{"title":"Special Offers","description":"\u003cp\u003eShop all the deals at Icily Live\u003c\/p\u003e","products":[{"product_id":"sony-fe-16-35mm-f-2-8-gm-ii-lens","title":"Sony FE 16-35mm f\/2.8 GM II Lens","description":"\u003cp\u003eWide-Angle Versatility for Stills \u0026amp; Video\u003c\/p\u003e    \u003cp\u003eCombining G Master performance with the lightest and smallest form factor in its class, \u003cstrong\u003eSony\u003c\/strong\u003e rounds out its trinity of f\/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the \u003cstrong\u003eFE 16-35mm f\/2.8 GM II Lens\u003c\/strong\u003e, which boasts a variety of optical, focusing, and handling upgrades.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eG Master Image Quality\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072286.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDesigned to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/li\u003e   \u003cli\u003eOne Super ED (extra-low dispersion) and Two ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.\u003c\/li\u003e   \u003cli\u003eFive aspherical elements, including three extreme aspherical elements (XA), minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eFaster AF and Floating Focus Mechanism\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072287.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFaster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFour XD (extreme dynamic) linear motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both video and stills.\u003c\/li\u003e   \u003cli\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.\u003c\/li\u003e   \u003cli\u003eFloating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.6\" and a maximum magnification of 0.32x across the entire zoom range.\u003c\/li\u003e   \u003cli\u003eInternal focusing design promotes snappier, more responsive focusing performance and maintains the same center of gravity during lens extension and retraction.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eImproved Control and Video Capabilities\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072288.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eJust as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFocus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.\u003c\/li\u003e   \u003cli\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras.\u003c\/li\u003e   \u003cli\u003eLinear Response MF provides natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eManual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eCompact, Lightweight, and Robust Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072285.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe smallest and lightest f\/2.8 wide-angle zoom in its class, this lens doesn't lose sight of its professional attributes and remains a weather-sealed, durable lens for use in trying working conditions.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eApproximately 20% lighter and 10% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.\u003c\/li\u003e   \u003cli\u003eNow fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/li\u003e   \u003cli\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/li\u003e   \u003cli\u003eHybrid construction uses both metal and plastic components to maximize both durability and a low weight design.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/li\u003e   \u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/li\u003e   \u003cli\u003eIncluded lens hood has been redesigned to complement the lens' sleek design by reducing both its diameter and length.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49146971717949,"sku":"LENSOE1635GM2","price":34782.57,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1721652114_2733708228.png?v=1721652313"},{"product_id":"hollyland-lark-m2-duo-2-person-wireless-camera-mount-microphone-system-2-4-ghz-shine-charcoal-1","title":"Hollyland LARK M2 DUO 2-Person Wireless Camera-Mount Microphone System (2.4 GHz, Shine Charcoal)","description":"\u003cp\u003eRecord up to two people in mobile journalism or content creation applications using this shine charcoal, 2.4 GHz \u003cstrong\u003eLARK M2 DUO Wireless Camera-Mount Microphone System\u003c\/strong\u003e from \u003cstrong\u003eHollyland\u003c\/strong\u003e. The system includes two transmitters with built-in omnidirectional microphones and dual-interface mesh, a dual-channel camera-mount receiver, and a charging case. Magnetic back clips and silicone necklace cases make attaching your transmitters to your talent a breeze. Various adapter cables and an integrated camera shoe mount ensure wide device compatibility.\u003c\/p\u003e    \u003cp\u003eStable Audio Transmission\u003c\/p\u003e    \u003cp\u003eHigh-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 300m away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.\u003c\/p\u003e    \u003cp\u003eClip-On Transmitter Units\u003c\/p\u003e    \u003cp\u003eThe transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black\/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.\u003c\/p\u003e    \u003cp\u003eDual-Channel Camera-Mount Receiver\u003c\/p\u003e    \u003cp\u003eThe receiver is dual-channel and features an integrated camera-mount interface. A 3.5mm TRS output port records audio directly to your device of choice. Onboard controls allow you to toggle between stereo and mono modes or adjust the volume of your recording. LED indicators show the mode status of each transmitter unit. Use the included USB-C, USB-C to Lightning, and 3.5mm TRS cables to adapt the existing ports on the receiver to a wide variety of devices.\u003c\/p\u003e    \u003cp\u003eLarkSound App\u003c\/p\u003e    \u003cp\u003eConnect your LARK M2 system to the LarkSound App to adjust parameters like volume and noise cancellation, update firmware, or check real-time audio status—all from your iOS or Android compatible smartphone. When filming with your mobile device, toggle remote video recording by pressing down on the transmitter's onboard button twice. Your smartphone can also playback your recordings when connected to the receiver without needing to unplug it.\u003c\/p\u003e    \u003cp\u003eLong Battery Life, Charging Case\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe transmitters feature a 90mAh internal battery with a 10-hour battery life. The receiver features a 145mAh internal battery with a 9-hour battery life. Once depleted, recharge all of the components in the included charging case in just 2 hours or via USB-C in 1.5 hours.\u003c\/li\u003e   \u003cli\u003eThe charging case is specifically designed to accommodate the camera-mount receiver and two transmitter units. Its 1950mAh internal battery can recharge the entire system three times for a total battery life of 40 hours.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":51420443050301,"sku":"HOL-LARK-M2-DUO-CAMERA","price":1908.69,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5ba093a37e36d638121cc2506c549d6a.png?v=1771831306"},{"product_id":"canon-eos-rp-body","title":"Canon EOS RP BODY","description":"\u003cp\u003eCanon EOS RP BODY\u003c\/p\u003e    \u003cp\u003eImpressively small despite having a large full-frame sensor, the \u003cstrong\u003eCanon EOS RP\u003c\/strong\u003e offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.\u003c\/p\u003e    \u003cp\u003eComplementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0\" 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. 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Its compact design is complemented by five and half stops of image stabilization to enable strong handheld performance. This lens provides a zoom range that excels in situations where you can't get closer to your subject without compromising your shot, such as wildlife, nature, and outdoors sports. Swift and nearly silent autofocusing is achieved through Canon's Nano USM drive system. A focus\/control ring and two lens function buttons that are located on the barrel allow for greater control over settings adjustments. Also incorporated are three ultra-low dispersion elements to reduce chromatic and spherical aberrations as well as a Super Spectra coating to minimize ghosting and flare caused by lens surface reflection.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2111895.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2111854.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eExcellent Operability\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe focus\/control ring on the lens barrel can directly adjust shutter speed, aperture, exposure compensation, and other settings. Two lens function buttons are also available on the barrel for immediate access to your preferred camera settings.\u003c\/p\u003e    \u003cp\u003eThe signature white paint functions as a heat countermeasure when shooting for extended periods under harsh light and works together with the lens’s weather-resistant design to prevent damage from the elements.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499262771517,"sku":"6263C005AA","price":34779.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/60b935276d8724824e62a563ff149c42.png?v=1773555552"},{"product_id":"canon-rc-ip100-ptz-controller","title":"Canon RC-IP100 PTZ Controller","description":"\u003cp\u003eThis touchscreen joystick controller allows for precision control over your Canon CR-N300 and CR-N500 PTZ cameras. Allowing a single operator to control up to 100 cameras from a remote location by using IP or serial control. 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The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760429.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e    \u003cp\u003eBeyond stills, the R10's sensor also offers high-res UHD 4K 8-bit recording, with the ability to record at up to 60p using a cropped portion of the sensor or at 30p when using an oversampled 6K recording area for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e  \u003cbr\u003e  HDR-PQ recording is possible, too, for in-camera HDR production in 10-bit and external recording, via the micro-HDMI port, which supports a clean 4K output. Also, unlimited recording times are possible, too, and the R10 features an external microphone port as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e    \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760423.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. 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The flexible position is complemented by a touchscreen interface and the clear 1.04m-dot resolution allows for vivid playback and live view monitoring.\u003c\/li\u003e   \u003cli\u003eSingle SD memory card slot is rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760426.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Connectivity\u003c\/p\u003e    \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording. 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Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003c\/p\u003e    \u003cp\u003eThe lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. The XA75 also has display monitoring features such as zebra, color bars, and test tone, plus a built-in neutral density filter mechanism.\u003c\/p\u003e    \u003cp\u003eThe camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots in XF-AVC and MP4 formats, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA75 features up to four channels of LPCM audio with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCompact Professional UHD 4K Camcorder\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe XA75 captures sharp UHD images thanks to a 1\" CMOS 4K sensor and DIGIC DV6 image processor. Oversampled HD delivers Full HD images from the 4K sensor.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eUVC Livestreaming\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e4K 15x Optical Zoom Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAdjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the ultrabright 3.5\" LCD to set focus by touching the AF point required. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eXF-AVC and MP4 for Flexible Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC UHD 4K 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eProfessional Input and Output\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eOutput options include HDMI, 3G-SDI, simultaneous backup and relay recording via dual SD cards, and Infrared mode. Record 5x slow motion in Full HD or fast motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eProfessional Audio Options\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eActual: 13.4 Megapixel (4268 x 3148)\u003cbr\u003e     Effective: 8.29 Megapixel (3840 x 2160)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e1\"-Type CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e     Digital\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003eMechanical Filter Wheel with 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64) ND Filters\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Illumination\u003c\/td\u003e     \u003ctd\u003e1.7 Lux at 1\/30 Shutter Speed\u003cbr\u003e     0.1 Lux at 1\/2 Shutter Speed\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eLens\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e8.3 to 124.5mm (35mm Equivalent: 25.5 to 382.5mm)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e     \u003ctd\u003e15x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/2.8 to 4.5\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e     Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e58 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Control\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003cbr\u003e     Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [35 to 45 Mb\/s]\u003cbr\u003e     1280 x 720 at 59.94 fps [8 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eXF-AVC 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 at 23.98\/24.00\/29.97 fps\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 8-Bit via SDI\/BNC \/ HDMI\u003c\/strong\u003e\u003cbr\u003e     1920 x 1080p at 23.98\/29.97 fps\u003cbr\u003e     1920 x 1080i at 59.94 fps\u003cbr\u003e     1280 x 720 at 59.94 fps\u003cbr\u003e     \u003cstrong\u003e4:2:2 10-Bit via SDI\/BNC \/ HDMI\u003c\/strong\u003e\u003cbr\u003e     1920 x 1080p at 23.98\/29.97\/59.94 fps\u003cbr\u003e     1920 x 1080i at 59.94 fps\u003cbr\u003e     1280 x 720 at 59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e     MP4: 4-Channel 16-Bit LPCM Audio\u003cbr\u003e     XAVC: 4-Channel 24-Bit LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (3G-SDI) Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Humidity\u003c\/td\u003e     \u003ctd\u003e60%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Consumption\u003c\/td\u003e     \u003ctd\u003e5.3 W\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e8.4 x 4.3 x 3.6\" \/ 21.3 x 10.9 x 9.1 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.2 lb \/ 998 g (Body Only)\u003cbr\u003e     3.2 lb \/ 1451 g (With Battery, Handle, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e5.85 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e14.2 x 12 x 9\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263197501,"sku":"5735C003AA","price":39113.04,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/f96bce9dff4d9b4965d996d76de0c714.png?v=1773555675"},{"product_id":"canon-eos-rp-rf-24-105mm-f4-7-1-is-stm","title":"Canon EOS RP + RF 24-105mm F4-7.1 IS STM","description":"\u003cp\u003eCanon EOS RP + RF 24-105mm F4-7.1 IS STM \u003c\/p\u003e    \u003cp\u003eImpressively small despite having a large full-frame sensor, the \u003cstrong\u003eCanon EOS RP\u003c\/strong\u003e offers flexible imaging capabilities along with a portable form factor. Featuring a high-resolution 26.2MP full-frame CMOS sensor along with a DIGIC 8 image processor, both stills and UHD 4K video can be recorded using a broad sensitivity range, from ISO 100-40000, to suit working in a variety of lighting conditions. Continuous shooting is also supported at up to 5 fps for photographing moving subjects. The sensor also facilitates an advanced Dual Pixel CMOS AF system, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring focus during stills and video operation.\u003c\/p\u003e    \u003cp\u003eComplementing the sensor and processor, the RP also sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0\" 1.04m-dot vari-angle touchscreen LCD monitor for easier viewing from high and low angles. Additionally, Wi-Fi and Bluetooth allow for wireless remote camera control along with direct image sharing to linked mobile devices.\u003c\/p\u003e    \u003cp\u003eCanon RF Lens Mount\u003c\/p\u003e    \u003cp\u003eThe EOS RP features the RF lens mount, which support Canon's line of RF-mount lenses. This mount is characterized by its wide 54mm diameter and short 20mm flange-back distance, which promotes the ability to design lenses that are both faster and smaller than their SLR equivalents. The mount also incorporates a 12-pin electronic contact system for more sophisticated autofocus and image stabilization capabilities. This mount design also lends full compatibility to existing EF and EF-S-mount lenses via an optional EF-EOS R Mount Adapter.\u003c\/p\u003e    \u003cp\u003e26.2MP Full-Frame CMOS Sensor and DIGIC 8 Image Processor\u003c\/p\u003e    \u003cp\u003eA large 26.2MP full-frame CMOS sensor is featured and serves as an ideal balance between high-resolution output, low-light performance, and high-speed capabilities. When paired with the DIGIC 8 image processor, the EOS RP has a wide native sensitivity range from ISO 100-40000 for working in a variety of lighting conditions. Additionally, continuous shooting up to 5 fps is possible for working with moving subjects.\u003c\/p\u003e    \u003cp\u003eDual Pixel CMOS AF\u003c\/p\u003e    \u003cp\u003eDual Pixel CMOS AF offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face or Eye Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery. Additionally, the focus system is sensitive down to EV -5 for working in truly low-light conditions with accurate AF capabilities.\u003c\/p\u003e    \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e    \u003cp\u003eDesigned for multimedia image-maker, the EOS RP supports UHD 4K (3840 x 2160) resolution recording at up to 23.98 fps at 120 Mb\/s, along with Full HD 1080p and HD 720p at 60 fps for slow motion playback. When recording in-camera, 4K video has 4:2:0 sampling and 8-bit color depth, and 4:2:2 8-bit output is possible when using an external recorder.\u003cbr\u003e  \u003cbr\u003e  Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack.\u003cbr\u003e  \u003cbr\u003e  Also, 5-axis Dual Sensing IS can be used when recording video to electronically reduce the appearance of camera shake for sharper, smoother recording.\u003c\/p\u003e    \u003cp\u003eBody Design\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eIntegrated 2.36m-dot OLED electronic viewfinder affords a bright and clear means for eye-level viewing.\u003c\/li\u003e   \u003cli\u003eRear 3.0\" 1.04m-dot LCD features a vari-angle design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.\u003c\/li\u003e   \u003cli\u003eBuilt-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device's location data.\u003c\/li\u003e   \u003cli\u003eIn-camera charging over USB is supported for easier on-the-go charging.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eEOS Webcam Utility\u003c\/p\u003e    \u003cp\u003eExtending the capabilities of the camera, Canon's \u003ca href=\"https:\/\/www.usa.canon.com\/internet\/portal\/us\/home\/support\/self-help-center\/eos-webcam-utility\" target=\"_new\"\u003eEOS Webcam Utility\u003c\/a\u003e software lets you turn your camera into a versatile webcam by just connecting it to a computer via USB. Compatible with a variety of streaming apps, including ZOOM, YouTube Live, Microsoft Teams, and more, this software also maintains the ability to record internally while livestreaming.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"data:image\/png;base64,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\"\u003e\u003c\/p\u003e    \u003cp\u003eUPC: 013803313222\u003c\/p\u003e    \u003cp\u003eCanon RF 24-105mm f\/4-7.1 IS STM Lens\u003c\/p\u003e    \u003cp\u003eSleek and versatile, the \u003cstrong\u003eCanon RF 24-105mm f\/4-7.1 IS STM\u003c\/strong\u003e is a well-rounded zoom covering wide-angle to short telephoto focal lengths to benefit working in a wide variety of conditions. A variable maximum aperture also helps to maintain an impressively compact profile to suit everyday shooting needs. Complementing the flexible design is a unique Center Macro Focus position, which enables working with close-up subjects at a 1:2 maximum magnification ratio, and an Optical Image Stabilizer also helps to achieve sharp imagery by minimizing the appearance of camera shake. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.\u003c\/p\u003e    \u003cp\u003eStandard zoom covers wide-angle to short-telephoto focal lengths to suit working in a variety of situations.\u003c\/p\u003e    \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e    \u003cp\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/p\u003e    \u003cp\u003eSpecialized Center Macro Focus setting enables working with a 1:2 maximum magnification and a 5.2\" minimum focusing distance to suit photographing close-up subjects.\u003c\/p\u003e    \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e    \u003cp\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499263263037,"sku":"3380C175AA","price":27758.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a15893cd3a4d2ef1fd0ca3061fb3953c.png?v=1773555696"},{"product_id":"canon-eos-r5-mirrorless-camera","title":"Canon EOS R5 Mirrorless Camera","description":"\u003cp\u003eFor the professional image-maker who needs resolution, speed, and video capabilities, the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.\u003c\/p\u003e    \u003cp\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e    \u003cp\u003eComplementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5\" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2\" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status LCD makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.\u003c\/p\u003e    \u003ch4\u003eIBIS High Resolution 400MP Files\u003c\/h4\u003e    \u003cp\u003eUsing the EOS R5 with firmware 1.8.1 or later, the IBIS High Resolution shot mode can create 400 megapixel (approx.) files in-camera, without the need for external software. This feature can be used for some specific situations when a high-resolution file with fine detail is required. Examples include art reproduction and building signage.\u003c\/p\u003e    \u003ch4\u003e45MP Full-Frame Sensor and DIGIC X Processor\u003c\/h4\u003e    \u003cp\u003eBuilt around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.\u003c\/p\u003e    \u003ch4\u003e8K30 Raw and 4K120 Video Recording\u003c\/h4\u003e    \u003cp\u003eBenefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.\u003c\/p\u003e    \u003ch4\u003eHDMI 8K Raw Output to Atomos Ninja V+\u003c\/h4\u003e    \u003cp\u003eFirmware update 1.4.0 adds the ability to output 8K30, 10-bit video for ProRes raw recording to the Atomos Ninja V+ recorder over an optional HDMI cable. (Please note, the recorder may become hot.)\u003c\/p\u003e    \u003ch4\u003eDual Pixel CMOS AF II\u003c\/h4\u003e    \u003cp\u003eAn updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.\u003cbr\u003e  \u003cbr\u003e  Subject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.\u003c\/p\u003e    \u003ch4\u003eSensor-Shift Image Stabilizer\u003c\/h4\u003e    \u003cp\u003eA first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. 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Updated from its XA55 predecessor, this model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003c\/p\u003e    \u003cp\u003eThe lens optics include an integrated 15x HD optical zoom, a nine-bladed circular iris for more natural highlights, and wide DR gamma support for low-light recording. The camera's pro-style features include Dual-Pixel and Contrast autofocus, fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise. 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\u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e     MP4: 4-Channel 16-Bit LPCM Audio\u003cbr\u003e     XAVC: 4-Channel 24-Bit LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eStill Image Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eImage File Format\u003c\/td\u003e     \u003ctd\u003eJPEG\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini (LANC) Control Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMobile App Compatible\u003c\/td\u003e     \u003ctd\u003eNo\u003cbr\u003e     \u003cem\u003e*As of December, 2022: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e     \u003ctd\u003e-5.5 to +2\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Humidity\u003c\/td\u003e     \u003ctd\u003e60%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Consumption\u003c\/td\u003e     \u003ctd\u003e5.3 W\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e8.4 x 4.3 x 3.6\" \/ 21.3 x 10.9 x 9.1 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.2 lb \/ 985 g (Body Only)\u003cbr\u003e     3.2 lb \/ 1460 g (With Battery, Handle, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e5.825 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e14.8 x 11.8 x 9\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499264016701,"sku":"5736C003AA","price":30417.39,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/c0c8b356749ce814510bf1b7f6162812.png?v=1773555817"},{"product_id":"canon-rf-35mm-f1-4l-lens","title":"Canon RF 35mm F1.4L Lens","description":"\u003cp\u003eDesigned with high-end cinema video in mind, the \u003cstrong\u003eCanon RF 35mm f\/1.4L VCM Lens\u003c\/strong\u003e is a wide-angle L-series hybrid prime featuring an ultra-fast f\/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls. The focus ring can be used full-time with override, and you can also utilize the iris ring manually during changing conditions on your video shoots.\u003c\/p\u003e    \u003cp\u003eThis lens sports a Voice Coil Motor (VCM) for fast floating rear focus and a Nano USM for quick and quiet floating autofocus performance. Its optical design incorporates specially developed elements that help to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. Two ultra-low dispersion elements and two aspherical elements are also featured to further control various aberrations and distortion for great sharpness and resolution. Its durable physical construction is dust- and moisture-sealed with ASC (Air Sphere Coating), SSC (Super Spectra Coating), and Fluorine coatings for use in any environment and to prevent ghosting and flares.\u003c\/p\u003e    \u003cp\u003eFeatures\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eL-series hybrid lens featuring an iris ring for manual iris control during video capture\u003c\/li\u003e   \u003cli\u003eOptimized for video, a Nano USM is used for floating focus and a Voice Coil Motor (VCM) for rear focus for quiet independent or synchronized actuation at high speed\u003c\/li\u003e   \u003cli\u003eImproved durability and weather-resistant construction for use in harsh environments\u003c\/li\u003e   \u003cli\u003eMinimal focus breathing\u003c\/li\u003e   \u003cli\u003eAir Sphere Coating (ASC) helps significantly reduce lens ghosting and flare\u003c\/li\u003e   \u003cli\u003e2 UD elements to minimize chromatic aberration\u003c\/li\u003e   \u003cli\u003e2 aspheric lenses for edge-to-edge image quality\u003c\/li\u003e   \u003cli\u003eIncludes an attachable rear gel filter holder\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499264115005,"sku":"6710C005AA","price":26079.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/27f9c7e544bbdc53e4f0356a231ed6a9.png?v=1773555828"},{"product_id":"canon-eos-r1-full-frame-mirrorless-camera-body-only-1","title":"Canon EOS R1 Full-Frame Mirrorless Camera Body Only","description":"\u003cp\u003eSpeed, precision, and reliability, the \u003cstrong\u003eCanon EOS R1\u003c\/strong\u003e is built for photojournalists, sports photographers, wildlife shooters, and other image-makers who can't afford to miss the shot. The flagship of the EOS R line, this mirrorless camera sports a full-frame 24MP BSI stacked sensor, DIGIC Accelerator processing, next-gen Dual Pixel Intelligent AF, and the robust design expected from a professional workhorse.\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003cp\u003eStacked Sensor and DIGIC Accelerator\u003c\/p\u003e    \u003cp\u003e24.2MP Full-Frame Sensor and Continuous Shooting\u003c\/p\u003e    \u003cp\u003eAs a camera built for speed, the R1 sports a newly designed 24.2MP full-frame back-illuminated stacked sensor that offers impressively fast readout speeds and a staggering 40 fps top continuous shooting rate with an electronic shutter, along with blackout-free viewing and greatly reduced rolling shutter distortion. The back-illuminated design and new DIGIC Accelerator processing also help to produce high clarity and sharpness, native sensitivity up to ISO 102400, and utilize Neural Network Noise Reduction for especially clean files when working in low-light conditions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289673.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eContinuous and Pre-Continuous Shooting\u003c\/p\u003e    \u003cp\u003eFor continuous shooting applications, the 40 fps shooting rate can be used in conjunction with Pre-Continuous Shooting, which allows the camera to continuously pre-buffer 20 frames over a 0.5-second period while half-pressing the shutter, prior to fully pressing the shutter—helping to ensure you never miss the critical moment of action. The EOS R1 also has a mechanical shutter, which supports a top continuous shooting rate of 12 fps.\u003c\/p\u003e    \u003cp\u003eIn-Camera Upscaling\u003c\/p\u003e    \u003cp\u003eFor instances when 24MP isn't enough, DIGIC Accelerator processing now enables In-Camera Upscaling, which uses deep learning to double the number of pixels both horizontally and vertically in order to produce a separate 96MP image in about 10 seconds. This upscaling can be done after the original image is shot and can also be performed at the time of cropping images in camera, saving time compared to generating a 96MP image and then cropping it afterward.\u003c\/p\u003e    \u003cp\u003eDIGIC Accelerator and DIGIC X Processing\u003c\/p\u003e    \u003cp\u003eOne of the critical pieces that enables the EOS R1 to do everything is can do is the newly developed DIGIC Accelerator front-engine processor, which complements a proven DIGIC X processor. The DIGIC Accelerator is responsible for many of the continuous shooting, subject detection and tracking, and autofocus capabilities, allowing the DIGIC X to serve fully as an image processor. The combination of these two distinct processors enables the camera to better process huge volumes of data, perform simultaneous tasks at high speeds, and contributes to the quality and accuracy of deep learning features, like In-Camera Upscaling and Neural network Noise Reduction.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAuto-Exposure and Auto White Balance Modes use Deep Learning\u003c\/li\u003e   \u003cli\u003e6144-zone exposure metering for high accuracy in various lighting conditions\u003c\/li\u003e   \u003cli\u003eCoordinated Image Stabilization pairs IBIS with Lens-Based IS\u003c\/li\u003e   \u003cli\u003eSupports Anti-Flicker and High-Frequency Anti-Flicker shooting\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eSensor-Shift Image Stabilization\u003c\/p\u003e    \u003cp\u003eHelping keep both photos and video sharp and stable, the EOS R1 uses a well-rounded image stabilization system using three distinct methods: in-body sensor-shift, optical, and an independent Movie Digital IS system purpose-built for video.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289670.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe camera body's 5-axis sensor-shift system is compatible with all lenses and helps to lessen the effects of camera shake in a general sense, for sharper handheld shooting at slower shutter speeds.\u003c\/li\u003e   \u003cli\u003eWhen paired with an RF lens with image stabilization, Coordinated Control IS can deliver even more powerful stabilization, up to 8.5 stops of correction in the center of the frame and 7.5 stops of correction at the periphery.\u003c\/li\u003e   \u003cli\u003eFor video shooters, Movie Digital IS is an electronic stabilization system that helps suppress blur in peripheral areas to better enable recording video handheld.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289669.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eNext-Generation Autofocus\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289668.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDual Pixel Intelligent AF\u003c\/p\u003e    \u003cp\u003eBeyond speed, autofocus performance is the main calling card of a flagship camera. The R1's AF capabilities have been optimized to detect, track, and maintain critical focus on moving subjects, even when they are briefly obscured while shooting. This Dual Pixel system has been fine-tuned with numerous tracking features and usability assets to make it the most intelligent and intuitive focusing system in an EOS yet.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe sensor incorporates cross-type Dual Pixel AF for more responsive and accurate focusing performance, especially in scenes with an abundance of linear details, like with window blinds, brick or wooden plank walls, or other patterned backgrounds.\u003c\/li\u003e   \u003cli\u003eFocusing is possible down to -7.5 EV for photo and -5.5 EV for video for working in truly low-light conditions.\u003c\/li\u003e   \u003cli\u003eThe 4897-point phase-detection system can automatically recognize People, Animals (Dogs, Cats, Birds, and Horses), and Vehicles. This system also has Eye Detection, with the ability to prioritize the left or right eye.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eAction Priority + Subject Detection and Tracking\u003c\/p\u003e    \u003cp\u003eOne of the main benefits of the DIGIC Accelerator is a new focusing mode built specifically for photographing sports and action: Action Priority. This intelligent AF mode recognizes specific subjects movements and automatically moves the AF area to the player performing a detected motion, such as taking a shot, making a pass, jumping, and more.\u003cbr\u003e  \u003cbr\u003e  It currently recognizes Soccer, Basketball, and Volleyball activities and can analyze Ball, Joint, Torso, Action, and Head information for tracking. The mode can recognize specific subjects and uses this information in conjunction with recognized movements to determine where to focus in the scene while the action is unfolding.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAction Priority can be assigned to a custom function button for quick on\/off toggling.\u003c\/li\u003e   \u003cli\u003ePre-Registered Person Priority allows you to register up to 10 different people in-camera prior to photographing an event; this information is stored and used to prioritize who to focus on while the game or match is being played.\u003c\/li\u003e   \u003cli\u003eIntelligent subject recognition also helps to maintain sharp focus on the intended subject even when it's obscured or crossed by a secondary subject in the frame.\u003c\/li\u003e   \u003cli\u003eCan be used in conjunction with Pre-Continuous Shooting mode.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289674.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eEye Control AF\u003c\/p\u003e    \u003cp\u003eTaken from the EOS R3, the R1 also inherits the unique Eye Control AF method, which allows you to simply look where you want to focus and then have the AF Area automatically move there when you press the AF activation button. The R1 improves upon this tool, though, with 2x faster detection and a revised line-of-sight detection algorithm, as well as greater tolerances for different eyelid thicknesses, eyelash length, how the camera is held, and even if you wear eyeglasses.\u003c\/p\u003e    \u003cp\u003eProfessional Reliability and Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289675.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e9.44m-Dot OLED EVF and Rear LCD\u003c\/p\u003e    \u003cp\u003eDeemed the best viewfinder yet in an EOS R-series camera, the R1 sports an impressive 9.44m-dot OLED EVF with a massive 0.9x magnification for comfortable, clear, and bright eye-level viewing. The resolution and magnification suit a wide array of viewing conditions, and are ideal for glasses-wearing users, and the finder's optical design has also been upgraded for improved clarity. 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The grip also includes updated rubber that is more comfortable and provides greater traction while holding.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289672.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eLike the EOS R3 and EOS-1D X Mark III, the EOS R1 accepts the high-capacity LP-E19 lithium-ion battery as a reliable, long-running power source.\u003c\/li\u003e   \u003cli\u003eDual CFexpress Type B memory card slots support high-speed, high bit-rate recording modes as well as proxy recording and file type separation for an easier post-production workflow.\u003c\/li\u003e   \u003cli\u003eDual Shooting (still \u0026amp; movie) setting allows simultaneous capture of 17MP JPEG still images to one card while recording FHD 30p video to the other card with no interruption to the video.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eVersatile Connectivity\u003c\/p\u003e    \u003cp\u003eAs a professional workhorse, the R1 can easily be integrated into an existing workflow: connect to optional recorders, tether via ethernet, attach an external strobe, or offload files for FTP.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFull-size HDMI port for outputting video to an external recorder or monitor\u003c\/li\u003e   \u003cli\u003eUSB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging\u003c\/li\u003e   \u003cli\u003eEthernet port supports 2.5GBASE-T wired LAN connection for transferring files over FTP\u003c\/li\u003e   \u003cli\u003eMulti-Function Shoe, which features a row of pins at the front for greater accessory functionality and provides power to select accessory types that traditionally rely on separate batteries\u003c\/li\u003e   \u003cli\u003eSupports Wi-Fi 6E\/Wi-Fi 6 and Bluetooth Low Energy for wireless transferring and control as well as image.canon and Frame.io support\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eVideo Capabilities and Cinema EOS Integration\u003c\/p\u003e    \u003cp\u003e6K Raw and 4K Video\u003c\/p\u003e    \u003cp\u003eDespite its prowess as a camera for stills, the EOS R1 touts strong video capabilities and supports an integrated workflow with Cinema EOS shooters. 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The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e    \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePortrait mode—exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e   \u003cli\u003eSports mode—enhances capture of moving objects\u003c\/li\u003e   \u003cli\u003eLow-Light mode—enhances capture of bright images, even in dark places\u003c\/li\u003e   \u003cli\u003eSpotlight mode—enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWebcam via USB Connection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. 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The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e    \u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. 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Features to this lens include a lens construction that consists of a variety of special elements, having 11 elements in 8 groups to help reduce flare and ghosting, and to ensure a high degree of sharpness and clarity throughout the focal length range; a close focusing distance of 6m; a powerful STM that enables fast, smooth and a quiet focus.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e800mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/11\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/11\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e3° 5'\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e19.69' \/ 6 m\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e0.14x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e11 Elements in 8 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e95 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e4 x 11.1\" \/ 101.6 x 281.8 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e13.85\" \/ 351.79 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.77 lb \/ 1260 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e3.55 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e15 x 6.8 x 6.8\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499265884477,"sku":"3987C005AA","price":15649.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/8e8f29878add0d2c092fe279edf39564.png?v=1773556045"},{"product_id":"canon-rf-28-70mm-f2-8-is-stm-lens-1","title":"Canon RF 28-70mm F2.8 IS STM Lens","description":"\u003cp\u003eThe Everyday Do-Everything Lens\u003c\/p\u003e    \u003cp\u003eBlending a fast aperture, compact size, and versatile wide-to-short telephoto zoom range, the \u003cstrong\u003eCanon RF 28-70mm f\/2.8 IS USM Lens\u003c\/strong\u003e can be an everyday do-it-all lens for all types of content creators. 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Use Canon Log3, HLG, and PQ HDR for beautifully detailed images.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUSB Video Out\u003c\/strong\u003e\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eThanks to a USB-C video output, you no longer need an HDMI to USB adapter\u003c\/li\u003e   \u003cli\u003eUse the USB-C output to take advantage of all the XF605 features while using it as a webcam, boosting the image and audio quality of your streaming output\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003e\u003cstrong\u003eNew Touchscreen\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eGain intuitive touchscreen control, including start\/stop with the XF605's Direct Touch Control menu borrowed from the Canon C70 cinema camera.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCTM iPhone App\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eCanon's new iPhone CTM (content transfer mobile) app enables a truly mobile news workflow. Use the app to exchange proxy footage, audio, and metadata through your phone connection and a newsroom server and integrate content into assignment planning software.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eHDR-Compatible Viewing Options\u003c\/strong\u003e\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003eView your images simultaneously via the EVF (viewfinder) and fold-out LCD screen, and output via HDMI and SDI\u003c\/li\u003e   \u003cli\u003eHDR compatibility enables you to see finely nuanced images, even in darker and brightly lit areas.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003e\u003cstrong\u003e4-Channel Audio\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eA new multifunction shoe on the XF605 enables you to access up to four inputs on the XLR audio unit, perfect for capturing ambient sound plus one to three speakers.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eLightweight, Compact Form\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe compact XF605 is about 25% lighter and 10% smaller than the XF705, a difference you'll appreciate on long shoot days.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eWired Remote Control\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eUse the LANC-based RC-V100 to control your main camera functions and shading options. Use an NU (RS-422) controller like the RC-IP100 to control the XF605 and other cameras in your network.\u003c\/p\u003e    \u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e    \u003ch4\u003eFeatures\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e1\" CMOS Sensor, 4:2:2 10-Bit\u003c\/li\u003e   \u003cli\u003eH.265\/H.264 MP4 Format, XF-AVC\u003c\/li\u003e   \u003cli\u003eUHD 4K up to 60 fps, 1080p to 120 fps\u003c\/li\u003e   \u003cli\u003eiOS App | 15x Optical\/30x Digital Zoom\u003c\/li\u003e   \u003cli\u003eDual-Pixel CMOS Autofocus Feature\u003c\/li\u003e   \u003cli\u003eHDR Recording, Canon Log 3, Wide DR\u003c\/li\u003e   \u003cli\u003e12G-SDI, HDMI \u0026amp; USB-C Outputs\u003c\/li\u003e   \u003cli\u003eOptical \u0026amp; Digital Stabilization\u003c\/li\u003e   \u003cli\u003eFour XLR Inputs, 4-Channel LPCM Audio\u003c\/li\u003e   \u003cli\u003eDiscrete Focus, Iris, Zoom Lens Rings\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch3\u003eSpecs\u003c\/h3\u003e    \u003ch4\u003eSpecs\u003c\/h4\u003e    \u003ch5\u003eImaging\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eActual: 13.4 Megapixel (4268 x 3148)\u003cbr\u003e     Effective: 8.29 Megapixel (3840 x 2160)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Type\u003c\/td\u003e     \u003ctd\u003e1\"-Type CMOS Sensor\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e     Digital\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003eMechanical Filter Wheel with 2-Stop (1\/4), 4-Stop (1\/16), 6-Stop (1\/64) ND Filters\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eStills \u0026amp; Video\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eExposure Control\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Rolling Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1\/4 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Angle\u003c\/td\u003e     \u003ctd\u003e11 to 360°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensitivity\u003c\/td\u003e     \u003ctd\u003ef\/12 at 2000 lux\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Illumination\u003c\/td\u003e     \u003ctd\u003e1.5 Lux at 1\/30 Shutter Speed\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eLens\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e8.3 to 124.5mm (35mm Equivalent Focal Length: 25.5 to 382.5mm)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e     \u003ctd\u003e15x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMax Digital Zoom\u003c\/td\u003e     \u003ctd\u003e30x ( in 1080p)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/4.5\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e18 Elements in 14 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003eEntire Zoom Range: 2.0' \/ 60.0 cm\u003cbr\u003e     Wide: 0.4\" \/ 1.0 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e58 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eControl Rings\u003c\/td\u003e     \u003ctd\u003eFocus\u003cbr\u003e     Zoom\u003cbr\u003e     Iris\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Control\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003cbr\u003e     Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eVideo Capture\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eMXF\/XF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 from 1 to 59.94 fps [160 to 410 Mb\/s]\u003cbr\u003e     1920 x 1080p from 1 to 59.94\/90\/ fps [50 to 310 Mb\/s]\u003cbr\u003e     1920 x 1080i at 50\/59.94 fps [50 to 160 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps\u003cbr\u003e     \u003cstrong\u003eH.265\/MP4 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 from 1 to 59.94 fps [135 to 225 Mb\/s]\u003cbr\u003e     1920 x 1080p from 1 to 59.94\/90\/ fps [50 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps [12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.265\/MP4 4:2:0 10-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 from 1 to 59.94 fps [100 to 170 Mb\/s]\u003cbr\u003e     1920 x 1080p from 1 to 59.94\/90\/ fps [35 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps [9 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eH.264\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 from 1 to 59.94 fps [150 Mb\/s]\u003cbr\u003e     1920 x 1080p from 1 to 59.94\/90\/ fps [35 Mb\/s]\u003cbr\u003e     1280 x 720 at 23.98\/25\/29.97\/50\/59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eSDI\/BNC\u003c\/strong\u003e\u003cbr\u003e     UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGamma Curve\u003c\/td\u003e     \u003ctd\u003eCanon Log 3, HDR-HLG\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003e2-Channel 16-Bit 48 kHz AAC Audio\u003cbr\u003e     4-Channel 24-Bit 48 kHz LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eMPEG2\u003c\/strong\u003e\u003cbr\u003e     1920 x 1080 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.0 Mb\/s)\u003cbr\u003e     1920 x 1080 at 50i, 59.94i (4.0 to 9.0 Mb\/s)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eInterface\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eSlot 1: SD\/SDHC\/SDXC\u003cbr\u003e     Slot 2: SD\/SDHC\/SDXC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eHDMI 2.0 Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (12G-SDI) Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eBarrel (24VDC) Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-A Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Genlock, Sync) Input\/Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (Timecode) Input\/Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e2.5 mm Sub-Mini Control\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eD-Sub 8-Pin Control\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eRJ45 (LAN) Input\/Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e2.4 \/ 5 GHz MIMO Wi-Fi Video Output, Audio Output, Control\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eMonitor\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.45\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eViewfinder\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eRemovable Electronic (OLED)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eFocus\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eEnvironmental\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e0 to 85%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ch5\u003eGeneral\u003c\/h5\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-A Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Consumption\u003c\/td\u003e     \u003ctd\u003e21.5 W\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e1\/4\"-20 Female\u003cbr\u003e     3\/8\"-16 Female\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mount\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eCold Shoe Mount\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eIntelligent Hot Shoe\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Video Light\u003c\/td\u003e     \u003ctd\u003eYes (Infrared)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e15.2 x 8.6 x 8.3\" \/ 385 x 219 x 210 mm (With Protrusions)\u003cbr\u003e     13.1 x 6.8 x 6.6\" \/ 333 x 173 x 168 mm (Without Protrusions)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     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The ATEM Mini Extreme also adds a headphone output.\u003c\/p\u003e    \u003ch4\u003eBroadcast Features\u003c\/h4\u003e    \u003cp\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/p\u003e    \u003ch3\u003ekey features\u003c\/h3\u003e    \u003ch4\u003eFeatures\u003c\/h4\u003e    \u003cul\u003e   \u003cli\u003e8-Channel HDMI Live Streaming Switcher\u003c\/li\u003e   \u003cli\u003eSupports up to 1080p60\u003c\/li\u003e   \u003cli\u003eRTMP Streaming via Ethernet or USB-C\u003c\/li\u003e   \u003cli\u003eRecord Program Out\u003c\/li\u003e   \u003cli\u003e11-Input, 2-Channel Audio Mixer\u003c\/li\u003e   \u003cli\u003eInput Frame Rate and Format Converter\u003c\/li\u003e   \u003cli\u003eRe-Sync on All HDMI Inputs\u003c\/li\u003e   \u003cli\u003eHD Multiview Output with up to 16 Views\u003c\/li\u003e   \u003cli\u003eLocal and Software Switching\u003c\/li\u003e   \u003cli\u003e4 x Upstream, 2 x Downstream Keyers\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273257277,"sku":"BLA-SWATEMMINICEXT","price":20722.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7c5f686e0ff964f7bfa0971c56c93666.png?v=1773556923"},{"product_id":"blackmagic-design-atem-mini-pro-1","title":"Blackmagic Design ATEM Mini Pro","description":"\u003cp\u003eSimilar to its predecessor, the ATEM Mini, the \u003cstrong\u003eATEM Mini Pro\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet or broadcast applications from gaming consoles, corporate computer streams, or HD cameras. Along with the software control update, the Mini Pro builds on the Mini with features such as live stream data rate and status information, a built-in hardware encoder, simultaneous recording to USB drives, drive hot swapping with the Blackmagic MultiDock, added record and stream buttons, stream caching, a timecode generator, program preview multiview, tally support, and support for Blackmagic Design Pocket Cinema Camera 6K and 4K to utilize as your broadcast sources.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro retains the same rear-panel setup on which four HDMI inputs are available on the rear of the chassis and they input up to 1080p HD video. There is also an HDMI output for a projector or multiview monitoring, a USB Type-C output as for recording HD video to a computer, and an RJ45 10\/100\/1000 Ethernet port for direct live streaming as well as system management, remote control, and upgrades. You can adjust frame rate depending on the quality of your stream, and there is no need for additional streaming software because the Pro includes a built-in hardware encoder.\u003cbr\u003e  \u003cbr\u003e  The updated ATEM Software Control Panel is used for control and configuration of the ATEM Mini Pro via USB Type-C or Ethernet, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. The built-in color control panel has the same configuration of DaVinci Resolve, eliminating any learning curve. Advanced features include the ability for engineers to upload an XML configuration file to make it easier to change all your settings at once.\u003cbr\u003e  \u003cbr\u003e  The control surface features the same easy-to-view, backlit control buttons to enable selecting camera inputs, controlling transitions, keyers, settings, and the DVE. The ATEM Mini Pro adds several buttons to the right side such as a quick record button, which allows you to instantly record your live stream to the connected USB source, or by holding it down, you can hot-swap drives when using the Blackmagic MultiDock if you need to quickly get down to editing. On Air and Stream buttons have also been added to instantly start and stop your stream once it is set up in software control. The added Video Out buttons on the right side allow you to select a program preview for each source, so you can make sure each source is ready to go for air.\u003c\/p\u003e    \u003cp\u003eThe ATEM Mini Pro features the same upstream and downstream keyers, an advanced chroma keyer, two linear\/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499273322813,"sku":"BLA-SWATEMMINIBPR","price":5831.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cecdbe639492dfdd68a2701207ed3fe5.png?v=1773556937"},{"product_id":"canon-cr-n100-4k-ptz-camera-black-1","title":"Canon CR-N100 4K PTZ Camera (black)","description":"\u003cp\u003eClarity and Control\u003c\/p\u003e    \u003cp\u003eAdd remotely controlled cameras to your production for operation with minimal crew and a high-resolution output, the satin black \u003cstrong\u003eCR-N100 4K NDI PTZ Camera with 20x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe CR-N100 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, optical image stabilization, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX and SRT support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079852.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e1\/2.3\" CMOS Sensor\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079859.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N100 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eCanon's DIGIC DV 6 Image Processor is essential in providing high image quality, advanced performance and convenient operability to the CR-N100. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003eOversampling HD Processing\u003c\/p\u003e    \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N100.\u003c\/p\u003e    \u003cp\u003eCanon 4K UHD Lens\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079861.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N100 features a 20x optical zoom lens and exhibits a wide horizontal viewing angle of 65.6°. At the wide end, the 29.3mm lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for impressive wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe lens structure of the CR-N100 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e    \u003cp\u003eHybrid AF\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079846.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N100 is equipped with \"Hybrid AF\", an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e    \u003cp\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079854.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N100 features a PT (Pan, Tilt) drive mechanism that enables multi-step speed changes from high to low speeds, providing smooth PT in tandem with the zoom. This can be linked with optional remote controllers and applications to support many kinds of video production with a single operator. The CR-N100 has a variable Pan speed of .2 to 300°\/second and variable Tilt speed of .2 to 180°\/second.\u003c\/p\u003e    \u003cp\u003eTally Lamp\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079869.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N100 is equipped with a tally lamp located on the front of the lens section that can illuminate red when the camera is shooting. This provides clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e    \u003cp\u003eFour Scene Modes for Impressive Video\u003c\/p\u003e    \u003cp\u003eThe CR-N100 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePortrait mode: exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e   \u003cli\u003eSports mode: enhances capture of moving objects\u003c\/li\u003e   \u003cli\u003eLow-Light mode: enhances capture of bright images, even in dark places\u003c\/li\u003e   \u003cli\u003eSpotlight mode: enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e    \u003cp\u003eBuilt-in NDI|HX and SRT Support\u003c\/p\u003e    \u003cp\u003eThe CR-N100 supports multiple professional protocols for ease of integration. NDI|HX is built-in to the camera and provides high image quality, low latency, and ease of implementation. SRT is also built-in to the camera that helps provide high-quality video over unpredictable public networks.\u003c\/p\u003e    \u003cp\u003eWebcam via USB Connection\u003c\/p\u003e    \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. The software has many advantages such as, automatic camera detection, up to 4K 30P video output, embedded audio (AAC-LC), supports up to five cameras and is free of charge.\u003c\/p\u003e    \u003cp\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079871.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe XC Protocol is an IP protocol that controls Canon video production equipment. With XC Protocol, the CR-N100 can be remotely controlled to support a wide range of applications, which includes sports, music, live events, lecture recording, corporate meeting rooms, video production, and more.\u003c\/p\u003e    \u003cp\u003eStandard Protocol\u003c\/p\u003e    \u003cp\u003eThe CR-N100 supports the Standard Protocol to remotely control the camera via IP. When connecting a Standard Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing an optional remote controller.\u003c\/p\u003e    \u003cp\u003eVarious Interfaces Supported\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2079863.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe IP output and HDMI output are suitable when capturing UHD 4K at 30pThe CR-N100 comes with an infrared remote control which can be used to control a variety of camera functions including PTZ, presets, speed, focus, standby mode, etc.\u003c\/li\u003e   \u003cli\u003eThe CR-N100 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.\u003c\/li\u003e   \u003cli\u003eThe serial terminal RS-422 can be utilized to connect third party supported controllers that support the standard protocol communication. or full HD resolutions at 59.94p. The USB output is capable of full HD resolution for high quality web conferencing.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eHigh-Quality Audio Input\/Output\u003c\/p\u003e    \u003cp\u003eThe CR-N100 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e    \u003cp\u003eRemote Camera Control Application\u003c\/p\u003e    \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N100. The Remote Camera Control Application is a Windows \/ Macintosh application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time - achieving a \"multi-camera operation\".\u003c\/p\u003e    \u003cp\u003eWebcam Driver\u003c\/p\u003e    \u003cp\u003eTurn the CR-N100 into a super webcam with Canon's Webcam Driver. The Webcam Driver is a virtual USB driver that allows the CR-N100 to be used as a powerful webcam over a network. 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The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eThere are four types of Scene Modes:\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePortrait mode—exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e   \u003cli\u003eSports mode—enhances capture of moving objects\u003c\/li\u003e   \u003cli\u003eLow-Light mode—enhances capture of bright images, even in dark places\u003c\/li\u003e   \u003cli\u003eSpotlight mode—enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWebcam via USB Connection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0), which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003c\/p\u003e    \u003cp\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e    \u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. 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With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e    \u003cp\u003eBy constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports the standard VISCA protocol to remotely control the camera via IP. When connecting a VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003c\/p\u003e    \u003cp\u003eThe standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N300 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting the XC Protocol, the CR-N300 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture capture, corporate video production, and more.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 can be controlled by IP, infrared, USB, and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image-quality video at 59.94p. The USB output is capable of full HD resolution for high-quality web conferencing.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eHigh-Quality Audio Input\/Output\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAll New Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a \"multi-camera operation\".\u003c\/p\u003e    \u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance, making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281056061,"sku":"5157C004AB","price":39119.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/03b08d36f784bc78c8f384aaa8aba1ec.png?v=1773558549"},{"product_id":"canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-satin-black","title":"Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom (Satin Black)","description":"\u003cp\u003eIf you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew, and you need more accurate camera-matching than a traditional PTZ camera, the satin black \u003cstrong\u003eCR-N500 Professional 4K NDI PTZ Camera with 15x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production. The CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that postproduction camera matching and color correction is made easy.\u003c\/p\u003e    \u003cp\u003eThe CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1\" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR \/ 3.5mm microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1\/4, 1\/16, and 1\/64 options.\u003c\/p\u003e    \u003cp\u003eWhere the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP\/RTMP\/RTSP streaming output.\u003c\/p\u003e    \u003cp\u003eThe camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports  wide dynamic range, minimum brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 25.5 to 382.5mm. The camera can utilize an external controller via RS-422 or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e1\" CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features a Canon 1\" 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions.\u003cbr\u003e  \u003cbr\u003e  The 1\" sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon's DPAF tracks and keeps subjects in sharp focus. The CR-N500's DIG!C DV 6 imaging processor drives the high sensitivity (1.5 lux) and low-noise performance of the camera yielding amazing imagery in a variety of shooting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon DIG!C DV6 Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eDual-Pixel CMOS AF is Canon's breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual-Pixel CMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning, or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel Focus Guide\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUtilizing information from Dual-Pixel CMOS AF, Dual-Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly and innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFace Detection and Tracking\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection and Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority and Face Only). Face Priority will track a face within the scene; when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene; if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject, allowing the operator to focus on composition while the camera handles focus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon UHD 4K Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73° (horizontal). At the wide end, the 25.5mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities: 1\/4, 1\/16, and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOptical-Shift Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition, full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmooth and Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speed to desired preference to allow for smooth PT movement. The CR-N500 exhibits a variable pan and tilt speed of 0.1 to 100°\/second.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 3 Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800% \/ 13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003cbr\u003e  \u003cbr\u003e  Log shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions. Canon Log 3 is a gamma considering a simple grading by tightening the dark area to arrange the gradation, which retains the ease of use of Canon Log making the noise less visible.\u003cbr\u003e  \u003cbr\u003e  Shooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWide DR Gamma Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports Wide DR Gamma for natural and realistic-looking images that faithfully represent the scene at hand. Wide DR Gamma achieves a dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with Six Image-Quality Modes\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with the acclaimed image quality modes for high-end video production. There are six preset image modes to choose from, each preset contains specific gamma, color space, and color matrix parameters. Apart from the preset image-quality mode, adjusting and combining the gamma, color space, and color matrix make it possible to adjust to the intended image look.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with a Variety of Image-Quality Adjustment Functions\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features the Image-Quality Adjustment function (Custom Picture) which is acclaimed for high-end video production. The Image-Quality Adjustment function of the CR-N500 is similar to Canon's XF705 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects, according to the intention of direction. This function makes it possible for content creators to match the image capture of other cameras in a production, resulting in a match of image output.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N500 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N500 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N500. The CR-N500 can also be combined with third-party equipment for control purposes. This IP system can help contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the Standard VISCA Protocol to remotely control the camera via IP. When connecting a standard VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003cbr\u003e  \u003cbr\u003e  The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N500 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSupport for Canon XC protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon's video production equipment. By supporting the XC Protocol, the CR-N500 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with three output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94p.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e2-Channel XLR Audio\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 offers a variety of ways to record high-quality audio through two XLR terminals, and internal stereo mini-jack mic terminal.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eStandard Serial RS-422\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with a serial terminal RS-422 which can be utilized to connect third-party supported controllers that support the standard VISCA protocol communication.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOne-Person Operation\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 can be controlled by IP, infrared, and Wi-Fi. Canon's hardware controller, the RC-IP100, is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N500 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAll-New Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N500 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section, and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to the IP interface, the CR-N500 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N500 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N500 within an existing network infrastructure. Furthermore, the CR-N500 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N500. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a multi-camera operation.\u003cbr\u003e  \u003cbr\u003e  At a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281088829,"sku":"4839C003AA","price":82599.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a619e07f785ab613b1b8d88e5edd724e.png?v=1773558568"},{"product_id":"canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-titanium-white","title":"Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom (Titanium White)","description":"\u003cp\u003eIf you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew, and you need more accurate camera-matching than a traditional PTZ camera, the titanium white \u003cstrong\u003eCR-N500 Professional 4K NDI PTZ Camera with 15x Zoom\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production. The CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that postproduction camera matching and color correction is made easy.\u003c\/p\u003e    \u003cp\u003eThe CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1\" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR \/ 3.5mm microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1\/4, 1\/16, and 1\/64 options.\u003c\/p\u003e    \u003cp\u003eWhere the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP\/RTMP\/RTSP streaming output.\u003c\/p\u003e    \u003cp\u003eThe camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports  wide dynamic range, minimum brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 25.5 to 382.5mm. The camera can utilize an external controller via RS-422 or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e1\" CMOS Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features a Canon 1\" 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions.\u003cbr\u003e  \u003cbr\u003e  The 1\" sensor allows for larger photosites compared to smaller-sized sensors found in other PTZ cameras, resulting in stunning images with less noise in low-light situations. The large sensor also exhibits a shallow depth of field at large apertures, producing blurred backgrounds in images, while Canon's DPAF tracks and keeps subjects in sharp focus. The CR-N500's DIG!C DV 6 imaging processor drives the high sensitivity (1.5 lux) and low-noise performance of the camera yielding amazing imagery in a variety of shooting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon DIG!C DV6 Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel CMOS AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eDual-Pixel CMOS AF is Canon's breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual-Pixel CMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning, or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eDual-Pixel Focus Guide\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eUtilizing information from Dual-Pixel CMOS AF, Dual-Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly and innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFace Detection and Tracking\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection and Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority and Face Only). Face Priority will track a face within the scene; when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene; if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject, allowing the operator to focus on composition while the camera handles focus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon UHD 4K Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73° (horizontal). At the wide end, the 25.5mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities: 1\/4, 1\/16, and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOptical-Shift Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition, full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmooth and Responsive Pan and Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speed to desired preference to allow for smooth PT movement. The CR-N500 exhibits a variable pan and tilt speed of 0.1 to 100°\/second.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon Log 3 Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800% \/ 13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003cbr\u003e  \u003cbr\u003e  Log shooting is particularly effective for constantly shifting shooting sites such as unscripted productions and documentaries or sites with rapidly changing lighting conditions. Canon Log 3 is a gamma considering a simple grading by tightening the dark area to arrange the gradation, which retains the ease of use of Canon Log making the noise less visible.\u003cbr\u003e  \u003cbr\u003e  Shooting in log allows the CR-N500 to more easily match the color and look of other cameras, especially those also shooting in log. This helps provide a more consistent look across the entire production.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWide DR Gamma Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports Wide DR Gamma for natural and realistic-looking images that faithfully represent the scene at hand. Wide DR Gamma achieves a dynamic range of 800% to produce almost seamless tone gradations, resulting in smooth detail and virtually no blown-out highlights.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with Six Image-Quality Modes\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with the acclaimed image quality modes for high-end video production. There are six preset image modes to choose from, each preset contains specific gamma, color space, and color matrix parameters. Apart from the preset image-quality mode, adjusting and combining the gamma, color space, and color matrix make it possible to adjust to the intended image look.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with a Variety of Image-Quality Adjustment Functions\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 features the Image-Quality Adjustment function (Custom Picture) which is acclaimed for high-end video production. The Image-Quality Adjustment function of the CR-N500 is similar to Canon's XF705 and Cinema EOS System, which allows users to adjust the picture settings to adapt to the shooting conditions or add effects, according to the intention of direction. This function makes it possible for content creators to match the image capture of other cameras in a production, resulting in a match of image output.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N500 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N500 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N500. The CR-N500 can also be combined with third-party equipment for control purposes. This IP system can help contribute to an efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRTMP Streaming Protocol Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eStandard VISCA Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the Standard VISCA Protocol to remotely control the camera via IP. When connecting a standard VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.\u003cbr\u003e  \u003cbr\u003e  The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N500 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSupport for Canon XC protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon's video production equipment. By supporting the XC Protocol, the CR-N500 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with three output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94p.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eGenlock\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with Genlock to allow for sync with other systems in multi-camera environments.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e2-Channel XLR Audio\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 offers a variety of ways to record high-quality audio through two XLR terminals, and internal stereo mini-jack mic terminal.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eStandard Serial RS-422\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with a serial terminal RS-422 which can be utilized to connect third-party supported controllers that support the standard VISCA protocol communication.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOne-Person Operation\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 can be controlled by IP, infrared, and Wi-Fi. Canon's hardware controller, the RC-IP100, is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N500 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAll-New Design\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N500 is available in two different colors, Satin Black and Titanium White.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEquipped with Tally Lamps\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section, and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWireless Remote Controls Supported\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to the IP interface, the CR-N500 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N500 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N500 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N500 within an existing network infrastructure. Furthermore, the CR-N500 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eRemote Camera Control Application\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Remote Camera Control Application can be utilized to control the CR-N500. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a multi-camera operation.\u003cbr\u003e  \u003cbr\u003e  At a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499281121597,"sku":"4839C004AA","price":82599.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/443746b158b26a75f7589e88d71b1b00.png?v=1773558584"},{"product_id":"canon-cr-n700wh-ptz-camera","title":"Canon CR-N700(WH) PTZ Camera","description":"\u003cp\u003eCapture exceptional 4K imaging in a PTZ form using the titanium white \u003cstrong\u003eCR-N700 4K PTZ Camera\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. Ideal for high-end broadcast, TV studio, and live event use, the compact CR-N700 supports up to UHD 4K60p 4:2:2 10-bit HDR video. The CR-N700 shares several features with high-resolution, cine-style Canon cameras like a 1\" type CMOS sensor, a Canon DIG!C DV7 image processor, Dual Pixel CMOS AF with EOS iTR AF X (autofocus), and a 15x optical\/20x digital zoom with a 30x Advanced Zoom in HD.\u003c\/p\u003e    \u003cp\u003eThe CR-N700 PTZ camera's additional features include \"deep learning\" auto focus, 12G-SDI connectivity, flexible connectivity, and compatibility with multiple streaming and control protocols. Region of interest (ROI) crop capabilities enable you to highlight areas within your 4K image.\u003c\/p\u003e    \u003cp\u003e1\" CMOS Sensor\u003c\/p\u003e    \u003cp\u003eThe CR-N700 features a Canon 1\" 4K CMOS image sensor that supports up to 4K60p 4:2:2 10-bit HDR image quality.\u003c\/p\u003e    \u003cp\u003eCanon DIG!C DV7 Processor\u003c\/p\u003e    \u003cp\u003eIncorporates Canon's DIG!C DV7 Image Processor for high image quality, advanced performance, and convenient operability. 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Featuring a 32.5MP CMOS sensor and DIGIC X processing, this sleek powerhouse is capable of high-speed 30 fps shooting for sports and wildlife and features the renowned Dual Pixel CMOS AF II focusing system to keep up with and track fast-moving subjects. And, for the multimedia image-maker, 4K video is supported at up to 60p, or 30p when oversampled from a 7K area, as well as Full HD at up to 120 fps.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e32.5MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760345.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e    \u003cp\u003eBalancing resolution, speed, and low-light performance, the 32.5MP APS-C CMOS sensor is a versatile chip perfect for both photo and video applications. As one of the first APS-C sensors in the EOS R system, the R7's high-resolution design benefits photographers as well as 4K video by providing a 7K area for oversampling footage, which yields improved sharpness and quality.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760346.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDIGIC X Processor\u003c\/p\u003e    \u003cp\u003eBorrowed from the R3, the R7 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from quick continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R7 supports up to 30 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760349.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e    \u003cp\u003eBeyond stills, the R7's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 7K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e  \u003cbr\u003e  HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 4K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R7 features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e    \u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760347.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e    \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -5 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760348.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSensor-Shift Image Stabilizer\u003c\/p\u003e    \u003cp\u003eAn In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use.\u003c\/p\u003e    \u003cp\u003eBody Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760350.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e2.36m-Dot EVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e    \u003cp\u003eA bright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 1.15x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003cbr\u003e  \u003cbr\u003e  In addition to the EVF, a 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.62m-dot resolution allows for vivid playback and live view monitoring.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760352.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eReliable and Intuitive Construction\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eReferencing the professional-grade EOS R3, the R7 is modeled after its robust physical design and sports a dust- and moisture-sealed body construction that's suitable for working in inclement conditions.\u003c\/li\u003e   \u003cli\u003eRedesigned rear controls include a combined AF point selector and rear control wheel, which puts two of the most oft-used controls in a single intuitive-to-reach spot.\u003c\/li\u003e   \u003cli\u003eDual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760351.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Connectivity\u003c\/p\u003e    \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. 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Adept in both photo and video worlds, the R10 brings an APS-C sensor to the R system, along with high-speed shooting, intelligent AF, and impressive 4K video recording to complement a multimedia workflow.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760425.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eAPS-C Comes to EOS R\u003c\/p\u003e    \u003cp\u003eSitting at a sweet-spot in terms of resolution, the 24.2MP APS-C CMOS sensor strikes a fine balance between resolution, file size, speed, and low-light performance. 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The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760429.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e    \u003cp\u003eBeyond stills, the R10's sensor also offers high-res UHD 4K 8-bit recording, with the ability to record at up to 60p using a cropped portion of the sensor or at 30p when using an oversampled 6K recording area for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution.\u003cbr\u003e  \u003cbr\u003e  HDR-PQ recording is possible, too, for in-camera HDR production in 10-bit and external recording, via the micro-HDMI port, which supports a clean 4K output. Also, unlimited recording times are possible, too, and the R10 features an external microphone port as well as a multi-function shoe for wide accessories compatibility.\u003c\/p\u003e    \u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760423.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCarried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -4 EV for accurate focusing even in nighttime conditions.\u003c\/p\u003e    \u003cp\u003eBody Design\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760427.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eIntuitive Construction\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 0.95x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal.\u003c\/li\u003e   \u003cli\u003eA 3.0\" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.04m-dot resolution allows for vivid playback and live view monitoring.\u003c\/li\u003e   \u003cli\u003eSingle SD memory card slot is rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1760426.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Connectivity\u003c\/p\u003e    \u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C port along and a micro-HDMI port, as well as a 3.5mm microphone port to benefit video recording. 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With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.\u003c\/div\u003e    \u003cdiv\u003e  \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThe R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG\/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi\/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress\/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCommon Features \u0026amp; Technology as the EOS R5\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eCanon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.  \u003cul\u003e   \u003cli\u003eFocus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps\u003c\/li\u003e   \u003cli\u003eDual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects\u003c\/li\u003e   \u003cli\u003eWith 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF\u003c\/li\u003e   \u003cli\u003eFor those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles\u003c\/li\u003e   \u003cli\u003eConnectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eVideo Control for the Dedicated Video Professional\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eAs soon as the EOS R5 C's main switch is moved to the \"video\" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During \"photo\" operation, menus are nearly the same as they are on the EOS R5 camera.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eErgonomic EOS Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eThe EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.\u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eCMOS Sensor and DIGIC X Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eThe 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. 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\u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMetering Method\u003c\/td\u003e     \u003ctd\u003eCenter-Weighted Average, Evaluative, Partial, Spot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExposure Modes\u003c\/td\u003e     \u003ctd\u003eAperture Priority, Manual, Program, Shutter Priority\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExposure Compensation\u003c\/td\u003e     \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMetering Range\u003c\/td\u003e     \u003ctd\u003e-3 to 20 EV\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e0 to 0K\u003cbr\u003e     \u003cstrong\u003ePresets: \u003c\/strong\u003eAuto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eContinuous Shooting\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eMechanical Shutter\u003c\/strong\u003e\u003cbr\u003e     Up to 12 fps at 45 MP for up to 180 Frames (Raw) \/ 350 Frames (JPEG)\u003cbr\u003e     \u003cstrong\u003eElectronic Shutter\u003c\/strong\u003e\u003cbr\u003e     Up to 20 fps at 45 MP for up to 83 Frames (Raw) \/ 170 Frames (JPEG)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eInterval Recording\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSelf-Timer\u003c\/td\u003e     \u003ctd\u003e2\/10-Second Delay\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eRaw 12-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [2600 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-Intra\/AVC-LongG\/XF-AVC 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/100\/120 fps [160 to 810 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/25\/29.97\/50\/59.94\/120 fps [50 to 310 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-LongG\/MP4 4:2:2 10-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 8K (8192 x 4320) at 23.98\/24.00\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e     UHD 8K (7680 x 4320) at 23.98\/25\/29.97 fps [400 to 540 Mb\/s]\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/100\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eAVC-LongG\/MP4 4:2:0 8-Bit\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94\/120 fps [100 to 225 Mb\/s]\u003cbr\u003e     UHD 4K (3840 x 2160) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [100 to 225 Mb\/s]\u003cbr\u003e     DCI 2K (2048 x 1080) at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/50\/59.94 fps [35 to 50 Mb\/s]\u003cbr\u003e     1280 x 720 at 50\/59.94 fps [8 to 12 Mb\/s]\u003cbr\u003e     \u003cstrong\u003eRaw\/Cinema RAW Light\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [1030 to 2570 Mb\/s]\u003cbr\u003e     5952 x 3140 at 23.98\/24.00\/29.97\/50\/59.94 fps [544 to 1360 Mb\/s]\u003cbr\u003e     2976 x 1570 at 23.98\/24.00\/25\/29.97\/50\/59.94 fps [138 to 344 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e4:2:2 10-Bit via HDMI\u003c\/strong\u003e\u003cbr\u003e     DCI 4K (4096 x 2160) up to 59.94 fps\u003cbr\u003e     UHD 4K (3840 x 2160) up to 59.94 fps\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Crop Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eSuper35 \/ APS-C\u003c\/strong\u003e\u003cbr\u003e     5952 x 3184\u003cbr\u003e     4096 x 2160\u003cbr\u003e     3840 x 2160\u003cbr\u003e     \u003cstrong\u003eSuper16\u003c\/strong\u003e\u003cbr\u003e     2976 x 1570\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGamma Curve\u003c\/td\u003e     \u003ctd\u003eCanon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\/PAL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eStill Image Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sizes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5088 x 3392\u003cbr\u003e     \u003cstrong\u003e3:2 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 5464\u003cbr\u003e     5808 x 3872\u003cbr\u003e     4176 x 2784\u003cbr\u003e     2400 x 1600\u003cbr\u003e     \u003cstrong\u003e4:3 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     7280 x 5464\u003cbr\u003e     5152 x 3872\u003cbr\u003e     3715 x 2784\u003cbr\u003e     2112 x 1600\u003cbr\u003e     \u003cstrong\u003e16:9 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     8192 x 4608\u003cbr\u003e     5808 x 3264\u003cbr\u003e     4176 x 2344\u003cbr\u003e     2400 x 1344\u003cbr\u003e     \u003cstrong\u003e1:1 JPEG \/ Raw\u003c\/strong\u003e\u003cbr\u003e     5456 x 5456\u003cbr\u003e     3872 x 3872\u003cbr\u003e     2784 x 2784\u003cbr\u003e     1600 x 1600\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAspect Ratio\u003c\/td\u003e     \u003ctd\u003e1:1, 3:2, 4:3, 16:9\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage File Format\u003c\/td\u003e     \u003ctd\u003eC-RAW, HEIF, JPEG, Raw\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBit Depth\u003c\/td\u003e     \u003ctd\u003e14-Bit\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eSlot 1: CFexpress Type B\u003cbr\u003e     Slot 2: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMicro-HDMI Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Mic\/Line Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (9VDC at 3 A) Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C (USB 3.2 \/ 3.1 Gen 2) (Shared with Power Input)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003eBluetooth Control\u003cbr\u003e     2.4 \/ 5 GHz Wi-Fi (802.11b\/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) Video Output, Control\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.2\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,100,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eFree-Angle Tilting Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (OLED)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e5,790,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eEye Point\u003c\/td\u003e     \u003ctd\u003e23 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCoverage\u003c\/td\u003e     \u003ctd\u003e100%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMagnification\u003c\/td\u003e     \u003ctd\u003eApprox. 0.76x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiopter Adjustment\u003c\/td\u003e     \u003ctd\u003e-4 to +2\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eContinuous-Servo AF, Manual Focus, Single-Servo AF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Points\u003c\/td\u003e     \u003ctd\u003ePhase Detection: 1053\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAutofocus Sensitivity\u003c\/td\u003e     \u003ctd\u003e-6 to +20 EV\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Flash\/Light\u003c\/td\u003e     \u003ctd\u003eNo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Sync Speed\u003c\/td\u003e     \u003ctd\u003e1\/250 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFlash Compensation\u003c\/td\u003e     \u003ctd\u003e-3 to +3 EV (1\/3, 1\/2 EV Steps)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDedicated Flash System\u003c\/td\u003e     \u003ctd\u003eeTTL\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eExternal Flash Connection\u003c\/td\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e0 to 85%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon LP-E6N\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003e1\/4\"-20 Female (Bottom)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cstrong\u003e1 x\u003c\/strong\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e5.6 x 4 x 4.4\" \/ 142.2 x 101.6 x 111.8 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.5 lb \/ 680 g (Body Only)\u003cbr\u003e     1.7 lb \/ 770 g (With Battery, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e3.205 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e9.7 x 7.8 x 7.5\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e  \u003c\/div\u003e    \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499322671421,"sku":"5077C003AA","price":43475.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b12b42084101c428ced5a3f578ad3913.png?v=1773561099"},{"product_id":"canon-eos-r50-content-creator-kit-1","title":"Canon EOS R50 Content Creator Kit.","description":"\u003cp\u003eBringing together the mobile versatility of the EOS R50 mirrorless camera with a lens, shotgun microphone, and tripod grip, the \u003cstrong\u003eEOS R50 Content Creator Kit\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a starter's bundle tailored for vloggers, videographers, and visionaries who are keen to record their world in high-quality detail. The heart of this kit is the EOS R50 camera, offering an inviting blend of simplicity and performance in a compact, lightweight body that makes on-the-go content creation an intuitive process. The compact and retractable RF-S 18-45mm f\/4.5-6.3 IS STM won't monopolize your camera bag, leaving room for the Tripod Grip HG-100BTR, which provides stability and clarity for both photos and videos, and the Stereo Microphone DM-E100, a shoe-mounted directional microphone that provides detailed audio for your podcasts, vlogs, and other videos.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon EOS R50 Mirrorless Camera (Black)\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eA compact and lightweight camera, the black \u003cstrong\u003eCanon EOS R50\u003c\/strong\u003e is a highly versatile mirrorless camera with a sophisticated photo and video feature set. Geared towards content creators and vloggers, this camera is slightly smaller and lighter than the EOS M50 Mark II and features an upgraded 24.2MP APS-C CMOS sensor and DIGIC X image processor to deliver high-resolution stills and UHD 4K videos.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e24.2MP APS-C CMOS Sensor and DIGIC X Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003ePairing a powerful 24.2MP APS-C CMOS sensor and DIGIC X image processor, the R50 delivers high resolution imagery with striking and accurate colors. Designed to work in a variety of lighting condition, this camera offers a flexible ISO 100-32000 range that is expandable to ISO 51200 for working in difficult lighting conditions. Using the full width of the sensor, 6K oversampled UHD 4K 30p video recording is supported as is Full HD 1080 120p for slow motion playback. Additionally, 1-hour of video recording is now available. 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Designed for everyday use and an excellent choice for vlogging and content creation, this lens is well-suited for landscapes, cityscapes, street scenes, portraits, products, and more. An STM stepping AF motor produces fast, smooth, and near-silent autofocus performance to support both stills and video recording, and an Optical Image Stabilizer compensates for up to 4.5 stops of camera shake to better enable taking sharp handheld photos in difficult lighting conditions.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/li\u003e   \u003cli\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/li\u003e   \u003cli\u003eOptical Image Stabilizer technology compensates for up to 4.5 stops of camera shake to better enable taking sharp handheld photos in difficult lighting conditions. When paired with EOS R-series cameras featuring an In-Body Image Stabilizer (IBIS), up to 7 stops of shake correction are provided.\u003c\/li\u003e   \u003cli\u003eIncorporates a focus control ring on the lens barrel that can directly adjust numerous settings including shutter speed, aperture, exposure compensation, and more. Located towards the front of the lens, this ring effectively adds a third dial to the camera's main dial and quick control dial.\u003c\/li\u003e   \u003cli\u003eTwo aspheric elements and a Super Spectra Coating minimize ghosting and flare.\u003c\/li\u003e   \u003cli\u003eMinimum focusing distance of 11.8\" for working with close-up subjects.\u003c\/li\u003e   \u003cli\u003eCompact and lightweight lens weighs just 7.4 oz.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499323523389,"sku":"5803C034AA","price":30429.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/74b42fe980ecca0d0792c6d719df76c3.png?v=1773561269"},{"product_id":"canon-lens-rf600mm-f11-is-stm","title":"Canon Lens RF600mm F11 IS STM","description":"\u003cp\u003eAn impressive and incredibly unique super-telephoto, the \u003cstrong\u003eCanon RF 600mm f\/11 IS STM\u003c\/strong\u003e is an especially compact and lightweight lens considering its long focal length. Featuring a retractable design and a fixed f\/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions.\u003c\/p\u003e    \u003cp\u003eSuper-telephoto prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras.\u003c\/p\u003e    \u003cp\u003eFixed f\/11 aperture contributes to the sleek and portable form factor as well as a balanced mixture of depth of field and sharpness.\u003c\/p\u003e    \u003cp\u003eGapless dual-layer diffractive optics contribute to a marked reduction in chromatic and spherical aberrations as well as benefit the design of a relatively compact and lightweight lens.\u003c\/p\u003e    \u003cp\u003eRetractable\/extendable design, with a locking lens barrel, offers an impressively compact form factor considering the super-telephoto design.\u003c\/p\u003e    \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e    \u003cp\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/p\u003e    \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e    \u003cp\u003eCompatible with optional Extender RF 1.4x and Extender RF 2x teleconverters to further increase the effective focal length.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e600mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/11\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/11\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e4° 10'\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e14.76' \/ 4.5 m\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e0.14x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e10 Elements in 7 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e82 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e3.66 x 10.61\" \/ 93 x 269.5 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.05 lb \/ 930 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e2.84 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e11.4 x 6.6 x 6.6\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499324113213,"sku":"3986C005AA","price":12169.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/153215ef5e00fbabfbe1ea0b2d91a028.png?v=1773561377"},{"product_id":"canon-rc-ip1000-ptz-camera-controller-1","title":"Canon RC-IP1000 PTZ Camera Controller","description":"\u003cp\u003eControl your Canon PTZ cameras using IP or serial control with precision controls and a touchscreen display with the \u003cstrong\u003eRC-IP1000 Advanced PTZ Controller\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e. This sophisticated controller is compatible with the Canon PTZ cameras such as the CR-N100 and allows a single operator to control up to 200 cameras from a remote location. The 7\" touchscreen provides configuration and camera settings control and allows you to view up to nine cameras on-screen at once.\u003c\/p\u003e    \u003cp\u003eThe RC-IP1000 is compatible with the proprietary Canon XC IP protocol, so you can create a private, secure network to control your cameras using the LAN port. It also features a second RJ45 port that allows you to control the cameras via RS-422 serial protocol. The unit supports input and output of up to 4K60 video via the 12G-SDI ports, and it also supports HDMI output to send video to switchers or additional displays. Tally is also supported to send tally light information between the controller and cameras.\u003c\/p\u003e    \u003cp\u003eThere are numerous controls to make accessing settings and controls quick and easy, including numerous buttons, dials, LEDs, a joystick, and zoom rocker. 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By utilizing dual Nano USM motors, this lens achieves fast and nearly silent autofocusing. The constant f\/2.8 aperture allows for optimal low light performance and provides flattering bokeh for portraits at any focal length. In-lens optical image stabilization offers five and a half stops of correction, or eight stops with Coordinated IS when paired with a compatible camera. Four ultra-low dispersion elements and three aspherical elements help create sharper images and reduce chromatic and spherical aberrations. Additionally, the RF 24-105mm f\/2.8 benefits from Super Spectra, Air Sphere, and Fluorine coatings, which work together to minimize ghosting and flare caused by lens surface reflection.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2111853.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSilent Nano USM Autofocus\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eTwo Canon Nano USM autofocus motors allow smooth and responsive focusing performance from the RF 24-105mm f\/2.8. Full-time manual focusing is also available. Eleven aperture blades render the out of focus areas of your frame to be more visually pleasing.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2111852.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003ePractical in Any Shooting Scenario\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eWith its constant f\/2.8 aperture, the RF 24-105mm excels even in harsh lighting conditions making it a strong choice for weddings, events, and photojournalism. While many comparable lenses are capped at 70mm, this lens's ability to push to 105mm gives users the advantage of stronger portrait focal lengths.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFocus Ring with Tactile Feedback\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAs you rotate the focus ring in either direction you'll feel soft click-stops that give you a sense of how much you're adjusting.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325260093,"sku":"6347C005AA","price":54779.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/dc7e37f9bf05d1192d1139af60a70659_99793f04-ac93-4fb5-bdb3-2e1462f4f908.png?v=1773561525"},{"product_id":"canon-rf-24-240mm-f4-6-3-is-usm","title":"Canon RF 24-240mm F4-6.3 IS USM","description":"\u003cp\u003eCovering an impressive wide-angle to super-telephoto range, the \u003cstrong\u003eRF 24-240mm f\/4-6.3 IS USM\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld. Dynamic IS also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e    \u003cp\u003eAll-in-one zoom is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/p\u003e    \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds. Also, when recording video, Dynamic IS is available and is a more active type of stabilization to suit recording while walking or moving, and is especially useful at the wide-angle end of the zoom range.\u003c\/p\u003e    \u003cp\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003c\/p\u003e    \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e24 to 240mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/4 to 6.3\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e1.64' \/ 50 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e72 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e3.2 x 4.8\" \/ 81.28 x 121.92 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e3.66\" \/ 93 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.65 lb \/ 751.26 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e2.085 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e8.2 x 5.1 x 5\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325423933,"sku":"3684C005AA","price":16519.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b78e6440fc4eb6a7ec94a8efc36fddd8.png?v=1773561565"},{"product_id":"canon-rf-24-70mm-f2-8l-is-usm","title":"Canon RF 24-70mm F2.8L IS USM","description":"\u003cp\u003ePoised to be the new workhorse zoom, the \u003cstrong\u003eCanon RF 24-70mm f\/2.8 L IS USM\u003c\/strong\u003e is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f\/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.\u003cbr\u003e  \u003cbr\u003e  Balancing the distinguished optical assets is the Nano USM focus system, which delivers fast, nearly silent autofocus performance with full-time manual focus override. An Image Stabilizer also compensates for up to five stops of camera shake to help produce sharper handheld shots in difficult lighting conditions. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Additionally, this 24-70mm is weather-sealed and has a fluorine coating to protect the front and rear elements.\u003c\/p\u003e    \u003cp\u003eStandard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.\u003c\/p\u003e    \u003cp\u003eBright f\/2.8 constant maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques.\u003c\/p\u003e    \u003cp\u003eThree UD (Ultra-Low Dispersion) elements help to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy.\u003c\/p\u003e    \u003cp\u003eThree aspherical elements are used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/p\u003e    \u003cp\u003eAn Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.\u003c\/p\u003e    \u003cp\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.\u003c\/p\u003e    \u003cp\u003eNano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and nearly silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.\u003c\/p\u003e    \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e    \u003cp\u003eProtective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.\u003c\/p\u003e    \u003cp\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003c\/p\u003e    \u003cp\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e24 to 70mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/22\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e84° to 34°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e8.27\" \/ 21 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e0.3x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e21 Elements in 15 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e9, Rounded\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e82 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e3.48 x 4.95\" \/ 88.5 x 125.7 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e6.06\" \/ 154 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.98 lb \/ 900 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e2.67 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e10.3 x 5.4 x 5.4\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003e \u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325489469,"sku":"3680C005AA","price":37289.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a78eb133d75df1cffd3f9da3d8680ac8.png?v=1773561582"},{"product_id":"canon-rf-50mm-f1-8-stm-lens","title":"Canon RF 50mm F1.8 STM Lens","description":"\u003cp\u003eCompact, lightweight, and close-focusing, the \u003cstrong\u003eCanon RF 50mm f\/1.8 STM\u003c\/strong\u003e is a sleek normal-length prime offering a classic, versatile field of view and an especially compact design. An ideal lens for every day, walkaround shooting, this 50mm f\/1.8 is characterized by its bright design for available light shooting and apt depth of field control. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself.\u003c\/p\u003e    \u003cp\u003eNormal-length prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras.\u003c\/p\u003e    \u003cp\u003eBright f\/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field.\u003c\/p\u003e    \u003cp\u003eOne precision-molded (PMo) aspherical element suppresses spherical aberrations and distortion for high sharpness and accurate subject rendering.\u003c\/p\u003e    \u003cp\u003eSuper Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.\u003c\/p\u003e    \u003cp\u003eSTM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting.\u003c\/p\u003e    \u003cp\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/p\u003e    \u003cp\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003e  \u003cbr\u003e   \u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e50mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/1.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/22\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e46°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e11.8\" \/ 30 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e0.25x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e7, Rounded\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eNo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e43 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e2.7 x 1.6\" \/ 69 x 40 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e5.6 oz \/ 160 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e0.655 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e5.3 x 4.4 x 4.3\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325784381,"sku":"4515C005AA","price":2259.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/c564da9526a1742ba3f396690e14c63b.png?v=1773561627"},{"product_id":"canon-rf-70-200mm-f-2-8-l-is-usm-lens","title":"Canon RF 70-200mm f\/2.8 L IS USM Lens","description":"\u003cp\u003eThis impressive L-Series lens offers a telephoto zoom focal length for getting closer to faraway subjects. Canon's lightest and shortest 70-200mm f\/2.8 lens ever, the RF 70-200mm f\/2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that's easy to pack and carry wherever you go.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1566734.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eConstant f\/2.8 Aperture\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eBright f\/2.8 constant maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e   \u003cli\u003eThe front and rear elements feature a protective Fluorine coating to resist fingerprints and smudges and to make cleaning significantly easier.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1285557.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eAdvanced Optical Design\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eOne UD (Ultra-Low Dispersion) element and one Super UD element help to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy.\u003c\/li\u003e   \u003cli\u003eTwo aspherical elements are used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eAn Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1566736.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eDual Nano USM AF System\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDual Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing.\u003c\/li\u003e   \u003cli\u003eSmooth and nearly silent autofocus suits both photography and video applications.\u003c\/li\u003e   \u003cli\u003eFull-time manual focus control available when working in the one-shot AF mode.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eOptical Image Stabilization\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1566735.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eAn Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops.\u003c\/li\u003e   \u003cli\u003eEnables working in low-light conditions and with slower shutter speeds.\u003c\/li\u003e   \u003cli\u003eThree discrete IS modes are available: standard single-shot mode, a panning-optimized mode, and a mode that only activates the Image Stabilizer during the exposure.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1566732.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCustomizable Control Ring\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1285440.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eAnalog Controls\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFocus Limiter switch allows selecting subject focal range.\u003c\/li\u003e   \u003cli\u003eAuto Focus \/ Manual Focus selector switch\u003c\/li\u003e   \u003cli\u003eimage Stabilizer switch and Stabilizer Mode Selector switch.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1566737.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eRugged, Weather-Resistant Design\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eWeather-resistant design protects against dust and moisture to enable use in inclement conditions.\u003c\/li\u003e   \u003cli\u003eL-Series level vibration shock resistance in the lens barrel, helping to maintain focus and settings even in turbulent situations.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1556921.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eRotating Tripod Collar\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRemovable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch4\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/h4\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e70 to 200mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/32\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Mount\u003c\/td\u003e     \u003ctd\u003eCanon RF\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLens Format Coverage\u003c\/td\u003e     \u003ctd\u003eFull-Frame\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAngle of View\u003c\/td\u003e     \u003ctd\u003e34° to 12°\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003e2.3' \/ 70 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Magnification\u003c\/td\u003e     \u003ctd\u003e0.23x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e17 Elements in 13 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDiaphragm Blades\u003c\/td\u003e     \u003ctd\u003e9, Rounded\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Collar\u003c\/td\u003e     \u003ctd\u003eRemovable and Rotating\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e77 mm (Front)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (ø x L)\u003c\/td\u003e     \u003ctd\u003e3.54 x 5.75\" \/ 89.9 x 146 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eLength at Maximum Extension\u003c\/td\u003e     \u003ctd\u003e8.03\" \/ 204 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e2.35 lb \/ 1070 g\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e3.67 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e11.25 x 6.8 x 6.6\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325882685,"sku":"3792C005AA","price":43469.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1b18e47a84b633c4c7e13409605352e5.png?v=1773561653"},{"product_id":"canon-xa60b-professional-uhd-4k-camcorder-1","title":"Canon XA60B Professional UHD 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA60 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera that features many similarities to its XA45 predecessor, including UHD 4K capture, a 1\/2.3\" CMOS sensor, two XLR audio inputs, and one mini-HDMI output, making it suitable for the ENG category for documentary or journalism-style productions. This streamlined model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, XF-AVC, and MP4 recording formats, OSD metadata recording, and fast USB-C video-only output with UVC support for livestreaming to a computer.\u003cbr\u003e  \u003cbr\u003e  The lens optics include an integrated 20x 4K\/HD optical zoom and an eight-bladed circular iris for more natural highlights. The camera's pro-style features include Hybrid, Normal, Face Only, Manual Focus, Instant, and Canon's Medium autofocus; fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise.\u003cbr\u003e  \u003cbr\u003e  The camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots, and it outputs to a mini-HDMI port. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI output. On the audio side, the XA60 features up to four channels of LPCM audio in 720p mode with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCanon 4K Sensor\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eA 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images, and an 8-blade iris achieves cinema-style out-of-focus highlights. Frame your shot with the ultrabright 3.5\" LCD or use the built-in OLED electronic viewfinder (EVF).\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUVC Livestreaming\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eProfessional Audio Controls\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring a suite of pro audio options.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003e4K 20x Optical Zoom Lens\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe Canon lens covers a 29.3mm wide angle (35mm equivalent) with a powerful 612mm reach. Digital zoom boosts the 20x optical zoom to 800x magnification. To minimize camera shake, the camera provides Canon's Dynamic IS 5-axis image stabilization with dynamic mode, resulting in clear, sharp motion video.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eFast, Precise Focusing with Face Detection\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe X65 features adjustable focusing speeds, and an advanced Hybrid AF system provides fast and precise focusing. Use the ultrabright high-resolution 3.5\" LCD to set focus by touching the AF point on the screen. Face Detection AF and Face Tracking are available, while Manual Focus is set via the focus\/zoom ring.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eXF-AVC and MP4 for Flexible Recording\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eProfessional Input and Output\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eOutput options include simultaneous backup and relay recording via dual SD cards and Infrared mode. Record Slow Motion in Full 5x HD or Fast Motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eNot Specified by Manufacturer\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e1\/2.3\"-Type CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e     Digital\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eVideo Only\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Global Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGain\u003c\/td\u003e     \u003ctd\u003e0 to 24 dB (Native)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e     \u003ctd\u003e3 dB\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Illumination\u003c\/td\u003e     \u003ctd\u003e5 Lux at 1\/30 Shutter Speed\u003cbr\u003e     0.3 Lux at 1\/2 Shutter Speed\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eLens\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e3.6 to 73.4mm (35mm Equivalent: 29.3 to 627mm)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e     \u003ctd\u003e20x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/1.8 to 2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e     Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eControl Rings\u003c\/td\u003e     \u003ctd\u003eFocus\u003cbr\u003e     Zoom\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Control\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003cbr\u003e     Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4\/XF-AVC\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 at 23.98\/24.00\/29.97 fps [150 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [17 to 35 Mb\/s]\u003cbr\u003e     1280 x 720 at 59.94 fps [8 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e     MP4: 4-Channel 16-Bit LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMobile App Compatible\u003c\/td\u003e     \u003ctd\u003eNo\u003cbr\u003e     \u003cem\u003e*As of February, 2023: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Humidity\u003c\/td\u003e     \u003ctd\u003e60%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eCold Shoe on Included Handle\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e7.2 x 4.3 x 3.3\" \/ 18.3 x 10.9 x 8.4 cm (Without Protrusions)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.6 lb \/ 740 g (Body Only)\u003cbr\u003e     2.5 lb \/ 1135 g (With Battery, Handle, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e4.8 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e11.1 x 10.7 x 8.5\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499327422781,"sku":"5733C005AA","price":14779.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a93b819774d03943d2dca8b6fca1f960.png?v=1773561768"},{"product_id":"canon-xa65-professional-uhd-4k-camcorder-1","title":"Canon XA65 Professional UHD 4K Camcorder","description":"\u003cp\u003eThe \u003cstrong\u003eCanon XA65 Professional UHD 4K Camcorder\u003c\/strong\u003e is a compact, lightweight camera that features many similarities to its XA45 predecessor, including UHD 4K capture, a 1\/2.3\" CMOS sensor, two XLR audio inputs, and one each mini-HDMI and BNC 3G-SDI output, making it suitable for the ENG category for documentary or journalism-style productions. This streamlined model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, XF-AVC and MP4 recording formats, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003cbr\u003e  \u003cbr\u003e  The lens optics include an integrated 20x 4K\/HD optical zoom and an eight-bladed circular iris for more natural highlights. The camera's pro-style features include Hybrid, Normal, Face Only, manual focus, Instant, and Canon's Medium autofocus; fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise.\u003cbr\u003e  \u003cbr\u003e  The camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots, and it outputs to mini-HDMI and 3G-SDI ports. The dual SD card slots allow for automatic switching from one card to another, as well as simultaneous recording to both. The camera can output up to 1920 x 1080p 10-bit 4:2:2 video at 59.94 fps via its mini-HDMI and 3G-SDI outputs. On the audio side, the XA65 features up to four channels of LPCM audio in 720p mode with manual\/automatic recording levels, two XLR inputs with phantom power, and a 3.5mm stereo mini input. It features a built-in stereo microphone as well as a headphone jack.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eCanon 4K Sensor\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eA 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images, and an 8-blade iris achieves cinema-style out-of-focus highlights. Frame your shot with the ultrabright 3.5\" LCD or use the built-in OLED electronic viewfinder (EVF).\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eOn-Screen Display (OSD) \"Time Stamp\" Recording\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eOSD recording embeds date, time, timecode, and other data into your original camera files, effectively \"time stamping\" the information into each frame of video, a requirement for legal and law enforcement videographers.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eUVC Livestreaming\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eStream HD video directly from the camera via UVC1 to a Windows or macOS computer. Audio output through USB is not supported.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eProfessional Audio Controls\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eTwo XLR terminals on a detachable handle plus 4-channel linear PCM bring a suite of pro audio options.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003e4K 20x Optical Zoom Lens\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe Canon lens covers a 29.3mm wide angle (35mm equivalent) with a powerful 612mm reach. Digital zoom boosts the 20x optical zoom to 800x magnification. To minimize camera shake, the camera provides Canon's Dynamic IS 5-axis image stabilization.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eFast, Precise Focusing with Face Detection\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eThe X65 features adjustable focusing speeds, and an advanced Hybrid AF system provides fast and precise focusing. Use the ultrabright high-resolution 3.5\" LCD to set focus by touching the AF point on the screen. Face Detection AF and Face Tracking are available, while manual focus is set via the focus\/zoom ring.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eXF-AVC and MP4 for Flexible Recording\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eChoose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160 Mb\/s at 30P and Full HD 45 Mb\/s at 60p\/60i and 30\/24p. For smaller files, record MP4 in 4K 150 Mb\/s at 30\/24p and Full HD 35 Mb\/s or 17 Mb\/s at 60\/30\/24p.\u003c\/p\u003e    \u003ch4\u003e\u003cstrong\u003eProfessional Input and Output\u003c\/strong\u003e\u003c\/h4\u003e    \u003cp\u003eOutput options include simultaneous backup and relay recording via dual SD cards and Infrared mode. Record Slow Motion in Full 5x HD or Fast Motion in 4K\/Full HD up to 1200x. Color match with other Canon cameras using the custom picture menu.\u003cbr\u003e  \u003cbr\u003e  \u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eImaging\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSensor Resolution\u003c\/td\u003e     \u003ctd\u003eEffective: 21 Megapixel\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Sensor\u003c\/td\u003e     \u003ctd\u003e1\/2.3\"-Type CMOS\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eImage Stabilization\u003c\/td\u003e     \u003ctd\u003eOptical in Integrated Lens\u003cbr\u003e     Digital\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In ND Filter\u003c\/td\u003e     \u003ctd\u003eMechanical Filter Wheel with 1-Stop (1\/2), 2-Stop (1\/4), 3-Stop (1\/8) ND Filters\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eCapture Type\u003c\/td\u003e     \u003ctd\u003eVideo Only\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Global Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGain\u003c\/td\u003e     \u003ctd\u003e0 to 24 dB (Native)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e     \u003ctd\u003e3 dB\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Illumination\u003c\/td\u003e     \u003ctd\u003e5 Lux at 1\/30 Shutter Speed\u003cbr\u003e     0.3 Lux at 1\/2 Shutter Speed\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eLens\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e3.6 to 73.4mm (35mm Equivalent: 29.3 to 627mm)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e     \u003ctd\u003e20x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/1.8 to 2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e12 Elements in 10 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e     Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e58 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eControl Rings\u003c\/td\u003e     \u003ctd\u003eFocus\u003cbr\u003e     Zoom\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Control\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003cbr\u003e     Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4\/XF-AVC 4:2:2 8\/10-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 at 23.98\/24.00\/29.97 fps [150 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [17 to 35 Mb\/s]\u003cbr\u003e     1280 x 720 at 59.94 fps [8 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e     MP4: 4-Channel 16-Bit LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (3G-SDI) Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMobile App Compatible\u003c\/td\u003e     \u003ctd\u003eNo\u003cbr\u003e     \u003cem\u003e*As of May, 2023: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Humidity\u003c\/td\u003e     \u003ctd\u003e60%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery 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Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eUltimate Wide-Angle Versatility\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eOffering G Master performance in a compact, fast, and versatile form, the \u003cstrong\u003eSony FE 16-35mm f\/2.8 GM\u003c\/strong\u003e is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens's advanced optics and bright f\/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eG Master Design\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718751.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eBright f\/2.8 constant maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.\u003c\/li\u003e   \u003cli\u003eNano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eRounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing shallow depth of field techniques.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660108.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTwo XA (extreme aspherical) elements and three standard aspherical elements are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for a high degree of sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eTwo ED elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003ePractical and Intuitive Handling\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1660109.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eTwo Direct Drive SSM (DDSSM) autofocus groups offer quick, quiet, and precise focusing performance that is ideal for both stills and video applications.\u003c\/li\u003e   \u003cli\u003eFloating focusing system divides the focus group into two separately controlled groups and helps to maintain consistently clear optical performance throughout the zoom and focus ranges.\u003c\/li\u003e   \u003cli\u003eDedicated focus hold button and AF\/MF switch for direct tactile control over focus settings.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e   \u003cli\u003eFront element features a fluorine coating to guard against fingerprints and dust from adhering to it.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499330437437,"sku":"LENSOE1635GM","price":28695.61,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cdca342727722c09a847f110f74a6c8a_f37b794f-0390-4d82-9465-1080694431e3.png?v=1774877198"},{"product_id":"sony-fe-24-70mm-f-2-8-gm-lens-1","title":"Sony FE 24-70mm f\/2.8 GM Lens","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eThe Standard Zoom Refined\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eA fast, standard zoom favored for its versatility, the \u003cstrong\u003eSony FE 24-70mm f\/2.8 GM\u003c\/strong\u003e is a wide-angle to short telephoto lens featuring advanced G Master optics, a robust physical design, and a bright f\/2.8 constant maximum aperture. A go-to lens for a variety of shooting situations, the 24-70mm f\/2.8 is a perfect choice for anything from landscape to sports to portraiture subjects.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eUncompromising Optical Design\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718767.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations.\u003c\/li\u003e   \u003cli\u003eOf the three aspherical elements incorporated in the lens design, one is an XA element with superior surface precision to effectively reduce astigmatism, field curvature, coma, and other monochromatic aberrations from imagery.\u003c\/li\u003e   \u003cli\u003eOne extra-low dispersion element and one Super ED element are featured in the lens design and help to control chromatic aberrations and reduce color fringing for increased clarity and color fidelity.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718763.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eBright constant f\/2.8 maximum aperture maintains consistent performance from wide-angle to telephoto focal length positions and also contributes to greater selective focus control.\u003c\/li\u003e   \u003cli\u003eA Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions.\u003c\/li\u003e   \u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eFast Focusing and Reliable Performance\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1718765.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eDirect Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.\u003c\/li\u003e   \u003cli\u003eA focus hold button and AF\/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/li\u003e   \u003cli\u003eA dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499331486013,"sku":"LENSOE2470GM","price":25217.35,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/74a9390b236e17a6ddf51adc92e7e1a4.png?v=1773562398"},{"product_id":"sony-zv-1f-digital-camera-black-1","title":"Sony ZV-1F Digital Camera (Black)","description":"\u003cp\u003eSpecifically designed for vloggers and online content creators, the \u003cstrong\u003eSony ZV-1F Vlogging Camera\u003c\/strong\u003e is a pocket-sized camera with a large 1\" sensor and a 20mm-equivalent wide-angle lens. The camera allows you to snap a group selfie with an expansive view of the background scenery and get everything in the frame, even at arm's length. The lens captures a wider field of view than the human eye, enabling you to take images with eye-popping depth and perspective both indoors and outdoors. Small and lightweight, the camera is meant to be taken out and about so you can capture everyday life with ease and grab content on the go. Featuring a flip-out 3.0\" touchscreen and a directional 3-capsule microphone perfect for front-facing recording, the ZV-1F also caters to those who appreciate the camera's unique Product Showcase setting, background Defocus function, real-time Eye AF (autofocus), Face Priority AE (auto-exposure), plus a new touchscreen interface, making it easier to use.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast and Intelligent Autofocus\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eOffering 425 contrast detection AF points to cover a wide area of the captured image, the ZV-1F provides high precision focusing to make sure your footage stays razor sharp. And with Eye AF mode, the camera automatically recognizes human faces and eyes, making sure your subject stays in focus in front of the lens. And switching the focus to another focal point is as easy as touching the screen. There's no need to worry about lighting either, as Face Priority AE will automatically brighten you or your subject's face.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy Bokeh at the Touch of a Button\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eWith just a press of the bokeh switch, the ZV-1F lets you get beautiful defocused backgrounds like a pro. The camera's large 1\" image sensor and wide f\/2 aperture lens allows for true optical bokeh. Select defocus to make the main subject stand out against the defocused background bokeh, or select clear to keep the entire image in focus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eImpressive Colors to Match Your Style\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eCapture beautiful images to match your personal style. Choose from one of 10 available creative style presets for pro-level footage without worrying about complicated editing. 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The lens captures a wider field of view than the human eye, enabling you to take images with eye-popping depth and perspective both indoors and outdoors. Small and lightweight, the camera is meant to be taken out and about so you can capture everyday life with ease and grab content on the go. Featuring a flip-out 3.0\" touchscreen and a directional 3-capsule microphone perfect for front-facing recording, the ZV-1F also caters to those who appreciate the camera's unique Product Showcase setting, background Defocus function, real-time Eye AF (autofocus), Face Priority AE (auto-exposure), plus a new touchscreen interface, making it easier to use.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFast and Intelligent Autofocus\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eOffering 425 contrast detection AF points to cover a wide area of the captured image, the ZV-1F provides high precision focusing to make sure your footage stays razor sharp. 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Shot Marks also allow you to easily find the scenes you want to use, cutting down on time searching through footage later.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVertical Video Made Simple\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eShoot vertical videos for social media just like you do on your smartphone. The ZV-1F also gives you the option of rotating horizontal video in-camera with no extra editing required. What's more, vertical videos are automatically tagged so you can transfer them straight to your smartphone, letting you get your content out to the world quickly.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eClear Voice Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIndoors or outdoors, the ZV-1F is designed to capture your voice clearly no matter where you're shooting. 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