the multiview.\u003c\/p\u003e    \u003ch4\u003e16-Source Multiview on a Single Monitor\u003c\/h4\u003e    \u003ch4\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/h4\u003e    \u003ch4\u003eAdd Audio Expansion for More Microphones\u003c\/h4\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch4\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003ch4\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h4\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003ch4\u003eIncludes Free ATEM Software Control Panel\u003c\/h4\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch4\u003eLocalized for 13 Popular Languages\u003c\/h4\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch4\u003eFlexible and Redundant Power\u003c\/h4\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003ch4\u003eDesigned to Be Easy to Repair\u003c\/h4\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 12 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003ch4\u003eApplications\u003c\/h4\u003e    \u003ch5\u003eCompact Broadcast Vans\u003c\/h5\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003ch5\u003eMusic Venues and Clubs\u003c\/h5\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003ch5\u003eOnline Education\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for creating educational content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003ch5\u003eLive Sports\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e    \u003cul\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273617725,"sku":"BLA-SWATEMTVSTC\/K4K8","price":116739.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5eb36807fae9d17456a3453b52425778.png?v=1773556975"},{"product_id":"blackmagic-design-atem-television-studio-hd8-1","title":"Blackmagic Design ATEM Television Studio HD8","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the \u003cstrong\u003eATEM Television Studio HD8\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact, redesigned live TV switcher is a great fit to any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eLive Production\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946956.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946953.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDistribution\u003c\/p\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003cp\u003eProduction Switcher Control\u003c\/p\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/p\u003e    \u003cp\u003eEasy Setup and Usage\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946959.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/p\u003e    \u003cp\u003eRedesigned Front Panel\u003c\/p\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003cp\u003eBroadcast-Style Mix\/Effects Switching\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946961.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003cp\u003eAdd Exciting Video Effects\u003c\/p\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003cp\u003eCreative Transitions\u003c\/p\u003e    \u003cp\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946958.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003cp\u003eSupports Internal Media\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946960.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003cp\u003eSuperSource Processing\u003c\/p\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi-layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003cp\u003e8 Standards Converted 3G-SDI Inputs\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003cp\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/p\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an on-screen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003cp\u003e16-Source Multiview on a Single Monitor\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946954.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview, and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003cp\u003eAdd Audio Expansion for More Microphones\u003c\/p\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003cp\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946957.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network, so other people can work on postproduction tasks such as editing, color correction, and graphics preparation.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see record status in the multiview.\u003c\/p\u003e    \u003cp\u003eOutputs to Any Software that Supports USB Webcams\u003c\/p\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003cp\u003eIncludes Free ATEM Software Control Panel\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1946963.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe software lets you live switch, mix audio, color correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003cp\u003eLocalized for 13 Popular Languages\u003c\/p\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003cp\u003eFlexible and Redundant Power\u003c\/p\u003e    \u003cp\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003cp\u003eDesigned to Be Easy to Repair\u003c\/p\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003cp\u003eApplications\u003c\/p\u003e    \u003cp\u003eCompact Broadcast Vans\u003c\/p\u003e    \u003cp\u003eWith the all-in-one design, you can build a new generation of ultracompact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/p\u003e    \u003cp\u003eMusic Venues and Clubs\u003c\/p\u003e    \u003cp\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/p\u003e    \u003cp\u003eOnline Education\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add color correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/p\u003e    \u003cp\u003eLive Sports\u003c\/p\u003e    \u003cp\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273716029,"sku":"BLA-SWATEMTVSTA\/HD08","price":63073.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6faf0dc3c326e0ef393503f17630d16d.jpg?v=1773556985"},{"product_id":"blackmagic-design-atem-television-studio-hd8-iso-1","title":"Blackmagic Design ATEM Television Studio HD8 ISO","description":"\u003cp\u003eAdd an all-in-one live streaming switcher to your television studio, remote production, or live venue with the ATEM Television Studio HD8 from Blackmagic Design. This compact, redesigned live TV switcher is a great fit any streaming production, providing eight 3G-SDI inputs that support up to 1080p60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/p\u003e    \u003cp\u003eThe switcher features an all-new button layout, and it's made from polycarbonate material, so it's much lighter than its predecessor. It provides numerous enhancements to the layout with professional buttons, LCD label displays, and an easy-to-navigate button layout. It includes all the features you'd need for studio operation, including talkback compatibility, GPI and tally interfaces, timecode, MADI input that support up to 32 input channels and 64 output channels for use with external switchers; input audio can be mapped to any of the eight SDI outputs as well as analog audio input and output.\u003c\/p\u003e    \u003cp\u003eThe HD8 features built-in live streaming, and it can connect to the Blackmagic Cloud to share your program for a smooth remote workflow. It also features redundant Ethernet and power to keep your production going if one connection is lost. Two USB-C connectors are available for use as either a webcam, when connected to a computer, or you can utilize an external disk for recording your program.\u003c\/p\u003e    \u003ch5\u003eLive Production\u003c\/h5\u003e    \u003cp\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/p\u003e    \u003ch5\u003ePostproduction\u003c\/h5\u003e    \u003cp\u003eThe ISO model records all inputs into separate files, so you can edit using any NLE that supports multicam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate.\u003c\/p\u003e    \u003ch5\u003eDistribution\u003c\/h5\u003e    \u003cp\u003eWith a built-in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/p\u003e    \u003ch5\u003eProduction Switcher Control\u003c\/h5\u003e    \u003cp\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features\u003c\/p\u003e    \u003ch5\u003eEasy Setup and Usage\u003c\/h5\u003e    \u003cp\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to color, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results.\u003c\/p\u003e    \u003ch5\u003eRedesigned Front Panel\u003c\/h5\u003e    \u003cp\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/p\u003e    \u003ch5\u003eBroadcast-Style Mix\/Effects Switching\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/p\u003e    \u003ch5\u003eAdd Exciting Video Effects\u003c\/h5\u003e    \u003cp\u003eOne of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off screen when transitioning between video sources.\u003c\/p\u003e    \u003ch5\u003eCreative Transitions\u003c\/h5\u003e    \u003cp\u003eTEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it's often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/p\u003e    \u003ch5\u003eBuilt in DVE\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs.\u003c\/p\u003e    \u003ch5\u003eSupports Internal Media\u003c\/h5\u003e    \u003cp\u003eThe built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in.\u003c\/p\u003e    \u003ch5\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets.\u003c\/p\u003e    \u003ch5\u003eSuperSource Processing\u003c\/h5\u003e    \u003cp\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/p\u003e    \u003ch5\u003e8 Standards Converted 3G-SDI Inputs\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio HD features 8 independent 3G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any 1080HD or 720HD input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs would just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e    \u003ch5\u003e3G-SDI Outputs with 16 Channel Embedded Audio\u003c\/h5\u003e    \u003cp\u003eThe ATEM Television Studio includes nine 3G-SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live switched using dedicated buttons on the control panel. Aux 1 even includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 3G-SDI and HDMI output for the multiview.\u003c\/p\u003e    \u003ch5\u003e16-Source Multiview on a Single Monitor\u003c\/h5\u003e    \u003cp\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview.\u003c\/p\u003e    \u003ch5\u003eAdd Audio Expansion for More Microphones\u003c\/h5\u003e    \u003cp\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e    \u003ch5\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record direct to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, color correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview.\u003c\/p\u003e    \u003ch5\u003eOutputs to Any Software that Supports USB Webcams\u003c\/h5\u003e    \u003cp\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.\u003c\/p\u003e    \u003ch5\u003eIncludes Free ATEM Software Control Panel\u003c\/h5\u003e    \u003cp\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio HD by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, color correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e    \u003ch5\u003eLocalized for 13 Popular Languages\u003c\/h5\u003e    \u003cp\u003eATEM Television Studio HD supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e    \u003ch5\u003eFlexible and Redundant Power\u003c\/h5\u003e    \u003cp\u003eThe all in one design of ATEM Television Studio includes a built in power supply so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12 VDC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e    \u003ch5\u003eDesigned to Be Easy to Repair\u003c\/h5\u003e    \u003cp\u003eWith so many features built in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e    \u003ch5\u003eApplications\u003c\/h5\u003e    \u003ch6\u003eCompact Broadcast Vans\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eWith the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch6\u003eMusic Venues and Clubs\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch6\u003eOnline Education\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add color correction. Plus you can even connect to Zoom to incorporate live chat with students.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch6\u003eLive Sports\u003c\/h6\u003e    \u003cul\u003e   \u003cli\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. 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It also features a built-in teleprompter to utilize any text files, without requiring third-party software.\u003c\/p\u003e    \u003cp\u003eThe Shuttle HD runs Blackmagic OS, supports ProRes and DNx file formats, and it is compatible with a wide range of editing software such as Premiere Pro, Avid, and DaVinci Resolve, and it can also be used to stream H.264 video to streaming services such as YouTube or Vimeo. It can be used to record video using its SD card slot or USB Type-C output to an optional drive, or you can connect to the Blackmagic MultiDock to record to multiple SSDs. The Ethernet port provides external control and file transfers over a network.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499275616573,"sku":"BLA-HYPERD\/PTSHD","price":10265.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cc35cb454f8a625b10832f7e37018f84.png?v=1773557196"},{"product_id":"blackmagic-design-hyperdeck-studio-4k-pro-1","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/strong\u003e is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front.\u003c\/p\u003e    \u003cp\u003eThe Studio 4K Pro records video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e    \u003cp\u003eThe Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e    \u003ch4\u003eProfessional Broadcast Deck\u003c\/h4\u003e    \u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e    \u003ch4\u003eMastering Recorder\u003c\/h4\u003e    \u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e    \u003ch4\u003eISO Recording\u003c\/h4\u003e    \u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e    \u003ch4\u003eDigital Signage\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e    \u003ch4\u003eBroadcast Archive\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e    \u003ch4\u003eBright Color LCD Status Display\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e    \u003ch4\u003eTraditional Broadcast Deck Controls\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e    \u003ch4\u003eSupports SD Cards, UHS-II Cards or SSDs\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e    \u003ch4\u003eDual Media Slots for Non-Stop Recording\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e    \u003ch4\u003eRecord to External USB Type-C Media Disks\u003c\/h4\u003e    \u003cp\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e    \u003ch4\u003ePopular ProRes, DNx, H.264, and H.265 Files\u003c\/h4\u003e    \u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e    \u003ch4\u003eAdvanced Broadcast Connections\u003c\/h4\u003e    \u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/p\u003e    \u003ch4\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/h4\u003e    \u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e    \u003ch4\u003eFill and Key Outputs for Broadcast Animations\u003c\/h4\u003e    \u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e    \u003ch4\u003eUSB Webcam Output for Video Software\u003c\/h4\u003e    \u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003ch4\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/h4\u003e    \u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e    \u003ch4\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e    \u003ch4\u003eIncredibly Fast Network File Transfers\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e    \u003ch4\u003eTraditional RS-422 Broadcast Deck Control\u003c\/h4\u003e    \u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e    \u003ch4\u003eBuilt-In Timecode and Sync Generators\u003c\/h4\u003e    \u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e    \u003ch4\u003eBlackmagic OS\u003c\/h4\u003e    \u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/p\u003e    \u003ch4\u003eLocalized for 13 Popular Languages\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e    \u003ch4\u003eUse All Video Software and Streaming Sites\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e    \u003ch4\u003eBuilt-In Redundancy Keeps You on Air\u003c\/h4\u003e    \u003cp\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/p\u003e    \u003ch4\u003eDesigned for Both Portable or Rack Mount Use\u003c\/h4\u003e    \u003cp\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5\" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.\u003c\/p\u003e    \u003ch4\u003eCompatible with Switchers, Disk Docks, and Cameras\u003c\/h4\u003e    \u003cp\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. 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Featuring one 3G-SDI input, one each HDMI and 3G-SDI output, and a USB Type-C webcam output, the recorder is flexible, enabling you to input, record, and output\/stream simultaneously. Supporting both reference and timecode in\/out, this unit fits perfectly into a broadcast environment, and you can use one recorder to create an ISO recording of each camera with perfect sync for live and post-production work.\u003cbr\u003e  \u003cbr\u003e  Two SD card slots allow you to capture with virtually unlimited recording time, and the unit also supports recording to USB disks via the USB Type-C output port. The HyperDeck Studio HD Mini features a front-panel button control and a jog\/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for external control, and you can also control the unit using either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers via the RJ45 connector. An integrated LCD on the front panel allows you to monitor the video.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499275780413,"sku":"BLA-HYPERD\/ST\/DAHM","price":11563.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f386049d882e869fb0e4653b32488d67.png?v=1773557217"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-plus-1","title":"Blackmagic Design HyperDeck Studio HD Plus","description":"\u003cp\u003eTake a compact broadcast-quality record\/playback deck with you on location, in the studio, or built into a rack with the \u003cstrong\u003eBlackmagic Design HyperDeck Studio HD Plus\u003c\/strong\u003e. The 1 RU tall recorder is 1\/2 of a rack wide and powers from 100 to 240 VAC or via an optional 12 VDC power supply for portability. Featuring one 6G-SDI input, one HDMI 2.0 input, two 6G-SDI outputs, and one HDMI 2.0 output, this unit is a compact recording\/playout powerhouse. A loop-through output and 3G-SDI monitor output as well as reference and timecode in\/out, allow this device to fit into a broadcast environment.\u003cbr\u003e  \u003cbr\u003e  Two SD card slots allow you to capture with virtually unlimited record time, and the unit also supports recording to USB disks via the USB Type-C output port. The HyperDeck Studio HD Plus features a front-panel button control and a jog\/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for external control, and you can also control the unit using either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers via the RJ45 connector. An integrated LCD on the front panel allows you to monitor the video.\u003c\/p\u003e    \u003ch4\u003eUHD 4K Recording and Playback\u003c\/h4\u003e    \u003cp\u003eThe HyperDeck Studio HD Plus records UHD and DCI 4K video at up to 30 fps. The 6G-SDI outputs allow fill and key playback up to 1080p60.\u003c\/p\u003e    \u003ch4\u003eVideo Inputs\u003c\/h4\u003e    \u003cp\u003e6G-SDI, and HDMI 2.0 inputs.\u003c\/p\u003e    \u003ch4\u003eVideo Outputs\u003c\/h4\u003e    \u003cp\u003eTwo SDI outputs support 1080p60 and 2160p30, and a loop-through output sends the input signal downstream to monitors, switchers, or other devices.\u003c\/p\u003e    \u003ch4\u003eHDR\u003c\/h4\u003e    \u003cp\u003eThe HyperDeck Studio HD Plus supports HDR video and 33-point LUTS on the 3G-SDI output.\u003c\/p\u003e    \u003ch4\u003eSupported Codecs\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.\u003c\/li\u003e   \u003cli\u003eDNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps\u003c\/li\u003e   \u003cli\u003eH.264: H.264 SDI 4:2:2 10-bit, H.264 High 420 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003eVTR-Style Controls\u003c\/h4\u003e    \u003cp\u003eFeatures VTR-style front-panel controls for record and playback; a built-in jog\/shuttle wheel provides analog-style control over your playback. Broadcast-style deck control front-panel buttons connect to a dedicated RS-422 output.\u003c\/p\u003e    \u003ch4\u003eRemote\u003c\/h4\u003e    \u003cp\u003eThe unit is controllable via RS-422 control and over the Ethernet or USB port.\u003c\/p\u003e    \u003ch4\u003eBuilt-In LCD Monitor\u003c\/h4\u003e    \u003cp\u003eThe unit's front panel also features a built-in LCD screen that allows you to monitor input or play back video.\u003c\/p\u003e    \u003ch4\u003eAudio Output\u003c\/h4\u003e    \u003cp\u003eThe unit features a built-in speaker as well as a 1\/4\" headphone jack.\u003c\/p\u003e    \u003ch4\u003eIncluded Software\u003c\/h4\u003e    \u003cp\u003eThe HyperDeck Studio HD Plus includes Blackmagic OS and Blackmagic HyperDeck Setup.\u003c\/p\u003e    \u003cul\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499275944253,"sku":"BLA-HYPERD\/ST\/DCHP","price":14145.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/225df569bb5057fa05a018a1b7b297ed.png?v=1773557228"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-pro-1","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/strong\u003e is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 6G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, Gigabit Ethernet, and a speaker on the front.\u003c\/p\u003e    \u003cp\u003eThe Studio HD Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e    \u003cp\u003eThe Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e    \u003ch4\u003eProfessional Broadcast Deck\u003c\/h4\u003e    \u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e    \u003ch4\u003eMastering Recorder\u003c\/h4\u003e    \u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e    \u003ch4\u003eISO Recording\u003c\/h4\u003e    \u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e    \u003ch4\u003eDigital Signage\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e    \u003ch4\u003eBroadcast Archive\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e    \u003ch4\u003eBright Color LCD Status Display\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e    \u003ch4\u003eTraditional Broadcast Deck Controls\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e    \u003ch4\u003eSupports SD Cards, UHS-II Cards, or SSDs\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e    \u003ch4\u003eDual Media Slots for Nonstop Recording\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e    \u003ch4\u003eRecord to External USB Type-C Media Disks\u003c\/h4\u003e    \u003cp\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e    \u003ch4\u003ePopular ProRes, DNx, and H.264 Files\u003c\/h4\u003e    \u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e    \u003ch4\u003eAdvanced Broadcast Connections\u003c\/h4\u003e    \u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power.\u003c\/p\u003e    \u003ch4\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models\u003c\/h4\u003e    \u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e    \u003ch4\u003eFill and Key Outputs for Broadcast Animations\u003c\/h4\u003e    \u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e    \u003ch4\u003eUSB Webcam Output for Video Software\u003c\/h4\u003e    \u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e    \u003ch4\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/h4\u003e    \u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e    \u003ch4\u003eIncludes Professional Multi-Channel SDI Audio\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e    \u003ch4\u003eIncredibly Fast Network File Transfers\u003c\/h4\u003e    \u003cp\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.\u003c\/p\u003e    \u003ch4\u003eTraditional RS-422 Broadcast Deck Control\u003c\/h4\u003e    \u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.\u003c\/p\u003e    \u003ch4\u003eBuilt-In Timecode and Sync Generators\u003c\/h4\u003e    \u003cp\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/p\u003e    \u003ch4\u003eBlackmagic OS\u003c\/h4\u003e    \u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode.\u003c\/p\u003e    \u003ch4\u003eLocalized for 13 Popular Languages\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/p\u003e    \u003ch4\u003eUse All Video Software and Streaming Sites\u003c\/h4\u003e    \u003cp\u003eHyperDeck Studio records files that are compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/p\u003e    \u003ch4\u003eBuilt-In Redundancy Keeps You on Air\u003c\/h4\u003e    \u003cp\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/p\u003e    \u003ch4\u003eDesigned for Both Portable or Rackmount Use\u003c\/h4\u003e    \u003cp\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5\" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. 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Simply insert the SMPTE optical fiber module of your choice to get video and embedded audio over massive distances using 3G, 6G, or 12G-SDI optical fiber! You get professional 12G-SDI and XLR connections, a down converter for viewing Ultra HD sources on HD displays plus ethernet for remote admin control. The optical fiber SFP module is sold separately so you can purchase the SMPTE compatible 3G-SDI, 6G-SDI or 12G-SDI SFP module to suit your workflow. 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While the functionality of this unit may be obvious, connecting the unit via Ethernet enables you to use the included control software to complete control and make adjustments to fit your needs. As an additional option, a front panel controller with a built-in confidence monitor can be purchased separately. DIP switch controls are also available behind the front panel flap.\u003c\/p\u003e    \u003cp\u003eQuad-Link and 12G-SDI protocols support high resolution video including DCI and UHD 4K as well as HD and SD signals. 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Down-convert up to a 12G-SDI Full 4K DCI 4096x2160p signal to analog so you can connect high-resolution sources to component video equipment in HD or SD. You can also output the audio of the SDI signal via full-size XLR outputs that are switchable between balanced analog and AES\/EBU digital audio.\u003c\/p\u003e    \u003cp\u003eThe compact size of the Teranex Mini makes it very useful for portable racks at live events or in broadcast trucks. Up to three units can easily be installed in an optional 1U 19\" rack tray, and they can just as easily be removed, and all this with the advantage of 12G-SDI capability. The Ethernet port on the rear will allow you to manage the Teranex Mini remotely or can alternatively be used for power over Ethernet. 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If you swap in the optional Smart Panel, you'll instead be able to use simple on-screen menus as well as see exactly what you're converting. If you're in a larger facility using numerous converters, you can manage all of them over Ethernet from a Mac or Windows computer using the included Converter Utility software.\u003c\/p\u003e    \u003cp\u003eWhat enables the Teranex Mini to dissipate heat so effectively and prevent overheating is a smart thermal design with crossflow cooling that achieves the optimal heat dissipation even when you have units rack-mounted side-by-side one another. An intelligent thermal subsystem and internal heat pipe assist with cooling and keep the air flowing at all times while minimizing noise. Moreover, if the Teranex Mini gets too hot, you'll instantly receive a notification through the remote control Ethernet utility and on the front panel. 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Connect any SDI signal in up to Full 4K DCI 4096x2160p resolution via a 12G-SDI input, and de-embed audio from the signal and output it via a diverse set of audio connections. Output two channels of analog audio or up to four channels of AES\/EBU digital audio via full-size, professional balanced XLR ports, two channels of unbalanced analog line-level audio via RCA connectors, or optical S\/PDIF audio via a TOSLINK output. Connect the audio signal to a wide range of audio equipment, such as mixers, decks, and audio monitors. There's also a 12G-SDI output for routing the original signal. Route 4096x2160p signals approximately 70 ft using 6G-SDI cables, and run lower-resolution signals, such as 3G-SDI or HD-SDI, for much longer than standard lengths. 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If you swap in the optional Smart Panel, you'll instead be able to use simple on-screen menus as well as see exactly what you're converting. If you're in a larger facility using numerous converters, you can manage all of them over Ethernet from a Mac or Windows computer using the included Converter Utility software.\u003c\/p\u003e    \u003cp\u003eWhat enables the Teranex Mini to dissipate heat so effectively and prevent overheating is a smart thermal design with crossflow cooling that achieves the optimal heat dissipation even when you have units rack-mounted side-by-side one another. An intelligent thermal subsystem and internal heat pipe assist with cooling and keep the air flowing at all times while minimizing noise. Moreover, if the Teranex Mini gets too hot, you'll instantly receive a notification through the remote control Ethernet utility and on the front panel. 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Its DisplayPort outputs enable you use pro monitors like the Apple Pro Display XDR as part of your on-set or post-production monitor setup. The four 12G-SDI inputs support 4K signals independently or an 8K input signal together, either DCI 8K or 8K video split into four UHD signals. It can use third-party calibration probes such as the SpectraCal C6, X-Rite i1 Display Pro, or the Klein K10-A probe to accurately align connected displays for precise color. The built-in, color LCD screen displays not only the video image, but it can also display two on-screen scopes selected from WFM, Parade, Vector, and Histogram options.\u003cbr\u003e  \u003cbr\u003e  The 8K is available on the four SDI outputs, via the single USB-C DisplayPort output, or the two full-size DisplayPort outputs for monitors that support quad HDMI inputs. If you are not connected to an 8K monitoring solution, a built-in down-converter enables you to display the 8K input video on an Ultra HD or HD monitor. This unit will convert between 2SI and square division automatically. The Mini SDI to DisplayPort 8K HDR solution supports a variety of HDR workflows including PQ and HLG, and it supports both Rec. 202 and Rec. 709 as well as 100% of the DCI-P3 format. Two independent 3D LUTs can be loaded at the same time, and you can switch between them from the unit's front panel. In addition to the LCD video screen, the front of the Teranex Mini SDI to DisplayPort 8K HDR Converter features a rotating selection knob and six front-panel buttons for navigating. 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Connect up to a Full 4K DCI 4096x2160p SDI signal and run it out to an HDMI display in the same DCI 4K resolution, and monitor the signal locally via an SDI loopout. You can also de-embed audio from the signal and route it separately via full-size XLR connectors that are switchable between balanced analog and AES\/EBU digital audio.\u003c\/p\u003e    \u003cp\u003eThe compact size of the Teranex Mini makes it very useful for portable racks at live events or in broadcast trucks. Up to three units can easily be installed in an optional 1U 19\" rack tray, and they can just as easily be removed, and all this with the advantage of 12G-SDI capability. The Ethernet port on the rear will allow you to manage the Teranex Mini remotely or can alternatively be used for power over Ethernet. If you don't want to use power over Ethernet, you won't have to deal with cumbersome power supplies, as the Teranex Mini features a built-in 90-240V power supply, and all you'll need is a standard IEC power cable, sold separately.\u003c\/p\u003e    \u003cp\u003eA major benefit of the Teranex Mini is that the standard front panel can be replaced with an optional Smart Panel that features a spin knob, color LCD, and six control buttons, including a menu button. The substantially large LCD will show you the video conversion in progress and will also let you monitor audio levels as well as verify timecode and the video standard being converted. The standard front panel simply comes off and the Smart Panel easily attaches in its place. When you're using the standard front panel, you'll have access to an array of mini switches that will let you change settings instantly in correspondence with a diagram printed on the converter. If you swap in the optional Smart Panel, you'll instead be able to use simple on-screen menus as well as see exactly what you're converting. If you're in a larger facility using numerous converters, you can manage all of them over Ethernet from a Mac or Windows computer using the included Converter Utility software.\u003c\/p\u003e    \u003cp\u003eWhat enables the Teranex Mini to dissipate heat so effectively and prevent overheating is a smart thermal design with crossflow cooling that achieves the optimal heat dissipation even when you have units rack-mounted side-by-side one another. An intelligent thermal subsystem and internal heat pipe assist with cooling and keep the air flowing at all times while minimizing noise. Moreover, if the Teranex Mini gets too hot, you'll instantly receive a notification through the remote control Ethernet utility and on the front panel. When multiple units are rack-mounted side by side, each Teranex Mini works together to pull air through the rack keeping all units cool and providing redundancy for each one.\u003c\/p\u003e    \u003cp\u003eThe Teranex Mini SDI to HDMI 12G Converter is built using high-quality Teranex video processing technology and is ideal for all broadcast, post production, and other professional video applications.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499278467389,"sku":"BLA-CONVNTRM\/AA\/SDIH","price":11452.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/08fe75f133b6f7bf2ff4c2c3e5b0c498.png?v=1773558028"},{"product_id":"blackmagic-design-teranex-mini-sdi-to-hdmi-8k-hdr-1","title":"Blackmagic Design Teranex Mini SDI to HDMI 8K HDR","description":"\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Teranex Mini SDI to HDMI 8K HDR\u003c\/strong\u003e is more than just a basic converter, it is also an advanced 8K monitoring solution. The four 12G-SDI inputs support 4K signals independently and can be ganged together to support an 8K input signal, either DCI 8K or 8K video split into four UHD signals. It can use third-party calibration probes such as the SpectraCal C6, X-Rite i1 Display Pro, or the Klein K10-A probe to accurately align connected displays for precise color. The built-in LCD screen displays not only the video image, but it can also display two on-screen scopes that can be selected between WFM, Parade, Vector, and Histogram.\u003cbr\u003e  \u003cbr\u003e  The 8K is available on the four SDI outputs, or via the four HDMI outputs for monitors that support quad HDMI inputs. If you are not connected to an 8K monitoring solution, a built-in down-converter enables you to display the 8K input video on an Ultra HD or HD monitor. The unit will convert between 2SI and square division automatically. The Mini SDI to HDMI 8K HDR solution supports a variety of HDR workflows, including, PQ and HLG, and it supports both Rec. 202 and Rec. 709 as well as 100% of the DCI-P3 format. Two independent 3D LUTs can be loaded at the same time, and you can switch between them from the unit's front panel. In addition to the LCD video screen, the front of the unit features a rotating selection knob and six front-panel buttons for navigating the unit.\u003c\/p\u003e    \u003cp\u003eThe quad-link 12G-SDI inputs have outputs for looping to other equipment. In addition, all HD, Ultra HD, and 8K standards are supported, allowing broadcast or film industry use. With 2SI to square division conversion built-in, an 8K source will be automatically converted for the monitor. Teranex Mini SDI to HDMI even handles both Level A or B 3G-SDI plus YUV and RGB SDI formats.\u003c\/p\u003e    \u003cp\u003eThe Blackmagic Design Teranex Mini SDI to HDMI 8K HDR can use third-party calibration probes (not included) such as the SpectraCal C6, X-Rite i1 Display Pro, or the Klein K10-A probe to accurately align connected displays for precise color. Just connect the probe to the unit via the USB Type-C connector on the front panel, and start the calibration process in the menu.\u003c\/p\u003e    \u003cp\u003eThe front-panel LCD provides confidence monitoring with both images and accurate audio level meters. There are menus for all functions and it's easy to scroll through the menu pages to find settings that need changing. The 3D LUTs can be enabled just by pressing the 1 or 2 buttons. Calibration is also started via the menus and you simply follow the prompts to calibrate your display. The audio meters can even be switched between VU or PPM ballistics. HDMI instant lock can be enabled to ensure the HDMI display locks instantly if the input video is interrupted. There are settings for configuring scopes, their on-screen location, or opacity. You can even view and edit network settings.\u003c\/p\u003e    \u003cp\u003eTeranex Mini SDI to HDMI 8K HDR includes the same high-quality, 33-point 3D LUTs as used in the film industry. 3D LUTs are perfect for recreating the look of old-style film stocks, or they can be used to compensate for the colorimetry of the connected display. You can calibrate the connected display by connecting a third-party USB color probe, and Teranex Mini SDI to HDMI 8K HDR will analyze the monitor and generate a 3D LUT to correct for color differences between displays. Two independent 3D LUTs can be loaded and you can select between them from the front panel. Plus, 3D LUTs use standard file formats so you can load LUTs generated by software such as DaVinci Resolve.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499278631229,"sku":"BLA-CONVN8TRM\/AA\/SDIH","price":27772.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/264ad1f2bd176d1d5234e77eba0bca43.png?v=1773558039"},{"product_id":"blackmagic-design-ultrastudio-hd-mini-1","title":"Blackmagic Design UltraStudio HD Mini","description":"\u003cp\u003ePerform footage acquisition from digital or analog sources straight into your NLE of choice with the \u003cstrong\u003eBlackmagic Design UltraStudio HD Mini\u003c\/strong\u003e. SDI and analog video inputs can import video from modern or legacy professional video equipment. Using the versatile Thunderbolt 3 interface, the UltraStudio HD Mini can send and receive SD and HD video up to 1080p at 60 fps with up to 16 channels of embedded audio. Available outputs include dual SDI for fill and key, as well as an HDMI output for driving consumer displays. 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You can monitor and record video resolutions up to 1080p60 10-bit 4:2:2 and up to 16 channels of embedded 24-bit 48 kHz audio. This monitor also features two balanced 3-pin mini-XLR inputs with 48V phantom power support for crisp audio recording. Firmware update 3.3.1 adds a video output via the USB Type-C port that can be used to convert your connected camera for webcam use. It also adds XLR audio mapping to different channels, XLR external timecode, and select channel selection for audio monitoring.\u003c\/p\u003e    \u003cp\u003eThe Video Assist 3G 7\" records to SDXC\/SDHC memory cards via dual UHS-I SD card slots. Use the USB Type-C port to record for configuring and upgrading the monitor. 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The HyperDeck Shuttle 4K Pro features a compact design that allows you to run multiple I\/O and connect to a computer or ATEM switch to control media playback using its 7\" touchscreen display, large search dial, and buttons. It also features a built-in teleprompter for using text files without requiring third-party software.\u003c\/p\u003e\u003cp\u003eThe Shuttle 4K Pro runs Blackmagic OS, supports ProRes and DNx file formats, and is compatible with a wide range of editing software such as Premiere Pro, Avid, and DaVinci Resolve. It can also be used to stream H.264\/265 video to streaming services such as YouTube or Vimeo. Record video using its SD card slot, M.2 PCIe card slot, or USB-C output to an optional drive or connect to the Blackmagic MultiDock to record to multiple SSDs. The Ethernet port provides external control and file transfers over a network.\u003c\/p\u003e\u003cp\u003eMastering Recorder\u003c\/p\u003e\u003cp\u003eWith support for H.264\/265, ProRes, and DNx files, you can record true broadcast masters. You can even select between PCM or AAC audio. That's great for higher-quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to streaming services like YouTube.\u003c\/p\u003e\u003cp\u003eMedia Player\u003c\/p\u003e\u003cp\u003eThe large search dial lets you visually browse your clip library; you can then use the previous clip button to cue the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet.\u003c\/p\u003e\u003cp\u003eBuilt-In 7\" Touchscreen\u003c\/p\u003e\u003cp\u003eA 7\" touch interface allows for interactive control, built-in monitoring, and menu adjustment. Buttons for playback, pause, and recording functions, as well as a mini playback timeline for clip scrubbing, make for an intuitive control experience. A heads-up display (HUD) overlays timecode, media status, and audio meter information. Enable full broadcast scopes like focus assist and RGB exposure histogram. Settings can be changed via the on-screen menus, and you can save and load 3D LUTs.\u003c\/p\u003e\u003cp\u003eTraditional Broadcast Deck Controls\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle includes a control panel that's very fast to use, and the buttons are similar to a traditional broadcast deck. Simply press the record button, and you will instantly start recording the video input to a file. The large machined metal search dial supports shuttle, jog, and scroll so you can find clips fast. Plus, all deck control functions can be triggered remotely using the Ethernet network. Use the intuitive touchscreen interface to toggle different visual overlays and scrub media files to find what you need.\u003c\/p\u003e\u003cp\u003eRecord to Internal or External Network Storage\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle has been designed to record directly to network storage, keeping all your media in a central place. Plus, the HyperDeck Shuttle 4K Pro model has space for M.2 flash storage cards, so the network storage is built in. This means any editing system can just log into the HyperDeck Shuttle 4K Pro and access all the media in one location. DaVinci Resolve can also edit media while it's being recorded.\u003c\/p\u003e\u003cp\u003eSupports SD Cards and USB-C Disks\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle supports recording to standard SD Cards and UHS-II Cards. You can also record on external USB disks, which can be instantly unplugged and transported. When using H.264, the files are so incredibly small you get very long recordings even on smaller, low-cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card for over 6 days of recorded content. The USB-C expansion port lets you plug in an external flash disk for recording. You can even add a Blackmagic MultiDock 10G that has four separate SSD media slots, so you can add compatibility with SSD media. There are also options for managing external disks in the settings menu.\u003c\/p\u003e\u003cp\u003ePopular ProRes, DNx, and H.264\/265 Files\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports the most popular codecs in use today, including broadcast-quality DNx and ProRes file formats. You also get space-saving H.264\/265 when recording in NTSC, PAL, 720p, 1080p, or 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus, you can choose uncompressed PCM or even AAC audio when uploading files to YouTube. HyperDeck Shuttle supports both ExFAT on Windows and HFS+ on Mac disk formats, allowing disks to be mounted and read on both platforms. You also get support for recording long events into a single video file.\u003c\/p\u003e\u003cp\u003eVideo and Control Connections\u003c\/p\u003e\u003cp\u003eThe HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long-form media player. Additional connectivity includes an SDI monitor output, reference I\/O ports, 4K HDMI I\/O ports, an SDI input, two SDI outputs, an SDI loop output, a remote I\/O interface, and a headphone jack for monitoring. The rear panel also includes a 12 VDC power input, and a power supply is included. The 10 Gigabit Ethernet connection allows control and remote file uploads.\u003c\/p\u003e\u003cp\u003eMulti-Rate SDI Connections\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model includes the latest 12G-SDI video connections. 12G-SDI is multi-rate, so a single connection can connect to SD, HD, and UHD equipment using up to DCI 4K resolutions. There is also support for both level A and level B when working in 3G-SDI rates.\u003c\/p\u003e\u003cp\u003eHDMI Compatibility with ATEM Mini Switchers\u003c\/p\u003e\u003cp\u003eWith built-in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors, and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and UHD 4K equipment.\u003c\/p\u003e\u003cp\u003e10G Ethernet Network\u003c\/p\u003e\u003cp\u003eWith its 10G Ethernet connectivity, the HyperDeck Shuttle 4K Pro can access built-in HyperDeck M.2 storage over your network. You can also transfer files via an easy-to-use HTTP\/S web interface or an FTP client. For broadcast automation control, HyperDeck uses the Ethernet connection and a simple text-based protocol, which you can test with a simple telnet client. A REST protocol is also supported for custom automation, and it's fully documented in the manual. This means HyperDeck Shuttle 4K Pro is a fully self-contained broadcast server for ingest, media management, and play-out.\u003c\/p\u003e\u003cp\u003eUSB Webcam Output\u003c\/p\u003e\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Shuttle features webcam support via the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. This guarantees full compatibility with any video software and in full-resolution 1080 HD quality. HyperDeck Shuttle's USB webcam feature works with any video software, including Zoom and Microsoft Teams, or streams live with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\u003cp\u003eAdvanced HDR Support\u003c\/p\u003e\u003cp\u003eWork with the latest HDR workflows thanks to the HyperDeck Shuttle's HDR screen and wide color gamut. The built-in scopes automatically transition to HDR scopes when working with HDR formats. HDR sources input into the SDI and HDMI ports will automatically be detected. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut and can handle both Rec. 2020 and Rec. 709 color spaces. The built-in HyperDeck Shuttle 4K Pro LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e\u003cp\u003eBuilt-In Teleprompter\u003c\/p\u003e\u003cp\u003eWith such a large search dial, HyperDeck Shuttle 4K Pro can be used as a teleprompter. Simply change to teleprompter in the record menu, and it will read standard RTF text files like scripts without the need for custom software. Scripts can be written using simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both the jog and scroll buttons, you can live scroll the script like a traditional teleprompter, as well as adjust the size and font displayed.\u003c\/p\u003e\u003cp\u003eSupports Blackmagic Cloud\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro supports adding a built-in M.2 flash memory storage card, transforming it into network storage. That means multiple users can access recordings over the local network, plus it can sync to Blackmagic Cloud. DaVinci Resolve will also sync the media so you can work with editors, colorists, VFX artists, and audio engineers anywhere in the world. HyperDeck Shuttle 4K Pro also records H.265 HD proxy files, which upload in seconds. The proxy even syncs during recording, so remote DaVinci Resolve editors get the media before the HyperDeck has stopped recording.\u003c\/p\u003e\u003cp\u003eDirect Metadata Entry\u003c\/p\u003e\u003cp\u003eThe HyperDeck Shuttle 4K Pro model has an advanced digital slate and metadata features that make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select take numbers to be automatically incremented when you start and stop recording, so you don't have to enter them manually for each shot. Set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post-production with software such as DaVinci Resolve!. DaVinci Resolve can then source and organize all your shots based on metadata. Simply scroll and select the shots.\u003c\/p\u003e\u003cp\u003ePowered by Blackmagic OS\u003c\/p\u003e\u003cp\u003eThe innovative Blackmagic OS has been designed for high-performance film and broadcast products, and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power-on while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management, and even localization. The menus are overlaid on the video output and include settings to customize your HyperDeck Shuttle 4K Pro, and the menus can be changed to display in either light or dark mode.\u003c\/p\u003e\u003cp\u003eCompatible with Software and Streaming Sites\u003c\/p\u003e\u003cp\u003eHyperDeck Shuttle 4K Pro records files compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Shuttle directly to streaming services such as YouTube, Facebook, Vimeo, and Twitter. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. 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