{"title":"TIPA World Awards","description":"\u003ch2\u003e\u003cspan\u003eTIPA World Award-Winning Photography \u0026amp; Imaging Products\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDiscover \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPA World Award-winning cameras, lenses and photography equipment\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, recognised for outstanding quality, performance, innovation and value.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSince 1991, the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPA World Awards\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e have celebrated some of the best products in the global photography and imaging industry. Each product is evaluated by TIPA editors against criteria that matter to photographers, filmmakers and content creators.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShop our collection of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTIPA Award-winning products\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and choose equipment recognised for excellence in imaging.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"canon-rf-7-14mm-f2-8-3-5l-fisheye-stm-1","title":"Canon RF 7-14mm F2.8-3.5L FISHEYE STM","description":"\u003cp\u003eExtreme Wide-Angle, Unique Fisheye Zoom\u003c\/p\u003e\u003cp\u003eCombining a huge field of view with distinct fisheye rendering, the \u003cb\u003eCanon RF 7-14mm f\/2.8-3.5 L Fisheye STM\u003c\/b\u003e is an ultra-wide zoom for creating striking, dynamic photos and videos. The first fisheye lens for the RF series, this lens brings an immensely wide 190° angle of view, both circular and diagonal coverage depending on focal length and format, and a host of convenient new design details for working with the unique lens.\u003c\/p\u003e\u003cp\u003eDistinct Field of View\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668563.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFisheye Rendering and Image Quality\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUltra-wide-angle fisheye lens offers truly unique rendering with strong distortion that is a perfect partner to action sports and action subjects, as well as a dynamic option for landscape, nature, underwater, astrophotography, and architecture applications.\u003c\/li\u003e\n\u003cli\u003eOptical design includes five ultra-low dispersion glass elements and two aspherical elements; these specialized optics promote high color accuracy and sharpness along with a compact, lightweight construction.\u003c\/li\u003e\n\u003cli\u003eAir Sphere (ASC) and Super Spectra (SSC) coatings reduce flare and ghosting for improved contrast.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668570.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eZoom Design\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRelative to conventional focal length zooms, this fisheye zoom's change in focal lengths also affects the fisheye distortion and frame coverage.\u003c\/li\u003e\n\u003cli\u003eAt the 7mm position on a full-frame camera, this is a fully circular fisheye lens with a 190° angle of view. At the 14mm position on a full-frame camera, this is a diagonal, frame-filling fisheye with a 180° angle of view.\u003c\/li\u003e\n\u003cli\u003eWhen used with APS-C-format cameras, there is a 'C' position on the zoom ring at approximately 8.7mm, which indicates the point at which vignetting will disappear and this lens will fully cover the sensor area. Between 7mm and 8.7mm, the fully circular image will not fit within the frame but there will be significant vignetting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668569.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eClose-Focus Creativity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaking best use of the unique traits of a fisheye lens, close-up shooting highlights the distinct distortion and sense of space the bulbous, 180-190° angle of view rendering provides.\u003c\/li\u003e\n\u003cli\u003eThis lens has a minimum focusing distance of just 5.9\"—meaning the closest working distance is approximately 2\" from the front of the lens, allowing you to place the lens right next to subjects to highlight and exaggerate shapes, textures, and other small details while the background details remain in the frame but curve away with a distinct fisheye effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668562.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBuilt for Hybrid Creation\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668567.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe fisheye effect is equally striking and versatile for video creators; the immense depth of field, unique distortion, and broad angle of view make for a unique tool to render singular subjects in space.\u003c\/li\u003e\n\u003cli\u003eUnique among fisheye lenses with a bulbous front element, this lens's unique ability to accept drop-in filters makes it compatible with Canon's own variable ND filter to help better control exposure while recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668564.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFocus breathing is also virtually non-existent, thanks to a rear focus design, which helps maintain a consistent composition while racking focus. Also, the lens has internal focus and internal zoom for easier use on a gimbal.\u003c\/li\u003e\n\u003cli\u003eUsing a lead-screw type STM and the same position-detecting sensor from Nano USM technology, this lens's autofocus is fast, accurate, and responsive for photo while also offering smooth and quiet performance that benefits video applications.\u003c\/li\u003e\n\u003cli\u003eThe extreme angle of view of the lens also lends itself to 2D monoscopic VR content and the lens is fully supported by the Canon EOS VR System application for VR image creation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDesign Details\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2670272.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe lens is relatively compact and lightweight, measuring 4.3\" long and weighing just over 1 lb.\u003c\/li\u003e\n\u003cli\u003eA removable petal-style EW-76 Lens Hood is included, which makes the overall lens length 5.2\" when attached. This hood cannot be reverse-mounted onto the lens. When attached, vignetting will be visible at all focal lengths shorter than 14mm when used with a full-frame camera; no vignetting is seen on APS-C cameras using focal lengths between 8.7-14mm.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668568.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCustomizable Control Ring and Lens Function Button can be programmed to control a range of shooting settings.\u003c\/li\u003e\n\u003cli\u003eZoom Limit\/Lock switch is used to set a zoom range for consistent framing or can lock the lens in place to prevent unwanted movement during transport or shooting.\u003c\/li\u003e\n\u003cli\u003eL-Series level durability and weather resistance for working in inclement conditions.\u003c\/li\u003e\n\u003cli\u003eThe front element also features a fluorine coating that repels water and oils and is easy to clean.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2668566.gif\"\u003e\u003c\/p\u003e\u003cp\u003eUnique Drop-In Filter Design\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOne of the most unique design details of this lens is the use of Canon's rear drop-in filter system, which debuted with their Drop-In Filter Mount Adapter EF-EOS R.\u003c\/li\u003e\n\u003cli\u003eThis filter system accommodates the bulbous, protruding front lens element and enables working with a switchable filter system in the rear of the lens. This differs from cut gel filter holders since filters can be switched without removing the lens.\u003c\/li\u003e\n\u003cli\u003eThis system uses self-contained mounted filters that slide directly into the rear of the lens; a clear filter is included with the lens and optional Drop-In Variable Neutral Density Filter A and Drop-In Circular Polarizing Filter A are also available.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51499325849917,"sku":"7343C005AA","price":31299.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/407f81360ee49a2f92d7525f80c9f4f5_d8c47b23-0942-461b-a125-7b74f715b65a.png?v=1773561646"},{"product_id":"sony-alpha-a7-v-mirrorless-digital-camera","title":"Sony Alpha a7 V Mirrorless Digital Camera","description":"\u003cp\u003ePower in Every Frame\u003c\/p\u003e\u003cp\u003eA Goldilocks camera that's not afraid to punch above its weight class, the \u003cb\u003eSony a7 V\u003c\/b\u003e is a hybrid mirrorless camera with strong photo performance, strong video recording capabilities, and a healthy dose of the latest AI-based subject recognition and autofocus tech from its flagship siblings. Built for content creators, this is a workhorse camera more than capable of handling everything from high-speed action photography to daily vlogs to full multimedia coverage of events.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNew Partially Stacked Sensor and Upgraded Processing\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624378.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e33MP Exmor RS CMOS Full-Frame Sensor\u003c\/p\u003e\u003cp\u003eThe first Sony camera to feature a partially stacked sensor, the a7 V's 33MP Exmor RS CMOS sensor offers faster readout speeds and reduced rolling shutter compared to the a7 IV. Coupled with a new processor, this sensor also enables a handful of flagship-level benefits, including more advanced subject recognition and tracking, faster continuous shooting performance, and improved image quality with 16 stops of dynamic range. The sensor offers a native ISO range of 100-51200 and the partially stacked design also contributes to a faster 1\/16,000-sec top electronic shutter speed.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624380.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBIONZ XR2 Processor\u003c\/p\u003e\u003cp\u003eAnother contributor to the increased speed and overall performance, the new BIONZ XR2 processor incorporates an AI unit for enhanced autofocus, better color accuracy, and greater auto white balance consistency from frame to frame.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe increased processing efficiency also enables blackout-free 30 fps continuous shooting, with full-time AF and AE, as well as 7K-oversampled 4K 60p video recording and high-speed 4K 120p recording using a S35 area.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624360.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePre-Capture \u0026amp; Speed Boost\u003c\/p\u003e\u003cp\u003eAlong with the key technology delivered by the sensor, the a7 V brings additional features to unlock the camera's full potential.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePre-Capture: The a7 V can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e\n\u003cli\u003eSpeed Boost: This function can be assigned to Function button, allowing users to instantly switch their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSelectable Raw File Types and Composite RAW Function\u003c\/p\u003e\u003cp\u003eThe partially stacked sensor and improved processing also permit more flexibility when working with raw files:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCompressed HQ raw, lossless compressed raw, and a new lightweight raw format are available to suit different priorities, ranging from the ultimate image quality and editing flexibility to more efficient files that prioritize saving on storage space.\u003c\/li\u003e\n\u003cli\u003eExtended raw file processing is possible via the Imaging Edge desktop app.\u003c\/li\u003e\n\u003cli\u003eThe Composite RAW function allows you to capture and composite on your computer 4, 8, or 16 sequential files, taken at 30 fps, to produce HDR images with reduced noise, especially at higher ISO values.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624368.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e5-Axis Image Stabilization\u003c\/p\u003e\u003cp\u003eUpgraded from its predecessor, the in-body image stabilization system has been revised to support up to 7.5 stops of camera shake compensation in the center of the frame and 6.5 stops at the periphery. This 5-axis stabilization system combines a high-performance gyro sensor with an optimized algorithm for more precise shake control and improved communication between the camera body and lens.\u003c\/p\u003e\u003cp\u003eUpgraded AF and AI Subject Recognition\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624374.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eThe autofocus performance of the a7 V is a key area of improvement over previous generations; borrowing from the flagship camera, the a7 V now sports an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 94% of the sensor area, and support focusing down to -4 EV. Subject tracking and subject detection is improved, too, specifically how the camera is 30-50% faster to recognize animals and birds compared to the a7 IV.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624536.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFirst seen in the a7R V, a9 III, and the a1 II, the a7 V sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/li\u003e\n\u003cli\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance refines this and prioritizes focus on recognized eyes.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624361.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/li\u003e\n\u003cli\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/li\u003e\n\u003cli\u003eXS and XL focus area spot sizes have been added for more versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eVideo Recording\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624540.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e7K Oversampled 4K Recording\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaking use of the high-resolution sensor and fast processing capabilities, UHD 4K 60p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K full pixel readout for impressive sharpness and realism.\u003c\/li\u003e\n\u003cli\u003eIf using a Super 35 crop, high-speed recording is possible at up to UHD 4K 120p or FHD 240p for slow-motion playback.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624615.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eRecording Flexibility\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eExtended recording times are possible thanks to efficient heat dissipation—a unique Sigma-shaped graphite heatsink is built into the stabilization unit and improves thermal consistency during extended clips.\u003c\/li\u003e\n\u003cli\u003eWith respect to audio recording during video, the a7 V supports internal 24-bit recording and up to 4-channel audio with compatible external microphones.\u003c\/li\u003e\n\u003cli\u003eA new audio reference mic aids in noise reduction and there is a selectable wind-noise reduction control when working with the internal mic.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624538.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDynamic Active stabilization adds substantial electronic correction on top of IBIS for more steady footage while running, walking, or recording handheld tracking shots.\u003c\/li\u003e\n\u003cli\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/li\u003e\n\u003cli\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAdvanced Color Control\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches many FX-series and a-series cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e\n\u003cli\u003eUsers can also import LUTs via Creators' Cloud for accurate monitoring while recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624375.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBody Design and Connectivity\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624364.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e3.68m-Dot EVF and 4-Axis Multi-Angle LCD\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSporting a new, more functional LCD design, the a7 V has a 4-axis multi-angle LCD monitor that combines the best assets of both tilting and side-open\/flip-out vari-angle designs.\u003c\/li\u003e\n\u003cli\u003eThis 3.2\" 2.1m-dot LCD also has a touchscreen design and a DCI-P3 wide gamut for accurate color monitoring.\u003c\/li\u003e\n\u003cli\u003eAn impressive Quad VGA OLED EVF features a 3.68m-dot resolution and 0.78x magnification for bright, clear, and detailed eye-level viewing.\u003c\/li\u003e\n\u003cli\u003eThe EVF offers 120 fps playback for smooth motion rendering and the brightness and color can both be adjusted if needed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624535.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePorts and Interface\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e\n\u003cli\u003eDual USB-C ports offer greater versatility and the ability to simultaneously power the camera or charger the battery while also transferring data to an external storage device.\u003cbr\u003e\u003cbr\u003ePort 1 is a USB-C 3.2 Gen2 port intended for data transfer at up to 10 Gbps and Port 2 is a USB-C 2.0 port intended for power delivery and in-camera battery charging.\u003c\/li\u003e\n\u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624534.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eVersatile and Durable Design\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDual memory card slots include one CFexpress Type A\/SD UHS-II combination slot and one additional SD UHS-II slot. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording.\u003c\/li\u003e\n\u003cli\u003eAccepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 630 shots per charge when using the viewfinder or 750 shots when using the rear LCD—a 23% improvement over the a7 IV.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624646.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMagnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight.\u003c\/li\u003e\n\u003cli\u003eThe lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e\n\u003cli\u003eExtensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624370.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eConnectivity\u003c\/p\u003e\u003cul\u003e\u003cli\u003eBuilt-in Wi-Fi and NFC enables the a7 V to instantly share imagery to mobile devices for direct sharing online. This wireless connectivity supports both 5 and 6 GHz bands, along with 2x2 MIMO, for a strong, reliable connection to enable rapid transfers, remote control, and wireless tethered shooting.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2624539.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\n\u003cli\u003eSupports 4K webcam use and is UVC\/UAC compliant for simple operation. Internal recording is also supported while live streaming.\u003c\/li\u003e\n\u003cli\u003eImaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51539557155133,"sku":"CAMSOILA7M5","price":52173.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/7cc98ec6bb1a7a63612a3dadfe4e7b0a.png?v=1774869137"},{"product_id":"sony-fe-100mm-f-2-8-macro-gm-lens","title":"Sony FE 100mm f\/2.8 Macro GM Lens","description":"\u003cp\u003eGo Beyond Macro\u003c\/p\u003e\u003cp\u003eBecoming the first proper macro in the renowned G Master line, the \u003cb\u003eSony FE 100mm f\/2.8 Macro GM Lens\u003c\/b\u003e offers outstanding image quality, a greater-than-life-size 1.4x maximum magnification, and an array of physical controls and dials to improve the close-up photography experience. The medium-telephoto prime can also serve as a general-purpose role in a photographer's toolkit with built-in Optical SteadyShot image stabilization to benefit handheld shooting when working on location or in the studio for portraits, weddings, and more.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Close-Up Shooting\u003c\/p\u003e\u003cp\u003eBoasting a greater-than-life-size 1.4x maximum magnification, this macro lens will deliver excellent close-up shooting capabilities.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582914.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMinimum focus distance of 10.2\" enables maximum magnification of 1.4x with a working distance of 3.5\".\u003c\/li\u003e\n\u003cli\u003eThe lens' focusing ring can be slide forwards and backwards to quickly shift between manual and autofocus modes.\u003c\/li\u003e\n\u003cli\u003eFocus distance and magnification scale are printed on top of the lens to aid photographers in more technical, manual-focus applications.\u003c\/li\u003e\n\u003cli\u003eFocus range limiter switch allows for setting ranges of 10.2-27.6\", 19.7\" to infinity, or 10.2\" to infinity to improve autofocus speed and responsiveness.\u003c\/li\u003e\n\u003cli\u003eSupport for separately available teleconverters can be used to improve maximum magnification up to 2.8x.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582917.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eG Master Optical Quality\u003c\/p\u003e\u003cp\u003eBeing the first proper macro to join the G Master line, the FE 100mm features some of Sony's most advanced optical technologies to deliver sharp, detailed imagery with pleasing bokeh.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAdvanced optical design with 17 elements in 13 groups, including two XA (eXtreme Aspherical) and two ED (Extra-low Dispersion) glass elements, that minimizes aberrations.\u003c\/li\u003e\n\u003cli\u003eNano AR Coating II effectively suppresses flare, ghosting, and internal reflections for improved contrast.\u003c\/li\u003e\n\u003cli\u003eInternal focus for a consistent lens size throughout the focus range.\u003c\/li\u003e\n\u003cli\u003eFloating focus design allows for a more compact form factor.\u003c\/li\u003e\n\u003cli\u003eAn 11-blade circular aperture diaphragm creates smooth, rounded bokeh.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582918.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAutofocus and Image Stabilization\u003c\/p\u003e\u003cp\u003ePacked with advanced lens technologies, the FE 100mm Macro comes equipped with a fast and accurate set of autofocus motors and built-in Optical SteadyShot image stabilization.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582916.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFour near-silent XD linear motors power the autofocus system for speeds up to 1.9x faster than the FE 90mm f\/2.8 Macro G OSS and full compatibility with the 120 fps burst shooting of the a9 III and 4K 120p shooting modes.\u003c\/li\u003e\n\u003cli\u003eFloating focus helps minimize aberrations at close-focus distances and also helps keep overall lens length to a minimum.\u003c\/li\u003e\n\u003cli\u003eInternal focus keeps a consistent lens size no matter the focus distance.\u003c\/li\u003e\n\u003cli\u003eAdvanced Optical SteadyShot image stabilization has been optimized for close-up macro shooting.\u003c\/li\u003e\n\u003cli\u003eBuilt-in stabilization supports body-lens coordinated control for maximizing effectiveness of the stabilization when the lens is used in combination with a camera body with sensor-shift stabilization.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582913.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Controls and Ergonomics\u003c\/p\u003e\u003cp\u003eThis lens has been designed to provide photographers with all the controls they need at their fingertips.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFocus range limiter switch allows user to constrain focus range for speedier AF.\u003c\/li\u003e\n\u003cli\u003eManual focus ring can be slid back and forth to switch between auto and manual focus. It also features printed distance and magnification scales.\u003c\/li\u003e\n\u003cli\u003ePhysical aperture ring for quick, tactile adjustment of the aperture setting.\u003c\/li\u003e\n\u003cli\u003eDe-click switch removes click stops from the aperture ring for smooth aperture adjustments during video.\u003c\/li\u003e\n\u003cli\u003eIris lock switch will prevent the lens from being accidentally shifted from the A and manual aperture settings.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF switch for turning on\/off the Direct Manual Focus setting.\u003c\/li\u003e\n\u003cli\u003eSteadyShot switch turns optical image stabilization on or off.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582919.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eTwo focus hold buttons will hold the focus position while held or can be set to a number of custom functions.\u003c\/li\u003e\n\u003cli\u003eFocus mode switch for setting manual or autofocus from the lens.\u003c\/li\u003e\n\u003cli\u003eDust- and moisture-resistant construction along with a fluorine coating on the front element protect the lens from the elements and allow for easier cleaning of the lens.\u003c\/li\u003e\n\u003cli\u003eIncludes ALC-SH173 Lens Hood for minimizing flare from off-axis light sources.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582912.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eTeleconverter Compatibility\u003c\/p\u003e\u003cp\u003eThe FE 100mm f\/2.8 Macro GM is able to work with Sony's separately available 1.4x and 2x Teleconverters. When used, photographers and videographers will be able to achieve effective focal lengths of up to 200mm for both increased magnification or longer working distances.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe 1.4x Teleconverter allows for a 2x maximum magnification with an effective focal length of 140mm and an f\/4 maximum aperture.\u003c\/li\u003e\n\u003cli\u003eThe 2x Teleconverter allows for a 2.8x maximum magnification with an effective focal length of 200mm and an f\/5.6 maximum aperture.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2582915.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eTeleconverters also provide the added benefit of longer working distances when not operating at the lens's minimum focus. 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This tiny Z-mount cinema camera allows you to use a variety of lenses, and internal stabilization provides a smooth, steady image with 15+ stops of dynamic range. Features include 32-bit float audio, advanced autofocus, dual-base ISO, and up to 6K60 video capture in REDCODE, N-RAW, or ProRes RAW.\u003c\/p\u003e\u003cp\u003eNOTE: The ZR features a \"free-floating\" IBIS sensor, and you may hear it \"rattle\" when the camera is not turned on. This is a normal occurrence. The sensor locks into place when the camera turns on and the stabilization function is enabled.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNikon + RED Color Science\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe partnership of Nikon and RED provides a wide range of compatibility with production workflows, offering REDCODE RAW R3D NE recording format along with Nikon's N-RAW, ProRes RAW HQ\/422 HQ, and the high-quality compressed H.264 and H.265 codecs. 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A headphone jack allows you to monitor the audio.\u003c\/p\u003e\u003cp\u003eRecording and Output\u003c\/p\u003e\u003cp\u003eThe camera records to a CFexpress Type B card slot that is accessed through the battery door to keep the camera compact and mobile, while a microSD card slot is available for proxy recording. There is also a micro-HDMI output that allows you to output to a display or recording device.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570480.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Autofocus\u003c\/p\u003e\u003cp\u003eNikon's advanced autofocus feature is powered by deep learning, providing up to 9-subject detection autofocus with automatic tracking of people, animals, and vehicles.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570483.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eNikon Z Mount and Accessory Ecosystem\u003c\/p\u003e\u003cp\u003eThe Nikon Z mount is a wide, shallow full-frame mirrorless lens mount, which means it's also extremely adaptable, capable of supporting countless NIKKOR and third-party lenses.\u003c\/p\u003e\u003cp\u003eThere's an extended ecosystem of accessories for the ZR, such as camera cages, microphones, handheld accessories, and rigs, from Nikon and third-party brands such as SmallRig.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570479.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLarge, Bright Display\u003c\/p\u003e\u003cp\u003eThe built-in 4\" variable-angle touchscreen display features a DCI-P3 color gamut, 1000 cd\/m² brightness, and a 3.07 million dot resolution for viewing your controls and footage with ease.\u003c\/p\u003e\u003cp\u003eThe display can automatically flip when you change from horizontal to vertical mode.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570481.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCustom LUTs\u003c\/p\u003e\u003cp\u003eThe camera provides the ability for the operator to load up to 10 LUTs into the camera for real-time preview on its display.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570482.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eLenses and Image Stabilization\u003c\/p\u003e\u003cp\u003eThe standard Z lens mount allows you to utilize the entire line of NIKKOR Z lenses and a wide range of third-party lenses and lens mount adapters.\u003c\/p\u003e\u003cp\u003eThe ZR provides integrated image stabilization with any prime or zoom lens at up to 7.5 stops to provide smooth, steady image capture.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757499292_IMG_2571374.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eDual-Base ISO and Shutter Angle\u003c\/p\u003e\u003cp\u003eThe ZR provides extended ISO sensitivity to the base ISO with its dual-base ISO, providing 800\/6400 for both Log3G10 and N-Log profiles.\u003c\/p\u003e\u003cp\u003eYou can also set the shutter angle to one of 15 steps between 5.6 and 360° for powerful exposure and blur control.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757499292_IMG_2571373.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFrame.io Integration\u003c\/p\u003e\u003cp\u003eThe camera's companion app allows you to streamline your workflow by connecting the camera to your phone and utilizing the optional Frame.io cloud service, making asset control, post production, and live streaming easy.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570478.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFilmmaker-Oriented User Interface\u003c\/p\u003e\u003cp\u003eThe ZR allows you to get started quickly with an accessible stills\/video switch and multiple customizable Fn buttons.\u003c\/p\u003e\u003cp\u003eThe interface features a shortcut menu for easy access to key filmmaking settings such as grids, zebra, waveform, touch autofocus, focus peaking, and numerous other imaging tools.\u003c\/p\u003e\u003cp\u003ePower Options\u003c\/p\u003e\u003cp\u003eThe camera is powered via one EN-EL15c battery in its battery slot, or it can be powered via USB-C using an external power source such as an optional power supply or power bank.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1757461710_IMG_2570477.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUltracompact Design\u003c\/p\u003e\u003cp\u003eThis tiny camera is the size of a small mirrorless camera but packs in cinema camera technology.\u003c\/p\u003e\u003cp\u003eTake the camera into the field, mount it onto a vehicle, stabilize it on a gimbal, or perform steadycam, drone, or POV shots - 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By oversampling from a 5.7K image area, the V1 will deliver sharper, cleaner, and more detailed 4K video.\u003c\/li\u003e\n\u003cli\u003eHigh-speed 4K 60p with a 1.4x crop.\u003c\/li\u003e\n\u003cli\u003eCanon Log 3 profile for recording high dynamic range footage and 10-bit color.\u003c\/li\u003e\n\u003cli\u003eMovie Digital IS works in conjunction with the lens' optical IS system for smoother video recording. Subject Tracking Image Stabilization further optimizes stabilization based on the location of the subject in the frame.\u003c\/li\u003e\n\u003cli\u003eBuilt-in cooling fan allows for long, uninterrupted recording even at 4K 60p.\u003c\/li\u003e\n\u003cli\u003eBuilt-in three-microphone array and included windscreen.\u003c\/li\u003e\n\u003cli\u003eMic and headphone jacks are available for proper audio recording and monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShooting Modes\u003c\/p\u003e\u003cp\u003eDesigned to make the camera ideal for content creators of all types, Canon has developed and integrated various shooting modes to make shooting even easier.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993799_IMG_2459464.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSmooth Skin Movie applies smart corrections to an individual shot.\u003c\/li\u003e\n\u003cli\u003eMovie Close-Up mode will automatically focus on products or items brought closer to the camera to highlight them in the shot before returning to the original subject when moved out of view.\u003c\/li\u003e\n\u003cli\u003eThree customer shooting modes can be registered for stills or video shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993815_IMG_2459465.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIntuitive Control Scheme \u0026amp; Ergonomics\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFully articulating 3.0\" touchscreen allows for easy selfies and vlogging.\u003c\/li\u003e\n\u003cli\u003eTally light on the front of the camera confirms active recording.\u003c\/li\u003e\n\u003cli\u003eGrip has been redesigned to be held from the front for increased stability for selfies.\u003c\/li\u003e\n\u003cli\u003eDedicated switch for switching between stills and video-a first for PowerShot cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993799_IMG_2459463.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFlexible Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMulti-function shoe for working with advanced accessories, such as microphones and smartphone adapters.\u003c\/li\u003e\n\u003cli\u003eBluetooth and Wi-Fi can be used to connect and control the camera via a smartphone.\u003c\/li\u003e\n\u003cli\u003eLive Switcher Mobile app allows you to connect and control up to three cameras wirelessly while streaming and switching between the different angles.\u003c\/li\u003e\n\u003cli\u003eCanon Camera Connect app enables accessing, viewing, and sharing photos and videos from a smartphone.\u003c\/li\u003e\n\u003cli\u003eFull HD streaming is available over USB or Wi-Fi.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51813258264893,"sku":"6390C017AA","price":8694.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/6390C017AA_1.png?v=1782132727"},{"product_id":"canon-powershot-v1-kit","title":"Canon PowerShot V1 KIT","description":"\u003cp\u003eA Compact Content Creation Powerhouse\u003c\/p\u003e\u003cp\u003eGet everything you need for content creation in a powerful, portable package with the \u003cb\u003eCanon PowerShot V1\u003c\/b\u003e. This camera expands on Canon's \"V\" series of video-first cameras with feature sets that are ideal for vlogging, live streaming, and more. Packed with technology designed to enhance image quality and performance—including a newly developed 22.3MP 1.4\"-type CMOS sensor and a cooling fan—the V1 is a class-leading option for creators looking for an intuitive tool for capturing and creating videos and photographs.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNewly Developed 22.3MP 1.4\" CMOS Sensor\u003c\/p\u003e\u003cp\u003eCanon has pushed compact camera sensor development even further with the newly designed 22.3MP 1.4\" CMOS in the PowerShot V1. This sensor is approximately twice as large as at 1\" sensors found in comparable models enabling the V1 to deliver imagery with greater detail, higher dynamic range, and improved low-light performance. This sensor also features Dual Pixel CMOS II for PowerShot which will quickly and accurately lock onto a range of subjects and has been enhanced with pupil detection.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742995025_IMG_2459539.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eVersatile Ultra-Wide 16-50mm Power Zoom Lens\u003c\/p\u003e\u003cp\u003eThe built-in lens of the PowerShot V1 provides an ultra-wide to normal zoom range that is ideal for handheld, everyday shooting.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e16-50mm equivalent zoom range with a maximum aperture of f\/2.8-4.5.\u003c\/li\u003e\n\u003cli\u003eOptical IS helps ensure smooth video and sharp photographs.\u003c\/li\u003e\n\u003cli\u003eBuilt-in 3-stop ND filter for working in bright lighting scenarios.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAdvanced UHD 4K Video Recording\u003c\/p\u003e\u003cp\u003eOptimized for content creators, the PowerShot V1 delivers high-quality 4K video recording at up to 60p with plenty of format and frame rate options to suit a wide range of shooting situations.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFull-width 4K video recording at up to 30p. By oversampling from a 5.7K image area, the V1 will deliver sharper, cleaner, and more detailed 4K video.\u003c\/li\u003e\n\u003cli\u003eHigh-speed 4K 60p with a 1.4x crop.\u003c\/li\u003e\n\u003cli\u003eCanon Log 3 profile for recording high dynamic range footage and 10-bit color.\u003c\/li\u003e\n\u003cli\u003eMovie Digital IS works in conjunction with the lens' optical IS system for smoother video recording. Subject Tracking Image Stabilization further optimizes stabilization based on the location of the subject in the frame.\u003c\/li\u003e\n\u003cli\u003eBuilt-in cooling fan allows for long, uninterrupted recording even at 4K 60p.\u003c\/li\u003e\n\u003cli\u003eBuilt-in three-microphone array and included windscreen.\u003c\/li\u003e\n\u003cli\u003eMic and headphone jacks are available for proper audio recording and monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eShooting Modes\u003c\/p\u003e\u003cp\u003eDesigned to make the camera ideal for content creators of all types, Canon has developed and integrated various shooting modes to make shooting even easier.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993799_IMG_2459464.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSmooth Skin Movie applies smart corrections to an individual shot.\u003c\/li\u003e\n\u003cli\u003eMovie Close-Up mode will automatically focus on products or items brought closer to the camera to highlight them in the shot before returning to the original subject when moved out of view.\u003c\/li\u003e\n\u003cli\u003eThree customer shooting modes can be registered for stills or video shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993815_IMG_2459465.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eIntuitive Control Scheme \u0026amp; Ergonomics\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFully articulating 3.0\" touchscreen allows for easy selfies and vlogging.\u003c\/li\u003e\n\u003cli\u003eTally light on the front of the camera confirms active recording.\u003c\/li\u003e\n\u003cli\u003eGrip has been redesigned to be held from the front for increased stability for selfies.\u003c\/li\u003e\n\u003cli\u003eDedicated switch for switching between stills and video-a first for PowerShot cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1742993799_IMG_2459463.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eFlexible Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMulti-function shoe for working with advanced accessories, such as microphones and smartphone adapters.\u003c\/li\u003e\n\u003cli\u003eBluetooth and Wi-Fi can be used to connect and control the camera via a smartphone.\u003c\/li\u003e\n\u003cli\u003eLive Switcher Mobile app allows you to connect and control up to three cameras wirelessly while streaming and switching between the different angles.\u003c\/li\u003e\n\u003cli\u003eCanon Camera Connect app enables accessing, viewing, and sharing photos and videos from a smartphone.\u003c\/li\u003e\n\u003cli\u003eFull HD streaming is available over USB or Wi-Fi.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCanon HG-200TBR Tripod Grip\u003c\/p\u003e\u003cp\u003eFunctioning as both a camera grip for handheld shooting and a sleek tabletop tripod, this \u003cb\u003eHG-200TBR Tripod Grip\u003c\/b\u003e from \u003cb\u003eCanon\u003c\/b\u003e provides flexible mounting and wireless control to select cameras. Attaching via a captive 1\/4\"-20 screw, the grip features a tilting head design for capturing footage and stills at a variety of angles. Ideal for selfies, group shots, and video capture, the grip sports a sleek design for easy transport in any camera bag. The included L and S microphone brackets allow for the attachment of a compatible external microphone.\u003c\/p\u003e\u003cp\u003eIntegrating directly into the grip, the included BR-E2 Bluetooth Remote provides an expanded range of wireless camera controls. The BR-E2 starts and stops video recording, takes photos, triggers autofocus, changes exposure compensation, and controls the power zoom function of compatible lenses. It also sports two user-assignable buttons for convenient, customizable controls. Easily switch between cameras without needing to unlink the BR-E2, and enjoy the freedom of remote control up to a 16.4 ft operating range.\u003c\/p\u003e\u003cp\u003eCompatible Canon Cameras\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEOS R1\u003c\/li\u003e\n\u003cli\u003eEOS R3\u003c\/li\u003e\n\u003cli\u003eEOS R5 Mark II\u003c\/li\u003e\n\u003cli\u003eEOS R6 Mark II, EOS R6 Mark III\u003c\/li\u003e\n\u003cli\u003eEOS R6 V\u003c\/li\u003e\n\u003cli\u003eEOS R7\u003c\/li\u003e\n\u003cli\u003eEOS R8\u003c\/li\u003e\n\u003cli\u003eEOS R10\u003c\/li\u003e\n\u003cli\u003eEOS R50\u003c\/li\u003e\n\u003cli\u003eEOS R50 V\u003c\/li\u003e\n\u003cli\u003eEOS R100\u003c\/li\u003e\n\u003cli\u003eEOS M50 Mark II\u003c\/li\u003e\n\u003cli\u003ePowerShot G7 X Mark III\u003c\/li\u003e\n\u003cli\u003ePowerShot G5 X Mark II\u003c\/li\u003e\n\u003cli\u003ePowerShot V1\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eCanon DM-E100 Directional Microphone\u003c\/p\u003e\u003cp\u003eDesigned to improve audio quality while recording video, the \u003cb\u003eCanon DM-E100 Directional Microphone\u003c\/b\u003e is a shoe-mounted, wired external mic with a 3.5mm plug. The directional design is suitable for a variety of recording applications and a windscreen is included to reduce wind noise when working in noisier and outdoor environments.\u003c\/p\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51813259247933,"sku":"6390C016AA","price":9129.0,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/113ecf61b41add384ac841e5ad3327a4_a77fab33-721a-48c3-9fcb-047896c6ebfe.png?v=1785846619"},{"product_id":"nikon-nikkor-z-24-70mm-f-2-8-s-ii-lens","title":"Nikon NIKKOR Z 24-70mm f\/2.8 S II Lens","description":"\u003cp\u003eThe Pro's Zoom, Redefined\u003c\/p\u003e\u003cp\u003eImproving an icon, the \u003cb\u003eNIKKOR Z 24-70mm f\/2.8 S II\u003c\/b\u003e is \u003cb\u003eNikon\u003c\/b\u003e's latest iteration of the workhorse standard zoom used by professional photographers to cover a wide array of subject types in a variety of working scenarios. This version II Z-mount lens is the world's first 24-70mm f\/2.8 to feature an internal zoom design, which contributes to upgraded weather resistance, faster AF performance, and a 16% reduction in weight compared to the previous generation.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eWorld's First Internal Zoom 24-70mm f\/2.8\u003c\/p\u003e\u003cp\u003eUnique among other 24-70mm f\/2.8s, this lens features an internal zoom design, along with an internal focusing design, that maintains the overall length during use. This reliable and comfortable design has several benefits for photographers:\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557921.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eInternal design contributes to a 16% (4.5 oz) savings in weight and is also about 0.5\" shorter compared to the previous generation lens when fully extended.\u003c\/li\u003e\n\u003cli\u003eThe streamlined design also contributes to improved dust and moisture resistance; with fewer moving pieces on the exterior of the lens, it offers more reliable performance in tough conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557922.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBenefitting video shooters, the internal design also greatly reduces any shifts in center of gravity by 30%, making it significantly easier to use when shooting with a gimbal.\u003c\/li\u003e\n\u003cli\u003eAll \"Trinity Lenses\" (this 24-70mm f\/2.8, the NIKKOR Z 14-24mm f\/2.8 S, and the NIKKOR Z 70-200mm f\/2.8 VR S) now feature an internal zoom design for a matched look and similar handling.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557923.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eS-Line Optics\u003c\/p\u003e\u003cp\u003eIn addition to streamlining the zoom design, version II of this lens also has an improved optical formula that sheds three elements while still improving resolution and image quality.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557924.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRevised optical design features two extra-low dispersion and three aspherical elements; these specialized elements limit various aberrations and color fringing for high sharpness and color accuracy.\u003c\/li\u003e\n\u003cli\u003eImproved optical design is also inherently more flare-resistant for stronger contrast when working in bright lighting conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557916.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSpecial attention has also been given to bokeh rendering, with an emphasis on producing smooth and natural transitions between in- and out-of-focus regions for a more three-dimensional look. Aspherical element manufacturing has been improved for a smoother look, and the lens also now has 11 rounded diaphragm blades for a more rounded bokeh appearance.\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance has also been significantly shortened compared to the previous generation—9.4\" at the 24mm position and 1.1' at the 70mm position, with a 0.32x maximum magnification at the minimum focusing distance from the 70mm position.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557917.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eRefined Anti-Glare Coatings\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNikon's Meso Amorphous Coat offers the greatest anti-reflective performance from a NIKKOR lens and outperforms the Nano Crystal Coat in regard to diagonal incident light and matches the performance of the ARNEO Coat for vertical incident light.\u003c\/li\u003e\n\u003cli\u003eARNEO Coat has still been applied for even more well-rounded anti-glare protection from all angles, and help to suppress ghosting, reflections, and flare for higher contrast and more accurate color response when working in strong lighting and backlit conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eSilky Swift VCM Autofocus\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557914.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMaking its debut in a zoom lens, the Silky Swift Voice Coil Motor (VCM) uses magnets instead of gears to move the focusing groups at higher initials speeds and with greater accuracy and smoothness. A guide bar is also employed, which helps reduce focusing vibrations for greater continuous focusing speeds.\u003c\/li\u003e\n\u003cli\u003eThis focusing system is 5x faster than the previous 24-70mm f\/2.8, with scan times reduced by up to 40% and focusing tracking while zooming improved by 60%. Additionally, this system is significantly quieter, with a perceived sound reduction of 50%.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557915.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBenefitting video use, the Silky Swift VCM is also especially quiet and the multi-focusing system also greatly reduces focus breathing for greater compositional accuracy when racking focus.\u003c\/li\u003e\n\u003cli\u003eFull-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Durability and Intuitive Handling\u003c\/p\u003e\u003cp\u003eBuilt for professional use in virtually any situation, the 24-70mm f\/2.8 S II is especially durable and reliable even with its emphasis on a smaller, lighter weight design that makes it easier to use over the course of an entire day.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557918.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLighter design weighs 1.5 lb compared to the previous generation, which weighed 1.8 lb.\u003c\/li\u003e\n\u003cli\u003eInternal zoom design maintains a consistent overall length of 5.9\" — this is 0.5\" shorter than the previous generation when fully extended but also is nearly 1\" longer compared to the retracted size.\u003c\/li\u003e\n\u003cli\u003eUpdated design also now uses smaller 77mm-diameter screw-in filters.\u003c\/li\u003e\n\u003cli\u003eComplementing the internal zoom design, advanced weather sealing also helps prevent dust and moisture ingress.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1755820134_IMG_2557919.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDedicated focus and zoom rings for direct control pair with a customizable Control Ring, which can be assigned to adjust other shooting settings, including aperture, exposure compensation, and ISO.\u003c\/li\u003e\n\u003cli\u003eControl Ring now features a configurable click; an on\/off switch changes the tactile feel of the ring depending on shooting style, with the option to have a prominent click when changing settings or smooth, silent rotation to limit unwanted noise and vibration.\u003c\/li\u003e\n\u003cli\u003eTwo L-Fn buttons are featured on the lens barrel—one on top, one on the left side—and can be set to configure subject tracking, AF lock, image playback, or other modes.\u003c\/li\u003e\n\u003cli\u003eFocus limiter switch can constrain the focus range to 1.1'-infinity or to the full 9.4\"-infinity ranges.\u003c\/li\u003e\n\u003cli\u003eIncluded HB-117 Lens Hood incorporates a filter adjustment window, which enables easy adjustment of rotating filter types, such as variable ND and polarizing filters.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":51813262229821,"sku":"LENNIZ24-70F2.8II","price":52169.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/b8833f87bfb7a7c064035286787f6e60.png?v=1781004864"},{"product_id":"nikon-z5-ii-mirrorless-digital-camera-body-only","title":"Nikon Z5 II Mirrorless Digital Camera (Body Only)","description":"\u003cp\u003eA High-Quality Creative Companion\u003c\/p\u003e\u003cp\u003eA trustworthy tool for your creative journey, the \u003cb\u003eNikon Z5 II\u003c\/b\u003e upgrades its predecessor with improved processing speed, subject recognition AF, and low-light performance. With a new color preset button, an ultra-bright viewfinder, and easy sharing options, the camera offers a step up to creators seeking full-frame imagery.\u003c\/p\u003e\u003cp\u003e24.5MP FX Sensor \u0026amp; EXPEED 7 Image Processor\u003c\/p\u003e\u003cp\u003eThe full-frame, FX-format 24.5MP BSI CMOS sensor is paired with an EXPEED 7 image processor to provide a versatile mixture of improved sensitivity, nuanced image quality, fast, AI-powered autofocus, and full-resolution continuous shooting up to 30 fps. At native values, a sensitivity range from ISO 100-64000 permits working in a broad array of lighting conditions and can be further expanded up to ISO 50-204800 for extreme lighting conditions. The combination of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1743641162_IMG_2465533.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAutofocus You Can Trust\u003c\/p\u003e\u003cp\u003eUsing inherited algorithms and deep learning technology from the Z9, including sophisticated Subject Detection for nine different subject types, the Z5 II can recognize a variety of distinct subject types, ranging from humans to animals to airplanes to bicycles. The popular dedicated Bird Detection mode is also featured. When working in Auto-Area AF, these subjects will automatically be detected, focused on, and tracked to ensure sharp focus when the subject is moving across the frame.\u003c\/p\u003e\u003cp\u003ePre-Release Capture\u003c\/p\u003e\u003cp\u003eThe EXPEED 7 processor also unlocks Pre-Release Capture, a feature that helps make decisive moment shots easier by recording frames in a burst of up to 30 fps for up to a second prior to actually releasing the shutter. When this feature is activated, burst shooting will commence when the shutter is half-pressed, and the buffer will retain the frames after fully pressing the shutter.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1743641162_IMG_2465536.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eUHD 4K Video Recording\u003c\/p\u003e\u003cp\u003eCapable of recording more than just stills, the Z5 II has improved its video capture abilities as well, now supporting UHD 4K video recording up to 60 fps and Full HD recording up to 120 fps along with recording time limits up to two hours, a video self-timer feature, built-in electronic Vibration Reduction, and the ability to save movie files to the in-camera memory cards or an optional external recorder via HDMI out. In-camera time-lapse shooting is also possible with the ability to produce a finished UHD 4K video file directly from the camera.\u003c\/p\u003e\u003cp\u003eAdditionally, the Z5 II allows you to record 12-bit N-RAW video in resolutions up to 4032 × 2268, as well as 10-bit H.265 video in N-Log with multiple free RED LUTs for striking visuals. The versatile camera also features a Product Review mode and is UAC and UAV compliant for live web-streaming.\u003c\/p\u003e\u003cp\u003eSensor-Shift Vibration Reduction\u003c\/p\u003e\u003cp\u003eBuilt into the body is a 5-axis sensor-shift Vibration Reduction (VR) mechanism that compensates for up to five stops of stabilization regardless of the lens in use. With compatible lenses, up to 7.5 stops of stabilization is possible. Also, benefitting video recording, Electronic VR is available to help steady footage to suit handheld shooting.\u003c\/p\u003e\u003cp\u003eColor Control for Creators\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1743641162_IMG_2465534.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eNikon has added a Picture Control button atop the Z5 II to make access to its 31 built-in presets available even in Auto mode. The color presets can now be overlaid in the rear LCD screen, giving you the ability to visualize the color shifts as you create. Creator Recipes built by fellow Nikon shooters are available through the Nikon Imaging Cloud and can be downloaded and integrated alongside the presets.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1743641162_IMG_2465537.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBody Design and Connectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA large 3.2\" 2.1m-dot LCD screen doubles the brightness for clear and vivid image playback and live view shooting. The vari-angle touchscreen design boasts more intuitive operation, navigation, and settings control. The upgraded touchscreen now features the Touch FN option, which allows you to select the focus point with your fingertips.\u003c\/li\u003e\n\u003cli\u003eAn ultra-bright, 3.69m-dot electronic viewfinder is present for comfortable eye-level viewing.\u003c\/li\u003e\n\u003cli\u003eDual SD memory card slots both support up to the UHS-II protocol for high-speed and efficient photo and video file saving.\u003c\/li\u003e\n\u003cli\u003eThe Warm Display Colors mode benefits shooting at night, switching the information display from white to red to reduce brightness and preserve night vision. Additionally, Starlight View mode gives a clear view even in near-complete darkness, which is beneficial for astrophotography.\u003c\/li\u003e\n\u003cli\u003eThe headphone jack doubles as a terminal for Nikon's optional MC-DC3 Remote Release Cord, and the USB-C terminal provides both camera charging and USB power delivery. A micro-HDMI port allows for external recording and live view.\u003c\/li\u003e\n\u003cli\u003eBuilt-in SnapBridge connectivity to enable seamless transfer of low-resolution imagery as well as remote shooting capabilities. BLE (Bluetooth Low Energy) and Wi-Fi enable communication between the camera and a smart device and, additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.\u003c\/li\u003e\n\u003cli\u003eIncluded EN-EL15c rechargeable lithium-ion battery provides approximately 380 shots per charge, and in-camera charging is supported via USB, even when the camera is in use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":51813285790013,"sku":"CAMNIILCZ5II","price":33049.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/1dfa9cc0800adbed97f9a090007716fe.png?v=1781005357"},{"product_id":"canon-eos-r6-mkiii-mirrorless-camera-body","title":"Canon EOS R6 MKIII Mirrorless Camera Body","description":"\u003cp\u003eThe Super Hybrid\u003c\/p\u003e\u003cp\u003eBuilt to be the high-performance all-arounder for creatives who work in both photo and video, the \u003cb\u003eCanon EOS R6 Mark III\u003c\/b\u003e deftly combines an array of hybrid capabilities, upgraded imaging, and revised handling and design to suit shooters working in a wide variety of scenarios. A new 32.5MP sensor pairs with DIGIC X processing to offer 7K video recording, up to 40-fps photo shooting, improved Dual Pixel CMOS AF II with Register People Priority, more robust 8.5-stop image stabilization, and the R6 Mark III now also accepts both CFexpress Type B and SD memory cards for flexible file storage.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e32.5MP Full-Frame Sensor and DIGIC X Processing\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602862.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eOffering a 34% increase in resolution over its predecessor, the R6 Mark III sports a 32.5MP full-frame CMOS sensor that offers greater sharpness, print resolution, and cropping ability. This sensor pairs with a DIGIC X processor to help deliver excellent image quality, low noise, and a broad sensitivity range. Additionally, the processing power manages the advanced Dual Pixel CMOS AF II system along with continuous shooting, video recording, and IBIS functions.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602883.gif\"\u003e\u003c\/p\u003e\u003cp\u003eBorrowed from the R3, the R6 Mark III's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 7K video, the DIGIC X supports up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is also a Pre-Continuous Shooting setting that permits capturing an additional 20 frames prior to fully pressing the shutter button, to make sure you don't miss split-second movements.\u003c\/p\u003e\u003cp\u003eSCN Shooting Modes\u003c\/p\u003e\u003cp\u003eIntended for newcomers to photography, or those looking for a convenient alternative to post-production, a variety of SCN modes can affect how photos look directly in camera:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure. The available modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter.\u003c\/li\u003e\n\u003cli\u003eFor video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e7K Video Recording\u003c\/p\u003e\u003cp\u003eBeyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602884.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUsing a similar sensor to the EOS C50 Cinema Camera, the R6 Mark III can internally record 7K video up to 60p in 12-bit Canon RAW Light Movie. If recording externally, to an optional external recorder, 7K footage up to 30p in ProRes RAW can be shot.\u003c\/li\u003e\n\u003cli\u003eFor especially sharp and clean footage, 4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K resolutions in the XF AVC S format.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602888.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\u003cli\u003eOpen Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats; Open Gate recording is especially useful for those producing social media videos as there is a greater recording area to crop from when resizing footage to vertical 9:16 format or to other unique aspect ratios, like 1:1, 4:3, or 4:5.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602885.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOne of the biggest improvements over the R6 Mark II, the R6 Mark III has much-improved slow-motion\/high-speed recording capabilities. It now supports both DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback in a 23.98p timeline. When you move down to DCI 2K and Full HD resolutions, 179.8p recording is possible. And, audio recording is supported for all resolutions and frame rate options except in S\u0026amp;F mode.\u003c\/li\u003e\n\u003cli\u003eA new Slow and Fast Motion (S\u0026amp;F) mode can be accessed from the Mode dial with control over the resolution, frame rate, playback speed, and compression.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eLUTs and Color Control\u003c\/p\u003e\u003cp\u003eFor more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602882.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Canon Log 2 profile can be used to improve dynamic range and gain 15+ stops of exposure latitude for more control while color grading.\u003c\/li\u003e\n\u003cli\u003eLUTs can be used in-camera via the Apply Look function; you can register 17-grid or 33-grid .cube LUTs and register them as Custom Picture files to apply directly while recording. LUTs can also be transferred to the camera via the Canon Camera Connect app.\u003c\/li\u003e\n\u003cli\u003e14 Color Filters are a convenient way to directly add color and tone adjustment directly to JPEG photos or MP4 videos.\u003c\/li\u003e\n\u003cli\u003eA new Custom Picture menu provides direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and other user adjustable parameters.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eAdditional Video Functions\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.\u003c\/li\u003e\n\u003cli\u003ePre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don't miss an unpredictable moment.\u003c\/li\u003e\n\u003cli\u003eAuto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it's level to the scene's horizon.\u003c\/li\u003e\n\u003cli\u003eFocus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDual Pixel CMOS AF II\u003c\/p\u003e\u003cp\u003eUpdated using technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an especially fast, responsive, and precise focusing system for both stills and video needs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602859.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThis phase-detection system has intelligent Subject Detection that can recognize People, Animal, and Vehicle subjects; once detected, Dual Pixel CMOS AF II is adept at locking onto subjects and tracking them while moving.\u003c\/li\u003e\n\u003cli\u003eFeatured for the first time in an EOS 6-series camera, Register People Priority allows you to photograph a person and register them in-camera to prioritize them over other people in a scene. This helps to acquire focus on your intended subject when photographing in a crowded scene. Up to 10 different people can registered at a time.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602889.gif\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFour new AF area options have been added, along with the ability to cancel tracking and subject detection, and the R6 Mark III can also register and recall different AF settings to allow for easier mode switching.\u003c\/li\u003e\n\u003cli\u003eCustom button functions can be set to register a focus preset position to function similarly to the focus recall buttons of Canon's super-telephoto lenses.\u003c\/li\u003e\n\u003cli\u003eMovie Servo AF focus algorithm has been borrowed from C400 and C80 cameras to make autofocus pulls look more natural and akin to manual focus pulling.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602865.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e8.5-Stop Sensor-Shift Image Stabilizer\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602886.gif\"\u003e\u003c\/p\u003e\u003cp\u003eAn upgraded In-Body Image Stabilizer (IBIS) now compensates for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the periphery of the image, for sharper handheld shooting in low-light conditions and to help reduce the appearance of shake when recording videos. While greatly benefitting working with non-stabilized lenses, this system can also be used with lenses featuring IS with Coordinated Image Stabilization that pairs both in-body and lens-based IS.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAdditionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.\u003c\/p\u003e\u003cp\u003eBody Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602860.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602887.gif\"\u003e\u003c\/p\u003e\u003cp\u003eEVF and Vari-Angle Touchscreen LCD\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-resolution 3.69m-dot 0.5\" 0.76x electronic viewfinder provides a bright and detailed means for eye-level viewing and the OVF View Assist feature provides a more lifelike and realistic viewfinder experience with greater dynamic range and rendering inspired by an optical finder.\u003c\/li\u003e\n\u003cli\u003eRear 3.0\" 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e\n\u003cli\u003eBenefitting video shooters, exposure monitoring tools from Cinema EOS cameras are featured, too, including zebra display, flase color, and waveform monitor.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602880.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eReliable and Intuitive Handling\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEnabling higher-resolution recording at faster speeds, the R6 Mark III sports dual memory card slots—one CFexpress Type B slot and one SD slot with UHS-II V90 card support. This configuration enables photographers to shoot continuously for extended periods of time and for videographers to record at the highest resolution for longer clips.\u003c\/li\u003e\n\u003cli\u003eBuilt for reliability, this camera features a magnesium alloy chassis and touts a dust- and moisture-sealed design that's suitable for working in inclement conditions.\u003c\/li\u003e\n\u003cli\u003eShutter unit has passed 500,000 cycles of durability testing, matching the shutter unit used in the R5 Mark II.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602879.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMulti-Function Shoe uses a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries, including the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/li\u003e\n\u003cli\u003eNow compatible with the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge.\u003c\/li\u003e\n\u003cli\u003eCompatible with optional Battery Grip BG-R20 for extended battery life and to improve ergonomics when shooting vertically.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eFlexible Connectivity\u003c\/p\u003e\u003cp\u003eWired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762424045_IMG_2602969.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC\/UAC protocols.\u003c\/li\u003e\n\u003cli\u003e3.5mm headphone and external microphone ports.\u003c\/li\u003e\n\u003cli\u003eHDMI port for working with an external recorder.\u003c\/li\u003e\n\u003cli\u003eBluetooth and 5\/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices via the Canon Camera Connect app.\u003c\/li\u003e\n\u003cli\u003eFTP server function supports professional's needs for sending files directly to computers, servers, or NAS devices and the Canon Content Transfer Professional app supports more advanced transfer needs, including the ability to enter metadata, filter imagery, and sort files.\u003c\/li\u003e\n\u003cli\u003eBorrowed from the R5 Mark II, you can easily save and load communication settings for frequently visited networks.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52795495743805,"sku":"7084C005AA","price":52173.0,"currency_code":"ZAR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/0c474a4d0cbcf8aee3cf21fe29bb1334_b5a2e026-6f3e-4e72-b225-185143150abc.png?v=1786017276"},{"product_id":"nikon-nikkor-z-70-200mm-f-2-8-vr-s-ii-lens","title":"Nikon NIKKOR Z 70-200mm f\/2.8 VR S II Lens","description":"\u003cp\u003eTelephoto Zoom Optimized\u003c\/p\u003e\u003cp\u003eChasing a lighter, smaller design, faster autofocus, and improved image quality, the \u003cb\u003eNikon NIKKOR Z 70-200mm f\/2.8 VR S II\u003c\/b\u003e is an update to the workhorse telephoto zoom of the pros, featuring optical and external refinements that make it easier to use and a better all-around performer for multimedia creators working in event, portraiture, landscape, and sports scenarios.\u003c\/p\u003e\u003cp\u003e\n\n\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNikon's Lightest 70-200mm f\/2.8\u003c\/p\u003e\u003cp\u003eRendering the lens more usable in more situations, a revised optical design gives way to Nikon's lightest 70-200mm f\/2.8 lens ever. This version II lens is 0.5\" shorter and weighs 26% less than the previous generation.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683052.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThis version II lens weighs 2.2 lb without the foot or protective cover attached, which is noticeably lighter than the 3 lb weight of the former generation. When the protective cover is installed, the lens weighs 2.3 lb; when the tripod foot is installed, it weighs 2.6 lb.\u003c\/li\u003e\n\u003cli\u003eWhen paired with the 24-70mm f\/2.8 S II lens, the combined total weight savings is over 1 lb compared to the first-generation zooms.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683055.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eA number of changes to the optical design have contributed to an impressive 12.7 oz weight reduction compared to the previous version: three elements have been removed from the design, more aspherical elements have been used, some glass elements have been \"thinned\", the front group now has a convex-first configuration, and there are fewer moving lens groups.\u003c\/li\u003e\n\u003cli\u003eRevised design also leads to a shorter overall length of 8.2\", which is 0.5\" shorter than the 8.7\" length of the version I lens.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683043.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eS-Line Optics\u003c\/p\u003e\u003cp\u003eIn addition to benefitting the size and weight of the lens, the updated optical design also realizes improved image quality, higher resolution, better flare resistance, and smoother bokeh.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683044.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRevised optical design features one extra-low dispersion (ED) element, one Super ED element, two aspherical elements, one aspherical ED element, one fluorite element, and one short-wavelength refractive (SR) element; these specialized elements limit various aberrations and color fringing for high sharpness and color accuracy.\u003c\/li\u003e\n\u003cli\u003eImproved optical design is also inherently more flare-resistant for stronger contrast when working in bright lighting conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683045.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSpecial attention has also been given to bokeh rendering, with an emphasis on producing smooth and natural transitions between in- and out-of-focus regions for a more three-dimensional look. Aspherical element manufacturing has been improved for a smoother look, and the lens also now has 11 rounded diaphragm blades for a more rounded bokeh appearance.\u003c\/li\u003e\n\u003cli\u003eMinimum focusing distance has also been shortened compared to the previous generation—1.25' at the 70mm position and 2.6' at the 200mm position, with a 0.3x maximum magnification at the minimum focusing distance from the 70mm position.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683074.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eRefined Anti-Glare Coatings\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNikon's Meso Amorphous Coat offers the greatest anti-reflective performance from a NIKKOR lens and outperforms the Nano Crystal Coat in regard to diagonal incident light and matches the performance of the ARNEO Coat for vertical incident light.\u003c\/li\u003e\n\u003cli\u003eARNEO Coat has still been applied for even more well-rounded anti-glare protection from all angles, and help to suppress ghosting, reflections, and flare for higher contrast and more accurate color response when working in strong lighting and backlit conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683046.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eSilky Swift VCM Autofocus\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683051.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Silky Swift Voice Coil Motor (VCM) uses magnets instead of gears to move the focusing groups at higher initials speeds and with greater accuracy and smoothness. A guide bar is also employed, which helps reduce focusing vibrations for greater continuous focusing speeds.\u003c\/li\u003e\n\u003cli\u003eThis focusing system is 3.5x faster than the previous 70-200mm f\/2.8, with 40% better focusing tracking while zooming, 17.5x more precise, and notably quieter than an STM motor.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683056.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBenefitting video use, the Silky Swift VCM is also especially quiet and the multi-focusing system also greatly reduces focus breathing for greater compositional accuracy when racking focus.\u003c\/li\u003e\n\u003cli\u003eFull-time manual focus override is also possible and an internal focusing design is used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster focusing speeds.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eProfessional Durability and Intuitive Handling\u003c\/p\u003e\u003cp\u003eBuilt for professional use in virtually any situation, the 70-200mm f\/2.8 VR S II is especially durable and reliable even with its emphasis on a smaller, lighter weight design that makes it easier to use over the course of an entire day.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683050.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eImproved Vibration Reduction (VR) system compensates for 6 stops of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/li\u003e\n\u003cli\u003eInternal zoom and internal focus designs maintain a consistent overall length for more natural handling.\u003c\/li\u003e\n\u003cli\u003eAdvanced weather sealing helps prevent dust and moisture ingress and the front element features a fluorine coating that repels dust, moisture, and makes it easier to clean.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683049.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDedicated focus and zoom rings for direct control pair with a customizable Control Ring, which can be assigned to adjust other shooting settings, including aperture, exposure compensation, and ISO.\u003c\/li\u003e\n\u003cli\u003eControl Ring now features a configurable click; an on\/off switch changes the tactile feel of the ring depending on shooting style, with the option to have a prominent click when changing settings or smooth, silent rotation to limit unwanted noise and vibration.\u003c\/li\u003e\n\u003cli\u003eTwo L-Fn buttons are featured on the lens barrel—one on top, one on the left side—and can be set to configure subject tracking, AF lock, image playback, or other modes.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683054.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBoth a protective cover bayonet sleeve and a tripod foot are included—the protective cover is a lighter weight cosmetic covering designed for use when shooting handheld whereas the tripod foot is a stable mounting point and incorporates a rotating design for seamless switching between horizontal and vertical shooting positions.\u003c\/li\u003e\n\u003cli\u003eTripod foot has been redesigned to incorporate an Arca-type dovetail design, making it directly compatible with a wide variety of tripod heads.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1771886780_IMG_2683073.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eIncluded HB-119 Lens Hood incorporates a filter adjustment window, which enables easy adjustment of rotating filter types, such as variable ND and polarizing filters.\u003c\/li\u003e\n\u003cli\u003eCompatible with optional Nikon Z-series teleconverters, which can extend the effective focal length ranges to 98-280mm with the 1.4x teleconverter and 140-400mm with the 2x teleconverter.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":52800355008829,"sku":"LENNIZ70-200F2.8II","price":52169.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/193979237d3cb53840c9faaa6156430f.png?v=1786103887"},{"product_id":"sony-cyber-shot-dsc-rx1r-iii-digital-camera","title":"Sony Cyber-shot DSC-RX1R III Digital Camera","description":"\u003cp\u003eRX1R III: Turn Memories into Art\u003c\/p\u003e\u003cp\u003eA compact, always-there camera with performance that rivals \u003cb\u003eSony\u003c\/b\u003e's professional mirrorless models, the \u003cb\u003eRX1R III\u003c\/b\u003e is the long-awaited third generation of the fixed-lens full-frame camera. Featuring a higher resolution 61MP BSI CMOS sensor, improved AF and video performance, an updated body design, larger battery, and the same beloved ZEISS Sonnar T* 35mm f\/2 prime lens from past models, this is the high-performance companion camera that melds extreme image quality with a highly portable size.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eFull-Frame Sensor, BIONZ XR, AI Processing Unit\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532637.jpg\"\u003e\u003c\/p\u003e\u003cp\u003e61MP Exmor R BSI Sensor\u003c\/p\u003e\u003cp\u003eBorrowing the proven high-resolution sensor from the a7R V and a7CR cameras, the RX1R III features the full-frame 61MP Exmor R BSI chip, along with BIONZ XR processing, that achieves incredible resolution, high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, 61MP stills with a native sensitivity range from ISO 100-32000.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532628.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eBIONZ XR Processing\u003c\/p\u003e\u003cp\u003eMatching the sensor is the adept BIONZ XR processor, which offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532640.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAI Processing Unit and Autofocus\u003c\/p\u003e\u003cp\u003eUsing dedicated processing, the RX1R III's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003c\/p\u003e\u003cul\u003e\u003cli\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532639.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.\u003c\/li\u003e\n\u003cli\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/li\u003e\n\u003cli\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532641.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAdvanced Fast Hybrid AF\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCovering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532638.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eAccurate Exposure and Color\u003c\/p\u003e\u003cp\u003eEspecially accurate metering and white balance is possible thanks to AI-powered algorithms, like Human Pose Estimation, to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532627.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eStep Crop Modes\u003c\/p\u003e\u003cp\u003eSuiting a high-resolution fixed lens camera, the RX1R III introduces Step Crop modes that simulate the field of view of lenses other than the built-in 35mm lens. By default, changing these modes is set to the C1 button and lets you cycle between 50mm (29MP) and 70mm (15MP) settings to make tighter in-camera compositions.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532626.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCreative Looks\u003c\/p\u003e\u003cp\u003eAlso befitting a fixed lens, carry-everywhere camera, a series of new Creative Look settings have been added to impart a unique aesthetic to frames straight out of the camera. There are now 12 presets total, including the classic filmic FL setting; a new nostalgic FL2 film mode; a contrasty, slicker FL3 slide film-inspired look, and IN is reminiscent of instant film.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eZEISS Sonnar T* 35mm f\/2 Lens\u003c\/p\u003e\u003cp\u003eFeaturing the same legendary lens from its predecessor, the RX1R III sports the classic ZEISS Sonnar T* 35mm f\/2 prime lens—a fast wide-angle prime well-suited to everyday shooting needs.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578487_IMG_2532623.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eBright f\/2 maximum aperture is ideal for working in a variety of lighting conditions and also offers extensive control over depth of field, for highlighting subjects with selective focus.\u003c\/li\u003e\n\u003cli\u003eOptical design includes a series of aspherical elements to render images with a high degree of sharpness and accuracy.\u003c\/li\u003e\n\u003cli\u003eNine-blade diaphragm contributes to a smooth bokeh quality.\u003c\/li\u003e\n\u003cli\u003eDedicated macro position on the lens barrel allows focusing close-up subjects from a 7.9\" to 11.8\" range; when set to normal position, the lens focuses down to 11.8\".\u003c\/li\u003e\n\u003cli\u003eLeaf shutter design enables flash sync at all mechanical shutter speeds up to 1\/4000 sec.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578487_IMG_2532621.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eCompact, Everyday Design\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752581074_IMG_2532759.jpg\"\u003e\u003c\/p\u003e\u003cp\u003ePortable Profile\u003c\/p\u003e\u003cp\u003eBuilt to be a camera to take everywhere, much attention has been focused on keeping this camera as small as possible without sacrificing on quality.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMeasuring 4.4 x 2.6 x 2.9\" and weighing 1.1 lb, the camera can easily fit in a coat pocket for everyday carry.\u003c\/li\u003e\n\u003cli\u003eNow compatible with the larger capacity NP-FW50 battery, the RX1R III is rated for approximately 300 shots per charge.\u003c\/li\u003e\n\u003cli\u003eUpdated physical design maintains a flat top plate for a sleeker, minimalist appearance.\u003c\/li\u003e\n\u003cli\u003eNew grip texture and matte coloring also contributes to a more discrete and appealing look and feel.\u003c\/li\u003e\n\u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532633.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eEVF and LCD\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAnother change in design from the previous generation, the RX1R III sheds the pop-up EVF design for a fixed position design, making the finder more reliable and intuitive to use. The EVF is a 0.39\" 2.36m-dot OLED and has a 0.7x magnification.\u003c\/li\u003e\n\u003cli\u003eThe rear LCD is a fixed 3.0\" 2.36m-dot panel and its touchscreen design suits easy navigation and Touch Af and Touch Tracking controls.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752580812_IMG_2532703.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eConnectivity\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eUSB-C port for in-camera battery charging and data transfer.\u003c\/li\u003e\n\u003cli\u003eMicro-HDMI port can be used in conjunction with an external recorder or monitor.\u003c\/li\u003e\n\u003cli\u003e3.5mm microphone port supports the use of an external mic.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports an external flash or working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\n\u003cli\u003eA nod to tradition, the shutter button is also threaded to accept a conventional cable release for making shake-free long exposures.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eVideo Recording\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRecord full frame, 30 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 300 Mb\/s.\u003c\/li\u003e\n\u003cli\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDedicated Accessories\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1752578530_IMG_2532644.jpg\"\u003e\u003c\/p\u003e\u003cp\u003eA trio of dedicated, optional accessories can improve your shooting experience with the RX1R III:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eLHP-1 Lens Hood is a matched hood for the ZEISS Sonnar T* 35mm f\/2 lens and shields it to prevent lens flare while also offering some physical protection to the front of the lens.\u003c\/li\u003e\n\u003cli\u003eLCS-RXL Body Case is a fitted, leather-like case that protects the camera and maintains access to the ports, battery, and card slot while also keeping it at the ready for spontaneous shoots.\u003c\/li\u003e\n\u003cli\u003eTG-2 Thumb Grip enhances grip comfort and provides a more secure feeling for one-handed shooting. It connects to the camera via the Multi Interface shoe and is hinged to flip away if desired.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":52800371294525,"sku":"CAMSODSRX1RM3","price":104347.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/9b70cc7221cc2f5649a8e92889c4f6c7.png?v=1786104079"},{"product_id":"sony-fe-50-150mm-f2-gm-lens","title":"Sony FE 50-150mm F2 GM Lens","description":"\u003cp\u003eHigh-Speed Portrait Zoom\u003c\/p\u003e\u003cp\u003eUniquely fast and versatile, the \u003cb\u003eFE 50-150mm f\/2 GM\u003c\/b\u003e, from \u003cb\u003eSony\u003c\/b\u003e, is a normal- to short-telephoto zoom distinguished by its impressively bright f\/2 constant maximum aperture. Ideal for portraiture, weddings, events, and indoor and close-range sports, this lens is also a good choice for photographers and videographers looking to replace a handful of primes with a single fast zoom without sacrificing on speed.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eG Master Performance\u003c\/p\u003e\u003cp\u003eSony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 50-150mm f\/2 checks all of these boxes as it sets out to be a single lens replacement for several primes.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475157.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eConstant f\/2 maximum aperture is a full stop faster than an f\/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation.\u003c\/li\u003e\n\u003cli\u003eXA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475161.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eNano AR Coating II suppress flare for rich contrast and bright colors in a variety of lighting conditions.\u003c\/li\u003e\n\u003cli\u003eFloating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.3' minimum focusing distance.\u003c\/li\u003e\n\u003cli\u003eRounded 11-blade diaphragm results in smooth, circular bokeh quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eDesigned for Hybrid Shooters\u003c\/p\u003e\u003cp\u003eAs a lens equally suited for photography and filmmaking purposes, the 50-150mm f\/2 GM has a number of useful features in its design to benefit its hybrid use:\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475160.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFour XD (extreme dynamic) linear motors generate fast and responsive AF performance that's equally quiet and smooth. The focusing system is compatible with continuous shooting speeds up to 120 fps or high-speed video recording at up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eInternal focusing design promotes quicker focusing speeds and maintains the lens length during use.\u003c\/li\u003e\n\u003cli\u003eInternal zoom maintains the overall length of the lens during operation, as well as keeps a consistent center of gravity for easier use on a gimbal or tripod.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475162.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFocus breathing has been greatly reduced optically and the lens supports the Breathing Compensation function in select cameras to effectively eliminate angle of view shifts while changing the zoom position.\u003c\/li\u003e\n\u003cli\u003eManual aperture ring offers tactile exposure control and the ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/li\u003e\n\u003cli\u003eThe lens weighs about 3 lb, however much of this weight is at the rear of the lens for a balanced design that promotes comfortable handheld use.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003ePortable and Nimble Design\u003c\/p\u003e\u003cp\u003eDespite its huge maximum aperture and versatile range, this 50-150mm f\/2 still manages a portable, relatively lightweight design that's suitable for handheld shooting and everyday use.\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475156.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMeasuring 7.9\" long and weighing about 3 lb, this lens is nearly the same size and approximately 30% heavier than the FE 70-200mm f\/2.8 GM OSS II while managing to be twice as bright.\u003c\/li\u003e\n\u003cli\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/li\u003e\n\u003cli\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1745317473_IMG_2475154.jpg\"\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHybrid construction uses both metal and plastic components to maximize both durability and a low weight design.\u003c\/li\u003e\n\u003cli\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/li\u003e\n\u003cli\u003eIncluded lens hood features a locking button and a filter window for easier adjustment of rotating filters (e.g. polarizers, variable NDs).\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\n\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":52800372343101,"sku":"LENSOE50150GM","price":69564.95,"currency_code":"ZAR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/files\/3cbfd7c0ebbb6fed0dd9fc8f343a2827.png?v=1786104110"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/5870\/8285\/collections\/Tipa_20Logo1787648506.png?v=1787651330","url":"https:\/\/www.icilylive.co.za\/collections\/tipa-world-awards.oembed","provider":"Icily Live","version":"1.0","type":"link"}