{"title":"Resolve AI Promo","description":null,"products":[{"product_id":"davinci-resolve-micro-color-panel-en-promo","title":"DaVinci Resolve Micro Color Panel (EN) (PROMO)","description":"\u003cp\u003eDesigned to work in tandem with your Apple iPad Pro, the \u003cb\u003eDaVinci Resolve Micro Color Panel\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e provides the same level of professional color control as other panels but with a beginner-friendly interface. The panel provides more color and a faster workflow to DaVinci Resolve Studio software than working just with a keyboard and mouse. It consists of three high-resolution trackballs, 12 control knobs, and several buttons to adjust parameters like Y lift, Y gamma, Y gain, and contrast.\u003c\/p\u003e\u003cp\u003eThe controls of the panel are in similar places as the controls of the advanced versions. You can even adjust the power window shape, size, and position, softness, or resize the input image. The Micro Color Panel is not much larger than a standard keyboard and features a slot to mount your iPad Pro and use the tablet as your software display. Connect to your iPad or personal computer via Bluetooth or USB-C connection. The panel runs on an internal battery or USB-C power.\u003c\/p\u003e\u003cp\u003eNOTE: Does not include DaVinci Resolve License.\u003c\/p\u003e\u003cp\u003ePrimary Adjustment Controls\u003c\/p\u003e\u003cp\u003eControl knobs are grouped into four sets of three knobs.\u003c\/p\u003e\u003cp\u003eLuminance\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eY Lift control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.\u003c\/li\u003e\n\u003cli\u003eY Gamma control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.\u003c\/li\u003e\n\u003cli\u003eY Gain control: Adjust the contrast of the image in the highlight areas, specifically in the Y (luminance) channel only. This adjustment allows you to change the highlights without changing saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eContrast\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eContrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.\u003c\/li\u003e\n\u003cli\u003ePivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003c\/li\u003e\n\u003cli\u003eMid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features, making it popular for beauty shots.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDetail\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.\u003c\/li\u003e\n\u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.\u003c\/li\u003e\n\u003cli\u003eHighlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid-tones for a natural-looking image.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSaturation\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncreases or decreases overall image saturation. You can turn your color image into a grayscale image with this control.\u003c\/li\u003e\n\u003cli\u003eHue Control: Rotate all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.\u003c\/li\u003e\n\u003cli\u003eLuminance Mix Control: Control the balance between the YRGB adjustments and Y-only adjustments made using the Y channel lift, gamma, and gain controls.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":67752315420989,"sku":"P-BLA-DV\/RES\/AAAPNLMIC\/EN","price":10066.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6ba52167a14df218cf96008d209086ee_8b0c2987-dd03-43b8-ab2c-3a333114b65c.png?v=1792494440"},{"product_id":"blackmagic-design-davinci-resolve-speed-editor-with-studio-software-promo","title":"Blackmagic Design DaVinci Resolve Speed Editor with Studio Software (PROMO)","description":"\u003cp\u003e*Includes DaVinci Resolve Studio\u003c\/p\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eFor the Editor on the Go\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe \u003cstrong\u003eDaVinci Resolve Speed Editor with Studio Software\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a perfect hardware complement for the editor on the go, and it includes a license for DaVinci Resolve Studio right in the box. The editor interfaces with macOS or Windows editing systems running DaVinci Resolve Studio, providing you with keyboard shortcuts and controls that speed up your editing, compared to using a mouse to navigate your edit system. The Speed Editor is small enough to take with you on location, and its built-in battery allows you to use it via Bluetooth for a wire-free connection. The Speed Editor is charged and can connect to your computer via an optional USB Type-C cable.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989379.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor features dedicated push buttons that control the edit modes, timeline navigation, and effects of DaVinci Resolve. Additionally, these push buttons provide shortcuts to useful features available only on the Speed Editor. The built-in Search Dial is similar to the jog wheel often found on professional edit decks, but in conjunction with the push-button keys and DaVinci Resolve software, the search dial is much more powerful.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSearch Dial and Transport Control\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989381.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003eBuilt into the Speed Editor is a Search Dial reminiscent of the jog wheel that editors have used for decades to shuttle through footage. Combined with push-button transport controls, the Search Dial allows you to jog through your footage and trim in and out points. The Search Dial is machined from metal and has a weighted feel for slowly jogging through your footage or shuttling through by spinning the dial.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eKeyboard Shortcuts\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eAlthough the Speed Editor's panel is small and lacks a Qwerty keyboard, it is loaded with dedicated push buttons for quickly accessing features and navigating your timeline.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989380.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eDedicated Transition Buttons\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eSelect from Cut, Dissolve, and Smooth Cut for transitions between clips.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eEdit Modes\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eProvides keyboard shortcuts that replace dragging clips from the trim windows to the timeline or switching to different modes in the Resolve to make edits via the mouse:\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSmart Insert: Resolve will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eAppend to End: Adds the clip to the end of your timeline edit with the in and out points you've selected.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eClose-Up: Automatically creates a slightly zoomed-in version of the selected shot and places it on the top of the timeline.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989378.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eRipple Overwrite\u003c\/li\u003e   \u003cli\u003ePlace on Top\u003c\/li\u003e   \u003cli\u003eSource Overwrite\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eFunction Buttons\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor comes with a multitude of functions buttons, some of which are unique to the Speed Editor:\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989377.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eEscape and Undo\u003c\/li\u003e   \u003cli\u003eSync Bin\u003c\/li\u003e   \u003cli\u003eAudio Level and Markers\u003c\/li\u003e   \u003cli\u003eFull-Screen Viewer\u003c\/li\u003e   \u003cli\u003eAdd Transition\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSnap and Viewer Size: Turns on snapping in the timeline, allowing the play head to pause momentarily at each edit point as you scroll through your edit with the search dial. Holding the Snap button down will let you adjust the viewer size with the search dial.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eBluetooth and USB Control\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor supports controlling DaVinci Resolve either hardwired with an optional USB cable or via Bluetooth. The Speed Editor's integrated battery allows you to work wirelessly, and it charges via an optional USB cable.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989376.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eDaVinci Resolve Studio License\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor includes a license for DaVinci Resolve Studio, which supports up to 120 fps at a massive 32K resolution, as well as support for multiple GPUs for real-time playback of professional 10-bit formats, and accelerated H.264 and H.265 hardware decoding and encoding.  \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThere's a full suite of immersive audio tools, including Dolby Vision and HDR10+ grading and rendering, the DaVinci Neural Engine, and 30 extra Resolve FX. You get temporal and spatial noise reduction, motion effects, lens distortion correction, de-interlacing, workflow and media asset management integration, remote scripting API, remote and networked color grading, plus rendering and encoder plug‑in support. Plus, there's full-screen playback on a second monitor.\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989375.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":67752316043581,"sku":"P-BLA-DV\/RES\/BBPNLMLEKA","price":7135.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1b22264cd64d9c9564b47e6c1f7773b5_738e0cf0-0cac-4695-95b5-b6760928549a.png?v=1792494444"},{"product_id":"blackmagic-design-davinci-resolve-studio-activation-card-promo","title":"Blackmagic Design DaVinci Resolve Studio (Activation Card) (PROMO)","description":"\u003ch2\u003eBlackmagic Design Davinci Resolve Studio Overview\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic Design DaVinci Resolve Studio\u003c\/strong\u003e is an NLE that can be used for projects ranging from personal films to feature films and VFX. The Color page features new HDR grading tools, an AI-based magic mask for targeted grading, and a color warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real time.\u003c\/p\u003e\u003cp\u003eThe Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.\u003cbr\u003e\u003cbr\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBlackmagic Cloud to host and manage cloud-based project libraries.\u003c\/li\u003e\n\u003cli\u003eCollaborate securely over the internet using Blackmagic ID.\u003c\/li\u003e\n\u003cli\u003eSupport for intelligent path mapping to relink files automatically.\u003c\/li\u003e\n\u003cli\u003eVastly improved project library performance for network workflows.\u003c\/li\u003e\n\u003cli\u003eImproved project performance, especially when working on large projects.\u003c\/li\u003e\n\u003cli\u003eNew Proxy Generator app for auto-creating proxies within watch folders.\u003c\/li\u003e\n\u003cli\u003eAbility to choose between prioritizing proxies or camera originals.\u003c\/li\u003e\n\u003cli\u003eProxy files in subfolders are automatically assigned in the media pool.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993499.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eMedia and Edit\u003c\/h5\u003e\u003cul\u003e\u003cli\u003eStabilize Blackmagic Pocket Camera clips with camera gyro metadata.\u003c\/li\u003e\u003c\/ul\u003e\u003ch5\u003eNew subtitle improvements, including:\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for timed text TTML, XML, and embedded MXF\/IMF subtitles.\u003c\/li\u003e\n\u003cli\u003eAbility to view and import subtitles from media storage.\u003c\/li\u003e\n\u003cli\u003eSupport for relinking subtitle clips from the media pool.\u003c\/li\u003e\n\u003cli\u003eSubtitle region support with multiple simultaneous captions per track.\u003c\/li\u003e\n\u003cli\u003eSet individual presets and text positions, and intuitively edit between regions.\u003c\/li\u003e\n\u003cli\u003eAdd, rename, and manage regions from the timeline context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to export TTML subtitles from the track header context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to import, export, and embed multiple subtitle tracks as TTML.\u003c\/li\u003e\n\u003cli\u003eSupport for reversing shape, iris, and wipe transitions on the edit page.\u003c\/li\u003e\n\u003cli\u003eSupport for showing up to 25 simultaneous multicamera angles on the viewer.\u003c\/li\u003e\n\u003cli\u003eEdit Index now shows clip duration.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate keyframes outside trimmed clip extents.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate retime keyframes using hotkeys.\u003c\/li\u003e\n\u003cli\u003eSmart bin filter for disabled timelines.\u003c\/li\u003e\n\u003cli\u003eRender in place and open in Fusion actions can be assigned shortcuts.\u003c\/li\u003e\n\u003cli\u003eReset Fusion composition now works on multiple clip selections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993488.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eColor\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew object mask capability in Magic Mask.\u003c\/li\u003e\n\u003cli\u003eAdjustment clips and Fusion generators can bypass color management.\u003c\/li\u003e\n\u003cli\u003eSupport for syncing clip groups in remote grading sessions.\u003c\/li\u003e\n\u003cli\u003eAbility to trigger bidirectional tracking from advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eSupport for matte finesse and 3D qualifier in advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eDolby Vision highlight clipping support in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bypassing color outputs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eAdd key mixers with auto-connected key outs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bidirectional tracking in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for fast review playback mode in advanced panels.\u003c\/li\u003e\n\u003cli\u003eACES support for Blackmagic Gen 5 camera formats.\u003c\/li\u003e\n\u003cli\u003eSupport for the HDR Vivid standard.\u003c\/li\u003e\n\u003cli\u003eReference gamut compression is enabled by default in ACES 1.3.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eResolve FX\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew Resolve FX Depth Map to generate 3D depth-based keys in Studio.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Fast Noise.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Despill.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Surface Tracker for tracking warped surfaces in Studio.\u003c\/li\u003e\n\u003cli\u003eImproved Resolve FX Beauty with new ultra mode.\u003c\/li\u003e\n\u003cli\u003eImproved edge strength and filter controls in Resolve FX Edge Detection.\u003c\/li\u003e\n\u003cli\u003eOption to composite from a second input in Resolve FX Transform.\u003c\/li\u003e\n\u003cli\u003eNew bokeh preset for Resolve FX Lens Reflections.\u003c\/li\u003e\n\u003cli\u003eGreen-purple control for Resolve FX Chromatic Aberration.\u003c\/li\u003e\n\u003cli\u003eSizing awareness option in Resolve FX lens flare and radial and zoom blurs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993494.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eFairlight\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eAbility to convert fixed bus projects to FlexBus in project settings.\u003c\/li\u003e\n\u003cli\u003eAbility to freely order tracks and buses in the mixer via the track index.\u003c\/li\u003e\n\u003cli\u003eAbility to nudge custom millisecond or sub-frame intervals in the timeline.\u003c\/li\u003e\n\u003cli\u003eImproved quality for time-stretched audio.\u003c\/li\u003e\n\u003cli\u003eImproved Dolby Atmos immersive mixing, including binaural monitoring.\u003c\/li\u003e\n\u003cli\u003eNative support for Dolby Atmos production for Linux and Apple silicon.\u003c\/li\u003e\n\u003cli\u003eIndependent controls to enable automation and expose parameters.\u003c\/li\u003e\n\u003cli\u003eImproved behavior of automated tracks under VCA control.\u003c\/li\u003e\n\u003cli\u003eImproved meters with configurable decay, peak hold, and display modes.\u003c\/li\u003e\n\u003cli\u003eAbility to ctrl-alt click to remove gain and elastic wave keyframes.\u003c\/li\u003e\n\u003cli\u003eAbility to double-click a clip in the timeline to rename.\u003c\/li\u003e\n\u003cli\u003eAbility to set record clip name prefix at a per-track level.\u003c\/li\u003e\n\u003cli\u003eSupport for renaming underlying tracks when renaming a linked group\u003c\/li\u003e\n\u003cli\u003eEqualizers with improved Q controls and mouse wheel inputs.\u003c\/li\u003e\n\u003cli\u003eDynamics with enhanced metering, gain display, and enable controls.\u003c\/li\u003e\n\u003cli\u003eDynamics with improved dry mix, soft knee, and metering in FlexBus.\u003c\/li\u003e\n\u003cli\u003eImproved plug-in management with replace and copy settings in the mixer.\u003c\/li\u003e\n\u003cli\u003eNew built-in presets for equalizers and dynamics.\u003c\/li\u003e\n\u003cli\u003eHold shift and double-click clips to extend the edit selection range.\u003c\/li\u003e\n\u003cli\u003eSupport for applying audio gain on range selection.\u003c\/li\u003e\n\u003cli\u003eImproved waveform display accuracy under crossfades.\u003c\/li\u003e\n\u003cli\u003eOrigination time metadata is now persisted when bouncing mix to track.\u003c\/li\u003e\n\u003cli\u003eOption to trim from unity on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for VCA and bus spill on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for using the Fairlight Desktop Console on Linux systems.\u003c\/li\u003e\n\u003cli\u003eStudio monitoring support for FlexBus on consoles.\u003c\/li\u003e\n\u003cli\u003eFairlight console option to mute speakers on timeline load.\u003c\/li\u003e\n\u003cli\u003eSupport for chasing timecode via Fairlight audio interfaces.\u003c\/li\u003e\n\u003cli\u003eSupport for user views in the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eImproved mapping for audio effects on the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eAbility to use alt + solo to invoke solo safe in the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eSupport for a new clear mutes action in the timeline menu.\u003c\/li\u003e\n\u003cli\u003eEnabling track mixer controls brings a window to focus if already open.\u003c\/li\u003e\n\u003cli\u003eGrid and list modes are persisted for patch, bus, and VCA assign.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eFusion\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMulti-button mode selection in the inspector for multiple tools.\u003c\/li\u003e\n\u003cli\u003eSupport for all modern and future Python 3 versions for scripting.\u003c\/li\u003e\n\u003cli\u003eSupport for live previews when using the Text+ color picker.\u003c\/li\u003e\n\u003cli\u003eMultiple new composition blend modes.\u003c\/li\u003e\n\u003cli\u003eNew expression animated Custom Poly modifier for masks and strokes.\u003c\/li\u003e\n\u003cli\u003eFaster GPU-accelerated paint tool with smoother strokes.\u003c\/li\u003e\n\u003cli\u003eFaster duplicate tool with additional blur, glow, and size controls.\u003c\/li\u003e\n\u003cli\u003eImproved fade-on and text ripple title performance.\u003c\/li\u003e\n\u003cli\u003eImproved performance for night vision, glitch, TV, and other effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and Deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comments and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comment and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993498.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eCut\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMetadata view and clip sorting\u003c\/li\u003e\n\u003cli\u003eTrimming against audio waveforms\u003c\/li\u003e\n\u003cli\u003eSmart Reframe for social media\u003c\/li\u003e\n\u003cli\u003eFast effects search and live preview\u003c\/li\u003e\n\u003cli\u003eImport ATEM Mini projects\u003c\/li\u003e\n\u003cli\u003eUpdated clip inspector\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993496.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eEdit\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eProxy media workflows\u003c\/li\u003e\n\u003cli\u003eEasily sync multicamera clips\u003c\/li\u003e\n\u003cli\u003eKeying and compositing\u003c\/li\u003e\n\u003cli\u003eRender in place\u003c\/li\u003e\n\u003cli\u003eSource clip adjustments\u003c\/li\u003e\n\u003cli\u003eShare timelines and bins\u003c\/li\u003e\n\u003cli\u003eImproved editing with interlaced material\u003c\/li\u003e\n\u003cli\u003eEnhanced timeline organization\u003c\/li\u003e\n\u003cli\u003eScene cut detection\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch5\u003eOther New Features\u003c\/h5\u003e\u003cp\u003eUpdated inspector layout\u003c\/p\u003e\u003cp\u003eAdditional format support: decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips; improved support for GoPro CineForm, HTJ2K, and MP3 on Linux\u003c\/p\u003e\u003cp\u003eIncreased video metadata support: support for frame-based metadata from Blackmagic RAW, ARRI, RED, and Sony camera files, along with decoding and rendering per frame EXR metadata; improved metadata support for Sony MXF, IMF MCA audio, non-HDR DCP export, and HDR tags in DCP workflows\u003c\/p\u003e\u003ch5\u003eNew integration and encoding APIs\u003c\/h5\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993484.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOther Resolve Studio Features\u003c\/p\u003e\u003cp\u003eAdvanced noise reduction\u003c\/p\u003e\u003cp\u003eLens distortion\u003c\/p\u003e\u003cp\u003eProfessional HDR scopes\u003c\/p\u003e\u003cp\u003eStereoscopic 3D\u003c\/p\u003e\u003cp\u003eRemote grading\u003c\/p\u003e\u003cp\u003eDaVinci color space transforms language\u003c\/p\u003e\u003cp\u003eScripting and automation\u003c\/p\u003e\u003cp\u003eDaVinci Neural Engine\u003c\/p\u003e\u003cp\u003eDolby Atmos mastering\u003c\/p\u003e\u003cp\u003eRe-mix external productions\u003c\/p\u003e\u003cp\u003eDCP encoding and decoding\u003c\/p\u003e\u003cp\u003eIMF audio deliverables\u003c\/p\u003e\u003cp\u003eDolby Vision mastering\u003c\/p\u003e\u003cp\u003eNative IMF encoding and decoding\u003c\/p\u003e\u003cp\u003eEncoder plug-in support\u003c\/p\u003e\u003cp\u003ePre-Installation Notes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePostgreSQL 9.0 is the minimum supported version.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is the recommended version.\u003c\/li\u003e\n\u003cli\u003e10-bit viewers on Windows and Linux need a capable graphics card and display.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Mac OS\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003emacOS 11 Big Sur\u003c\/li\u003e\n\u003cli\u003e8GB of system memory, 16GB when using Fusion\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video version 12.0 or later\u003c\/li\u003e\n\u003cli\u003eIntegrated GPU or discrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports Metal or OpenCL 1.2\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Windows\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eWindows 10 Creators Update\u003c\/li\u003e\n\u003cli\u003e16GB of system memory, 32GB when using Fusion\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video 10.4.1 or later\u003c\/li\u003e\n\u003cli\u003eIntegrated GPU or discrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports OpenCL 1.2 or CUDA 11\u003c\/li\u003e\n\u003cli\u003eNVIDIA\/AMD\/Intel GPU Driver version–as required by your GPU\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eMinimum System Requirements for Linux\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCentOS 7.3\u003c\/li\u003e\n\u003cli\u003e32GB of system memory\u003c\/li\u003e\n\u003cli\u003eBlackmagic Design Desktop Video 10.4.1 or later\u003c\/li\u003e\n\u003cli\u003eDiscrete GPU with at least 2GB of VRAM\u003c\/li\u003e\n\u003cli\u003eGPU that supports OpenCL 1.2 or CUDA 11\u003c\/li\u003e\n\u003cli\u003eNVIDIA\/AMD Driver version–as required by your GPU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":67752316731709,"sku":"P-BLA-DV\/RESSTUD","price":5178.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/946624bfed6a903f091decb367705432_8719f10e-b87e-43f5-bd51-d05d18700d54.png?v=1792494451"},{"product_id":"blackmagic-design-davinci-resolve-editor-keyboard-promo","title":"Blackmagic Design DaVinci Resolve Editor Keyboard (PROMO)","description":"\u003ch4\u003eProfessional Editing at Your Fingertips\u003c\/h4\u003e    \u003cp\u003eMade for DaVinci Resolve 16 and above, the \u003cstrong\u003eDaVinci Resolve Editor Keyboard\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features an all-metal construction and has professional edit keys and a high-quality search wheel, allowing you to edit with both hands. For example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, the Resolve Editor Keyboard even has subtle design features such as empty space above certain keys, so they can be located by touch. It plugs into a USB Type-C port and works without any batteries. The keyboard can be used on a desktop or inset into a console via a flange. DaVinci Resolve software is included.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989372.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eMetal Design with Premium Keys\u003c\/h4\u003e    \u003cp\u003eThe all-metal design includes keys with a tiered profile, instead of flat keys, so it's easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows for very precise transport and trimming control. There's also a handrest with a soft feel to help reduce fatigue. Plus, the key caps, handrest, and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989370.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eIntegrated Search Dial Control\u003c\/h4\u003e    \u003cp\u003eThe metal search dial features rubber coating and is designed with multiple roller bearings that allow for smooth operation. There's an integrated electronic clutch that creates end stops when used for shuttle and position. The dial can also be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch, and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly.\u003c\/p\u003e    \u003ch4\u003eFast Source Tape Allows Scrolling Clips\u003c\/h4\u003e    \u003cp\u003eThe innovative source button instantly creates a \"source tape\" of all the clips in your bin. Now you can simply scroll up and down all your media without the need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real time. Switching between the source tape and timeline is instant.\u003c\/p\u003e    \u003ch4\u003eInstantly Re-Sort Bin and Source Tape\u003c\/h4\u003e    \u003cp\u003eThe source tape uses your bin's sort order, so you get lots of control over how shots are organized. This gives you the flexibility to find shots by time, camera, duration, or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin's sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is highly useful for content shot in time order, such as live events. You can also sort by camera, ideal for multicamera shoots where you lay down the wide shot first and then look for cutaways on other cameras. You can even sort by duration and the clip name.\u003c\/p\u003e    \u003ch4\u003eFast In and Out Points\u003c\/h4\u003e    \u003cp\u003eThe in and out point buttons are designed large, and a small empty space is provided above them to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When you select in and out points in the DaVinci Resolve cut page, you also trim clips. Once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the Escape key.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989367.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eIntelligent Keyboard Edit Modes\u003c\/h4\u003e    \u003cp\u003eThe editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different from editing on a computer's user interface, the editing functions have been optimized to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself, eliminating time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit or even match timecode. A good example is Smart Insert, which locates the nearest edit and inserts at that point.\u003c\/p\u003e    \u003ch4\u003eSmart Insert\u003c\/h4\u003e    \u003cp\u003eSmart Insert is similar to the traditional insert edit function; however, it's smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/p\u003e    \u003ch4\u003eAppend to End\u003c\/h4\u003e    \u003cp\u003eAppend to End is useful for building edits fast. Simply select an in and out point and then Append to End will add the clip to the end of the edit and increase the timeline duration. Append to End is great when adding shots to an edit from content that's been shot in time order.\u003c\/p\u003e    \u003ch4\u003eRipple Overwrite\u003c\/h4\u003e    \u003cp\u003eRipple Overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip, and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration.\u003c\/p\u003e    \u003ch4\u003eClose Up\u003c\/h4\u003e    \u003cp\u003eClose Up is best for creating two camera angles from one camera. Simply shoot your subject with a wide or mid shot, and then when a close-up is applied, it will create a slightly zoomed-in version of the same camera shot and place it on top of the timeline. Plus, you can also apply it to a clip in the timeline.\u003c\/p\u003e    \u003ch4\u003ePlace on Top\u003c\/h4\u003e    \u003cp\u003ePlace on Top is similar to traditional edit functions and it will place the clip on the top of the background layer that's already in the timeline. If the timeline doesn't have a layer above the background layer, Place on Top will add a new timeline track and then place the clip on top.\u003c\/p\u003e    \u003ch4\u003eSource Overwrite\u003c\/h4\u003e    \u003cp\u003eSource Overwrite is a faster alternative to multicam. It automatically matches source timecode to the source timecode of the clip in the timeline and places the clip on top. If you shoot with multiple cameras and sync timecode, you can lay other camera angles on a base wide shot layer.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989366.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eSearch Dial Live Trimming\u003c\/h4\u003e    \u003cp\u003eWith a high-quality search dial built in, you get an accurate and fast way to trim edit points. The roll buttons allow the keyboard to take control of the search dial and very precisely adjust edit trimming. You can select the trim mode with your left hand while adjusting the trim with your right. Using roll trimming is easy and is operated by pressing and holding one of the roll buttons, depending on the type of trim you need to do, while then rotating the search dial. There's also a trim editor button on the numeric keypad that allows a direct switch to trim mode, so you can scroll up and down the edit points in a timeline to allow locating and adjusting multiple edits fast.\u003c\/p\u003e    \u003ch4\u003eRoll In\u003c\/h4\u003e    \u003cp\u003eRoll In is very similar to adjusting trim in on the software; however, it's a modifier key on the keyboard. Using roll in on a transition adjusts the in point of the destination clip, while adjusting roll in on a clip adjusts its in point. All adjustments will ripple the timeline duration.\u003c\/p\u003e    \u003ch4\u003eRoll Out\u003c\/h4\u003e    \u003cp\u003eRoll Out is very similar to adjusting trim out on the software but it's a modifier key on the keyboard. Using Roll Out on a transition adjusts the out point of the source clip, while adjusting roll out on a clip adjusts its out point. All adjustments will ripple the timeline duration.\u003c\/p\u003e    \u003ch4\u003eRoll Transition\u003c\/h4\u003e    \u003cp\u003eRoll Transition is similar to the roll edit. It works by rolling the transition between two clips and has the same effect as simultaneously adjusting the in point on the destination clip while adjusting the out point on the source clip. Roll edit does not affect timeline duration.\u003c\/p\u003e    \u003ch4\u003eRoll Source\u003c\/h4\u003e    \u003cp\u003eRoll Source is the same as slipping the source clip and it will move the shot up and down within the current clip's in and out points. Roll source allows slipping the clip within the same duration so it won't affect the overall timeline duration.\u003c\/p\u003e    \u003ch4\u003eRoll Destination\u003c\/h4\u003e    \u003cp\u003eRoll Destination is the same as slipping the destination clip and it will move the shot up and down within the current clip's in and out points. Roll destination allows slipping the clip within the same duration so it won't affect the overall timeline duration.\u003c\/p\u003e    \u003ch4\u003eRoll Duration\u003c\/h4\u003e    \u003cp\u003eRoll Duration is designed to allow you to change the transition length of any effect that has been applied to an edit point. When selected, adjusting the search dial will interactively adjust the duration of the transition. Because you can select the transition type, you can use roll duration to get the transition perfect.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989368.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eSelect and Change Transitions Instantly\u003c\/h4\u003e    \u003cp\u003eEditing software is slow at adding transitions because it requires using drag and drop to place a transition, or a keyboard shortcut for only one transition type. With DaVinci Resolve Editor Keyboard you can press a key and add or remove a transition with a single button press. The Cut key will remove any transition on an edit point and leave it as a simple edit between the two clips. Pressing Dissolve will add a one second dissolve between the two clips, and using Roll Duration will set the desired transition length. Plus, if there is already a dissolve on the edit, then the key will be ignored. There's also a smooth cut button to allow jump cuts to be removed at the press of a button.\u003c\/p\u003e    \u003ch4\u003eImproved QWERTY Key Layout\u003c\/h4\u003e    \u003cp\u003eThe DaVinci Resolve Editor Keyboard features a revised QWERTY key layout based on feedback from professional editors. The new features in the revised layout include a viewer button to allow instant switching to full screen view. However, you still get all the traditional editing features for both the cut and edit pages in DaVinci Resolve, so the core QWERTY part of the keyboard still operates in a familiar way.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989369.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eDirect Timecode Entry Keypad\u003c\/h4\u003e    \u003cp\u003eWhen entering edit points and durations numerically, there's a keypad specifically designed for timecode entry. The F\/TC button allows switching between timecode or frames. Just press the F\/TC button and the entry changes to frames. When typing longer timecode values, there's also a double zero button so you don't have to press the standard zero key as often. The plus and minus keys allow time values as offsets to current values rather than absolute entries. A dedicated duration entry button allows you to numerically define the duration of a clip. Numeric duration entry is one of the most used functions. For example, if you need to set a 100-frame duration on a clip, just press DUR, F\/TC, and 100.\u003c\/p\u003e    \u003ch4\u003eDesigned for the Desktop or Inset into a Console\u003c\/h4\u003e    \u003cp\u003eAlthough the DaVinci Resolve Editor Keyboard has been designed with a modern aesthetic, there's also function to the form. The subtle edge created by the mating of the top keyboard surface and the lower chassis has a pinstripe feel to the design. There are also fold-out rear feet to increase the keyboard tilt. However, the flange has a functional benefit as you can install the keyboard in a cutout of a desk or console. The keyboard will then sit almost perfectly flat on the desk surface.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1638108.jpg\"\u003e\u003c\/p\u003e    \u003ch4\u003eDaVinci Resolve Software License\u003c\/h4\u003e    \u003cp\u003eA copy of DaVinci Resolve software is included with the keyboard.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989371.jpg\"\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":67752316862781,"sku":"P-BLA-DV\/RES\/BBPNLMLEKB","price":10949.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/0d9a3288cb788bee5ee8aab256e56fed_cc692960-09e0-4216-9717-780a6d20df28.png?v=1792494456"},{"product_id":"blackmagic-design-davinci-resolve-mini-panel-promo","title":"Blackmagic Design DaVinci Resolve Mini Panel (PROMO)","description":"\u003cp\u003eThe \u003cb\u003eDaVinci Resolve Mini Panel\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e is a step up in functionality from the Micro panel but without all the features of the Advanced panel, and it includes DaVinci Resolve Studio software. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desktop or in a rack or can be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eHowever, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates both USB-C and Ethernet interfaces. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later.\u003c\/p\u003e\u003cp\u003eKey Features\u003c\/p\u003e\u003cp\u003eSmall enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite\u003c\/p\u003e\u003cp\u003eDaVinci Resolve Studio software included\u003c\/p\u003e\u003cp\u003eShares basic layout with both Micro and Advanced Panels\u003c\/p\u003e\u003cp\u003eInterfaces with and controls software\u003c\/p\u003e\u003cp\u003eThree trackballs with outer control rings\u003c\/p\u003e\u003cp\u003eLog and Offset color-correction selection buttons\u003c\/p\u003e\u003cp\u003eButtons are backlit and light up when actuated\u003c\/p\u003e\u003cp\u003eTwo LCD screens for displaying the menu system or the parameters of the tools you are working with\u003c\/p\u003e\u003cp\u003eCustom control knobs with 4096 steps per rotation and push-button reset\u003c\/p\u003e\u003cp\u003ePrimary Correction Creative Control Knobs\u003c\/p\u003e\u003cp\u003eControl knobs are grouped into four sets of three knobs\u003c\/p\u003e\u003cp\u003eLuminance\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eY Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. 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Often used for softening facial features, making it popular for beauty shots.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDetail\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.\u003c\/li\u003e\n\u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.\u003c\/li\u003e\n\u003cli\u003eHighlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. 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