{"title":"Staff Favourites","description":"\u003cp data-end=\"713\" data-start=\"65\"\u003eAt Icily Live, our team is passionate about the gear we use, and we know what works best in the field. \u003cbr\u003e\u003cbr\u003eWe’ve asked around the office to find out which products our staff swear by, and we're excited to share a few of their absolute favourites with you. These top picks are not just chosen for their performance- they’re trusted by our team at Icily TV to help us deliver high-quality results on every project. Whether for production or client work, we rely on these tools to get the job done efficiently and effectively. \u003cbr\u003e\u003cbr\u003eIf you're looking for gear recommendations or more information, feel free to get in touch with us using the contact details below.\u003c\/p\u003e","products":[{"product_id":"hollyland-lark-m2-duo-2-person-wireless-camera-mount-microphone-system-2-4-ghz-shine-charcoal-1","title":"Hollyland LARK M2 DUO 2-Person Wireless Camera-Mount Microphone System (2.4 GHz, Shine Charcoal)","description":"\u003cp\u003eRecord up to two people in mobile journalism or content creation applications using this shine charcoal, 2.4 GHz \u003cstrong\u003eLARK M2 DUO Wireless Camera-Mount Microphone System\u003c\/strong\u003e from \u003cstrong\u003eHollyland\u003c\/strong\u003e. The system includes two transmitters with built-in omnidirectional microphones and dual-interface mesh, a dual-channel camera-mount receiver, and a charging case. Magnetic back clips and silicone necklace cases make attaching your transmitters to your talent a breeze. Various adapter cables and an integrated camera shoe mount ensure wide device compatibility.\u003c\/p\u003e    \u003cp\u003eStable Audio Transmission\u003c\/p\u003e    \u003cp\u003eHigh-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 300m away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.\u003c\/p\u003e    \u003cp\u003eClip-On Transmitter Units\u003c\/p\u003e    \u003cp\u003eThe transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black\/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.\u003c\/p\u003e    \u003cp\u003eDual-Channel Camera-Mount Receiver\u003c\/p\u003e    \u003cp\u003eThe receiver is dual-channel and features an integrated camera-mount interface. A 3.5mm TRS output port records audio directly to your device of choice. Onboard controls allow you to toggle between stereo and mono modes or adjust the volume of your recording. LED indicators show the mode status of each transmitter unit. Use the included USB-C, USB-C to Lightning, and 3.5mm TRS cables to adapt the existing ports on the receiver to a wide variety of devices.\u003c\/p\u003e    \u003cp\u003eLarkSound App\u003c\/p\u003e    \u003cp\u003eConnect your LARK M2 system to the LarkSound App to adjust parameters like volume and noise cancellation, update firmware, or check real-time audio status—all from your iOS or Android compatible smartphone. When filming with your mobile device, toggle remote video recording by pressing down on the transmitter's onboard button twice. Your smartphone can also playback your recordings when connected to the receiver without needing to unplug it.\u003c\/p\u003e    \u003cp\u003eLong Battery Life, Charging Case\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe transmitters feature a 90mAh internal battery with a 10-hour battery life. The receiver features a 145mAh internal battery with a 9-hour battery life. Once depleted, recharge all of the components in the included charging case in just 2 hours or via USB-C in 1.5 hours.\u003c\/li\u003e   \u003cli\u003eThe charging case is specifically designed to accommodate the camera-mount receiver and two transmitter units. Its 1950mAh internal battery can recharge the entire system three times for a total battery life of 40 hours.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":51420443050301,"sku":"HOL-LARK-M2-DUO-CAMERA","price":1908.69,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5ba093a37e36d638121cc2506c549d6a.png?v=1771831306"},{"product_id":"hollyland-lark-m2-duo-wireless-lavalier-microphone-with-usb-c-plug-2-4-ghz-shine-charcoal-1","title":"Hollyland LARK M2 DUO Wireless Lavalier Microphone with USB-C Plug (2.4 GHz) Shine Charcoal","description":"\u003cp\u003eRecord up to two people in mobile journalism or content creation applications using this shine charcoal, 2.4 GHz \u003cstrong\u003eLARK M2 DUO Wireless Microphone System with USB-C Connector\u003c\/strong\u003e from \u003cstrong\u003eHollyland\u003c\/strong\u003e. The system includes two transmitters with built-in omnidirectional microphones and dual-interface mesh, a plug-in USB-C receiver, and a charging case. Magnetic back clips and silicone necklace cases make attaching your transmitters to your talent a breeze.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2185863.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2185860.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eStable Audio Transmission\u003c\/p\u003e    \u003cp\u003eHigh-gain Laser Direct Structuring (LDS) antennas ensure stable audio transmission free of all sorts of interference from up to 1000' away. Environmental noise cancellation minimizes frequency interference for improved vocal clarity. The LARK M2 captures 24-bit 48 kHz audio with a 70 dB signal-to-noise ratio and 115 dB SPL.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2185875.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eClip-On Transmitter Units\u003c\/p\u003e    \u003cp\u003eThe transmitter features a dual-interference design with a metallic mesh that protects against dust and 2.4 GHz, infrared, and RFI interference. Easily attach the transmitter with its omnidirectional microphone to your subject of choice using the included magnetic back clips or the silicone necklace cases. A sheet of stickers allow you to customize the look of your transmitters with quirky faces or black\/white covers, which go over the Hollyland logo. Included furry windscreens improve your audio quality in outdoor applications.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2185877.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePlug-In Receiver with USB-C Connector\u003c\/p\u003e    \u003cp\u003eThe receiver features plug-in, class-compliant USB-C connector design compatible with both iOS and Android devices. Onboard controls allow you to toggle noise cancellation and pairing. The receiver runs on plug-in power from your connected device. LED indicators show the mode status of each transmitter unit.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2185866.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLarkSound App\u003c\/p\u003e    \u003cp\u003eConnect your LARK M2 system to the LarkSound App to adjust parameters like volume and noise cancellation, update firmware, or check real-time audio status—all from your iOS or Android compatible smartphone. When filming with your mobile device, toggle remote video recording by pressing down on the transmitter's onboard button twice. Your smartphone can also playback your recordings when connected to the receiver without needing to unplug it.\u003c\/p\u003e    \u003cp\u003eLong Battery Life, Charging Case\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe transmitters feature a 90mAh internal battery with a 10-hour battery life. Once depleted, recharge the transmitters in the included charging case or via USB-C ports.\u003c\/li\u003e   \u003cli\u003eThe charging case is specifically designed to accommodate the plug-in receiver and two transmitter units. Its 750mAh internal battery can recharge the transmitters twice for a total battery life of 40 hours.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":51420443181373,"sku":"HOL-LARK-M2-DUO-TYPE-C","price":1737.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/5dc78044424a856fc55717b767904788.png?v=1771831322"},{"product_id":"varta-industrial-alkaline-1-5v-aaa-battery-each","title":"Varta Industrial Alkaline 1.5V AAA Battery Each","description":"\u003ch3\u003eVarta industrial alkaline batteries offer a long-lasting high-performance power supply for both professionals and personal use. These batteries are aimed consumers that require higher quantity volumes, an ideal bulk pack of 20 batteries for schools, hotels, studios, security companies and many more who require larger stocks. The German manufactured batteries are leak proof and have a long shelf life of up to 10 years, perfect for bulk buying.\u003cbr\u003e  \u003cbr\u003e  Cost savings due to high durability. 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The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eOversampling HD Processing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eCanon 4K UHD Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFour Scene Modes for Impressive Video\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e    \u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003ePortrait mode—exhibits a blurred background while subject is in sharp focus\u003c\/li\u003e   \u003cli\u003eSports mode—enhances capture of moving objects\u003c\/li\u003e   \u003cli\u003eLow-Light mode—enhances capture of bright images, even in dark places\u003c\/li\u003e   \u003cli\u003eSpotlight mode—enhances capture of beautiful images of spotlighted objects\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eWebcam via USB Connection\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0), which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003c\/p\u003e    \u003cp\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eEasy Integration into IP Streaming\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eIP Multi-Stream Support\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e    \u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. 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With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eNDI|HX Live Video Production Support Protocol\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e    \u003cp\u003eBy constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. 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Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production.\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVarious Interfaces Supported for Multiple Environments\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image-quality video at 59.94p. 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In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232157.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232165.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eBroadcast-Quality Transitions\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation UHD 4K includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation UHD 4K features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/p\u003e    \u003cp\u003eBuilt-In DVE\u003c\/p\u003e    \u003cp\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/p\u003e    \u003cp\u003eMultiview\u003c\/p\u003e    \u003cp\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232161.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eProfessional Broadcast Talkback\u003c\/p\u003e    \u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation UHD 4K also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/p\u003e    \u003cp\u003eInternal Media Pool\u003c\/p\u003e    \u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by two or four media players. Media players simply appear as additional input sources on the ATEM Constellation UHD 4K, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 1 M\/E model can hold 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232167.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eChroma Keyers\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe ATEM chroma keyer features a color picker to sample background colors for automatic generation of the key parameters. Use the precise controls to adjust edge and flare, and there is even a foreground color corrector to match the look to the background layer for seamless compositions. The keyer can be used for pattern and DVE keying applications. You get eight Advanced Keyers with the 2 M\/E model.\u003c\/li\u003e   \u003cli\u003eThere are four upstream keyers per M\/E row for virtual set building. You can use a keyer per camera to create cohesive compositions over a custom background in a 4-camera virtual set. You can use external image processors or build a fixed camera set by loading pre-rendered still image backgrounds from the media players and media pool. Set up macros to change cameras and load the correct background into the players.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232159.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eMulti-Rate 12G-SDI\u003c\/p\u003e    \u003cp\u003eWith up to 10 multi-rate 12G-SDI connections, the ATEM 1 M\/E Constellation UHD 4K is compatible with various video sources. You can connect equipment in UHD and HD video standards including 720p, 1080i, 1080p, and 2160p formats. Switch between formats to adapt to the needs of your production. The inputs can also accommodate embedded audio to mix audio from the inputs together. Program outputs include talkback, tally, and camera control information to connect the switcher outputs back to the camera for program return, control, and talkback purposes.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232166.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFairlight Audio Mixer\u003c\/p\u003e    \u003cp\u003eAll SDI inputs on the Constellation UHD 4K are connected to a built-in Fairlight audio mixer with 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is de-embedded from the SDI sources and passed to the internal mixer for up to 156 input channels. The mixer has additional inputs for integrated analog sources or talkback microphones for voiceover capabilities. 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The software is compatible with macOS and Windows operating systems.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232162.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eOptional Control Panels\u003c\/p\u003e    \u003cp\u003eThe Constellation UHD 4K is compatible with three models of the ATEM Advanced Panels. The panels feature industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader make controlling your unit a breeze. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. 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In addition to live streaming using RTMP protocols, you can also output your program as if it were a webcam over USB. New features include a totally redesigned keyboard with multiple knob controls, large NKK red\/green source select buttons, a hardware fader, a CFexpress slot and Thunderbolt port for recording, and a more functional button layout.\u003c\/p\u003e\u003cp\u003eUpdated Control Interface\u003c\/p\u003e\u003cp\u003eIncluded on the ATEM Extreme ISO G2 are large source select buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. A new hardware fader allows additional tactile control. On the rear panel, there are HDMI connections for cameras or computers, XLR and MADI audio inputs, USB for webcam out, Thunderbolt for record\/playback, and four HDMI outputs for program\/preview video.\u003c\/p\u003e\u003cp\u003eYou can output using the Ethernet connection to your network or use the USB-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/p\u003e\u003cp\u003eM\/E Switcher\u003c\/p\u003e\u003cp\u003eSwitch, add effects, color grade, and key in real time using the control surface's buttons or the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO G2 supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO G2 has four HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/p\u003e\u003cp\u003eISO Output\u003c\/p\u003e\u003cp\u003eThe switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB-C ports. The switcher automatically generates a DaVinci Resolve project file so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/p\u003e\u003cp\u003eThunderbolt for Live Replay\u003c\/p\u003e\u003cp\u003eWith Thunderbolt on the ATEM Mini Extreme ISO G2 model, you get fill and key playback, capture, Ethernet access to the CFexpress card, and trickle power, all with a single computer connection. This means you can use DaVinci Resolve as a full live-action replay system.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve can show a live video input of the switcher, and when you press the Point of Interest (POI) button, DaVinci will switch to playing all 8 ISO files so you can select cameras and run replays. You can then preroll and sequence multiple cameras in the same replay.\u003c\/p\u003e\u003cp\u003eStream Live\u003c\/p\u003e\u003cp\u003eThe switcher is ideal for interviews as you can connect multiple cameras for close-ups of the host or interviewee, as well as wide shots of the space. Plus, ATEM Mini is so small the operator can even switch in small studios.\u003c\/p\u003e\u003cp\u003eThe ATEM Mini ISO G2 has a built-in hardware streaming engine for live streaming via the Ethernet connection without the need for a computer. That means you can live stream to YouTube, Facebook, and Twitch with high quality without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key.\u003c\/p\u003e\u003cp\u003e4G and 5G Phone Support\u003c\/p\u003e\u003cp\u003eIf you're doing live production on location, ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone so the battery won't drain.\u003c\/p\u003e\u003cp\u003eMedia Pool\u003c\/p\u003e\u003cp\u003eThe Extreme ISO G2 allows you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new color grades, effects, and graphics. 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That means you get very long recording times in the same H.264 video files with AAC audio that you streamed, so you can directly upload to online video sites such as YouTube or Vimeo.\u003c\/p\u003e\u003cp\u003eRecording to multiple disks is also supported via a USB hub or Blackmagic MultiDock, so when a disk fills, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even remotely trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/p\u003e\u003cp\u003eSoftware Integration\u003c\/p\u003e\u003cp\u003eThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's color correction abilities.\u003c\/p\u003e\u003cp\u003eThe switcher is also compatible with the ATEM Software Control app to access full audio mixing with effects, load still frames, save the switcher state as an XML file, and even do advanced macro programming. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.\u003c\/p\u003e\u003cp\u003eVideo Effects\u003c\/p\u003e\u003cp\u003eOne of the benefits of ATEM Mini is the professional production value that is possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. 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It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desktop or in a rack or can be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003cbr\u003e  \u003cbr\u003e  However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates both USB-C and Ethernet interfaces. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51499274666301,"sku":"BLA-DV\/RES\/BBPNLMINI","price":41615.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7ed05bc61ceef3dccbb506bb6f4cfae0.png?v=1773557080"},{"product_id":"blackmagic-design-davinci-resolve-studio-activation-card","title":"Blackmagic Design DaVinci Resolve Studio (Activation Card)","description":"\u003ch2\u003eBlackmagic Design Davinci Resolve Studio Overview\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eBlackmagic Design DaVinci Resolve Studio\u003c\/strong\u003e is an NLE that can be used for projects ranging from personal films to feature films and VFX. The Color page features new HDR grading tools, an AI-based magic mask for targeted grading, and a color warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real time.\u003c\/p\u003e\u003cp\u003eThe Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.\u003cbr\u003e\u003cbr\u003eKey Features\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBlackmagic Cloud to host and manage cloud-based project libraries.\u003c\/li\u003e\n\u003cli\u003eCollaborate securely over the internet using Blackmagic ID.\u003c\/li\u003e\n\u003cli\u003eSupport for intelligent path mapping to relink files automatically.\u003c\/li\u003e\n\u003cli\u003eVastly improved project library performance for network workflows.\u003c\/li\u003e\n\u003cli\u003eImproved project performance, especially when working on large projects.\u003c\/li\u003e\n\u003cli\u003eNew Proxy Generator app for auto-creating proxies within watch folders.\u003c\/li\u003e\n\u003cli\u003eAbility to choose between prioritizing proxies or camera originals.\u003c\/li\u003e\n\u003cli\u003eProxy files in subfolders are automatically assigned in the media pool.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993499.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eMedia and Edit\u003c\/h5\u003e\u003cul\u003e\u003cli\u003eStabilize Blackmagic Pocket Camera clips with camera gyro metadata.\u003c\/li\u003e\u003c\/ul\u003e\u003ch5\u003eNew subtitle improvements, including:\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for timed text TTML, XML, and embedded MXF\/IMF subtitles.\u003c\/li\u003e\n\u003cli\u003eAbility to view and import subtitles from media storage.\u003c\/li\u003e\n\u003cli\u003eSupport for relinking subtitle clips from the media pool.\u003c\/li\u003e\n\u003cli\u003eSubtitle region support with multiple simultaneous captions per track.\u003c\/li\u003e\n\u003cli\u003eSet individual presets and text positions, and intuitively edit between regions.\u003c\/li\u003e\n\u003cli\u003eAdd, rename, and manage regions from the timeline context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to export TTML subtitles from the track header context menu.\u003c\/li\u003e\n\u003cli\u003eAbility to import, export, and embed multiple subtitle tracks as TTML.\u003c\/li\u003e\n\u003cli\u003eSupport for reversing shape, iris, and wipe transitions on the edit page.\u003c\/li\u003e\n\u003cli\u003eSupport for showing up to 25 simultaneous multicamera angles on the viewer.\u003c\/li\u003e\n\u003cli\u003eEdit Index now shows clip duration.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate keyframes outside trimmed clip extents.\u003c\/li\u003e\n\u003cli\u003eAbility to navigate retime keyframes using hotkeys.\u003c\/li\u003e\n\u003cli\u003eSmart bin filter for disabled timelines.\u003c\/li\u003e\n\u003cli\u003eRender in place and open in Fusion actions can be assigned shortcuts.\u003c\/li\u003e\n\u003cli\u003eReset Fusion composition now works on multiple clip selections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993488.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eColor\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew object mask capability in Magic Mask.\u003c\/li\u003e\n\u003cli\u003eAdjustment clips and Fusion generators can bypass color management.\u003c\/li\u003e\n\u003cli\u003eSupport for syncing clip groups in remote grading sessions.\u003c\/li\u003e\n\u003cli\u003eAbility to trigger bidirectional tracking from advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eSupport for matte finesse and 3D qualifier in advanced and mini panels.\u003c\/li\u003e\n\u003cli\u003eDolby Vision highlight clipping support in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bypassing color outputs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eAdd key mixers with auto-connected key outs from advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for bidirectional tracking in advanced panels.\u003c\/li\u003e\n\u003cli\u003eSupport for fast review playback mode in advanced panels.\u003c\/li\u003e\n\u003cli\u003eACES support for Blackmagic Gen 5 camera formats.\u003c\/li\u003e\n\u003cli\u003eSupport for the HDR Vivid standard.\u003c\/li\u003e\n\u003cli\u003eReference gamut compression is enabled by default in ACES 1.3.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eResolve FX\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eNew Resolve FX Depth Map to generate 3D depth-based keys in Studio.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Fast Noise.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Despill.\u003c\/li\u003e\n\u003cli\u003eNew Resolve FX Surface Tracker for tracking warped surfaces in Studio.\u003c\/li\u003e\n\u003cli\u003eImproved Resolve FX Beauty with new ultra mode.\u003c\/li\u003e\n\u003cli\u003eImproved edge strength and filter controls in Resolve FX Edge Detection.\u003c\/li\u003e\n\u003cli\u003eOption to composite from a second input in Resolve FX Transform.\u003c\/li\u003e\n\u003cli\u003eNew bokeh preset for Resolve FX Lens Reflections.\u003c\/li\u003e\n\u003cli\u003eGreen-purple control for Resolve FX Chromatic Aberration.\u003c\/li\u003e\n\u003cli\u003eSizing awareness option in Resolve FX lens flare and radial and zoom blurs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993494.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eFairlight\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eAbility to convert fixed bus projects to FlexBus in project settings.\u003c\/li\u003e\n\u003cli\u003eAbility to freely order tracks and buses in the mixer via the track index.\u003c\/li\u003e\n\u003cli\u003eAbility to nudge custom millisecond or sub-frame intervals in the timeline.\u003c\/li\u003e\n\u003cli\u003eImproved quality for time-stretched audio.\u003c\/li\u003e\n\u003cli\u003eImproved Dolby Atmos immersive mixing, including binaural monitoring.\u003c\/li\u003e\n\u003cli\u003eNative support for Dolby Atmos production for Linux and Apple silicon.\u003c\/li\u003e\n\u003cli\u003eIndependent controls to enable automation and expose parameters.\u003c\/li\u003e\n\u003cli\u003eImproved behavior of automated tracks under VCA control.\u003c\/li\u003e\n\u003cli\u003eImproved meters with configurable decay, peak hold, and display modes.\u003c\/li\u003e\n\u003cli\u003eAbility to ctrl-alt click to remove gain and elastic wave keyframes.\u003c\/li\u003e\n\u003cli\u003eAbility to double-click a clip in the timeline to rename.\u003c\/li\u003e\n\u003cli\u003eAbility to set record clip name prefix at a per-track level.\u003c\/li\u003e\n\u003cli\u003eSupport for renaming underlying tracks when renaming a linked group\u003c\/li\u003e\n\u003cli\u003eEqualizers with improved Q controls and mouse wheel inputs.\u003c\/li\u003e\n\u003cli\u003eDynamics with enhanced metering, gain display, and enable controls.\u003c\/li\u003e\n\u003cli\u003eDynamics with improved dry mix, soft knee, and metering in FlexBus.\u003c\/li\u003e\n\u003cli\u003eImproved plug-in management with replace and copy settings in the mixer.\u003c\/li\u003e\n\u003cli\u003eNew built-in presets for equalizers and dynamics.\u003c\/li\u003e\n\u003cli\u003eHold shift and double-click clips to extend the edit selection range.\u003c\/li\u003e\n\u003cli\u003eSupport for applying audio gain on range selection.\u003c\/li\u003e\n\u003cli\u003eImproved waveform display accuracy under crossfades.\u003c\/li\u003e\n\u003cli\u003eOrigination time metadata is now persisted when bouncing mix to track.\u003c\/li\u003e\n\u003cli\u003eOption to trim from unity on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for VCA and bus spill on the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eSupport for using the Fairlight Desktop Console on Linux systems.\u003c\/li\u003e\n\u003cli\u003eStudio monitoring support for FlexBus on consoles.\u003c\/li\u003e\n\u003cli\u003eFairlight console option to mute speakers on timeline load.\u003c\/li\u003e\n\u003cli\u003eSupport for chasing timecode via Fairlight audio interfaces.\u003c\/li\u003e\n\u003cli\u003eSupport for user views in the Fairlight Desktop Console.\u003c\/li\u003e\n\u003cli\u003eImproved mapping for audio effects on the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eAbility to use alt + solo to invoke solo safe in the Audio Editor panel.\u003c\/li\u003e\n\u003cli\u003eSupport for a new clear mutes action in the timeline menu.\u003c\/li\u003e\n\u003cli\u003eEnabling track mixer controls brings a window to focus if already open.\u003c\/li\u003e\n\u003cli\u003eGrid and list modes are persisted for patch, bus, and VCA assign.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eFusion\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMulti-button mode selection in the inspector for multiple tools.\u003c\/li\u003e\n\u003cli\u003eSupport for all modern and future Python 3 versions for scripting.\u003c\/li\u003e\n\u003cli\u003eSupport for live previews when using the Text+ color picker.\u003c\/li\u003e\n\u003cli\u003eMultiple new composition blend modes.\u003c\/li\u003e\n\u003cli\u003eNew expression animated Custom Poly modifier for masks and strokes.\u003c\/li\u003e\n\u003cli\u003eFaster GPU-accelerated paint tool with smoother strokes.\u003c\/li\u003e\n\u003cli\u003eFaster duplicate tool with additional blur, glow, and size controls.\u003c\/li\u003e\n\u003cli\u003eImproved fade-on and text ripple title performance.\u003c\/li\u003e\n\u003cli\u003eImproved performance for night vision, glitch, TV, and other effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and Deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eCodecs\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for Blackmagic RAW SDK 2.6.\u003c\/li\u003e\n\u003cli\u003eSupport for video uploads to internet accounts using custom presets.\u003c\/li\u003e\n\u003cli\u003eSupport for encoding mono and stereo MP3 audio.\u003c\/li\u003e\n\u003cli\u003eNew HyperDeck export preset in the Quick Export and deliver page.\u003c\/li\u003e\n\u003cli\u003eAbility to render individual clips with timeline effects.\u003c\/li\u003e\n\u003cli\u003eAbility to embed Blackmagic RAW metadata in QuickTime renders.\u003c\/li\u003e\n\u003cli\u003eCustom quality and profile media management options where available.\u003c\/li\u003e\n\u003cli\u003eSupport for rendering Dolby Vision compatible H.265 clips.\u003c\/li\u003e\n\u003cli\u003eSupport for decoding CMYK format TIFF files.\u003c\/li\u003e\n\u003cli\u003eSupport for retaining reel name metadata in rendered EXRs.\u003c\/li\u003e\n\u003cli\u003eSupport for record date and time metadata for JPEG stills.\u003c\/li\u003e\n\u003cli\u003eAlpha channel support in the IO Encode Plug-in SDK.\u003c\/li\u003e\n\u003cli\u003eSupport for RED SDK 8.3.\u003c\/li\u003e\n\u003cli\u003eSupport for the ARRI Alexa 35 camera.\u003c\/li\u003e\n\u003cli\u003eNew 1440p YouTube preset.\u003c\/li\u003e\n\u003cli\u003eRender option to override ACES gamut compression for round trips.\u003c\/li\u003e\n\u003cli\u003eMain10 is now the default H.265 encoding profile on Mac.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comments and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch5\u003eGeneral\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eSupport for 10-bit viewers on Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eStream video output to remote monitoring in Windows and Linux in Studio.\u003c\/li\u003e\n\u003cli\u003eApple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.\u003c\/li\u003e\n\u003cli\u003eSupport for Korean localizations in DaVinci Resolve.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is now bundled with Project Server.\u003c\/li\u003e\n\u003cli\u003eSupport for desktop notifications for collaboration chat.\u003c\/li\u003e\n\u003cli\u003eUser preference to import Finder tags as clip keywords on Mac.\u003c\/li\u003e\n\u003cli\u003eSupport for importing and exporting Final Cut Pro v1.10 XMLs.\u003c\/li\u003e\n\u003cli\u003eAbility to unlink Dropbox comment and marker sync for timelines.\u003c\/li\u003e\n\u003cli\u003ePlayback and render now prevent Mac systems from sleeping.\u003c\/li\u003e\n\u003cli\u003eRender jobs now show progress bars for uploads.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system project working paths in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for per-system render cache mode in collaboration and cloud.\u003c\/li\u003e\n\u003cli\u003eSupport for setting current project settings as default.\u003c\/li\u003e\n\u003cli\u003eDrag and drop project archives to the project manager to restore.\u003c\/li\u003e\n\u003cli\u003eScripting API support for creating Fusion compositions.\u003c\/li\u003e\n\u003cli\u003eScripting API support for exporting project archives.\u003c\/li\u003e\n\u003cli\u003eScripting API support to get and set timeline start timecode.\u003c\/li\u003e\n\u003cli\u003eScripting API support to detect stale media bins and refresh them.\u003c\/li\u003e\n\u003cli\u003eScripting API support for updating camera raw sidecar files.\u003c\/li\u003e\n\u003cli\u003eGeneral performance and stability improvements.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993498.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eCut\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eMetadata view and clip sorting\u003c\/li\u003e\n\u003cli\u003eTrimming against audio waveforms\u003c\/li\u003e\n\u003cli\u003eSmart Reframe for social media\u003c\/li\u003e\n\u003cli\u003eFast effects search and live preview\u003c\/li\u003e\n\u003cli\u003eImport ATEM Mini projects\u003c\/li\u003e\n\u003cli\u003eUpdated clip inspector\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993496.jpg\"\u003e\u003c\/p\u003e\u003ch5\u003eEdit\u003c\/h5\u003e\u003cul\u003e\n\u003cli\u003eProxy media workflows\u003c\/li\u003e\n\u003cli\u003eEasily sync multicamera clips\u003c\/li\u003e\n\u003cli\u003eKeying and compositing\u003c\/li\u003e\n\u003cli\u003eRender in place\u003c\/li\u003e\n\u003cli\u003eSource clip adjustments\u003c\/li\u003e\n\u003cli\u003eShare timelines and bins\u003c\/li\u003e\n\u003cli\u003eImproved editing with interlaced material\u003c\/li\u003e\n\u003cli\u003eEnhanced timeline organization\u003c\/li\u003e\n\u003cli\u003eScene cut detection\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch5\u003eOther New Features\u003c\/h5\u003e\u003cp\u003eUpdated inspector layout\u003c\/p\u003e\u003cp\u003eAdditional format support: decoding support for QuickTime PNG, uncompressed RGB 8-bit and YUV 10-bit AVI, and spanned Panasonic 8K SHV clips; improved support for GoPro CineForm, HTJ2K, and MP3 on Linux\u003c\/p\u003e\u003cp\u003eIncreased video metadata support: support for frame-based metadata from Blackmagic RAW, ARRI, RED, and Sony camera files, along with decoding and rendering per frame EXR metadata; improved metadata support for Sony MXF, IMF MCA audio, non-HDR DCP export, and HDR tags in DCP workflows\u003c\/p\u003e\u003ch5\u003eNew integration and encoding APIs\u003c\/h5\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993484.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOther Resolve Studio Features\u003c\/p\u003e\u003cp\u003eAdvanced noise reduction\u003c\/p\u003e\u003cp\u003eLens distortion\u003c\/p\u003e\u003cp\u003eProfessional HDR scopes\u003c\/p\u003e\u003cp\u003eStereoscopic 3D\u003c\/p\u003e\u003cp\u003eRemote grading\u003c\/p\u003e\u003cp\u003eDaVinci color space transforms language\u003c\/p\u003e\u003cp\u003eScripting and automation\u003c\/p\u003e\u003cp\u003eDaVinci Neural Engine\u003c\/p\u003e\u003cp\u003eDolby Atmos mastering\u003c\/p\u003e\u003cp\u003eRe-mix external productions\u003c\/p\u003e\u003cp\u003eDCP encoding and decoding\u003c\/p\u003e\u003cp\u003eIMF audio deliverables\u003c\/p\u003e\u003cp\u003eDolby Vision mastering\u003c\/p\u003e\u003cp\u003eNative IMF encoding and decoding\u003c\/p\u003e\u003cp\u003eEncoder plug-in support\u003c\/p\u003e\u003cp\u003ePre-Installation Notes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePostgreSQL 9.0 is the minimum supported version.\u003c\/li\u003e\n\u003cli\u003ePostgreSQL 13 is the recommended 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A full-frame 6K sensor captures rich colors, accurate skin tones, and a wide 13-stop dynamic range with its expanded 36 x 24mm sensor. Record both Blackmagic RAW and H.265 proxy files to the cloud or even stream directly to your social media platform of choice via Ethernet or mobile 4G\/5G technology. The PYXS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232261.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232265.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLarge-Format Digital Film Sensor\u003c\/p\u003e    \u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a true cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232263.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eFlexible Film Formats\u003c\/p\u003e    \u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. 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An expanded color range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232262.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eCustomize Your Gear\u003c\/p\u003e    \u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2232257.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLCD Monitor and Onboard Controls\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e   \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. 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This streamlined model features a larger 3.5mm LCD capacitive touchscreen display, a higher resolution tiltable 0.36\" OLED EVF, XF-AVC and MP4 recording formats, OSD metadata recording, and fast USB Type-C video-only output with UVC support for livestreaming to a computer.\u003cbr\u003e  \u003cbr\u003e  The lens optics include an integrated 20x 4K\/HD optical zoom and an eight-bladed circular iris for more natural highlights. The camera's pro-style features include Hybrid, Normal, Face Only, manual focus, Instant, and Canon's Medium autofocus; fast- and slow-motion recording, full manual control, optical and electronic image stabilization, a 3.5\" touchscreen LCD, user-assignable buttons, infrared mode, and a DIG!C DV 6 image processor with high sensitivity and low noise.\u003cbr\u003e  \u003cbr\u003e  The camera records UHD 4K30 and Full HD 1080p60 captured to dual SD card slots, and it outputs to mini-HDMI and 3G-SDI ports. 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Only\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eExposure Control\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Type\u003c\/td\u003e     \u003ctd\u003eElectronic Global Shutter\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShutter Speed\u003c\/td\u003e     \u003ctd\u003e1\/2000 to 1 Second\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGain\u003c\/td\u003e     \u003ctd\u003e0 to 24 dB (Native)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSignal-to-Noise Ratio\u003c\/td\u003e     \u003ctd\u003e3 dB\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Illumination\u003c\/td\u003e     \u003ctd\u003e5 Lux at 1\/30 Shutter Speed\u003cbr\u003e     0.3 Lux at 1\/2 Shutter Speed\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWhite Balance\u003c\/td\u003e     \u003ctd\u003e2000 to 15,000K\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eLens\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocal Length\u003c\/td\u003e     \u003ctd\u003e3.6 to 73.4mm (35mm Equivalent: 29.3 to 627mm)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Zoom Ratio\u003c\/td\u003e     \u003ctd\u003e20x\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMaximum Aperture\u003c\/td\u003e     \u003ctd\u003ef\/1.8 to 2.8\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOptical Design\u003c\/td\u003e     \u003ctd\u003e12 Elements in 10 Groups\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e     \u003ctd\u003eWide: 0.4\" \/ 1.0 cm\u003cbr\u003e     Entire Zoom Range: 23.6\" \/ 60.0 cm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFilter Size\u003c\/td\u003e     \u003ctd\u003e58 mm\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eControl Rings\u003c\/td\u003e     \u003ctd\u003eFocus\u003cbr\u003e     Zoom\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Control\u003c\/td\u003e     \u003ctd\u003eAutofocus\u003cbr\u003e     Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eVideo Capture\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eInternal Recording Modes\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003eH.264\/MP4\/XF-AVC 4:2:2 8\/10-Bit\u003c\/strong\u003e\u003cbr\u003e     3840 x 2160 at 23.98\/24.00\/29.97 fps [150 Mb\/s]\u003cbr\u003e     1920 x 1080p at 23.98\/24.00\/29.97\/59.94 fps [17 to 35 Mb\/s]\u003cbr\u003e     1280 x 720 at 59.94 fps [8 Mb\/s]\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFast-\/Slow-Motion Support\u003c\/td\u003e     \u003ctd\u003eYes\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBroadcast Output\u003c\/td\u003e     \u003ctd\u003eNTSC\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBuilt-In Microphone Type\u003c\/td\u003e     \u003ctd\u003eStereo\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio Recording\u003c\/td\u003e     \u003ctd\u003eMP4: 2-Channel 16-Bit AAC Audio\u003cbr\u003e     MP4: 4-Channel 16-Bit LPCM Audio\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eIP Streaming\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eInterface\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eMedia\/Memory Card Slot\u003c\/td\u003e     \u003ctd\u003eDual Slot: SD\/SDHC\/SDXC (UHS-I)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eVideo I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eMini-HDMI 2.0 Output\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003eBNC (3G-SDI) Output\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAudio I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e2 x \u003c\/strong\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Headphone Input\u003cbr\u003e     \u003cstrong\u003e1 x \u003c\/strong\u003e1\/8\" \/ 3.5 mm TRS Stereo Microphone Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C Input\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOther I\/O\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eUSB-C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWireless\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eMobile App Compatible\u003c\/td\u003e     \u003ctd\u003eNo\u003cbr\u003e     \u003cem\u003e*As of May, 2023: Check with manufacturer for the most up-to-date compatibility\u003c\/em\u003e\n\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eGlobal Positioning (GPS, GLONASS, etc.)\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eMonitor\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e3.5\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e2,760,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDisplay Type\u003c\/td\u003e     \u003ctd\u003eArticulating Touchscreen LCD\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eViewfinder\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eType\u003c\/td\u003e     \u003ctd\u003eBuilt-In Electronic (LCD)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eSize\u003c\/td\u003e     \u003ctd\u003e0.36\"\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eResolution\u003c\/td\u003e     \u003ctd\u003e1,770,000 Dot\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eFocus\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Type\u003c\/td\u003e     \u003ctd\u003eAuto and Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eFocus Mode\u003c\/td\u003e     \u003ctd\u003eAutomatic, Manual Focus\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eEnvironmental\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Temperature\u003c\/td\u003e     \u003ctd\u003e32 to 72°F \/ 0 to 40°C (Recommended)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Temperature\u003c\/td\u003e     \u003ctd\u003e23 to 113°F \/ -5 to 45°C\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eOperating Humidity\u003c\/td\u003e     \u003ctd\u003e85%\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eStorage Humidity\u003c\/td\u003e     \u003ctd\u003e60%\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003eGeneral\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003eBattery Type\u003c\/td\u003e     \u003ctd\u003eCanon BP-8 Series\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003ePower Consumption\u003c\/td\u003e     \u003ctd\u003e≤4.8 W\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eShoe Mount\u003c\/td\u003e     \u003ctd\u003e\n\u003cstrong\u003e1 x \u003c\/strong\u003eCold Shoe on Included Handle\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eTripod Mounting Thread\u003c\/td\u003e     \u003ctd\u003e1\/4\"-20 Female\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eAccessory Mounting Thread\u003c\/td\u003e     \u003ctd\u003e\u003cem\u003eNone\u003c\/em\u003e\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e     \u003ctd\u003e7.2 x 4.3 x 3.3\" \/ 18.3 x 10.9 x 8.4 cm (Without Protrusions)\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eWeight\u003c\/td\u003e     \u003ctd\u003e1.7 lb \/ 750 g (Body Only)\u003cbr\u003e     2.5 lb \/ 1140 g (With Battery, Handle, Recording Media)\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e    \u003cp\u003ePackaging Info\u003c\/p\u003e    \u003ctable\u003e   \u003ctbody\u003e    \u003ctr\u003e     \u003ctd\u003ePackage Weight\u003c\/td\u003e     \u003ctd\u003e4.815 lb\u003c\/td\u003e    \u003c\/tr\u003e    \u003ctr\u003e     \u003ctd\u003eBox Dimensions (LxWxH)\u003c\/td\u003e     \u003ctd\u003e11.7 x 10.9 x 8.6\"\u003c\/td\u003e    \u003c\/tr\u003e   \u003c\/tbody\u003e  \u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499327488317,"sku":"5732C003AA","price":42949.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/a3d507e4139a4efec8654c22942ed05f.png?v=1773561782"},{"product_id":"sony-alpha-a7-iv-mirrorless-digital-camera-1","title":"Sony Alpha a7 IV Mirrorless Digital Camera","description":"\u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSony a7 IV: Beyond Basic\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eAn all-arounder that pushes beyond basic, the \u003cstrong\u003eSony a7 IV\u003c\/strong\u003e does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eSensor and Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Sample Image | Motorcycle\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636033.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e33MP Exmor R BSI CMOS Sensor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eNewly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | BIONZ XR\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635994.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBIONZ XR Processor\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eUsing the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.\u003cbr\u003e  \u003cbr\u003e  In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF\/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eVideo Recording\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | 7K to 4K\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635954.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e4K 60p Video Recording in 10-Bit\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eMaking full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.\u003c\/li\u003e   \u003cli\u003eThere is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.\u003c\/li\u003e   \u003cli\u003eNo recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.\u003c\/li\u003e   \u003cli\u003eThe a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eS-Cinetone, S-Log3, and Other Color and Gamma Controls\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e   \u003cli\u003eHLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.\u003c\/li\u003e   \u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eFast Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | AF Points\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635993.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAI-Based Autofocus\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eCovering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eReal-time Tracking and Real-time Eye AF\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eBorrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:  \u003cul\u003e   \u003cli\u003eReal-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.\u003c\/li\u003e   \u003cli\u003eBeyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAF During Video Recording and Additional Focusing Modes\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/li\u003e   \u003cli\u003eFor more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.\u003c\/li\u003e   \u003cli\u003eFocus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/li\u003e   \u003cli\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eA unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check \u003ca href=\"https:\/\/support.d-imaging.sony.co.jp\/support\/ilc\/breathing\/en\/index.html\" target=\"new\"\u003eBreathing Compensation lens compatibility here\u003c\/a\u003e.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eBody Design, Connectivity, and Streaming\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Vari-Angle LCD\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635997.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eViewfinder and LCD Screen\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eAn improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.\u003c\/li\u003e   \u003cli\u003ePerfect for vlogging or other self-recording needs, the side-opening 3.0\" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Ports\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636021.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003ePorts and Interface\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e   \u003cli\u003eA USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/li\u003e   \u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e   \u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e   \u003cli\u003eUSB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eEnhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.\u003c\/li\u003e   \u003cli\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/li\u003e   \u003cli\u003eAdditionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | HVL-F60RM2 | External Flash Control\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636020.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eAdvanced External Flash Control\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eSuiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | Wireless Connectivity\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635955.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e\u003cstrong\u003eWireless Connectivity and Streaming\u003c\/strong\u003e\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eBuilt-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.\u003c\/li\u003e   \u003cli\u003eUse of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.\u003c\/li\u003e   \u003cli\u003eSupports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg alt=\"Sony a7 IV | USB Webcam and Streaming\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635998.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eLive streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.\u003c\/li\u003e   \u003cli\u003e4K 15p, FHD 60p\/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.\u003c\/li\u003e   \u003cli\u003eInternal recording is supported to a memory card while live streaming.\u003c\/li\u003e   \u003cli\u003eUVC and UAC standards are supported for improved picture and sound quality during streaming.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cdiv\u003e  \u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e  \u003c\/div\u003e    \u003cul\u003e   \u003cli\u003e33MP Full-Frame Exmor R CMOS BSI Sensor\u003c\/li\u003e   \u003cli\u003eUp to 10 fps Shooting, ISO 100-51200\u003c\/li\u003e   \u003cli\u003e4K 60p Video in 10-Bit, S-Cinetone\u003c\/li\u003e   \u003cli\u003e3.68m-Dot EVF with 120 fps Refresh Rate\u003c\/li\u003e   \u003cli\u003e3\" 1.03m-Dot Vari-Angle Touchscreen LCD\u003c\/li\u003e   \u003cli\u003e759-Pt. Fast Hybrid AF, Real-time Eye AF\u003c\/li\u003e   \u003cli\u003eFocus Breathing Compensation\u003c\/li\u003e   \u003cli\u003e5-Axis SteadyShot Image Stabilization\u003c\/li\u003e   \u003cli\u003eCreative Looks and Soft Skin Effect\u003c\/li\u003e   \u003cli\u003e4K 15p UVC\/UAC Streaming via USB Type-C\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499327881533,"sku":"CAMSOILA7M4","price":45219.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/28c200b19fa52e11913dc2a25c7629d5.png?v=1773561950"},{"product_id":"sony-alpha-a7c-ii-mirrorless-camera-black-with-28-60mm-lens-1","title":"Sony Alpha a7C II Mirrorless Camera (Black) with 28-60mm lens","description":"\u003cp\u003eBuilding off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black \u003cstrong\u003eSony a7C II\u003c\/strong\u003e offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003e33.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAlong with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072051.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRecord in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e   \u003cli\u003eFull-frame 4K recording is possible with frame rates up to 30p, up to 60p in 4K with a Super35 crop, and full HD recording up to 120p, using full 1:1 pixel readout without binning.\u003c\/li\u003e   \u003cli\u003eThe high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.\u003c\/li\u003e   \u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-60 fps and Full HD between 1-120 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e   \u003cli\u003eThe S-Log3 and S-Gamut3.Cine gamma curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e   \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e   \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e   \u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAI-Powered Autofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072049.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eVlog-Friendly AI-Enhanced Framing\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072055.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Rendering\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eFor stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2072050.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eBody Design and Connectivity\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e   \u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts with full-frame 4K video at 30 fps.\u003c\/li\u003e   \u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e   \u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.\u003c\/li\u003e   \u003cli\u003eThe 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e   \u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e   \u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e   \u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSony FE 28-60mm f\/4-5.6 Lens\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eThe Portable Powerhouse Standard Zoom\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003eImpressively compact and versatile, the \u003cstrong\u003eSony FE 28-60mm f\/4-5.6\u003c\/strong\u003e is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eSmall and Light\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753770.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eSmall size and lightweight design is what this lens is all about, meaning it's the perfect companion for casual shooting days when a single, versatile, and portable lens is most desirable.\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eRetractable design maintains an especially compact profile when not in use, measuring just 1.8\" long.\u003c\/li\u003e   \u003cli\u003eWeighing 5.9 oz, its featherweight stature pairs well with compact full-frame or APS-C bodies.\u003c\/li\u003e   \u003cli\u003eDust- and moisture-resistant design suits working in inclement weather conditions.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eOptics and AF\u003c\/strong\u003e\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753768.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThree aspherical elements help to reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering.\u003c\/li\u003e   \u003cli\u003eThe use of specialized elements also contributes to a smaller, lighter physical design.\u003c\/li\u003e   \u003cli\u003eLinear motor, along with an internal focusing mechanism, promotes fast, precise, and quiet focusing performance to suit both stills and video applications.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1753769.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eIn addition to the variety afforded by the 28-60mm focal length range, this lens also has a versatile 11.8\" minimum focusing distance that enables working with close-up subjects.\u003c\/li\u003e   \u003cli\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51499328012605,"sku":"CAMSOILA7CM2K","price":52169.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/609193318d339c4f3a5cf58d7a712fe6.png?v=1773561998"},{"product_id":"sony-fx3-full-frame-cinema-camera-1","title":"Sony FX3 Full-Frame Cinema Camera","description":"\u003cp\u003eWith a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design offering the ability to secure various accessories directly to the camera body.\u003c\/p\u003e    \u003cp\u003eFirmware Update v.2.0\u003c\/p\u003e    \u003cp\u003eWith firmware update 2.0, Sony aligns the FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eWhen updating from v.1.01 or earlier:\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eNote your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01\u003c\/li\u003e   \u003cli\u003eS-Log2 will no longer be included; you must use S-Log3\u003c\/li\u003e   \u003cli\u003eConnecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.\u003c\/li\u003e   \u003cli\u003eNote that the NFC one-touch connection function will no longer be available\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eExpressive UHD 4K Video Capture\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Cinematic Expression_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746573.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe FX3's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e    \u003cp\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Stunning Bokeh_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746583.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\u003c\/p\u003e    \u003cp\u003eS-Cinetone Color\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e    \u003cp\u003eVideo Recording\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/li\u003e   \u003cli\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/li\u003e   \u003cli\u003eSuper35 1080p capture at rates up to 240p\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eSteady Focus\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Solo Shooting_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746581.jpg\"\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eNow even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.\u003c\/li\u003e   \u003cli\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/li\u003e   \u003cli\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eErgonomic Form for Solo Operation\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Essential Controls_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746575.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe FX3's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e    \u003cp\u003eEasily Viewable Tally Lights\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Expandability_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746576.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.\u003c\/p\u003e    \u003cp\u003eQuality Audio Options\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1492872.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003ePro audio recording options include:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/li\u003e   \u003cli\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/li\u003e   \u003cli\u003eUp to 4-channel, 24-bit audio recording\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eRemote Control, Streaming, and Transfers\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Remote Control_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746579.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eControl your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/p\u003e    \u003cp\u003ePost-Production Stabilization with E-Mount Lenses\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your image\u003c\/li\u003e   \u003cli\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eImproved FX3 Features\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"LCD Touch Panel_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746577.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eThe FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e    \u003cp\u003eCommon FX3\/FX6\/a7S III Features\u003c\/p\u003e    \u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746597.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eLike the FX6 and the a7S III, the FX3 features:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/li\u003e   \u003cli\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/li\u003e   \u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eShared FX3\/FX6 Attributes\u003c\/p\u003e    \u003cp\u003eAttributes that the FX3 has in common with the larger FX6 camera include:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e   \u003cli\u003eTally lamps on the front, side, and rear\u003c\/li\u003e   \u003cli\u003eAn internal fan to prevent overheating\u003c\/li\u003e   \u003cli\u003eA zoom lever for easy frame adjustments\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eShared FX3\/a7S III Attributes\u003c\/p\u003e    \u003cp\u003e\u003cimg alt=\"Mobility_RC\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1746578.jpg\"\u003e\u003c\/p\u003e    \u003cp\u003eAttributes that the FX3 shares with the a7S III include:\u003c\/p\u003e    \u003cp\u003e \u003c\/p\u003e    \u003cul\u003e   \u003cli\u003e5-axis in-body image stabilization\u003c\/li\u003e   \u003cli\u003e16-bit raw output via HDMI\u003c\/li\u003e   \u003cli\u003eS-Log2 gamma choice\u003c\/li\u003e   \u003cli\u003e80 to 409,600 ISO range (expanded)\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003eWireless Connectivity\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/li\u003e   \u003cli\u003eWired LAN link using the USB Type-C port and a separate adapter\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Sony Professional","offers":[{"title":"Default Title","offer_id":51499333091645,"sku":"CAMSOILMEFX3","price":82609.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/801ff1f9fc850ab140314bdac234cadc.png?v=1773562506"},{"product_id":"hollyland-pyro-s-4k-hdmi-sdi-wireless-video-transmission-system-1tx-1rx-2","title":"Hollyland Pyro S 4K HDMI\/SDI Wireless Video Transmission System (1TX + 1RX)","description":"\u003cp\u003eAdd 4K30 wireless video transmission to your production using the versatile \u003cstrong\u003ePyro S 4K HDMI\/SDI Wireless Video Transmission System\u003c\/strong\u003e from \u003cstrong\u003eHollyland\u003c\/strong\u003e. The system includes a wireless transmitter, a wireless receiver, seven antennas, a USB-C adapter, a DC power adapter, and an adjustable shoe adapter mount. The transmitter provides HDMI and SDI inputs and features extremely low 50 ms latency that accepts line-of-sight transmission from up to 400m away to the included receiver. When using broadcast mode using up to four receivers and two mobile devices, the system supports up to 200m away. The receiver outputs to HDMI and SDI.\u003c\/p\u003e    \u003cp\u003eEach Pyro S unit is equipped with a USB-C port that can power the unit and also supports plug-and-play UVC operation, so it can seamlessly plug into a computer and utilize the wireless video for streaming and conferencing applications. A built-in frequency scanner allows you to select the clearest frequency for your transmission and features a bright LCD for configuration. In addition to the multifunction USB-C port, each unit can be powered using a separately available locking DC power adapter or an L-series type battery using an optional battery plate.\u003c\/p\u003e    \u003cp\u003eLong Distance, High Quality\u003c\/p\u003e    \u003cp\u003eThe Pyro S Wi-Fi broadcast technology enables one transmitter to connect to four receivers with stable signals, offering more flexibility when additional monitoring needs emerge on set. When Broadcast mode is activated, the transmitter can transmit signals to at most four receivers, and the line-of-sight range reaches 200m. When Broadcast mode is deactivated, the transmitter can transmit signals to at most two receivers and two mobile devices, and the line-of-sight range extends up to 400m.\u003c\/p\u003e    \u003cp\u003eStrong Signal Strength\u003c\/p\u003e    \u003cp\u003eAt a stable transmission range of up to 400m, the Pyro S features latency as low as 50ms. Compared to the Mars series, whose transmission range extends at the cost of image quality and latency, the Pyro S excels with increased transmission distance while preserving video quality and minimizing latency. The transmitter\/receiver combo also provides two modes for users to tip the balance between image quality and latency, with HD mode for better image quality with bitrate at up to 12 Mb\/s and Smooth mode for a dynamic change in latency.\u003c\/p\u003e    \u003cp\u003eCrisp and Sharp Images\u003c\/p\u003e    \u003cp\u003eWith up to 4K30 transmission capabilities via HDMI and 1080p60 via SDI, the Pyro S transmits images with superior clarity, detail, and realism, making it a great choice for professional applications like broadcast and filmmaking.\u003c\/p\u003e    \u003cp\u003eUSB Video Class\u003c\/p\u003e    \u003cp\u003eUVC allows seamless compatibility with a wide range of devices, such as computers, without requiring additional drivers or software installations. 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A USB power supply option provides convenience, especially when using stabilizers, as it eliminates the need for larger NP-F batteries, reducing overall weight and enhancing maneuverability.\u003c\/p\u003e","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":51499351408957,"sku":"HOL-PYRO-S","price":8691.3,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/365b67550268574f3128cf3757e8f4a7_37e0ddbf-bb8d-4116-90fd-b00312527a67.png?v=1773563836"},{"product_id":"hollyland-solidcom-se-4s-wireless-4-person-noise-cancelling-headset-intercom-2","title":"Hollyland Solidcom SE-4S Wireless 4-Person Noise Cancelling Headset Intercom","description":"\u003cp\u003eThe \u003cstrong\u003eSolidcom SE 4S Global 4-Person Full-Duplex Single-Ear Noise-Canceling Headset Intercom\u003c\/strong\u003e from \u003cstrong\u003eHollyland\u003c\/strong\u003e offers small- and medium-sized production teams a cost-effective yet powerful communication solution. This configuration includes 1 master single-ear headset and 3 remote single-ear headsets. The system operates in the 2.4 GHz frequency range and features a lightweight design, Environmental Noise Cancellation, resistance to water and wind, and extended battery life—empowering team members to collaborate effectively in various environments, from commercial video production to waterside operations. The system can be expanded with an additional remote headset to accommodate a total of 5 users at once.\u003c\/p\u003e\u003cp\u003eReliable Communication\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2350766.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe Solidcom SE Global supports full-duplex communication, which enables team members to communicate simultaneously and eliminates the need for them to take turns speaking, saving valuable time and enhancing work efficiency. The system delivers dependable connection at line-of-sight distances of up to 1100' over the 2.4 GHz frequency band and features auto frequency hopping technology, which instantly switches to a clean frequency if interference occurs, making the communication system more stable and reliable.\u003c\/p\u003e\u003cp\u003eDual-Mic ENC for Superior Sound\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2350765.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe advanced dual-microphone Environmental Noise Cancellation technology processes sound in a way that cancels out environmental noise, ensuring your voice comes through loud and clear, even in noisy surroundings. Featuring a signal-to-noise ratio of 71 dB, the Solidcom SE Global provides clear, intelligible speech for your team.\u003c\/p\u003e\u003cp\u003eResistance to Water and Wind\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2350767.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe rugged, durable headsets are engineered for water and wind resistance. Internal protective paint protects the components from sweat and moisture damage, while an advanced algorithm reduces wind noise. You can have peace of mind, knowing that the system remains operational, even during inclement weather.\u003c\/p\u003e\u003cp\u003eHassle-Free Operation\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2350769.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe Solidcom SE Global is ready to use, right out of the box, because it is pre-paired at the factory. 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The coiled, \u003cstrong\u003enylon-braided blue cable\u003c\/strong\u003e keeps your rig clean and organized, stretching from \u003cstrong\u003e~40 cm to ~91 cm\u003c\/strong\u003e, giving you the flexibility to route power to the back of your camera or accessories without clutter.\u003c\/p\u003e\u003cp\u003eThe dummy battery contains a built-in \u003cstrong\u003e8 V regulated power output\u003c\/strong\u003e, supporting up to \u003cstrong\u003e2 A\u003c\/strong\u003e, ensuring safe and stable operation across your devices while protecting them from voltage fluctuations. Compatible with any D‑Tap source, including V‑mount or Gold‑mount batteries—this cable is perfect for on-location shoots and professional setups.\u003c\/p\u003e\u003ch3\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eD‑Tap Connectivity\u003c\/strong\u003e: Connects D‑Tap battery sources to your device.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLP-E6 Dummy Battery\u003c\/strong\u003e: Powers cameras, monitors, lights, and other LP-E6 devices.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Coiled Cable\u003c\/strong\u003e: 16″ (~40 cm) contracted → 36″ (~91 cm) extended.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSafe Regulated Output\u003c\/strong\u003e: 8 V DC at up to 2 A.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide Input Range\u003c\/strong\u003e: Works with 8–17 V DC input.\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDurable Design\u003c\/strong\u003e: Braided nylon for rig-ready reliability.\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\u003ctable class=\"table table-bordered\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eValue\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector A\u003c\/td\u003e\n\u003ctd\u003eD‑Tap male\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector B\u003c\/td\u003e\n\u003ctd\u003eCanon LP-E6 dummy battery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Voltage\u003c\/td\u003e\n\u003ctd\u003e8–17 V DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Voltage\u003c\/td\u003e\n\u003ctd\u003e8 V DC (regulated)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Current\u003c\/td\u003e\n\u003ctd\u003e2 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCable Length\u003c\/td\u003e\n\u003ctd\u003e~40 cm → ~91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eJacket\u003c\/td\u003e\n\u003ctd\u003eNylon braided\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCompatibility\u003c\/td\u003e\n\u003ctd\u003eCanon LP-E6 compatible devices (cameras, monitors, lights)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\u003ch3\u003e\u003cstrong\u003eWhy Choose This Cable?\u003c\/strong\u003e\u003c\/h3\u003e\u003cp\u003eThis Kondor Blue cable delivers reliable, long-lasting power from any D‑Tap source while keeping your rig tidy. The regulated output protects your gear, the coiled design minimizes cable clutter, and the durable braided construction ensures professional reliability. Perfect for extended shoots where consistent power is essential.\u003c\/p\u003e\u003cp\u003e\n\n\n\u003c\/p\u003e","brand":"Kondor","offers":[{"title":"Default Title","offer_id":51499774050621,"sku":"KB_DTAP_CLPE6","price":1303.48,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/cc4b190931151dee24fc04339868e84f_6640e223-8eb5-42dc-835a-bce3faeebffa.png?v=1773568775"},{"product_id":"kondor-blue-d-tap-to-usb-c-2","title":"Kondor Blue D-Tap to USB-C","description":"\u003cp\u003ePower your USB-C devices directly from a D‑Tap battery source with Kondor Blue’s \u003cstrong\u003eD‑Tap to USB-C Power Delivery cable\u003c\/strong\u003e. Designed for cameras, smartphones, laptops, and accessories, this ~40 cm braided cable delivers \u003cstrong\u003eup to 65 W\u003c\/strong\u003e of regulated power, ensuring your gear runs safely and efficiently.\u003c\/p\u003e\u003cp\u003eIdeal for high-demand devices like the \u003cstrong\u003eCanon R5 C\u003c\/strong\u003e, this cable provides fully regulated power to support functions such as \u003cstrong\u003e8K60 RAW recording\u003c\/strong\u003e, keeping your production smooth and uninterrupted. 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Its \u003cstrong\u003eregulated output\u003c\/strong\u003e, \u003cstrong\u003eSmart D-Tap LED\u003c\/strong\u003e, and \u003cstrong\u003erugged braided construction\u003c\/strong\u003e make it ideal for filmmakers, photographers, and mobile content creators who need safe, flexible, and reliable power on set.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Kondor","offers":[{"title":"Default Title","offer_id":51499774509373,"sku":"KB_DT_USBC_16","price":1200.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/646f1d9cf8da0cc56f24620060f3460f_99342087-cbc4-4ac4-85e3-0a424d6981ec.png?v=1775644442"},{"product_id":"kondor-blue-mini-xlr-m-to-xlr-f-for-bmpcc-blue-1","title":"Kondor Blue Mini XLR M to XLR F for BMPCC \/ Blue","description":"\u003cdiv\u003e  \u003cp\u003eKONDOR BLUE brings you the highest quality cable lineup on the market! \u003c\/p\u003e\n\u003cp\u003eThis Mini XLR Male to XLR Female Audio Cable (1 Pack) connects a microphone or audio mixer to your Camera. The 3-pin mini-XLR Male connector connects to the camera, and on the other end is a standard 3-pin XLR Female connector to plug into your mic or mixer. This cable is often used with the BMPCC 6K Pro and Canon C70. \u003c\/p\u003e\n\u003cp\u003eThe KONDOR BLUE Mini XLR to XLR cables are available in 16\", 3’, 5', and 25'. We also carry a 17\" \u003cb\u003eright-angle mini XLR cable\u003c\/b\u003e. 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These high-density panels help reduce noise and reverberation, making them ideal for \u003cstrong\u003erecording studios, home theaters, offices, and industrial spaces\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\u003ch4\u003e\u003cstrong\u003eRockwool Board (100mm) – High-Density Sound Insulation\u003c\/strong\u003e\u003c\/h4\u003e\u003cp\u003e✅ \u003cstrong\u003eSize:\u003c\/strong\u003e 100 x 600 x 1200mm\u003c\/p\u003e\u003cp\u003e✅ \u003cstrong\u003eDensity:\u003c\/strong\u003e 60kg\/m³ for superior sound absorption\u003c\/p\u003e\u003cp\u003e✅ \u003cstrong\u003eIdeal for:\u003c\/strong\u003e Wall and ceiling insulation, soundproofing structures, and reducing external noise\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eThese are standalone Rockwool insulation boards. If you're looking for \u003cstrong\u003eacoustic panels\u003c\/strong\u003e to mount on existing walls, check out our \u003cstrong\u003e\u003ca href=\"https:\/\/www.icilylive.co.za\/products\/sound-panel-timber-frame-1200-x-600-with-fabric-fabric-to-be-supplied-by-client-1500-x-900-per-unit?_pos=3\u0026amp;_sid=8f4f225c0\u0026amp;_ss=r\" target=\"_blank\"\u003eTimber Frame Acoustic Panels\u003c\/a\u003e\u003c\/strong\u003e for a ready-to-hang solution.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping Note:\u003c\/strong\u003e Shipping prices for this product may vary depending on your location. Please contact us for confirmation.\u003cbr\u003e\u003cbr\u003eLooking for more info on Roockwool? here is our handy guide on Rockwool - \u003ca href=\"https:\/\/www.icilylive.co.za\/pages\/rockwool-sound-insulation-south-africa-icily-live?_gl=1*5pl9r6*_ga*OTEyMzgzMjM5LjE3ODA1NTQxNDI.*_ga_0BK6F6GXYF*czE3ODA2NDExMjQkbzYkZzEkdDE3ODA2NDEyMTEkajIyJGwwJGgw*_ga_KYPF9FEZ05*czE3ODA2NDExMjQkbzYkZzEkdDE3ODA2NDEyMTEkajQ3JGwwJGgw\" class=\"o_translate_inline\"\u003eHere\u003c\/a\u003e\u003c\/p\u003e","brand":"Icily Live","offers":[{"title":"Default Title","offer_id":51499893031229,"sku":"ROCKWOOL100","price":650.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/05b7bdf71befcc8b6c338ce4ea46ea9d_11f9c525-9a18-407b-b789-c69ee1287e3f.jpg?v=1773573236"},{"product_id":"rockwool60-50-rockwool-board-60kg-m-50x600x1200mm-2","title":"ROCKWOOL60\/50 - Rockwool Board, 60kg\/m³, 50x600x1200mm","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"h5-fs\"\u003eRockwool Acoustic Boards – High-Density Sound Absorption\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eImprove acoustic performance and thermal insulation with \u003cstrong\u003eRockwool Acoustic Boards\u003c\/strong\u003e, designed for effective sound absorption in \u003cstrong\u003ewalls, ceilings, and roofs\u003c\/strong\u003e. These high-density panels help reduce noise and reverberation, making them ideal for \u003cstrong\u003erecording studios, home theaters, offices, and industrial spaces\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"h5-fs\"\u003eRockwool Board (50mm) – Lightweight \u0026amp; Versatile\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e✅ \u003cstrong\u003eSize:\u003c\/strong\u003e 50 x 600 x 1200mm\u003c\/li\u003e\n\u003cli\u003e✅ \u003cstrong\u003eDensity:\u003c\/strong\u003e 60kg\/m³ for effective noise control\u003c\/li\u003e\n\u003cli\u003e✅ \u003cstrong\u003eIdeal for:\u003c\/strong\u003e Enhancing existing acoustic panels or adding insulation layers\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"h5-fs\"\u003eKey Features:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e✔ \u003cstrong\u003eSoundproof Mineral Wool\u003c\/strong\u003e – Essential for soundproof partitions and systems with joists, battens, acoustic cradles, or stud-frames\u003c\/li\u003e\n\u003cli\u003e✔ \u003cstrong\u003eEuroclass A1 Fire Rating\u003c\/strong\u003e – Non-combustible, ensuring safety and durability\u003c\/li\u003e\n\u003cli\u003e✔ \u003cstrong\u003eExcellent Sound Absorption\u003c\/strong\u003e – Reduces echo and reverberation for better room acoustics\u003c\/li\u003e\n\u003cli\u003e✔ \u003cstrong\u003eMulti-Purpose Use\u003c\/strong\u003e – Suitable for walls, ceilings, and roofs in commercial or residential spaces\u003c\/li\u003e\n\u003cli\u003e✔ \u003cstrong\u003eWeight:\u003c\/strong\u003e 2.5kg per panel\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePlease Note: \u003c\/strong\u003eThese are standalone Rockwool insulation boards. If you're looking for \u003cstrong\u003eacoustic panels\u003c\/strong\u003e to mount on existing walls, check out our \u003cstrong\u003e\u003ca href=\"https:\/\/www.icilylive.co.za\/products\/sound-panel-timber-frame-1200-x-600-with-fabric-fabric-to-be-supplied-by-client-1500-x-900-per-unit?_pos=3\u0026amp;_sid=8f4f225c0\u0026amp;_ss=r\" target=\"_blank\"\u003eTimber Frame Acoustic Panels\u003c\/a\u003e\u003c\/strong\u003e for a ready-to-hang solution.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eShipping Note:\u003c\/strong\u003e Shipping prices for this product may vary depending on your location. Please contact us for confirmation.\u003cbr\u003e\u003cbr\u003eLooking for more info on Roockwool? here is our handy guide on Rockwool - \u003ca href=\"https:\/\/www.icilylive.co.za\/pages\/rockwool-sound-insulation-south-africa-icily-live?_gl=1*5pl9r6*_ga*OTEyMzgzMjM5LjE3ODA1NTQxNDI.*_ga_0BK6F6GXYF*czE3ODA2NDExMjQkbzYkZzEkdDE3ODA2NDEyMTEkajIyJGwwJGgw*_ga_KYPF9FEZ05*czE3ODA2NDExMjQkbzYkZzEkdDE3ODA2NDEyMTEkajQ3JGwwJGgw\" class=\"o_translate_inline\"\u003eHere\u003c\/a\u003e\u003c\/p\u003e","brand":"Icily Live","offers":[{"title":"Default Title","offer_id":51499895062845,"sku":"ROCKWOOL60\/50","price":478.26,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/59901e9a563d51b39f8efb9fc86e6152_485d92ce-539b-4b43-ab54-03aabe496da9.jpg?v=1773573259"},{"product_id":"think-tank-cable-management-21","title":"Think Tank - Cable Management 20","description":"\u003cp\u003eNow with more size options, additional features, better organization, and greater capacity; Think Tank Cable Management pouches keep your cables and other small items contained and easy to access.\u003c\/p\u003e\u003cp\u003eClear front and back panels make it easy to see what’s inside so you can find what you’re looking for quickly. A wide opening, zippered top provides rapid access to contents inside while a fold-away main compartment divider enables better organization for all the contents inside.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKEY FEATURES:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eClear front and back panels for easy view of contents\u003c\/li\u003e\n\u003cli\u003eWide opening, zippered top provides rapid access to contents\u003c\/li\u003e\n\u003cli\u003eFold away main compartment divider for built in organization\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Think Tank","offers":[{"title":"Default Title","offer_id":51500219564349,"sku":"PBTT245","price":656.61,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/01662f35bb222e0c66da16507dca6b10_0b028c76-81dc-4511-8500-7430a29139e4.png?v=1773584736"},{"product_id":"think-tank-edc-tech-pouch-11","title":"Think Tank - EDC Tech Pouch 10","description":"\u003cp\u003eTired of fumbling through your backpack looking for that computer dongle only to discover that you forgot it at home? Keep all your tech accessories together in an organized pouch so everything is at your fingertips when you need them. Like the old idiom says, \u003cem\u003e“a place for everything and everything in its place.”\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKEY FEATURES\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOpen book design provides full access and visibility\u003c\/li\u003e\n\u003cli\u003eFour pockets and three web rail slots for ultimate organization\u003c\/li\u003e\n\u003cli\u003eGrab handle doubles as hanger\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eWHAT FITS IN THIS BAG?\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cem\u003eMemory Cards\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003ePocket knife\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003ePens\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eConnector cables and dongles\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eGoPro\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eBatteries\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Think Tank","offers":[{"title":"Default Title","offer_id":51500220449085,"sku":"PBTT225","price":476.61,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/9177988da1f2ccddbdbdad7d797350ec_99ffbae2-1400-4acb-af5e-cc2b5b13d341.png?v=1773584757"},{"product_id":"blackmagic-design-micro-converter-bidirectional-sdi-hdmi-3g-with-power-supply","title":"Blackmagic Design Micro Converter BiDirectional SDI\/HDMI 3G (with Power Supply)","description":"\u003cp\u003eEasily combine SDI and HDMI components in your video setup with the \u003cstrong\u003eMicro Converter BiDirectional SDI\/HDMI 3G\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This compact bidirectional converter can simultaneously convert SDI to HDMI and vice versa, even when using different standards, and it supports resolutions up to DCI 2K in SDI and 1080p60 in HDMI. It also offers camera control conversion for Blackmagic HDMI cameras like the BMPCC 4K or 6K, enabling you to use them with an SDI-based live switcher. The Micro Converter BiDirectional SDI\/HDMI 3G features HDMI timecode support, SDI re-clocking for stability over long cable runs, support for a wide range of pro broadcast resolutions including cine-style 48 fps, and both HDMI and SDI embedded audio input and output.\u003c\/p\u003e    \u003cp\u003eThis pocket-sized converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the BiDirectional SDI\/HDMI converter to easily connect to and be powered by large-screen monitors, laptops, desktop computers, or projectors. You can also power this converter using the included 100-240 VAC power supply, complete with four international socket adapters.\u003c\/p\u003e    \u003ch4\u003eFeatures\u003c\/h4\u003e    \u003ch5\u003eCompact, Rugged Design\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eRobust metal housing and rugged connectors\u003c\/li\u003e   \u003cli\u003eUSB Type-C port for powering via a compatible component like a monitor or laptop\u003c\/li\u003e   \u003cli\u003eUpdatable via the USB Type-C port and your Mac or PC\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eHDMI Camera Control\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eCamera control conversion for the HDMI-output BMPCC 4K or 6K, enables use with an SDI-based live switcher\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eSDI \u0026amp; HDMI Timecode\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eHD and SD timecode support\u003c\/li\u003e   \u003cli\u003eConverts HDMI timecode to SDI and vice versa\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eSDI Re-Clocking\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eBuilt-in re-clocking on 3G-SDI output enables stable output over longer cable runs\u003c\/li\u003e   \u003cli\u003eCompatible with SMPTE 259M\/292M\/296M\/424M\/425M level A and B\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eWider Resolution Support\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eSDI support from NTSC and PAL up to DCI 2Kp60\u003c\/li\u003e   \u003cli\u003eHDMI support from NTSC and PAL up to 1080p60\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eEmbedded Audio\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eSupports embedded SDI and HDMI input and output\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eLED Indicators\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003eLED indicators for video and power signals\u003c\/li\u003e  \u003c\/ul\u003e    \u003ch5\u003eVersatile Power Options\u003c\/h5\u003e    \u003cul\u003e   \u003cli\u003ePower from a monitor, laptop, or other component using the USB Type-C port\u003c\/li\u003e   \u003cli\u003eIncludes a 100-240 VAC power supply with four socket adapters\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51503950233917,"sku":"BLA-CONVBDC\/SDI\/HDMI03G\/PS","price":1588.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/06b9ada4e8b71fdec89f9f67538ef355.png?v=1773726786"},{"product_id":"blackmagic-design-davinci-resolve-speed-editor-with-studio-software","title":"Blackmagic Design DaVinci Resolve Speed Editor with Studio Software","description":"\u003cp\u003e*Includes DaVinci Resolve Studio\u003c\/p\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eFor the Editor on the Go\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe \u003cstrong\u003eDaVinci Resolve Speed Editor with Studio Software\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a perfect hardware complement for the editor on the go, and it includes a license for DaVinci Resolve Studio right in the box. The editor interfaces with macOS or Windows editing systems running DaVinci Resolve Studio, providing you with keyboard shortcuts and controls that speed up your editing, compared to using a mouse to navigate your edit system. The Speed Editor is small enough to take with you on location, and its built-in battery allows you to use it via Bluetooth for a wire-free connection. The Speed Editor is charged and can connect to your computer via an optional USB Type-C cable.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989379.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor features dedicated push buttons that control the edit modes, timeline navigation, and effects of DaVinci Resolve. Additionally, these push buttons provide shortcuts to useful features available only on the Speed Editor. The built-in Search Dial is similar to the jog wheel often found on professional edit decks, but in conjunction with the push-button keys and DaVinci Resolve software, the search dial is much more powerful.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSearch Dial and Transport Control\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989381.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003eBuilt into the Speed Editor is a Search Dial reminiscent of the jog wheel that editors have used for decades to shuttle through footage. Combined with push-button transport controls, the Search Dial allows you to jog through your footage and trim in and out points. The Search Dial is machined from metal and has a weighted feel for slowly jogging through your footage or shuttling through by spinning the dial.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eKeyboard Shortcuts\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eAlthough the Speed Editor's panel is small and lacks a Qwerty keyboard, it is loaded with dedicated push buttons for quickly accessing features and navigating your timeline.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989380.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eDedicated Transition Buttons\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003eSelect from Cut, Dissolve, and Smooth Cut for transitions between clips.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eEdit Modes\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003eProvides keyboard shortcuts that replace dragging clips from the trim windows to the timeline or switching to different modes in the Resolve to make edits via the mouse:\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSmart Insert: Resolve will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eAppend to End: Adds the clip to the end of your timeline edit with the in and out points you've selected.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eClose-Up: Automatically creates a slightly zoomed-in version of the selected shot and places it on the top of the timeline.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989378.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eRipple Overwrite\u003c\/li\u003e   \u003cli\u003ePlace on Top\u003c\/li\u003e   \u003cli\u003eSource Overwrite\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eFunction Buttons\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor comes with a multitude of functions buttons, some of which are unique to the Speed Editor:\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989377.jpg\"\u003e\u003c\/div\u003e    \u003cdiv\u003e  \u003cul\u003e   \u003cli\u003eEscape and Undo\u003c\/li\u003e   \u003cli\u003eSync Bin\u003c\/li\u003e   \u003cli\u003eAudio Level and Markers\u003c\/li\u003e   \u003cli\u003eFull-Screen Viewer\u003c\/li\u003e   \u003cli\u003eAdd Transition\u003c\/li\u003e  \u003c\/ul\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eSnap and Viewer Size: Turns on snapping in the timeline, allowing the play head to pause momentarily at each edit point as you scroll through your edit with the search dial. Holding the Snap button down will let you adjust the viewer size with the search dial.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eBluetooth and USB Control\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor supports controlling DaVinci Resolve either hardwired with an optional USB cable or via Bluetooth. The Speed Editor's integrated battery allows you to work wirelessly, and it charges via an optional USB cable.\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989376.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eDaVinci Resolve Studio License\u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003eThe Speed Editor includes a license for DaVinci Resolve Studio, which supports up to 120 fps at a massive 32K resolution, as well as support for multiple GPUs for real-time playback of professional 10-bit formats, and accelerated H.264 and H.265 hardware decoding and encoding.  \u003cp\u003e \u003c\/p\u003e    \u003cp\u003eThere's a full suite of immersive audio tools, including Dolby Vision and HDR10+ grading and rendering, the DaVinci Neural Engine, and 30 extra Resolve FX. 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Plus, there's full-screen playback on a second monitor.\u003c\/p\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e    \u003cdiv\u003e  \u003cdiv\u003e  \u003cdiv\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1989375.jpg\"\u003e\u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e  \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51503951020349,"sku":"BLA-DV\/RES\/BBPNLMLEKA","price":7135.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1b22264cd64d9c9564b47e6c1f7773b5.png?v=1773726845"},{"product_id":"blackmagic-design-ultrastudio-4k-mini-1","title":"Blackmagic Design UltraStudio 4K Mini","description":"\u003cp\u003eThe UltraStudio 4K Mini Thunderbolt 3 from Blackmagic Design links your Thunderbolt 3 computer to any of a variety of video components for capture, playback, or streaming. This portable unit captures up to DCI 4K60 4:2:2 via single-link 12G-SDI or up to DCI 4K30 4:2:2 video via HDMI. Record 12-bit High Dynamic Range (HDR) footage at rates up to DCI 4K30 and 8-\/10-bit video at rates up to DCI 4K60.\u003c\/p\u003e    \u003cp\u003eA built-in LCD screen enables you to monitor your signal, and an SD card reader provides instant access to your SD media. The compact UltraStudio 4K Mini's Thunderbolt 3 interface offers lightning-fast connections and will trickle-charge a connected computer. Audio features include 16-channel SDI and 8-channel HDMI embedded input and output, a 3-pin XLR audio input, and a headphone output.\u003c\/p\u003e    \u003cp\u003eThe UltraStudio Mini 4K Thunderbolt 3 supports both compressed and uncompressed video, is Windows, macOS, and Linux compatible, and supports most popular codecs. The UltraStudio 4K Mini also supports 3D capture and playback via HDMI, plus 3D SDI playback at rates up to DCI 4K30. 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Based around a full-frame 6K sensor and an active Leica L lens mount, this high-end camera features rich colors, accurate skin tones, a wide 13-stop dynamic range, and a built-in OLPF filter (optical low pass) that is tailored specifically to the massive 24 x 35mm sensor. ENG users and other on-the-go shooters will appreciate the ability to record both deep bit-depth Blackmagic Raw and H.264 proxies simultaneously to Blackmagic Cloud. The Cinema Camera 6K takes a step up from the Pocket Cinema Camera line but handily retains the ability to use all the existing PCC accessories.\u003c\/p\u003e    \u003cp\u003e\u003cstrong\u003eFull-Frame 6K Sensor\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eA massive full-frame sensor with a native resolution of 6048 x 4032 enables you to shoot with a shallow depth of field and to use anamorphic lenses uncropped for a truly cinematic look.\u003c\/li\u003e   \u003cli\u003eThe sensor's 13 stops of dynamic range with dual native 400 and 3200 ISOs extending up to 25,600 provide stunning, low-noise images in all lighting conditions, including bright sunlight and very low light levels.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eCinematic Full-Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K's full-frame sensor provides the ability to work in a variety of film formats and aspect ratios without sacrificing quality.\u003c\/li\u003e   \u003cli\u003eUsing the full area of the sensor gives you a unique open-gate 3:2 image, which also enables you to reframe your shots in post-production.\u003c\/li\u003e   \u003cli\u003eThe large sensor enables true 6:5 anamorphic without cropping, producing detailed, cinematic widescreen images in higher resolutions than previously possible.\u003c\/li\u003e   \u003cli\u003eUse the classic Super35-sized window on the sensor to create an instant close-up of your shot that fits seamlessly with open gate footage.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eAdvanced Leica L Mount\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Leica L lens mount accommodates the Blackmagic Cinema Camera 6K's full-frame sensor while ensuring compatibility with both new and vintage lenses. With a large diameter of 51.6mm, the L mount is compatible with the latest full-frame lenses from manufacturers like Leica, Panasonic, and Sigma.\u003c\/li\u003e   \u003cli\u003eIts very short flange distance of only 20mm means you can easily add Canon EF, ARRI PL, and other adapters for a variety of lens mounts without impacting image quality.\u003c\/li\u003e   \u003cli\u003eThe separately available EF adapter enables lens control and data transfer for compatible lenses.\u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K captures all standard resolutions and frame rates from HD up to DCI 4K and 6K, with still photos available up to 24.6MP.\u003c\/li\u003e   \u003cli\u003eVideo rates include 6048 x 4032 3:2 open gate at 36 fps, 6048 x 2520 2.4:1 at 60 fps, and 4096 x 2160 DCI 4K at 60 fps.\u003c\/li\u003e   \u003cli\u003eHigher frame rates are captured with a windowed sensor at rates up to 2112 x 1184 Super16 at 100 fps.\u003c\/li\u003e   \u003cli\u003eTrue anamorphic 6:5 at much higher resolutions than other cameras is available using anamorphic lenses in 4838 x 4032 4.8K at 24 fps. \u003c\/li\u003e  \u003c\/ul\u003e    \u003cp\u003e\u003cstrong\u003ePost-Friendly File Formats\u003c\/strong\u003e\u003c\/p\u003e    \u003cul\u003e   \u003cli\u003eHigh-resolution Blackmagic Raw recording enables you to control detail, exposure, and color during post-production.\u003c\/li\u003e   \u003cli\u003eThe Blackmagic Cinema Camera 6K can also record HD H.264 proxies in real time for easy media sharing around the globe in just minutes.\u003c\/li\u003e   \u003cli\u003eBlackmagic Raw is highly optimized, multi-threaded, and able to work across multiple CPU cores. 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Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel.\u003c\/p\u003e    \u003ch4\u003eScene and Camera Controls\u003c\/h4\u003e    \u003cp\u003eThe top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene, such as lighting. This section also includes controls for adjusting master gain, white balancing the camera, and changing the camera's shutter speed.\u003c\/p\u003e    \u003ch4\u003eGain and Pedestal Controls\u003c\/h4\u003e    \u003cp\u003eThe center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green, and blue levels in your blacks and whites to compensate for unwanted color.\u003c\/p\u003e    \u003ch4\u003eLens and Iris Controls\u003c\/h4\u003e    \u003cp\u003eThe bottom section features an LED camera number that indicates preview and on-air status, along with a high-quality professional joystick that's used to precisely adjust the iris and master black. It also features a call button for talkback with the operator along with a panel lock button and indicators for the network, power, and cable connection to the camera.\u003c\/p\u003e    \u003ch4\u003eATEM Switcher Integration\u003c\/h4\u003e    \u003cp\u003eThe ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M\/E Broadcast Studio 4K switcher with an ATEM 1 M\/E Advanced Panel and the ATEM Camera Control Panel. 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